From the time Catterina Vizzani, a young Roman woman, began wooing the woman she was attracted to, she did so dressed as a man. Fleeing Rome to avoid a potential trial for sexual misdeeds, she became Giovanni Bordoni, transitioning and becoming a male in spirit, deed, and body, through what was the most complete physical change possible in the eighteenth century. This volume features Giovanni Bianchi's 1744 Italian account of Vizzani/Bordoni, published for the first time together with a modern English translation, making available to an English-speaking audience the objective, scientific exploration of gender conducted by Bianchi. John Cleland's well-known, albeit fanciful, 1751 version of the story has also been reproduced here, shedding light on the divergent sexual politics driving Bianchi's Italian original and Cleland's greatly embellished English translation. Through a close examination of Bianchi's work as anatomical practitioner and scholar, Clorinda Donato traces the development of his advocacy for tolerance of all sexual orientations. Several chapters address the medical and philosophical inquiry into sexual preference, reproduction, sexual identity, and gender fluidity which Enlightenment anatomists from Holland to Italy engaged with in their research concerning the relationship between the mind and the reproductive organs. Meanwhile, it is the social implications of gender ambiguity which may be analysed in Cleland's condemnation of women who "pass" as men. Drawing on the biographies produced by Bianchi and Cleland, the volume reflects on the motivation of each author to tell the story of Vizzani/Bordoni either as a narration of empowerment or a cautionary tale within the European context of evolving sexual opinions, some based on scientific research, others based on social practice and cultural norms.

Almost three decades after the collapse of the Soviet Union, today more often than ever, global media and intellectuals rely on the concept of homo sovieticus to explain Russia's authoritarian ills. Homo sovieticus - or the Soviet man - is understood to be a double-thinking, suspicious and fearful conformist with no morality, an innate obedience to authority and no public demands; they have been forged in the fires of the totalitarian conditions in which they find themselves. But where did this concept come from? What analytical and ideological pillars does it stand on? What is at stake in using this term today? The Afterlife of the 'Soviet Man' addresses all these questions and even explains why - at least in its contemporary usage - this concept should be abandoned altogether.

Told in the voices of the soldiers, doctors, and nurses who were the untested but valiant defenders of Corregidor, the tiny island fortress of Generals Macarthur and Wainwright; Corregidor is the remarkable history of forty American and Filipino survivors. Before Pearl Harbor, American servicemen in the Philippines led a life of colonial ease. But from December 1941 to May 1942, defeated and humiliated by the Japanese and deceived by Washington, they fought and dies to buy America some desperately needed time to regroup and respond to the Japanese onslaught in the Pacific.

In this volume, Alessandro Grazi offers the first intellectual biography of the Italian Jewish writer and politician David Levi (1816-1898). In this intriguing journey through the mysterious rites of Freemasonry and the bizarre worldviews of Saint-Simonianism, you can discover Levi's innovative interpretation of Judaism and its role in modernity. As a champion of dialogue with Catholic intellectuals, Levi's importance transcends the Jewish world. The second part of the book presents an unpublished document, Levi's comedy "Il Mistero delle Tre Melarancie", a phantasmagorical adventure in search of his Jewish identity, with an English translation of its most relevant excerpt.

The GI's War contains eyewitness accounts from ordinary young men, farm hands and factory workers, who had war thrust upon them and in the process became veteran soldiers. Their unsparing narratives, presented in their own words, capture the many emotions evoked by war. GIs and their commanding officers speak freely, and movingly, of becoming soldiers, of enduring the ordeals of the various campaigns, and of fightling for their lives and their country. Vividly personal and compelling, this book puts the reader on the front lines.

In an age characterized by religious conflict, Protestant and Catholic Augsburgers remained largely at peace. How did they do this? This book argues that the answer is in the "emotional practices" Augsburgers learned and enacted-in the home, in marketplaces and other sites of civic interaction, in the council house, and in church. Augsburg's continued peace depended on how Augsburgers felt-as neighbors, as citizens, and believers-and how they negotiated the countervailing demands of these commitments. Drawing on police records, municipal correspondence, private memoranda, internal administrative documents and other records revealing everyday behavior, experience, and thought, Sean Dunwoody shows how Augsburgers negotiated the often-conflicting feelings of being a good believer and being a good citizen and neighbor.

A SPECTATOR and PROSPECT Book of 2022 'Ceaselessly interesting, knowledgeable and evocative' Spectator 'A fresh way to write history' Alan Johnson 'A quirky, amused, erudite homage to France . . . ambitious and original' The Times _____ Original, knowledgeable and endlessly entertaining, France: An Adventure History is an unforgettable journey through France from the first century BC to the present day. Drawn from countless new discoveries and thirty years of exploring France on foot, in the library and across 30,000 miles on the author's beloved bike, it begins with Gaulish and Roman times and ends in the age of #MeToo, Black Lives Matter, the Gilets Jaunes and Covid-19. From the plains of Provence to the slums and boulevards of Paris, events and themes of French history may be familiar - Louis XIV, the French Revolution, the French Resistance, the Tour de France - but all are presented in a shining new light. Frequently hilarious, always surprising, France: An Adventure History is a sweeping panorama of France, teeming with characters, stories and coincidences, and offering a thrilling sense of discovery and enlightenment. This vivid, living history of one of the world's most fascinating nations will make even seasoned Francophiles wonder if they really know that terra incognita which is currently referred to as 'France'. _____ 'Packed full of discoveries' The Sunday Times 'A gorgeous tapestry of insights, stories and surprises' Fintan O'Toole 'A rich and vibrant narrative . . . clear-eyed but imaginative storytelling' Financial Times 'Full of life' Prospect

A blend of memoir and history detailing the story of the soldier-athletes who comprised the 10th Mountain Division during World War II.

Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the United States to Canada, England, Poland, and Israel. To archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty six year old man who appears in the film as a thirteen year old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival, a monument to a lost world.

We are living a moment in which famous chefs, Michelin stars, culinary techniques, and gastronomical accolades attract moneyed tourists to Spain from all over the world. This has prompted the Spanish government to declare its cuisine as part of Spanish patrimony. Yet even with this widespread global attention, we know little about how Spanish cooking became a litmus test for demonstrating Spain's modernity and, in relation, the roles ascribed to the modern Spanish women responsible for daily cooking. Efforts to articulate a new, modern Spain infiltrated writing in multiple genres and media. Women's Work places these efforts in their historical context to yield a better understanding of the roles of food within an inherently uneven modernization process. Further, the book reveals the paradoxical messages women have navigated, even in texts about a daily practice that shaped their domestic and work lives. This argument is significant because of the degree to which domestic activities, including cooking, occupied women's daily lives, even while issues like their fitness as citizens and participation in the public sphere were hotly debated. At the same time, progressive intellectuals from diverse backgrounds began to invoke Spanish cooking and eating as one measure of Spanish modernity. Women's Work shows how culinary writing engaged these debates and reached women at the site of much of their daily labor-the kitchen-and, in this way, shaped their thinking about their roles in modernizing Spain.