The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty comparatively studies the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy's global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice. Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism, in addition to Sunzi's Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. The work ameliorates Western philosophy's hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.

The "counterpoint" to The Art of War--an inspiring collection of sayings and teachings on the peaceful resolution of conflict. Unlike other popular Eastern philosophies which accept the inevitability of violence as a means to victory--such as Musashi's Book of Five Rings--Aikido fosters fearlessness, wisdom, and compassion and is based on the universal principles of harmony and love of life.

In 1917, the Beijing silk merchant Wei Enbo's vision of Jesus sparked a religious revival, characterized by healings, exorcisms, tongues-speaking, and, most provocatively, a call for a return to authentic Christianity that challenged the Western missionary establishment in China. This revival gave rise to the True Jesus Church, China's first major native denomination. The church was one of the earliest Chinese expressions of the twentieth century charismatic and Pentecostal tradition which is now the dominant mode of twenty-first century Chinese Christianity. To understand the faith of millions of Chinese Christians today, we must understand how this particular form of Chinese community took root and flourished even throughout the wrenching changes and dislocations of the past century. The church's history links together key themes in modern Chinese social history, such as longstanding cultural exchange between China and the West, imperialism and globalization, game-changing advances in transport and communications technology, and the relationship between religious movements and the state in the late Qing (circa 1850-1911), Republican (1912-1949), and Communist (1950-present-day) eras. Vivid storytelling highlights shifts and tensions within Chinese society on a human scale. How did mounting foreign incursions and domestic crises pave the way for Wei Enbo, a rural farmhand, to become a wealthy merchant in the early 1900s? Why did women in the 1920s and 30s, such as an orphaned girl named Yang Zhendao, devote themselves so wholeheartedly to a patriarchal religious system? What kinds of pressures induced church leaders in a meeting in the 1950s to agree that "Comrade Stalin" had saved many more people than Jesus? This book tells the striking but also familiar tale of the promise and peril attending the collective pursuit of the extraordinary-how individuals within the True Jesus Church in China over the past century have sought to muster divine and human resources to transform their world.

This third volume of "Princeton Readings in Religions" demonstrates that the "three religions" of China--Confucianism, Daoism, and Buddhism (with a fourth, folk religion, sometimes added)--are not mutually exclusive: they overlap and interact with each other in a rich variety of ways. The volume also illustrates some of the many interactions between Han culture and the cultures designated by the current government as "minorities." Selections from minority cultures here, for instance, are the folktale of Ny Dan the Manchu Shamaness and a funeral chant of the Yi nationality collected by local researchers in the early 1980s. Each of the forty unusual selections, from ancient oracle bones to stirring accounts of mystic visions, is preceded by a substantial introduction. As with the other volumes, most of the selections here have never been translated before.

Stephen Teiser provides a general introduction in which the major themes and categories of the religions of China are analyzed. The book represents an attempt to move from one conception of the "Chinese spirit" to a picture of many spirits, including a Laozi who acquires magical powers and eventually ascends to heaven in broad daylight; the white-robed Guanyin, one of the most beloved Buddhist deities in China; and the burning-mouth hungry ghost. The book concludes with a section on "earthly conduct."

How can people living in one of the poorest countries in the world be among the most charitable? In this book, Hiroko Kawanami examines the culture of giving in Myanmar, and explores the pivotal role that Buddhist monastic members occupy in creating a platform for civil society. Despite having at one time been listed as one of the poorest countries in the world in GNP terms, Myanmar has topped a global generosity list for the past four years with more than 90 percent of the population engaged in 'giving' activities. This book explores the close relationship that Buddhists share with the monastic community in Myanmar, extending observations of this relationship into an understanding of wider Buddhist cultures. It then examines how deeply the reciprocal transactions of giving and receiving in society - or interdependent living - are implicated in the Buddhist faith. The Culture of Giving in Myanmar fills a gap in research on Buddhist offerings in Myanmar, and is an important contribution to the growing field of Myanmar studies and anthropology of Buddhism.

Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an "Eastern Approach" into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.

This book draws attention to a striking aspect of contemporary Japanese culture: the prevalence of discussions and representations of "spirits" (tama or tamashii). Ancestor cults have played a central role in Japanese culture and religion for many centuries; in recent decades, however, other phenomena have expanded and diversified the realm of Japanese animism. For example, many manga, anime, TV shows, literature, and art works deal with spirits, ghosts, or with an invisible dimension of reality. International contributors ask to what extent these are cultural forms created by the media for consumption, rather than manifestations of "traditional" ancestral spirituality in their adaptations to contemporary society. Spirits and Animism in Contemporary Japan considers the modes of representations and the possible cultural meanings of spirits, as well as the metaphysical implications of contemporary Japanese ideas about spirits. The chapters offer analyses of specific cases of "animistic attitudes" in which the presence of spirits and spiritual forces is alleged, and attempt to trace cultural genealogies of those attitudes. In particular, they present various modes of representation of spirits (in contemporary art, architecture, visual culture, cinema, literature, diffuse spirituality) while at the same time addressing their underlying intellectual and religious assumptions.

The most common Buddhist practice in Asia is bowing, yet Buddhist and Christian Responses to the Kowtow Problem is the first study of Buddhist obeisance in China. In Confucian ritual, everyone is supposed to kowtow, or bow, to the Chinese emperor. But Buddhists claimed exemption from bowing to any layperson, even to their own parents or the emperor. This tension erupted in an imperial debate in 662. This study first asks how and why Buddhists should bow (to the Buddha, and to monks), and then explores the arguments over their refusing to bow to the emperor. These arguments take us into the core ideas of Buddhism and imperial power: How can one achieve nirvana by bowing? What is a Buddha image? Who is it that bows? Is there any ritual that can exempt a subject of the emperor? What are the limits of the state's power over human bodies? Centuries later, Christians had a new set of problems with bowing in China, to the emperor and to "idols." Buddhist and Christian Responses to the Kowtow problem compares these cases of refusing to bow, discusses modern theories of obeisance, and finally moves to examine some contemporary analogies such as refusing to salute the American flag. Contributing greatly to the study of the body and power, ritual, religion and material culture, this volume is of interest to scholars and students of religious studies, Buddhism, Chinese history and material culture.

This book is intended to give the seeker of Truth a devotional practice that is designed to aid in the ultimate goal of union with God or the Divine. The Sai Krishna Premopasana assists the seeker to become aware of the divinity that is inherent within us all. When the act of love, the lover, and the object of love all become one, the individual disappears into Pure Being-into that which is eternal. The Sri Sai Krishna Mandalam-the Yantra of Sw ta Dweepam (Golokam)-was specifically prepared to help those interested in Sai Krishna Premopasana. This approach has seven steps and each step has its own mantra and tantra. The seventh step is the ultimate step representing the seat of Consciousness. Religions are many but the goal is one, and the language of love is the universal way to this realization.

Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness? Is the aching urgency of your haste the sole reason why your tangled tresses break into stormy riot and pearls of fire roll along your path as from a broken necklace? Your fleeting steps kiss the dust of this world into sweetness, sweeping aside all waste; the storm centred with your dancing limbs shakes the sacred shower of death over life and freshens her growth.

An unabridged edition to include: Wherein I Bow to the Reader - A Prelude to the Quest - A Magician Out of Egypt - I Meet A Messiah - The Anchorite of the Adyar River - The Yoga Which Conquers Death - The Sage Who Never Speaks - With The Spiritual Head of South India - The Hill of the Holy Beacon - Among The Magicians And Holy Men - The Wonder-Worker of Benares - Written in the Stars - The Garden of the Lord - At the Parsee Messiah's Headquarters - A Strange Encounter - In a Jungle Hermitage - Tablets of Forgotten Truth