Michael R. Stead introduces the books of Haggai, Zechariah, and Malachi in light of the latest biblical scholarship. Over the past four decades, there has been an explosion of interest in the postexilic prophets and their role within the Book of the Twelve, which has coincided with paradigm shifts in biblical studies generally. This study guide integrates insights from both historio-critical and literary approaches to examine the authorship, form, structure, and composition of these texts. In particular, this guide explores how the intertextual connections with other scriptures help to shape their meaning. It includes a concise section-by-section overview that highlights key interpretive issues and guides readers in their approach to the text.

Sight and Insight shows how prominent are terms from the semantic field of sight in the book of Genesis. They are constantly found in openings, at turning points, and as constituents in place-names and personal names. Because of their presence at strategic points in the plot of Genesis, words of sight enhance cohesion among the narratives of the book. From the beginning of time, according to Genesis, there have been numerous instances of seeing on the part of both God and humans. But as Genesis progresses, God gradually becomes more hidden and his seeing gives place to human perception. These observations are built upon a sound theoretical foundation, outlined in the opening chapter, which provides a clear definition of the concept of 'semantic field' and an explanation of related semantic terms such as 'frames' and 'prototypes'. Subsequent chapters identify the words that can be assigned to the 'sight' field, examine the deployment of the sight field in individual narratives in Genesis, and study the sight field over larger sections of the book. This is the sixth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.

This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.

The biblical apocalyptic books of Daniel and Revelation are, for better or worse, polarizing. Interpreters have long read and searched these books for clues about how their worlds will "end," which each new interpreter promising to have "unlocked" how Daniel and Revelation work together to uncover a divine plan for prophetic fulfillment. Redding uses the Vision of the Fourth Beast from Daniel 7 as a case study to consider how interpretations of texts take on lives of their own, eventually wedding interpretation with text and prompting the question: what even is a text? Is it what is on the page, something interpreters put there, or a combination of both? Starting with the literature of the Levant, this work traces the use of motifs, images, and themes through Daniel, Revelation, and into pre-Enlightenment Christian thinkers to consider hermeneutical trajectories that shaped (and continue to shape) how modern readers engage biblical apocalyptic literature.

Antonios Finitsis provides a distinctive view social worldview and message of Zechariah. Zechariah 1-6 is unlike most of the prophets in the Hebrew Bible. He is pro-establishment and he conveys his message mostly with visions. These observations have led to scholarly disagreements as to how one should understand his role. Antonios Finitsis mediates this disagreement by triangulating the relationship of Zechariah's visionary mode of expression, his message and his function. Zechariah has often been seen as a link between prophecy and apocalypticism. However, Finitsis argues again assuming the presence of this link - warning against the potential for reductionist thinking. Furthermore, Proto-Zechariah's viewpoint is particular to the post-exilic social setting. His visions are influenced by the social circumstances in which they are expressed. Proto-Zechariah refers to the near future using elements from the community's present. Therefore, Finitsis defines the message of Proto-Zechariah one of restoration eschatology, suggesting that the text is addressed to a small province plagued by inner-community conflicts. The text succeeds in alleviating social discord by empowering the people to rebuild their community. This presents a unique and challenging understand of Zechariah's prophetic role. "The Library of Second Temple Studies" is a premier book series that offers cutting-edge work for a readership of scholars, teachers, postgraduate students and advanced undergraduates in the field of Second Temple studies. All the many and diverse aspects of Second Temple study are represented and promoted, including innovative work from historical perspectives, studies using social-scientific and literary theory, and developing theological, cultural and contextual approaches.

A key text in the study of the minor prophets, this volume by distinguished academic William Rainey Harper offers a comprehensive look at the pre-prophetic movement, and in-depth analysis of meaning and literary form in these prophetic works.

