This volume explores social practices of framing, building and enacting community in urban-rural relations across medieval Eurasia. Introducing fresh comparative perspectives on practices and visions of community, it offers a thorough source-based examination of medieval communal life in its sociocultural complexity and diversity in Central and Southeast Europe, South Arabia and Tibet. As multi-layered social phenomena, communities constantly formed, restructured and negotiated internal allegiances, while sharing a topographic living space and joint notions of belonging. The volume challenges disciplinary paradigms and proposes an interdisciplinary set of low-threshold categories and tools for cross-cultural comparison of urban and rural communities in the Global Middle Ages. Contributors are Maaike van Berkel, Hubert Feiglstorfer, Andre Gingrich, Karoly Goda, Elisabeth Gruber, Johann Heiss, Katerina Hornickova, Eirik Hovden, Christian Jahoda, Christiane Kalantari, Odile Kommer, Fabian Kummeler, Christina Lutter, Judit Majorossy, Ermanno Orlando, and Noha Sadek.

Beholding Beauty: Sa'di of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry explores the relationship between sexuality, politics, and spirituality in the lyrics of Sa'di Shirazi (d. 1292 CE), one of the most revered masters of classical Persian literature. Relying on a variety of sources, including unstudied manuscripts, Domenico Ingenito presents the so-called "inimitable smoothness" of Sa'di's lyric style as a serene yet multifaceted window into the uncanny beauty of the world, the human body, and the realm of the unseen. The book constitutes the first attempt to study Sa'di's lyric meditations on beauty in the context of the major artistic, scientific and intellectual trends of his time. By charting unexplored connections between Islamic philosophy and mysticism, obscene verses and courtly ideals of love, Ingenito approaches Sa'di's literary genius from the perspective of sacred homoeroticism and the psychology of performative lyricism in their historical context.

K. al-Anwar al-bahiyya fi ta'rif maqamat fusaha' al-bariyya is a work of adab attributed to the renowned litterateur and historian of literature Abu Mansur al-Tha'alibi. The work consists of an introduction and four chapters. The first three chapters are concerned with knowledge ('ilm): Chapter One discusses the merit and application of knowledge, Chapter Two the definition of knowledge and its true meaning, and Chapter Three the conditions of knowledge. The fourth chapter, which constitutes the bulk of the book, is concerned with occasions on which scholars and sages made speeches in the presence of rulers. It is divided into two parts: Part One presents pre-Islamic (jahiliyya) speeches, incorporating Arab, Greek, Byzantine, Persian, and Indian traditions, and Part Two presents Islamic speeches. The work is introduced by an analytical study discussing the attribution of the work, its relation to the Maqamat genre, and the manuscripts used.

This book presents a new model for understanding the collection of ancient kingdoms that surrounded the northeast corner of the Mediterranean Sea from the Cilician Plain in the west to the upper Tigris River in the east, and from Cappadocia in the north to western Syria in the south, during the Iron Age of the ancient Near East (ca. 1200 to 600 BCE). Rather than presenting them as homogenous ethnolinguistic communities like "the Aramaeans" or "the Luwians" living in neatly bounded territories, this book sees these polities as being fundamentally diverse and variable, distinguished by demographic fluidity and cultural mobility. The Syro-Anatolian City-States sheds new light via an examination of a host of evidentiary sources, including archaeological site plans, settlement patterns, visual arts, and historical sources. Together, these lines of evidence reveal a complex fusion of cultural traditions that is nevertheless distinctly recognizable unto itself. This book is the first to specifically characterize the Iron Age city-states of southeastern Turkey and northern Syria, arguing for a unified cultural formation characterized above all by diversity and mobility and that can be referred to as the "Syro-Anatolian Culture Complex."

This volume contains the edition and translation of the chapter of al-Maqrizi's al-H abar 'an al-basar dealing with Greeks, Romans, Byzantines, Franks, and Goths. This chapter is, for the most part, an almost exact reproduction of Ibn Haldun's Kitab al-'Ibar, from which al-Maqrizi derived material from many other sources, including prominent Christian sources such as Kitab Hurusiyus, Ibn al-'Amid's History, and works by Muslim historians like Ibn al-Atir's Kamil. Therefore, this chapter of al-H abar 'an al-basar is a continuation of the previous Arabic historiographical tradition, in which European history is integrated into world history through the combination of Christian and Islamic sources.

From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. It also includes reviews and obituaries. Vol. V and VI are catalogues of newly discovered Arabic manuscript originals and films/offprints from manuscripts related to the topics of the preceding volumes.

Commissioned by the Qianlong emperor in 1751, the Qing Imperial Illustrations of Tributary Peoples (Huang Qing zhigong tu ), is a captivating work of art and an ideological statement of universal rule best understood as a cultural cartography of empire. This translation of the ethnographic texts accompanied by a full-color reproduction of Xie Sui's ( ) hand-painted scroll helps us to understand the conceptualization of imperial tributary relationships the work embodies as rooted in both dynastic history and the specifics of Qing rule.

In Reflecting Mirrors, East and West Enrico Boccaccini sheds new light on Mirrors for Princes, the pre-modern genre of advice literature for rulers. A popular genre in the societies that emerged from the Late Antique oecumene, Mirrors for Princes are considered here, for the first time, as a transcultural phenomenon that challenges the dichotomy of the Orient and the Occident. Traditionally, the historiographic tradition has viewed 'European' and 'Middle Eastern' Mirrors as distinct and incommensurable. Analyzing the contents and discourses in four Mirrors, ostensibly separated by space, time and language, Enrico Boccaccini convincingly draws out the surprising continuities between these texts, while also showing how they are embedded in their own historical, literary and political context.