From flowers and perfumes to urban sanitation and personal hygiene, smell-a sense that is simultaneously sublime and animalistic-has played a pivotal role in western culture and thought. Greek and Roman writers and thinkers lost no opportunity to connect the smells that bombarded their senses to the social, political and cultural status of the individuals and environments that they encountered: godly incense and burning sacrifices, seductive scents, aromatic cuisines, stinking bodies, pungent farmyards and festering back-streets. The cultural study of smell has largely focused on pollution, transgression and propriety, but the olfactory sense came into play in a wide range of domains and activities: ancient medicine and philosophy, religion, botany and natural history, erotic literature, urban planning, dining, satire and comedy-where odours, aromas, scents and stenches were rich and versatile components of the ancient sensorium. The first comprehensive introduction to the role of smell in the history, literature and society of classical antiquity, Smell and the Ancient Senses explores and probes the ways that the olfactory sense can contribute to our perceptions of ancient life, behaviour, identity and morality.

In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to what was then called the 'science' (scientia) of art, to artistic expertise and connoisseurship, and to 'secrets of art and nature.'

Hanibal [1697- 1761] was probably the most outstanding African in Europe in the 18th Century, his rags to riches life, and the fact that he was the great grandfather of Russia's greatest writer, Alexander Pushkin, makes him of even greater interest. Now finally appearing in English, this was the book, based on original research, which proved fairly conclusively that Hanibal (sometimes spelt Gannibal in English) was born in Logone-Birni, in present day Cameroon rather than, as was supposed, in Ethiopia. This book recounts his life story: he was taken as a slave to Istanbul and then to Russia at the age of 8. Tsar Peter the Great and adopted educated him. He was sent to study mathematics and military engineering in France, where he joined the French army fighting against Spain and was promoted to the rank of captain. Back in Russia: he was promoted but was briefly exiled to Siberia where he designed fortresses on the frontier. His first marriage was a disaster but he went on to marry a Swedish aristocrat with whom he had seven children, one of whom, Osip, was to be the grandfather of Pushkin. There were moments in his life when he suffered for being black, yet he ended his life as a pillar of the Russian aristocracy, even owning serfs. Hanibal's contribution to the technical advancement of the Russian army was huge. He was commander-in-chief, director of fortifications and head of the engineering corps. In 1725-26 he published an important text book on geometry and fortification for engineering students and he introduced the study of civil engineering into the Russian schools of military engineering.

This Variorum collection of articles is intended to illustrate that conflict in the late Middle Ages was not only about soldiers and fighting (about the makers and the making of war), important as these were. Just as it remains in our own day, war was a subject which attracted writers (commentators, moralists and social critics among them), some of whom glorified war, while others did not. For the historian the written word is important evidence of how war, and those taking part in it, might be regarded by the wider society. One question was supremely important: what was the standing among their contemporaries of those who fought society's wars? How was war seen on the moral scale of the time? The last two sections deal with a particular war, the 'occupation' of northern France by the English between 1420 and 1450. The men who conquered the duchy, and then served to keep it under English control for those years, had to be rewarded with lands, titles, administrative and military responsibilities, even (for the clergy) ecclesiastical benefices. For these, war spelt 'opportunity', whose advantages they would be reluctant to surrender. The final irony lies in the fact that Frenchmen, returning to claim their ancestral rights once the English had been driven out, frequently found it difficult to unravel both the legal and the practical consequences of a war which had caused a considerable upheaval in Norman society over a period of a single generation.

The chapters gathered in this volume examine the main drivers, beneficiaries and discontents of state formation across and beyond Europe in the early modern period / This book will appeal to all those interested in the political systems of Early Modern Europe / This book also covers numerous topics related to the building of the 'Early Modern State', including standing armies, monetary and financial policy, legal policy, as well as resistance and opposition to these changes

The British and French in the Atlantic 1650-1800 provides a comprehensive history of this complex period and explores the contrasting worlds of the British and the French Empires as they strove to develop new societies in the Americas. Charting the volatile relationship between the British and French, this book examines the approaches that both empires took as they attempted to realise their ambitions of exploration, conquest and settlement, and highlights the similarities as well as the differences between them. Both empires faced slave revolts, internal rebellion and revolution as well as frequent wars against one another, which came to dominate the Atlantic world, and which culminated in the eventual failure of both empires in North America: the French following the Seven Years War in 1763 and the British twenty years later in the war against American Independence. Delving into key themes, such as exploration and settlement, the creation of societies, inequality and exploitation, conflict and violence, trade and slavery, and featuring a range of documents to enable a deeper insight into the relationship between the colonising Europeans and Native Americans, The British and French in the Atlantic 1650-1800 is ideal for students of the Atlantic World, early modern Britain and France, and colonial America.

