A dedicated career soldier and excellent division and corps commander, Dominique Vandamme was a thorn in the side of practically every officer he served. Outspoken to a fault, he even criticized Napoleon, whom he never forgave for not appointing him marshal. His military prowess so impressed the emperor, however, that he returned Vandamme to command time and again.In this first book-length study of Vandamme in English, John G. Gallaher traces the career of one of Napoleon's most successful midrank officers. He describes Vandamme's rise from a provincial youth with neither fortune nor influence to an officer of the highest rank in the French army. Gallaher thus offers a rare look at a Napoleonic general who served for twenty-five years during the wars of the French Revolution and Napoleonic Empire. This was a time when a general could lose his head if he lost a battle. Despite Vandamme's contentious nature, Gallaher shows, Napoleon needed his skills as a commander, and Vandamme needed Napoleon to further his career. Gallaher draws on a wealth of archival sources in France - notably the Vandamme Papers in Lille - to draw a full portrait of the general. He also reveals new information on such military events as the Silesian campaign of 1807 and the disaster at Kulm in 1813. Gallaher presents Vandamme in the context of the Napoleonic command system, revealing how he related to both subordinates and superiors. Napoleon's Enfant Terrible depicts an officer who was his own worst enemy but who was instrumental in winning an empire.

The Sunday Times Top 10 Bestseller Shortlisted for a British Book Industry Book of the Year Award 2016 Ancient Rome matters. Its history of empire, conquest, cruelty and excess is something against which we still judge ourselves. Its myths and stories - from Romulus and Remus to the Rape of Lucretia - still strike a chord with us. And its debates about citizenship, security and the rights of the individual still influence our own debates on civil liberty today. SPQR is a new look at Roman history from one of the world's foremost classicists. It explores not only how Rome grew from an insignificant village in central Italy to a power that controlled territory from Spain to Syria, but also how the Romans thought about themselves and their achievements, and why they are still important to us. Covering 1,000 years of history, and casting fresh light on the basics of Roman culture from slavery to running water, as well as exploring democracy, migration, religious controversy, social mobility and exploitation in the larger context of the empire, this is a definitive history of ancient Rome. SPQR is the Romans' own abbreviation for their state: Senatus Populusque Romanus, 'the Senate and People of Rome'.

This volume offers a history of historiography, as Roumen Daskalov presents a critical analysis of Bulgarian historiographical views of the Middle Ages to reveal their embeddedness in their historical context and their adaptation to the contemporary circumstances. The study traces the establishment of a master narrative of the Bulgarian Middle Ages and its evolution over time to the present day, including the attempt at a Marxist counter-narrative. Daskalov uses categories of master national narratives, which typically are stories of origins and migrations, state foundations and rises ("golden ages"), and decline and fall, yet they also assert the continuity of the "people", present certain historical personalities (good or evil, "great" or "weak"), and describe certain actions or passivity to others' actions.

In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes' Don Quixote, and the mechanical sets around which playwright CalderOn de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason-even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.

In November 1528, almost a century before the Pilgrims landed at Plymouth Rock, the remnants of a Spanish expedition reached the Gulf Coast of Texas. By July 1536, eight years later, alvar Nunez Cabeza de Vaca (c. 1490-1559) and three other survivors had walked 2,500 miles from Texas, across northern Mexico, to Sonora and ultimately to Mexico City. Cabeza de Vaca's account of this astonishing journey is now recognized as one of the great travel stories of all time and a touchstone of New World literature. But his career did not begin and end with his North American ordeal."" Robin Varnum's biography, the first single-volume cradle-to-grave account of the explorer's life in eighty years, tells the rest of the story.
During Cabeza de Vaca's peregrinations through the American Southwest, he lived among and interacted with various Indian groups. When he and his non-Indian companions finally reconnected with Spaniards in northern Mexico, he was horrified to learn that his compatriots were enslaving Indians there. His "Relacion" (1542) advocated using kindness and fairness rather than force in dealing with the native people of the New World. Cabeza de Vaca went on to serve as governor of Spain's province of Rio de La Plata in South America (roughly modern Paraguay). As a loyal subject of the king of Spain, he supported the colonialist enterprise and believed in Christianizing the Indians, but he always championed the rights of native peoples. In Rio de La Plata he tried to keep his men from robbing the Indians, enslaving them, or exploiting them sexually--policies that caused grumbling among the troops. When Cabeza de Vaca's men mutinied, he was sent back to Spain in chains to stand trial before the Royal Council of the Indies.
Drawing on the conquistador's own reports and on other sixteenth-century documents, both in English translation and the original Spanish, Varnum's lively narrative braids eyewitness testimony of events with historical interpretation benefiting from recent scholarship and archaeological investigation. As one of the few Spaniards of his era to explore the coasts and interiors of two continents, Cabeza de Vaca is recognized today above all for his more humane attitude toward and interactions with the Indian peoples of North America, Mexico, and South America.

