This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. It explores the relationships between the imagination, the body, and concrete forms of visual representations: Ranging from the Renaissance paradigm of anatomy, to Foucault's "birth of the clinic" and the institutionalised construction of a "medical gaze"; from "visual" archives of madness, psychiatric art collections, the politicisation and economisation of the body, to the post-human in mass media representations. Contributions to this volume investigate medical bodies as historical, technological, and political constructs, constituted where knowledge formation and visual cultures intersect. Contributors are: Axel Fliethmann, Michael Hau, Birgit Lang, Carolyn Lau, Heikki Lempa, stef lenk, Joanna Madloch, Barry Murnane, Jill Redner, Claudia Stein, Elizabeth Stephens, Corinna Wagner, and Christiane Weller.

In the first cultural and political history of the Russian nuclear age, Paul Josephson describes the rise of nuclear physics in the USSR, the enthusiastic pursuit of military and peaceful nuclear programs through the Chernobyl disaster and the collapse of the Soviet Union, and the ongoing, self-proclaimed 'renaissance' of nuclear power in Russia in the 21st century. At the height of their power, the Soviets commanded 39,000 nuclear warheads, yet claimed to be servants of the 'peaceful atom' - which they also pursued avidly. This book examines both military and peaceful Soviet and post-Soviet nuclear programs for the long duree - before the war, during the Cold War, and in Russia to the present - whilst also grappling with the political and ideological importance of nuclear technologies, the associated economic goals, the social and environmental costs, and the cultural embrace of nuclear power. Nuclear Russia probes the juncture of history of science and technology, political and cultural history, and environmental history. It considers the atom in Russian society as a reflection of Leninist technological utopianism, Cold War imperatives, scientific hubris, public acceptance, and a state desire to conquer nature. Furthermore the book examines the vital - and perhaps unexpected - significance of ethnicity and gender in nuclear history by looking at how Kazakhs and Nenets lost their homelands and their health in Russia in the wake of nuclear testing, as well as the surprising sexualization of the taming of the female atom in the Russian 'Miss Atom' contests that commenced in the 21st century.

The historical development of Russia remains one of the most unique yet ambiguous timelines in the realm of political science and sociology. Understanding the state of culture as a single, dynamic, and interrelated phenomenon is a vital component regarding the memoirs of this prominent nation. Political, Economic, and Social Factors Affecting the Development of Russian Statehood: Emerging Research and Opportunities is a collection of innovative research on the historical aspects of the formation of the political system in Russia and proposes directions for the further development of modern Russian statehood. While highlighting topics including socio-politics, Soviet culture, and capitalization, this book is ideally designed for economists, government officials, policymakers, historians, diplomats, intelligence specialists, political analysts, professors, students, and professionals seeking current research on the history of public administration in Russia.

This book depicts the long rich life and wide ranging work of Count Athanasius Raczynski (1788-1874). By exploring his complex personality, his processes of thought and his accomplishments, it reveals a man at once a wealthy aristocrat, a Pole in the Prussian diplomatic service, an active participant in and perceptive observer and critical commentator on political life, a connoisseur and art collector of European renown, and the author of ground breaking studies on German and Portuguese art - in short a distinguished and fascinating nineteenth century figure.

In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city. Commonly perceived as the senseless outcome of social disintegration in urban contexts, public violence appears here as a meaningful strategy to settle conflicts informally. Making use of Antwerp police records, Vrints shows that the prevailing discourse on public violence does not pass the test of empirical facts. The presumed correlation between the occurrence of public violence and the decline of neighbourhood life must even be reversed to some extent. The nature of public violence paradoxically points to the crucial importance of neighbourhood networks.