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Books > History > Asian / Middle Eastern history > General
In the past decades, the world has watched the rise of China as an
economic and military power and the emergence of Chinese
transnational elites. What may seem like an entirely new phenomenon
marks the revival of a trend initiated at the end of the Qing. The
redistribution of power, wealth and knowledge among the newly
formed elites matured during the Republican period. This volume
demonstrates both the difficulty and the value of re-thinking the
elites in modern China. It establishes that the study of the
dynamic tensions within the elite and among elite groups in this
epochal era is within reach if we are prepared to embrace forms of
historical inquiry that integrate the abundant and even limitless
historical resources, and to engage with the rich repertoire of
digital techniques/instruments available and question our previous
research paradigms. This renewed approach brings historical
research closer to an integrative data-rich history of modern
China.
Documents open up another an approach complementary to the
overwhelming richness of literary tradition as preserved in
manuscripts. This volume combines studies on Greek, Sogdian and
Arabic documents (letters, legal agreements, and amulets) with
studies on Arabic and Judeo-Arabic manuscripts (poetry, science and
divination).
In this magisterial cultural history of the Palestinians, Nur
Masalha illuminates the entire history of Palestinian learning with
specific reference to writing, education, literary production and
the intellectual revolutions in the country. The book introduces
this long cultural heritage to demonstrate that Palestine was not
just a 'holy land' for the four monotheistic religions - Islam,
Christianity, Judaism and Samaritanism - rather, the country
evolved to become a major international site of classical education
and knowledge production in multiple languages including Sumerian,
Proto-Canaanite, Greek, Syriac, Arabic, Hebrew and Latin. The
cultural saturation of the country is found then, not solely in
landmark mosques, churches and synagogues, but in scholarship,
historic schools, colleges, famous international libraries and
archival centres. This unique book unites these renowned
institutions, movements and multiple historical periods for the
first time, presenting them as part of a cumulative and incremental
intellectual advancement rather than disconnected periods of
educational excellence. In doing so, this multifaceted intellectual
history transforms the orientations of scholarly research on
Palestine and propels current historical knowledge on education and
literacy in Palestine to new heights.
Today, teachers and performers of Turkish classical music
intentionally cultivate melancholies, despite these affects being
typically dismissed as remnants of the Ottoman Empire. Melancholic
Modalities is the first in-depth historical and ethnographic study
of the practices socialized by musicians who enthusiastically teach
and perform a present-day genre substantially rooted in the musics
of the Ottoman court and elite Mevlevi Sufi lodges. Author Denise
Gill analyzes how melancholic music-making emerges as pleasurable,
spiritually redeeming, and healing for both the listener and
performer. Focusing on the diverse practices of musicians who
deploy and circulate melancholy in sound, Gill interrogates the
constitutive elements of these musicians' modalities in the context
of emergent neoliberalism, secularism, political Islamism, Sufi
devotionals, and the politics of psychological health in Turkey
today. In an essential contribution to the study of ethnomusicology
and psychology, Gill develops rhizomatic analyses to allow for
musicians' multiple interpretations to be heard. Melancholic
Modalities uncovers how emotion and musical meaning are connected,
and how melancholy is articulated in the world of Turkish classical
musicians. With her innovative concept of "bi-aurality," Gill's
book forges new possibilities for the historical and ethnographic
analyses of musics and ideologies of listening for music scholars.
In this volume, a microhistorical approach is employed to provide a
transcription, translation, and case-study of the proceedings
(written in Latin, Italian and Arabic) of the Roman Inquisition on
Malta's 1605 trial of the 'Moorish' slave Sellem Bin al-Sheikh
Mansur, who was accused and found guilty of practising magic and
teaching it to the local Christians. Through both a detailed
commentary and individual case-studies, it assesses what these
proceedings reflect about religion, society, and politics both on
Malta and more widely across the Mediterranean in the early 17th
century. In so doing, this inter- and multi-disciplinary project
speaks to a wide range of subjects, including magic,
Christian-Muslim relations, slavery, Maltese social history,
Mediterranean history, and the Roman Inquisition. It will be of
interest to both students and researchers who study any of these
subjects, and will help demonstrate the richness and potential of
the documents in the Maltese archives. With contributions by: Joan
Abela, Dionisius A. Agius, Paul Auchterlonie, Jonathan Barry,
Charles Burnett, Frans Ciappara, Pierre Lory, Alex Malett, Ian
Netton, Catherine R. Rider, Liana Saif
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