A Companion to Late Medieval and Early Modern Augsburg introduces readers to major political, social and economic developments in Augsburg from c. 1400 to c. 1800 as well as to those themes of social and cultural history that have made research on this imperial city especially fruitful and stimulating. The volume comprises contributions by an international team of 23 scholars, providing a range of the most significant scholarly approaches to Augsburg's past from a variety of perspectives, disciplines, and methodologies. Building on the impressive number of recent innovative studies on this large and prosperous early modern city, the contributions distill the extraordinary range and creativity of recent scholarship on Augsburg into a handbook format. Contributors are Victoria Bartels, Katy Bond, Christopher W. Close, Allyson Creasman, Regina Dauser, Dietrich Erben, Alexander J. Fisher, Andreas Flurschutz da Cruz, Helmut Graser, Mark Haberlein, Michele Zelinsky Hanson, Peter Kreutz, Hans-Joerg Kunast, Margaret Lewis, Andrew Morrall, Marjorie Elizabeth Plummer, Barbara Rajkay, Reinhold Reith, Gregor Rohmann, Claudia Stein, B. Ann Tlusty, Sabine Ullmann, Wolfgang E.J. Weber.

In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes' Don Quixote, and the mechanical sets around which playwright CalderOn de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason-even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.

The Mixtec peoples were among the major original developers of Mesoamerican civilization. Centuries before the Spanish Conquest, they formed literate urban states and maintained a uniquely innovative technology and a flourishing economy. Today, thousands of Mixtecs still live in Oaxaca, in present-day southern Mexico, and thousands more have migrated to locations throughout Mexico, the United States, and Canada. In this comprehensive survey, Ronald Spores and Andrew K. Balkansky--both preeminent scholars of Mixtec civilization--synthesize a wealth of archaeological, historical, and ethnographic data to trace the emergence and evolution of Mixtec civilization from the time of earliest human occupation to the present.
The Mixtec region has been the focus of much recent archaeological and ethnohistorical activity. In this volume, Spores and Balkansky incorporate the latest available research to show that the Mixtecs, along with their neighbors the Valley and Sierra Zapotec, constitute one of the world's most impressive civilizations, antecedent to--and equivalent to--those of the better-known Maya and Aztec. Employing what they refer to as a "convergent methodology," the authors combine techniques and results of archaeology, ethnohistory, linguistics, biological anthropology, ethnology, and participant observation to offer abundant new insights on the Mixtecs' multiple transformations over three millennia.

Bestselling author Giles Tremlett traverses the rich and varied history of Spain, from prehistoric times to today, in a brief, accessible primer for visitors, curious readers and hispanophiles. 'Tremlett is a fascinating socio-cultural guide, as happy to discuss Spain's World Cup win as its Moorish rule' Guardian 'Negotiates Spain's chaotic history with admirable clarity and style' The Times Spain's position on Europe's south-western corner has exposed it to cultural, political and actual winds blowing from all quadrants. Africa lies a mere nine miles to the south. The Mediterranean connects it to the civilizational currents of Phoenicians, Romans, Carthaginians, and Byzantines as well as the Arabic lands of the near east. Bronze Age migrants from the Russian steppe were amongst the first to arrive. They would be followed by Visigoths, Arabs, Napoleonic armies and many more invaders and immigrants. Circular winds and currents linked it to the American continent, allowing Spain to conquer and colonize much of it. As a result, Spain has developed a sort of hybrid vigour. Whenever it has tried to deny this inevitable heterogeneity, it has required superhuman effort to fashion a 'pure' national identity - which has proved impossible to maintain. In Espana, Giles Tremlett argues that, in fact, that lack of a homogenous identity is Spain's defining trait.

The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Staging Holiness: The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals, and sites invested with special meaning on Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual, and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites' evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred.

In Describing the City, Describing the State Sandra Toffolo presents a comprehensive analysis of descriptions of the city of Venice and the Venetian Terraferma in the Renaissance, when the Venetian mainland state was being created. Working with an extensive variety of descriptions, the book demonstrates that no one narrative of Venice prevailed in the early modern European imagination, and that authors continuously adapted geographical descriptions to changing political circumstances. This in turn illustrates the importance of studying geographical representation and early modern state formation together. Moreover, it challenges the long-standing concept of the myth of Venice, by showing that Renaissance observers never saw the city of Venice and the Venetian Terraferma in a monolithic way.