How does a craft reinvent itself as `traditional' following cultural, social and political upheaval? In the township of Dingshu, Jiangsu province of China, artisans produce zisha or Yixing teapots that have been highly valued for centuries. Yet in twentieth-century socialist imagination, handicrafts were an anomaly in a modern society. The Maoist government had clear ambitions to transform the country by industrialization, replacing craft with mechanized methods of production. Four decades later, some of the same artisans identified as `backward' handicraft producers in the 1950s and made to join workers' cooperatives, were now encouraged to set up private workshops, teach their children and become entrepreneurs. By the 2000s ceramic production in Dingshu is booming and artisans are buying their first cars, often luxury brands. However, many involvements of the Chinese state are apparent, from the control of raw materials, to the inscription of the craft on China's national list of intangible cultural heritage. In this perceptive study, Gowlland argues that this re-evaluation of heritage is no less inherently political than the collectivism of the communist regime. Reflecting that the craft objects, although produced in very different contexts, have remained virtually the same over time and that it is the artisans' subjectivities that have been transformed, he explores the construction of mastery and its relationship to tradition and authenticity, bringing to the fore the social dimension of mastery that goes beyond the skill of simply making things, to changing the way these things are perceived, made and talked about by others.

In Authoritarian Modernization in Indonesia's Early Independence Period, Farabi Fakih offers a historical analysis of the foundational years leading to Indonesia's New Order state (1966-1998) during the early independence period. The study looks into the structural and ideological state formation during the so-called Liberal Democracy (1950-1957) and Sukarno's Guided Democracy (1957-1965). In particular, it analyses how the international technical aid network and the dominant managerialist ideology of the period legitimized a new managerial elite. The book discusses the development of managerial education in the civil and military sectors in Indonesia. The study gives a strongly backed argument that Sukarno's constitutional reform during the Guided Democracy period inadvertently provided a strong managerial blueprint for the New Order developmentalist state.

Contrary to the usual sympathetic image of Kang Youwei found in historical studies, The Big Cheat offers a starkly negative portrayal of Kang. Its author, Huang Shizhong, a late Qing revolutionary and prolific author of over 20 novels, depicts Kang as a lifelong master fraud. His attack on Kang sheds light on the reform-revolution divide featured in every narrative about the rise of modern China. Huang’s novel stands as a period testimony to the political and ideological struggles for China’s future during the last years of the Qing dynasty before it fell in 1912. This is the first English language edition of the novel, translated by Luke S. K. Kwong, who offers an extensive introduction contextualizing Huang's novel in historical perspective.

Ibn Babawayh - also known as al-Shaykh al-Saduq - was a prominent Twelver Shi'i scholar of hadith. Writing within the first century after the vanishing of the twelfth imam, al-Saduq represents a pivotal moment in Twelver hadith literature, as this Shi'i community adjusted to a world without a visible imam and guide, a world wherein the imams could only be accessed through the text of their remembered words and deeds. George Warner's study of al-Saduq's work examines the formation of Shi'i hadith literature in light of these unique dynamics, as well as giving a portrait of an important but little-studied early Twelver thinker. Though almost all of al-Saduq's writings are collections of hadith, Warner's approach pays careful attention to how these texts are selected and presented to explore what they can reveal about their compiler, offering insight into al-Saduq's ideas and suggesting new possibilities for the wider study of hadith.

For six years Octavio Paz served as Mexico's ambassador to India--an experience that forever changed his life. Now, in Paz's most personal work of prose to date, the Nobel Prize Laureate brings his poetic insight and voluminous knowledge to bear on a vast and extraordinary subject: the culture, landscape, and essence of India.

A gorgeously illustrated introduction to Chinese New Year, written by Eva Wong Nava and illustrated by Li Xin. 'Twelve animals, one for each year, each one with their own special powers. It all started with a race to cross the most heavenly of rivers.' Chinese New Year is right around the corner and Mai-Anne is so excited! As her family start decorating the house, there's a knock on the door... her grandmother, Nai Nai, has arrived! They start their celebrations with a traditional meal filled with fish for good luck, noodles for long life, dumplings for blessings and a WHOLE chicken. Then after dinner Nai Nai tells the story of how Chinese New year began, with the Great Race! Join Mai-Anne as she learns about twelve animals and their special powers in the story of how Chinese New Year began! A beautifully illustrated introduction to the true meaning of Chinese New Year and family traditions for little ones A love letter to all the grandparents in the world Features some non-fiction facts on the last pages for especially curious minds about Chinese New Year, including different countries' traditions Illustrations of China Towns around the world on the first and last pages Written and illustrated by two brilliantly talented Asian women

Breaching the Bronze Wall deals with the idea that the words of honorable Muslims constitutes proof and that written documents and the words of non-Muslims are of inferior value. Thus, foreign merchants in cities such as Istanbul, Damascus or Alexandria could barely prove any claim, as neither their contracts nor their words were of any value if countered by Muslims. Francisco Apellaniz explores how both groups labored to overcome the 'biases against non-Muslims' in Mamluk Egypt's and Syria's courts and markets (14th-15th c.) and how the Ottoman conquest (1517) imposed a new, orthodox view on the problem. The book slips into the Middle Eastern archive and the Ottoman Divan, and scrutinizes shari'a's intricacies and their handling by consuls, dragomans, qadis and other legal actors.

In Alcohol in Early Java: Its Social and Cultural Significance, Jiri Jakl offers an account of the production, trade, and consumption of alcohol in Java before 1500 CE, and discusses a whole array of meanings the Javanese have ascribed to its use. Though alcohol is extremely controversial in contemporary Islamic Java, it had multiple, often surprising, uses in the pre-Islamic society.

The pre-Islamic warrior-poet 'Antarah ibn Shaddad, a composer of one of the Mu'allaqat, attracted the attention of the philologists who were active in Iraq at the nascence of the scholarly study of Arabic. These philologists collected and studied the diwan of 'Antarah as part of their recovery and codification of the Jahiliyyah: 'Antarah became one of the Six Poets, a collection of pre-Islamic poets associated with al-Asma'i, "the father of Arabic philology." Two centuries later, in al-Andalus, al-Shantamari and al-Batalyawsi composed their commentaries on the diwans of the Six Poets. This study uncovers the literary history of 'Antarah's diwan and presents five editions, with critical apparatus, of the extant recensions, based on an extensive collation of the surviving manuscripts. An Arabic edition with English scholarly apparatus.

Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator's oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph's main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition-those tales that have withstood the test of time. Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-a-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.

The third in a new series, the Contemporary Archive of the Islamic World (CAIW), this title draws on the resources of Cambridge-based World of Information, which since 1975 has followed the politics and economics of the region. Kuwait's documented history begins in the mid-19th Century. Its location established it as an important entrepot at the head of the Arabian Gulf. Notionally under Ottoman rule, it became a de facto protectorate of Great Britain. The discovery of oil changed Kuwait beyond recognition. It gained full independence in 1971 and was long considered the most developed state in the Gulf. Coveted by Iraq, it was invaded in 1990. It also played a part in the2003 invasion of Iraq.

The qasidah and the qit'ah are well known to scholars of classical Arabic literature, but the maqtu', a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say "Epigram" in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.