"A fascinating, if disturbing, window onto the origins of racism." -Publishers Weekly "The eighteenth-century essays published for the first time in Who's Black and Why? contain a world of ideas-theories, inventions, and fantasies-about what blackness is, and what it means. To read them is to witness European intellectuals, in the age of the Atlantic slave trade, struggling, one after another, to justify atrocity." -Jill Lepore, author of These Truths: A History of the United States The first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin-an indispensable chronicle of the rise of scientifically based, anti-Black racism. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. These never previously published documents survived the centuries tucked away in Bordeaux's municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West.

This book introduces the reader to the approach and general philosophy of the use of art as an additional language in group therapy. It demonstrates the usefulness of the language of art in enabling group therapists and their clients to understand group members' perceptions of constructs and realities.

Isabella d'Este, Marchioness of Mantua (1474-1539), is one of the most studied figures of Renaissance Italy, as an epitome of Renaissance court culture and as a woman having an unusually prominent role in the politics of her day. This biography provides a well-rounded account of the full range of her activities and interests from her childhood to her final years as a dowager, and considers Isabella d'Este not as an icon but as a woman of her time and place in the world. It covers all aspects of her life including her relationship with her parents and siblings as well as with her husband and children; her interest in literature and music, painting and antiquities; her political and diplomatic activities; her concern with fashion and jewellery; her relations with other women; and her love of travel. In this book, grounded in an understanding of the context of the Italy of her day, the typical interests and behaviour of women of Isabella d'Este's status within Renaissance Italy are distinguished from those that were unique to her, such as the elaborate apartments that she created for herself and her extensive surviving correspondence, which provides insights into all aspects of life in the major courts of northern Italy, centres of Renaissance culture. Providing fresh perspectives on one of the most famous figures of Renaissance Italy, Isabella d'Este will be of great interest to undergraduates and graduates of early modern history, gender studies, renaissance studies and art history.

From the author of Wittgenstein's Poker and Would You Kill the Fat Man?, the story of an extraordinary group of philosophers during a dark chapter in Europe's history On June 22, 1936, the philosopher Moritz Schlick was on his way to deliver a lecture at the University of Vienna when Johann Nelboeck, a deranged former student of Schlick's, shot him dead on the university steps. Some Austrian newspapers defended the madman, while Nelboeck himself argued in court that his onetime teacher had promoted a treacherous Jewish philosophy. David Edmonds traces the rise and fall of the Vienna Circle-an influential group of brilliant thinkers led by Schlick-and of a philosophical movement that sought to do away with metaphysics and pseudoscience in a city darkened by fascism, anti-Semitism, and unreason. The Vienna Circle's members included Otto Neurath, Rudolf Carnap, and the eccentric logician Kurt Goedel. On its fringes were two other philosophical titans of the twentieth century, Ludwig Wittgenstein and Karl Popper. The Circle championed the philosophy of logical empiricism, which held that only two types of propositions have cognitive meaning, those that can be verified through experience and those that are analytically true. For a time, it was the most fashionable movement in philosophy. Yet by the outbreak of World War II, Schlick's group had disbanded and almost all its members had fled. Edmonds reveals why the Austro-fascists and the Nazis saw their philosophy as such a threat. The Murder of Professor Schlick paints an unforgettable portrait of the Vienna Circle and its members while weaving an enthralling narrative set against the backdrop of economic catastrophe and rising extremism in Hitler's Europe.

Originally published in Italian in 1980, Gli Stati Uniti e il fascismo: Alle origini dell'egemonia Americana in Italia is regarded today as a crucial text on the relationship between the United States and Italy during the interwar years. Aside from the addition of two new prefaces - one by the author and one by the book's translator, Molly Tambor - the original text has remained unchanged, so that Anglophone readers now have the opportunity to engage with this classic work. By analyzing the enduring relationship between the United States - especially its financial establishment - and fascist Italy up until Mussolini's conquest of Ethiopia in 1935, this book provides answers to some key questions about the interconnectedness of America's rise to hegemonic global financial power in the twentieth century and its support of Italian fascism during this time.