The book of Chronicles, the last book of the Hebrew Bible and a central historical book of the Christian Old Testament, has in recent decades gone from being "the Cinderella of biblical studies" to being one of the most researched books of the Bible. The anonymous author, often simply called "the Chronicler" by modern scholars, looks back at the old Israelite monarchy, before the Babylonian exile, from his vantage point in the post-exilic early Second Temple Period, and attempts to "update" the older historiographies of Samuel and Kings in order to elucidate their meaning to the people of his own time. In The Chronicles of the Kings of Judah, Yigal Levin does the same for the modern reader. He offers a brand-new translation and commentary on 2 Chronicles chapters 10-36, tracing the "sacred history" of the monarchy from the division of Solomon's kingdom to the final exile and return. Each chapter is translated from the original Hebrew into an English that is both faithful to the original and easy for the modern reader to follow. Extensive footnotes provide full explanations of the translator's choices and of linguistic and literary issues, taking note of alternative versions offered by a wide array of ancient and modern versions and translations. The comprehensive commentary on each section provides historical background and explains the text both on a literary and a historical level, making full use of the most up-to-date research on the text, literature, history, geography and on the archaeological background of the biblical world. The Chronicles of the Kings of Judah is to be followed by The Chronicles of David and Solomon on 1 Chronicles 10 - 2 Chronicles 9, and then by The Chronicles of All Israel on the genealogies of 1 Chronicles 1-9 and including comprehensive essays on the book of Chronicles, its time, purposes, methods and meanings.

Since the seventies, no study has examined the methodologies of Josephus' rewriting of an entire biblical book as part of his Judean Antiquities. This book attempts to fill this vacuum by exploring Josephus' adaptation of the books of Samuel, penetrating the exegetical strategies he employs to modify the biblical stories for his intended audience. Through meticulous comparison of the biblical narrative and Josephus' Antiquities, broader issues - such as Josephus' attitude towards monarchy and women - gradually come to light, challenging long-held assumptions. This definitive exploration of Josephus' rewriting of Samuel illuminates the encounter between the ancient texts and its relevance to scholarly discourse today.

In this book, Trevaskis argues that holiness in Leviticus always has an ethical dimension, and is not simply a cultic category. In so doing he departs from the usual view that in Leviticus 1-16 (P) holiness is largely a cultic concept. Biblical scholars have commonly read ritual texts as practical instruction or prescription, inferring the theological significance of the rituals from elsewhere. For example, theological interpretations of the 'burnt offering' have been derived from its use in narrative settings (e.g. Gen. 8.20; 22.13) rather than from its legal prescription in Leviticus 1. Trevaskis, however, argues that an implicit command to be holy exists within some ritual texts in Leviticus, which are more than mere ritual prescriptions. It is in the symbolic dimensions of the rituals that the theological significance lies. In support of this argument, he undertakes exegetical studies of the 'burnt offering' (Leviticus 1), of the 'purity regulations' (Leviticus 11_15) and of the physical appearance of priests and sacrificial animals (Leviticus 21-22). These studies take place within a methodological framework that avoids capricious symbolic interpretations. Trevaskis draws on cognitive linguistic insights to discern when a text may allude to other texts within the Pentateuch (especially Genesis 1-3), and attends to the legislator's use of various rhetorical devices (e.g. 'rhetorical progression'). Since the command to 'be holy' in Leviticus 17-26 (H) only makes explicit what P leaves implicit in Leviticus 1-16, this study has important implications for the compositional history of Leviticus. It becomes much less clear that H's ethical view of holiness developed from a prophetic critique of P (as Milgrom and Knohl, for example, argue).

