A gorgeously illustrated introduction to Chinese New Year, written by Eva Wong Nava and illustrated by Li Xin. 'Twelve animals, one for each year, each one with their own special powers. It all started with a race to cross the most heavenly of rivers.' Chinese New Year is right around the corner and Mai-Anne is so excited! As her family start decorating the house, there's a knock on the door... her grandmother, Nai Nai, has arrived! They start their celebrations with a traditional meal filled with fish for good luck, noodles for long life, dumplings for blessings and a WHOLE chicken. Then after dinner Nai Nai tells the story of how Chinese New year began, with the Great Race! Join Mai-Anne as she learns about twelve animals and their special powers in the story of how Chinese New Year began! A beautifully illustrated introduction to the true meaning of Chinese New Year and family traditions for little ones A love letter to all the grandparents in the world Features some non-fiction facts on the last pages for especially curious minds about Chinese New Year, including different countries' traditions Illustrations of China Towns around the world on the first and last pages Written and illustrated by two brilliantly talented Asian women

In the past decades, the world has watched the rise of China as an economic and military power and the emergence of Chinese transnational elites. What may seem like an entirely new phenomenon marks the revival of a trend initiated at the end of the Qing. The redistribution of power, wealth and knowledge among the newly formed elites matured during the Republican period. This volume demonstrates both the difficulty and the value of re-thinking the elites in modern China. It establishes that the study of the dynamic tensions within the elite and among elite groups in this epochal era is within reach if we are prepared to embrace forms of historical inquiry that integrate the abundant and even limitless historical resources, and to engage with the rich repertoire of digital techniques/instruments available and question our previous research paradigms. This renewed approach brings historical research closer to an integrative data-rich history of modern China.

This work presents the complete collection of oral poetry by ad-Dindan, a bedouin poet of the Duwasir tribe in southern Najd, transcribed and translated on the basis of taped recordings. The text is representative of a poetic tradition which has remained remarkably close to the desert poetry of the early classical age. An extensive glossary, including detailed cross-references to the classical Arabic vocabulary, completes this edition. The introduction describes Dindan's somewhat anomalous position in local society as a result of his stubborn attachment to nomadism, his fierce artistic temper, and his unreconstructed bedouin ethos. It also discusses the composition of oral poetry, the diwan's themes and its place in the Najdi tradition, the impact of literacy on the poet's oral work, and the prosodic and linguistic features of the text.

By the early 1820s, British policy in the Eastern Mediterranean was at a crossroads. Historically shaped by the rivalry with France, the course of Britain's future role in the region was increasingly affected by concern about the future of the Ottoman Empire and fears over Russia's ambitions in the Balkans and the Middle East. The Regency of Tripoli was at this time establishing a new era in foreign and commercial relations with Europe and the United States. Among the most important of these relationships was that with Britain. Using the National Archive records of correspondence of the British consuls and diplomats from 1795 to 1832, and within the context of the wider Eastern Question, this book reconstructs the the Anglo-Tripolitanian relationship and argues that the Regency played a vital role in Britain's imperial strategy during and after the Napoleonic Wars. Including the perspective of Tripolitanian notables and British diplomats, it contends that the activities of British consuls in Tripoli, and the networks they fostered around themselves, reshaped the nature and extent of British imperial activity in the region.

The boat journey is central to the narrative of Mediterranean migration of the undocumented. The boat itself is flimsy, fragile, unstable, and easily breakable. It is trifling and insubstantial. But it has captured the attention of the world - after all, the boat and its aftermath have produced recurring images of migrants washing up along southern Europe's picturesque beaches in the visual archive of undocumented migration. But the boat has also sharply put into relief the divides of the Mediterranean. After all, the few miles of the Mediterranean separating Africa's northern shore and Europe's southern shore is a common observation in migrant narratives. At the same time, they also reflect on how the Mediterranean has been imagined as starkly divided into two incommensurable spaces and civilizational models - North and South (in actuality, by colonial powers in the modern period). Much Mediterranean migrant literature indeed captures the Mediterranean's fossilized binaries, North and South. But, The Two-Edged Sea also reveals that one inheres within the other. While the book explores two Mediterraneans, with asymmetrical power relations that reflect the sea's northern and southern shores, it also delves into how they are and have been in dialogue with each other, effectively deconstructing the binary.

Today, teachers and performers of Turkish classical music intentionally cultivate melancholies, despite these affects being typically dismissed as remnants of the Ottoman Empire. Melancholic Modalities is the first in-depth historical and ethnographic study of the practices socialized by musicians who enthusiastically teach and perform a present-day genre substantially rooted in the musics of the Ottoman court and elite Mevlevi Sufi lodges. Author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and healing for both the listener and performer. Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' modalities in the context of emergent neoliberalism, secularism, political Islamism, Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and psychology, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations to be heard. Melancholic Modalities uncovers how emotion and musical meaning are connected, and how melancholy is articulated in the world of Turkish classical musicians. With her innovative concept of "bi-aurality," Gill's book forges new possibilities for the historical and ethnographic analyses of musics and ideologies of listening for music scholars.