The Flowering of Ecology presents an English translation of Maria Sibylla Merian's 1679 'caterpillar' book, Der Raupen wunderbare Verwandelung und sonderbare Blumen-Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of a biologist, arguing that Merian's study of insect interactions with plants, the first of its kind, was a formative contribution to natural history. Read Kay Etheridge's blogpost on "Art Herstory". See inside the book.

​This book provides a new military history of Byzantine emperor Alexios I Komnenos's campaigns in the Balkans, during the first fourteen years of his rule. While the tactics and manoeuvres Alexios used against Robert Guiscard's Normans are relatively well-known, his strategy in dealing with Pecheneg and Cuman adversaries in the region has received less attention in historical scholarship. This book provides a much-need synthesis of these three closely linked campaigns – often treated as discrete events – revealing a surprising coherence in Alexios' response, and explores the position of Byzantium's army and navy on the eve of the First Crusade. 

This volume offers a comprehensive introduction to the major political, social, economic, and cultural developments in Vienna from c. 1100 to c. 1500. It provides a multidisciplinary view of the complexity of the vibrant city on the Danube. The volume is divided into four sections: Vienna, the city and urban design, politics, economy and sovereignty, social groups and communities, and spaces of knowledge, arts, and performance. An international team of eighteen scholars examines issues ranging from the city's urban environment and art history, to economic and social concerns, using a range of sources and reflecting the wide array of possible approaches to the study of medieval Vienna today. Contributors are: Peter Csendes, Ulrike Denk, Thomas Ertl, Christian Gastgeber, Thomas Haffner, Martha Keil, Franz Kirchweger, Heike Krause, Christina Lutter, Paul Mitchell, Kurt Muhlberger, Zoe Opacic, Ferdinand Opll, Barbara Schedl, Christoph Sonnlechner, and Peter Wright.

This book compares the ways in which new powers arose in the shadows of the Roman Empire and its Byzantine and Carolingian successors, of Iran, the Caliphate and China in the first millennium CE. These new powers were often established by external military elites who had served the empire. They remained in an uneasy balance with the remaining empire, could eventually replace it, or be drawn into the imperial sphere again. Some relied on dynastic legitimacy, others on ethnic identification, while most of them sought imperial legitimation. Across Eurasia, their dynamic was similar in many respects; why were the outcomes so different? Contributors are Alexander Beihammer, Maaike van Berkel, Francesco Borri, Andrew Chittick, Michael R. Drompp, Stefan Esders, Ildar Garipzanov, Jurgen Paul, Walter Pohl, Johannes Preiser-Kapeller, Helmut Reimitz, Jonathan Shepard, Q. Edward Wang, Veronika Wieser, and Ian N. Wood.

Pope Innocent III was the most energetic and dynamic Pope of the Middle Ages. He applied his energies to reform not only in Canon Law but also in the life and morals of Ecclesiastics. He vied with secular princes with great success to maintain the independence of the Church and he also approved St. Francis and his order, which would have spiritual benefits extending far beyond Innocent's reign. This book covers the life of Pope Innocent in great detail, yet is easily readable and accessible to all. Covering his youth to his elevation to the Papacy and his labours therein, Pope Innocent III and His Times gives the picture of the man who managed the Papacy at its greatest point in the middle ages.

French Connections examines how the movement of people, ideas, and social practices contributed to the complex processes and negotiations involved in being and becoming French in North America and the Atlantic World between the years 1600 and 1875. Engaging a wide range of topics, from religious and diplomatic performance to labor migration, racialization, and both imagined and real conceptualizations of "Frenchness" and "Frenchification", this volume argues that cultural mobility was fundamental to the development of French colonial societies and the collective identities they housed. Cases of cultural formation and dislocation in places as diverse as Quebec, the Illinois Country, Detroit, Haiti, Acadia, New England, and France itself demonstrate the broad variability of French cultural mobility that took place throughout this massive geographical space. Nevertheless, these communities shared the same cultural root in the midst of socially and politically fluid landscapes, where cultural mobility came to define, and indeed sustain, communal and individual identities in French North America and the Atlantic World. Drawing on innovative new scholarship on Louisiana and New Orleans, the editors and contributors to French Connections look to refocus the conversation surrounding French colonial interconnectivity by thinking about mobility as a constitutive condition of culture; from this perspective, separate "spheres" of French colonial culture merge to reveal a broader, more cohesive cultural world. The comprehensive scope of this collection will attract scholars of French North America, early American history, Atlantic World history, Caribbean studies, Canadian studies, and frontier studies. With essays from established, award-winning scholars such as Brett Rushforth, Leslie Choquette, Jay Gitlin, and Christopher Hodson as well as from new, progressive thinkers such as Mairi Cowan, William Brown, Karen L. Marrero, and Robert D. Taber, French Connections promises to generate interest and value across an extensive and diverse range of concentrations.