Innovative attention to biographies, to cartoons, and to popular media The volume effectively covers broad analytical and geographical ground over a long historical period Editors and contributors are well respected and important leaders in the field

This book explores the history and continuing relevance of melancholia as an amorphous but richly suggestive theme in literature, music, and visual culture, as well as philosophy and the history of ideas. Inspired by Albrecht Durer's engraving Melencolia I (1514)-the first visual representation of artistic melancholy-this volume brings together contributions by scholars from a variety of disciplines. Topics include: Melencolia I and its reception; how melancholia inhabits landscapes, soundscapes, figures and objects; melancholia in medical and psychological contexts; how melancholia both enables and troubles artistic creation; and Sigmund Freud's essay "Mourning and Melancholia" (1917).

In 1600, Giordano Bruno, one of the leading intellectuals of the Renaissance, was burned at the stake on the charge of heresy by the Roman Inquisition. He is remembered primarily for his cosmological theories, particularly that the universe was infinite with the Earth not being at its centre. Today, he has become a symbol of the struggle for religious and philosophical tolerance. The Trial of Giordano Bruno, originally published in Italian in 2018, provides English audiences with a complete and updated reconstruction of the inquisitorial trial by analysing the accusations, witnesses, and legal proceedings in detail. The author also gives a detailed profile of Bruno as well as the body which arrested and accused him - the Inquisition. This book will appeal to all those interested in the life and death of Giordano Bruno, as well as those interested in Early Modern legal proceedings, the Roman Inquisition, and the history of religious and philosophical tolerance.

The medium PKW of the German Wehrmacht is described in both photographs and text.

This book presents a comprehensive analysis of the Italian experience of transitional justice examining how the crimes of Fascism and World War II have been dealt with from a comparative perspective. Particular focus is given to the Togliatti Amnesty, the major turning point, through comparisons to the wider European post-WWII transitional scenario and other relevant transitional amnesties, allowing consideration of the intense debate on the legitimacy of amnesties under international law. The book will be essential reading for students, researchers and academics in International Criminal Law, Transitional Justice, History, Memory Studies and Political Science.

European integration is an ambitious goal that attempts to reconcile grandiose visions for the future of Europe with complicated national attitudes toward unity. The added complexity of political crises, which have characterized the European project from its outset, makes the success of the European Union far from guaranteed. Today, European unity is once again at an existential crossroad, with internal and external challenges threatening its integration. This volume uniquely brings together the novel perspectives of Europe's emergent generation of thinkers to analyze through interdisciplinary lenses these various disintegrative pressures. Students and scholars of Europe as well as those interested in the future of European cohesion will enjoy this volume, both for the interdisciplinary analysis it brings forth and for the window it provides into the thinking of Europe's next generation of leaders.

Alastair Duke has long been recognized as one of the leading scholars of the early modern Netherlands, known internationally for his important work on the impact of religious change on political events which was the focus of his Reformation and Revolt in the Low Countries (1990). Bringing together an updated selection of his previously published essays - together with one entirely new chapter and two that appear in English here for the first time - this volume explores the emergence of new political and religious identities in the early modern Netherlands. Firstly it analyses the emergence of a common identity amongst the amorphous collection of states in north-western Europe that were united first under the rule of the Valois Dukes of Burgundy and later the Habsburg princes, and traces the fortunes of this notion during the political and religious conflicts that divided the Low Countries during the second half of the sixteenth century. A second group of essays considers the emergence of dissidence and opposition to the regime, and explores how this was expressed and disseminated through popular culture. Finally, the volume shows how in the age of confessionalisation and civil war, challenging issues of identity presented themselves to both dissenting groups and individuals. Taken together these essays demonstrate how these dissident identities shaped and contributed to the development of the Netherlands during the early modern period.

An innovative history of deep social and economic changes in France, told through the story of a single extended family across five generations Marie Aymard was an illiterate widow who lived in the provincial town of Angouleme in southwestern France, a place where seemingly nothing ever happened. Yet, in 1764, she made her fleeting mark on the historical record through two documents: a power of attorney in connection with the property of her late husband, a carpenter on the island of Grenada, and a prenuptial contract for her daughter, signed by eighty-three people in Angouleme. Who was Marie Aymard? Who were all these people? And why were they together on a dark afternoon in December 1764? Beginning with these questions, An Infinite History offers a panoramic look at an extended family over five generations. Through ninety-eight connected stories about inquisitive, sociable individuals, ending with Marie Aymard's great-great granddaughter in 1906, Emma Rothschild unfurls an innovative modern history of social and family networks, emigration, immobility, the French Revolution, and the transformation of nineteenth-century economic life. Rothschild spins a vast narrative resembling a period novel, one that looks at a large, obscure family, of whom almost no private letters survive, whose members traveled to Syria, Mexico, and Tahiti, and whose destinies were profoundly unequal, from a seamstress living in poverty in Paris to her third cousin, the cardinal of Algiers. Rothschild not only draws on discoveries in local archives but also uses new technologies, including the visualization of social networks, large-scale searches, and groundbreaking methods of genealogical research. An Infinite History demonstrates how the ordinary lives of one family over three centuries can constitute a remarkable record of deep social and economic changes.

