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Books > History > Asian / Middle Eastern history > General
Al-Maqrizi's (d. 845/1442) last work, al-H abar 'an al-basar, was
completed a year before his death. This volume, edited by Jaakko
Hameen-Anttila, covers the history of pre-Islamic Iran during the
Sasanian period and the conquest. Al-Maqrizi's work shows how Arab
historians integrated Iran into world history and how they
harmonised various currents of historiography (Middle Persian
historiography, Islamic sacred history, Greek and Latin
historiography). This part harmonises the versions of Miskawayh's
Tagarib, al-T abari's Ta'rih , and several other sources, producing
a fluent narrative of Iran from the early 3rd century until 651. It
also includes the complete text of 'Ahd Ardasir, here translated
for the first time into English.
The book explores the political poetry recited by the Negev Bedouin
from the late Ottoman period to the late twentieth century. By
closely reading fifty poems Peled sheds light on the poets'
sentiments and worldviews. To get to the bottom of the issues that
inspired their poetry, he weaves an interpretive web informed by
the study of language, culture and history. The poems reveal that
the poets were perfectly aware of the workings of the power systems
that took control of their lives and lifestyle. Their poetry
indicates that they did not remain silent but practiced their art
in the face of their hardships, observing the collapse of their
world with a mixture of despair and inspiration, bitterness and
wit.
In this evocative study of the fall of the Mughal Empire and the
beginning of the Raj, award-winning historian William Dalrymple
uses previously undiscovered sources to investigate a pivotal
moment in history.
The last Mughal emperor, Zafar, came to the throne when the
political power of the Mughals was already in steep decline.
Nonetheless, Zafar--a mystic, poet, and calligrapher of great
accomplishment--created a court of unparalleled brilliance, and
gave rise to perhaps the greatest literary renaissance in modern
Indian history. All the while, the British were progressively
taking over the Emperor's power. When, in May 1857, Zafar was
declared the leader of an uprising against the British, he was
powerless to resist though he strongly suspected that the action
was doomed. Four months later, the British took Delhi, the capital,
with catastrophic results. With an unsurpassed understanding of
British and Indian history, Dalrymple crafts a provocative,
revelatory account of one the bloodiest upheavals in history.
Imaging and Imagining Palestine is the first comprehensive study of
photography during the British Mandate period (1918-1948). It
addresses well-known archives, photos from private collections
never available before and archives that have until recently
remained closed. This interdisciplinary volume argues that
photography is central to a different understanding of the social
and political complexities of Palestine in this period. While
Biblical and Orientalist images abound, the chapters in this book
go further by questioning the impact of photography on the social
histories of British Mandate Palestine. This book considers the
specific archives, the work of individual photographers, methods
for reading historical photography from the present and how we
might begin the process of decolonising photography. "Imaging and
Imagining Palestine presents a timely and much-needed critical
evaluation of the role of photography in Palestine. Drawing
together leading interdisciplinary specialists and engaging a range
of innovative methodologies, the volume makes clear the ways in
which photography reflects the shifting political, cultural and
economic landscape of the British Mandate period, and experiences
of modernity in Palestine. Actively problematising conventional
understandings of production, circulation and the in/stability of
the photographic document, Imaging and Imagining Palestine provides
essential reading for decolonial studies of photography and visual
culture studies of Palestine." - Chrisoula Lionis, author of
Laughter in Occupied Palestine: Comedy and Identity in Art and Film
"Imaging and Imagining Palestine is the first and much needed
overview of photography during the British Mandate period. From
well-known and accessible photographic archives to private family
albums, it deals with the cultural and political relations of the
period thinking about both the Western perceptions of Palestine as
well as its modern social life. This book brings together an
impressive array of material and analyses to form an
interdisciplinary perspective that considers just how photography
shapes our understanding of the past as well as the ways in which
the past might be reclaimed." - Jack Persekian, Founding Director
of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging
and Imagining Palestine draws together a plethora of fresh
approaches to the field of photography in Palestine. It considers
Palestine as a central node in global photographic production and
the ways in which photography shaped the modern imaging and
imagining from within a fresh regional theoretical perspective." -
Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art,
New York University Abu Dhabi
'Clear-eyed and illuminating.' Henry Kissinger, former Secretary of
State and National Security Advisor 'A rich, superbly researched,
balanced history of the modern Kingdom of Saudi Arabia.' General
David Petraeus, former Commander U.S. Central Command and Director
of the Central Intelligence Agency 'Destined to be the best single
volume on the Kingdom.' Ambassador Chas Freeman, former U.S.
Ambassador to Saudi Arabia and Assistant Secretary of Defense
'Should be prescribed reading for a new generation of political
leaders.' Sir Richard Dearlove, former Chief of H.M. Secret
Intelligence Service (MI6) and Master of Pembroke College,
Cambridge. Something extraordinary is happening in Saudi Arabia. A
traditional, tribal society once known for its lack of tolerance is
rapidly implementing significant economic and social reforms. An
army of foreign consultants is rewriting the social contract, King
Salman has cracked down hard on corruption, and his dynamic though
inexperienced son, the Crown Prince Mohammad bin Salman, is
promoting a more tolerant Islam. But is all this a new vision for
Saudi Arabia or merely a mirage likely to dissolve into
Iranian-style revolution? David Rundell - one of America's foremost
experts on Saudi Arabia - explains how the country has been stable
for so long, why it is less so today, and what is most likely to
happen in the future. The book is based on the author's close
contacts and intimate knowledge of the country where he spent 15
years living and working as a diplomat. Vision or Mirage
demystifies one of the most powerful, but least understood, states
in the Middle East and is essential reading for anyone interested
in the power dynamics and politics of the Arab World.
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