Judge Baltasar Garzon achieved international prestige in 1998 when he pursued the perpetrators of crimes committed in Argentina against Spanish citizens and began proceedings for the arrest of the Chilean ex-dictator Augusto Pinochet. But when he transferred his attention to his Spanish homeland he was put on trial for opening an investigation into crimes committed by Francoists. As result he now (February 2012) finds himself on the point of being expelled from the judiciary. ... The Garzon case is neither so absurd nor so difficult to understand if the record of the Spanish judiciary is examined through the prism of a series of representative cases since the transition to democracy. Key is the way the judiciary has dealt with those who have investigated cases of people murdered by the military rebels from July 1936 onwards. Shoot the Messenger? relates thirteen judicial cases that took place between 1981 and 2012. They range from the banning of the documentary film Rocio by Fernando Ruiz Vergara, because it named the person responsible for one of the massacres in southwest Spain, to the recent trial of Judge Garzon. The judicial outcome in each case reflected the prejudices and ideology of the judge in charge. ... The Francoist repression still constitutes a dead weight in Spanish politics as heavy as the gravestone that covers the remains of the dictator in the Valle de los Caidos. The nature of the transition from autocracy to democracy has made it difficult to overcome a black past that not even the post-Franco democratic governments -- Rodriguez Zapatero's "memory" policy included -- have dared confront. The potential defrocking of Judge Garzon puts the Spanish polity/judiciary back in the realm of Franco's end-of-year message on December 30, 1969, with what became the nautical catch-phrase of his twilight years, "all is lashed down and well lashed down" (todo ha quedado atado, y bien atado).

From the Sunday Times-bestselling Patrick Bishop comes a heart-stopping countdown narrative recreating the liberation of Paris in 1944, one of the great and most dramatic hinge moments of WW2.

When the Germans marched in and the lamps went out in the City of Light the millions who loved Paris mourned. Liberation, four years later, triggered an explosion of joy and relief. It was the party of the century and everybody who was anybody was there. General Charles de Gaulle seized the moment to create an instant legend that would take its place alongside the great moments in French history. After years of oppression and humiliation Parisians had risen to reclaim their city and drive out the forces of darkness – or so the story went.

This fresh new account of the liberation, packed with revelation, tells the story of those heady days of suspense, danger, exhilaration – and vengeance – through the eyes of a range of participants, reflecting all sides of the conflict: Americans, French and Germans; resisters and collaborators. Among them are famous names like Ernest Hemingway, J.D. Salinger and Pablo Picasso, but also some fascinating unknowns including a medic turned Resistance gunwoman, an androgynous Hungarian sculptor and a French bluestocking who quietly set about saving the nation’s art treasures from the Nazi looters.

Paris ’44 looks behind the mythology to tell the real story of the liberation and expose the conflicts and contradictions of France under the occupation – the shame as well as the glory. This gripping war-time narrative will enthral anyone who has a place for Paris in their hearts.

A noted World War I scholar examines the critical decisions and events that led to Germany's defeat, arguing that the German loss was caused by collapse at home as well as on the front. Much has been written about the causes for the outbreak of World War I and the ways in which the war was fought, but few historians have tackled the reasons why the Germans, who appeared on the surface to be winning for most of the war, ultimately lost. This book, in contrast, presents an in-depth examination of the complex interplay of factors-social, cultural, military, economic, and diplomatic-that led to Germany's defeat. The highly readable work begins with an examination of the strengths and weaknesses of the two coalitions and points out how the balance of forces was clearly on the side of the Entente in a long and drawn-out war. The work then probes the German plan to win the war quickly and the resulting campaigns of August and September 1914 that culminated in the devastating defeat in the First Battle of the Marne. Subsequent chapters discuss the critical factors and decisions that led to Germany's loss, including the British naval blockade, the role of economic factors in maintaining a consensus for war, and the social impact of material deprivation. Starts a new and fuller discussion of Germany's defeat that goes beyond the battlefields of the Western Front Argues that Germany's defeat was caused by a complex interplay of domestic, social, and economic forces as well as by military and diplomatic factors Integrates the internal problems the German people experienced with Germany's defeats at sea and on land Highlights the critical role played by Britain and the United States in bringing about Germany's defeat Discusses the failures of German military planning and the failure of the nation's political leaders and military leaders to understand that war is the continuation of diplomacy by other means

Americans call the Second World War "the Good War." But before it even began, America's ally Stalin had killed millions of his own citizens-and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war's end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. ? Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single story. With a new afterword addressing the relevance of these events to the contemporary decline of democracy, Bloodlands is required reading for anyone seeking to understand the central tragedy of modern history and its meaning today.