A Companion to Religious Minorities in Early Modern Rome investigates the lives and stories of the many groups and individuals in Rome, between 1500 and approximately 1750, who were not Roman (Latin) Catholic. It shows how early modern Catholic people and institutions in Rome were directly influenced by their interactions with other religious traditions. This collection reveals the significant impact of Protestants, Muslims, Jews, and Eastern Rite Christians; the influence of the many transient groups and individual travelers who passed through the city; the unique contributions of converts to Catholicism, who drew on the religion of their birth; and the importance of intermediaries, fluent in more than one culture and religion. Contributors include: Olivia Adankpo-Labadie, Robert John Clines, Matthew Coneys Wainwright, Serena Di Nepi, Irene Fosi, Mayu Fujikawa, Sam Kennerley, Emily Michelson, James Nelson Novoa, Cesare Santus, Piet van Boxel, and Justine A. Walden.

Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical. The French film musical is remarkable for its breadth and variety since the 1930s; although it flirts with the Hollywood musical in the 1930s and again in the 1950s, it has very distinctive forms rooted in the traditions of French chanson. Defining it broadly as films attracting audiences principally because of musical performances, often by well-known singers, Phil Powrie and Marie Cadalanu show how the genre absorbs two very different traditions with the advent of sound: European operetta and French chanson inflected by American jazz (1930-1950). As the genre matures, operetta develops into big-budget spectaculars with popular tenors, and revue films also showcase major singers in this period (1940-1960). Both sub-genres collapse with the advent of rock n roll, leading to a period of experimentation during the New Wave (1960-1990). The contemporary period since 1995 renews the genre, returning nostalgically both to the genre's origins in the 1930s, and to the musicals of Jacques Demy, but also hybridising with other genres, such as the biopic and the documentary.

In the nineteenth century, the search for the artistic, architectural and written monuments promoted by the French State with the aim to build a unified nation transcending regional specificities, also fostered the development of local or regional identitary consciousness. In Roussillon, this distinctive consciousness relied on a basically cultural concept of nation epitomised mainly by the Catalan language - Roussillon being composed of Catalan counties annexed to France in 1659. In The Antiquarians of the Nation, Francesca Zantedeschi explores how the works of Roussillon's archaeologists and philologists, who retrieved and enhanced the Catalan specificities of the region, contributed to the early stages of a 'national' (Catalan) cultural revival, and galvanised the implicit debate between (French) national history and incipient regional studies.

The Thirty Years' War (1618-1648) lies at the intersection of early modern and modern times. Frequently portrayed as the concluding chapter of the Reformation, it also points to the future by precipitating fundamental changes in the military, legal, political, religious, economic, and cultural arenas that came to mark a new, the modern era. Prompted by the 400th anniversary of the outbreak of the war, the contributors reconsider the event itself and contextualize it within the broader history of the Reformation, military conflicts, peace initiatives, and negotiations of war.

In Making Ethnicity, Simon Schlegel offers a history of ethnicity and its political uses in southern Bessarabia, a region that has long been at the crossroads of powerful forces: in the 19th century between the Russian and Ottoman Empires, since World War I between the Soviet Union and Romania, and since the collapse of the Soviet Union between Russia and the European Union's respective zones of influence. Drawing on biographical interviews and archival documents, Schlegel argues that ethnic categories gained relevance in the 19th century, as state bureaucrats took over local administration from the church. After mutating into a dangerous instrument of social engineering in the mid-20th century, ethnicity today remains a potent force for securing votes and allocating resources.

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of modern cyberspace.