National indifference is one of the most innovative notions historians have brought to the study of nationalism in recent years. The concept questions the mass character of nationalism in East Central Europe at the turn of the nineteenth and twentieth century. Ordinary people were not in thrall to the nation; they were often indifferent, ambivalent or opportunistic when dealing with issues of nationhood. As with all ground-breaking research, the literature on national indifference has not only revolutionized how we understand nationalism, over time, it has also revealed a new set of challenges. This volume brings together experienced scholars with the next generation, in a collaborative effort to push the geographic, historical, and conceptual boundaries of national indifference 2.0.

This book traces the origins of a financial institution, the modern corporation, in Genoa and reconstructs its diffusion in England, the Netherlands, and France. At its inception, the Casa di San Giorgio (1407-1805) was entrusted with managing the public debt in Genoa. Over time, it took on powers we now ascribe to banks and states, accruing financial characteristics and fiscal, political, and territorial powers. As one of the earliest central banks, it ruled territories and local populations for almost a century. It controlled strategic Genoese possessions near and far, including the island of Corsica, the city of Famagusta (in Cyprus), and trading posts in Crimea, the Black Sea, the Lunigiana in northern Tuscany, and various towns in Liguria. In the early sixteenth century, in his Florentine Histories (Book VIII, Chapter 29), Niccolo Machiavelli was the first to analyze the relationship between the Casa di San Giorgio's financial and territorial powers, declaring its possession of territories as the basis of its ascendancy. Later, the founders of some of the earliest corporations, including the Dutch East India Company (1602), the Bank of England (1694), and John Law's Mississippi Company (1720) in France, referenced the model of the Casa di San Giorgio.

Examining ethnic identity, memory, and use of the past through the lens of the history of Italy during the post-Roman/early Middle Ages, this book guides postgraduate and upper level undergraduate students through these new research areas and explores the importance of their study. The book focuses ethnic identity, memory, and use of the past. Particular attention is devoted to the way some authors were sometimes influenced by their own "present" in their reconstruction of the past. Enabling students to see how the past was 'used' by those who recorded it. The volume also assesses the challenges that the features of the primary sources and sometimes their scarcity poses to their interpretations, providing a useful guide for students engaging with these sources for the first time.

Examining ethnic identity, memory, and use of the past through the lens of the history of Italy during the post-Roman/early Middle Ages, this book guides postgraduate and upper level undergraduate students through these new research areas and explores the importance of their study. The book focuses ethnic identity, memory, and use of the past. Particular attention is devoted to the way some authors were sometimes influenced by their own "present" in their reconstruction of the past. Enabling students to see how the past was 'used' by those who recorded it. The volume also assesses the challenges that the features of the primary sources and sometimes their scarcity poses to their interpretations, providing a useful guide for students engaging with these sources for the first time.

'This is history as it should be. It is stunningly written, I could not put it down. This is the best account of the French Revolution I have ever read.' Alison Weir, author of 'Henry VIII, King and Court' The fascinating, moving story of the brief life and many possible deaths of Louis XVII, son of Marie-Antoinette. Louis-Charles Bourbon enjoyed a charmed early childhood in the gilded palace of Versailles. At the age of four, he became the Dauphin, heir to the most powerful throne in Europe. Yet within five years, he was to lose everything. Drawn into the horror of the French Revolution, his family was incarcerated. Two years later, following the brutal execution of both his parents, the Revolutionary leaders declared Louis XVII was dead. No grave was dug, no monument built to mark his passing. Immediately, rumours spread that the Prince had, in fact, escaped from prison and was still alive. Others believed that he had been murdered, his heart cut out and preserved as a relic. In time, his older sister, Marie-Therese, who survived the Revolution, was approached by countless 'brothers' who claimed not only his name, but also his inheritance. Several 'Princes' were plausible, but which, if any, was the real Louis-Charles? Deborah Cadbury's 'The Lost King of France' is a moving and dramatic story which conclusively reveals the identity of the young prince who was lost in the tower. This book is available as a print-on-demand product only.