The Zheng family of merchants and militarists emerged from the tumultuous seventeenth century amid a severe economic depression, a harrowing dynastic transition from the ethnic Chinese Ming to the Manchu Qing, and the first wave of European expansion into East Asia. Under four generations of leaders over six decades, the Zheng had come to dominate trade across the China Seas. Their average annual earnings matched, and at times exceeded, those of their fiercest rivals: the Dutch East India Company. Although nominally loyal to the Ming in its doomed struggle against the Manchus, the Zheng eventually forged an autonomous territorial state based on Taiwan with the potential to encompass the family's entire economic sphere of influence. Through the story of the Zheng, Xing Hang provides a fresh perspective on the economic divergence of early modern China from western Europe, its twenty-first-century resurgence, and the meaning of a Chinese identity outside China.

In the medieval world, geographical knowledge was influenced by religious ideas and beliefs. Whereas this point is well analysed for the Latin-Christian world, the religious character of the Arabic-Islamic geographic tradition has not yet been scrutinised in detail. This volume addresses this desideratum and combines case studies from both traditions of geographic thinking. The contributions comprise in-depth analyses of individual geographical works as for example those of al-Idrisi or Lambert of Saint-Omer, different forms of presenting geographical knowledge such as TO-diagrams or globes as well as performative aspects of studying and meditating geographical knowledge. Focussing on texts as well as on maps, the contributions open up a comparative perspective on how religious knowledge influenced the way the world and its geography were perceived and described int the medieval world.

In the wake of its defeat in World War II, as Japan was forced to remake itself from "empire" to "nation" in the face of an uncertain global situation, literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of a number of important issues, including the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of "literature" and "politics," and the origins of crucial ideological weapons of the cultural Cold War. This collection features works by Japanese intellectuals written in the immediate postwar period. These writings-many appearing in English for the first time-offer explorations into the social, political, and philosophical debates among Japanese literary elites that shaped the country's literary culture in the aftermath of defeat.

The surprise of the Yom Kippur War rivals that of the other two major strategic surprises in the 20th century Operation Barbarossa, the 1941 German surprise attack on the Soviet Union and the bombing of Pearl Harbor. The major difference between these events is that Israeli intelligence had a lot more and better quality information leading up to the attack than did the Americans or the Soviet Union prior to those attacks. Why, then, was the beginning of the war such a surprise? The sudden eruption of the Yom Kippur War in 1973 took Israel and the world by surprise. While many scholars have tried to explain why Israel was caught unawares despite its sophisticated military intelligence services, Dalia Gavriely-Nuri looks beyond the military, intelligence, and political explanations to a cultural explanation. Israeli Culture on the Road to the Yom Kippur War reveals that the culture that evolved in Israel between the Six Day War and the Yom Kippur War played a large role in the surprise. Gavriely-Nuri lays out the cultural environment at the time to show that an attack of any kind would have been experienced as a strategic surprise despite the amount of intelligence available.

This comprehensive volume traces the evolution of Japanese military history-from 300 AD to present day foreign relations-and reveals how the country's cultural views of power, violence, and politics helped shape Japan's long and turbulent history of war. The legacy of Japanese warfare is steeped in honor, duty, and valor. Yet, some of the more violent episodes in this country's military history have tainted foreign attitudes toward Japan, oftentimes threatening the economic stability of the Pacific region. This book documents Japan's long and stormy history of war and military action, provides a thorough analysis of the social and political changes that have contributed to the evolution of Japan's foreign policy and security decisions, and reveals the truth behind the common myths and misconceptions of this nation's iconic war symbols and events, including samurais, warlords, and kamikaze attacks. Written by an author with military experience and insight into modern-day Japanese culture gained from living in Japan, A Military History of Japan: From the Age of the Samurai to the 21st Century examines how Japan's history of having warrior-based leaderships, imperialist governments, and dictators has shaped the country's concepts of war. It provides a complete military history of Japan-from the beginning of the Imperial institution to the post-Cold War era-in a single volume. This thoughtful resource also contains photos, maps, and a glossary of key Japanese terms to support learning. Compiles Japan's complete military history in one volume Reveals the strategic blunders and poor choices that led to Japan's surrender to the United States in 1945 Provides in-depth coverage of the popular and compelling Samurai, Imperial, and Shogun periods of history

This book examines the development of wartime culture in the city of Guilin, Guangxi Province, in southwestern China during a major part of the country's war of resistance against Japanese invasion between 1938 and 1944. This study challenges existing historiography on China's wartime culture at three levels. First, the Guangxi warlord group played a crucial role in maintaining regional security, providing a liberalized political environment for wartime cultural activities and facilitating wartime nationalist-communist relations at both local and national levels. Second, wartime culture was more literary than political and it reflected a powerful intellectual vigor that was an indispensable component of China's war efforts. Intellectuals of different social and political backgrounds were their own "organic" selves feeling no pressure to come to intellectual consensus in literary production. Third, wartime culture was characterized by the active participation of many international groups, political organizations, and foreign individuals. The literary works produced in Guilin between 1938 and 1944 clearly reflected a combination of Chinese national and international anti-fascist and anti-military sentiment. Chinese literary masterpieces were translated into different foreign languages and noted foreign literature and political works were introduced to Chinese audiences through various cultural and political exchange programs in the city.

A study at many levels of Scott's long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author's initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem's discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you." Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but "for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America." Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our "second nature." The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.

In May 1992 political and social tensions in the former Soviet Republic of Tajikistan escalated to a devastating civil war, which killed approximately 40,000-100,000 people and displaced more than one million. The enormous challenge of the Soviet Union's disintegration compounded by inner-elite conflicts, ideological disputes and state failure triggered a downward spiral to one of the worst violent conflicts in the post-Soviet space. This book explains the causes of the Civil War in Tajikistan with a historical narrative recognizing long term structural causes of the conflict originating in the Soviet transformation of Central Asia since the 1920s as well as short-term causes triggered by Perestroika or Glasnost and the rapid dismantling of the Soviet Union. For the first time, a major publication on the Tajik Civil War addresses the many contested events, their sequences and how individuals and groups shaped the dynamics of events or responded to them. The book scrutinizes the role of regionalism, political Islam, masculinities and violent non-state actors in the momentous years between Perestroika and independence drawing on rich autobiographical accounts written by key actors of the unfolding conflict. Paired with complementary sources such as the media coverage and interviews, these autobiographies provide insights how Tajik politicians, field commanders and intellectuals perceived and rationalized the outbreak of the Civil War within the complex context of post-Soviet decolonization, Islamic revival and nationalist renaissance.