Evolutionary science teaches that humans arose as a population, sharing common ancestors with other animals. Most readers of the book of Genesis in the past understood all humans descended from Adam and Eve, a couple specially created by God. These two teachings seem contradictory, but is that necessarily so? In the fractured conversation of human origins, can new insight guide us to solid ground in both science and theology? In The Genealogical Adam and Eve, S. Joshua Swamidass tests a scientific hypothesis: What if the traditional account is somehow true, with the origins of Adam and Eve taking place alongside evolution? Building on well-established but overlooked science, Swamidass explains how it's possible for Adam and Eve to be rightly identified as the ancestors of everyone. His analysis opens up new possibilities for understanding Adam and Eve, consistent both with current scientific consensus and with traditional readings of Scripture. These new possibilities open a conversation about what it means to be human. In this book, Swamidass untangles several misunderstandings about the words human and ancestry, in both science and theology explains how genetic and genealogical ancestry are different, and how universal genealogical ancestry creates a new opportunity for rapprochement explores implications of genealogical ancestry for the theology of the image of God, the fall, and people "outside the garden" Some think Adam and Eve are a myth. Some think evolution is a myth. Either way, the best available science opens up space to engage larger questions together. In this bold exploration, Swamidass charts a new way forward for peace between mainstream science and the Christian faith.

Micah Kiel discusses the overly simplistic nomenclature ('Deuteronomistic') given to Tobit's perspective on retribution and attempts to show, by coordinating it with Sirach and parts of 1 Enoch, how the book's view is much more complex than is normally asserted. Kiel argues that the return of Tobit's sight is a catalyst that ushers in new theological insight, specifically, that the world does not run to the tightly mechanized scheme of act and consequence. Kiel's close comparison between Tobit and selected contemporaneous literature provides context and support for such narrative observations. Sirach and parts of 1 Enoch demonstrate how authors at the time of Tobit were expressing their views of retribution in the realm of creation theology. The created order in Tobit is unruly and rises up in opposition to God's righteous characters. By way of this quirky tale, the author of Tobit suggests that God does not function strictly according to old formulae. Instead, a divine incursion into human reality is necessary for the reversal of suffering.

A neglected area of study of the letter to the Hebrews is the function of the Old Testament in the letter's logic. Compton addresses this neglect by looking at two other ideas that have themselves received too little attention, namely (1) the unique and fundamental semantic contribution of Hebrews' exposition (vis-a-vis its exhortation) and (2) the prominence of Ps 110 in the author's exposition. The conclusion becomes clear that Hebrews' exposition-its theological argument-turns, in large part, on successive inferences drawn from Ps 110:1 and 4. Compton observes that the author uses the text in the first part of his exposition to (1) interpret Jesus' resurrection as his messianic enthronement, (2) connect Jesus' enthronement with his fulfillment of Ps 8's vision for humanity and, thus, (3) begin to explain why Jesus was enthroned through suffering. In the second and third parts of his exposition, the author uses the text to corroborate the narrative initially sketched. Thus, he uses the text to (1) show that messiah was expected to be a superior priest and, moreover, (2) show that this messianic priest was expected to solve the human problem through death.

The Book of Job is one of the most celebrated pieces of biblical literature, probing profound questions about faith. It is a beautifully written work, combining two literary forms, framing forty chapters of verse between two and a half chapters of prose at the beginning and the end. The Book of Job is presented here in five different versions: The King James Version, Douay-Rheims, The American Standard, Bible in Basic English and the Webster Bible Version.

King Jehoiachin, the last Judahite king exiled to Babylon, became the focus of conflicting hopes and fears about a revived Davidic kingship after the exile. As Sensenig demonstrates, this conflict stemmed from a drastic oracle from Jeremiah that seemed to categorically reject Jehoiachin, while the canon records that he not only survived but thrived in exile.

A translation by David E. Orton of Die Klagegedichte des Jeremia, the seminal work by Walter Baumgartner examining the so-called 'confessions' of Jeremiah.

Across the pages of 2 Chronicles a colourful cast of characters passes in breathless parade before the reader. The tales of the kings of Judah are told in sequence, from Rehoboam 'the Enlarger' (who on the contrary shrinks the kingdom) to Zedekiah 'the Righteous' (who equally contrariwise profanes the divine name). These motley monarchs are preceded by the unparalleled King Solomon of All Israel and succeeded by the imperial King Cyrus of Persia, and all the while the tellers of the tales weave an insistent ideological thread through the fabric of their stories. John Jarick's reading of Chronicles brings out the fascination and discomfort of handling an ancient scroll that presents itself as the authoritative account of how things were and how they ought to be.