Martin Luther was the architect and engineer of the Protestant Reformation, which transformed Germany five hundred years ago. In Martin Luther and the Arts, Andreas Loewe and Katherine Firth elucidate Luther's theory and practice, demonstrating the breadth, flexibility and rigour of Luther's use of the arts to reach audiences and convince them of his Reformation message using a range of strategies, including music, images and drama alongside sermons, polemical tracts, and his new translation of the Bible into German. Extensively based on German and English sources, including often neglected aspects of Luther's own writings, Loewe and Firth offer a valuable survey for theologians, historians, art historians, musicologists and literary studies scholars interested in interdisciplinary comparisons of Luther's work across the arts.

Many of the wars of the Late Republic were largely civil conflicts. There was, therefore, a tension between the traditional expectation that triumphs should be celebrated for victories over foreign enemies and the need of the great commanders to give full expression to their prestige and charisma, and to legitimize their power. Triumphs in the Age of Civil War rethinks the nature and the character of the phenomenon of civil war during the Late Republic. At the same time it focuses on a key feature of the Roman socio-political order, the triumph, and argues that a commander could in practice expect to triumph after a civil war victory if it could also be represented as being over a foreign enemy, even if the principal opponent was clearly Roman. Significantly, the civil aspect of the war did not have to be denied. Carsten Hjort Lange provides the first study to consider the Roman triumph during the age of civil war, and argues that the idea of civil war as "normal" reflects the way civil war permeated the politics and society of the Late Roman Republic.

At the end of the 19th century, German historical scholarship had grown to great prominence. Academics around the world imitated their German colleagues. Intellectuals described historical scholarship as a foundation of the modern worldview. To many, the modern age was an 'age of history'. This book investigates how German historical scholarship acquired this status. Modern Historiography in the Making begins with the early Enlightenment, when scholars embraced the study of the past as a modernizing project, undermining dogmatic systems of belief and promoting progressive ideals, such a tolerance, open mindedness and reform-readiness. Kasper Risbjerg Eskildsen looks at how this modernizing project remained an important motivation and justification for historical scholarship until the 20th century. Eskildsen successfully argues that German historical scholarship was not, as we have been told since the early 20th century, a product of historicism, but rather of Enlightenment ideals. The book offers this radical revision of the history of scholarship by focusing on practices of research and education. It examines how scholars worked and why they cared. It shows how their efforts forever changed our relationship not only to the past, but also to the world we live in.

(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scene of the rulers' bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetkovic, Sofia Fernandez Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

Richard Kaeuper's career has examined three salient concerns of medieval society - knightly prowess and violence, lay and religious piety, and public order and government - most directly in three of his monographs: War, Justice, and Public Order (Oxford, 1988), Chivalry and Violence in Medieval Europe (Oxford, 1999), and Holy Warriors (Penn, 2009). Kaeuper approaches historical questions with an eye towards illuminating the inherent complexities in human ideas and ideals, and he has worked to untangle the various threads holding together cultural constructs such as chivalry, licit violence, and lay piety. The present festschrift in his honor brings together scholars from across disciplines to engage with those same concerns in medieval society from a variety of perspectives. Contributors are: Bernard S. Bachrach, Elizabeth A.R. Brown, Samuel A. Claussen, David Crouch, Thomas Devaney, Paul Dingman, Daniel P. Franke, Richard Firth Green, Christopher Guyol, John D. Hosler, William Chester Jordan, Craig M. Nakashian, W. Mark Ormrod, Russell A. Peck, Anthony J. Pollard, Michael Prestwich, Sebastian Rider-Bezerra, Leah Shopkow, and Peter W. Sposato.

Jews and Crime in Medieval Europe is a topic laced by prejudice on one hand and apologetics on the other. Beginning in the Middle Ages, Jews were often portrayed as criminals driven by greed. While these accusations were, for the most part, unfounded, in other cases criminal accusations against Jews were not altogether baseless. Drawing on a variety of legal, liturgical, literary, and archival sources, Ephraim Shoham-Steiner examines the reasons for the involvement in crime, the social profile of Jews who performed crimes, and the ways and mechanisms employed by the legal and communal body to deal with Jewish criminals and with crimes committed by Jews. A society's attitude toward individuals identified as criminals - by others or themselves - can serve as a window into that society's mores and provide insight into how transgressors understood themselves and society's atttudes toward them. The book is divided into three main sections. In the first section, Shoham-Steiner examines theft and crimes of a financial nature. In the second section, he discusses physical violence and murder, most importantly among Jews but also incidents when Jews attacked others and cases in which Jews asked non-Jews to commit violence against fellow Jews. In the third section, Shoham-Steiner approaches the role of women in crime and explores the gender differences, surveying the nature of the crimes involving women both as perpetrators and as victims, as well as the reaction to their involvement in criminal activities among medieval European Jews. While the study of crime and social attitudes toward criminals is firmly established in the social sciences, the history of crime and of social attitudes toward crime and criminals is relatively new, especially in the field of medieval studies and all the more so in medieval Jewish studies. Jews and Crime in Medieval Europe blazes a new path for unearthing daily life history from extremely recalcitrant sources. The intended readership goes beyond scholars and students of medieval Jewish studies, medieval European history, and crime in pre-modern society.

Irena Veisaite is held in deep esteem throughout her country. This volume is an attempt to relate the difficult journey of her remarkable life against the backdrop of the complex history of Lithuania and its Litvaks (Lithuanian Jews). After being rescued by Christian Lithuanian families and having survived the Holocaust Irena Veisaite devoted herself to study and creative work. She was a memorable lecturer, respected theatre critic, associate film director, and also founder and chairman of the Open Society Fund (Soros Foundation) which made an invaluable contribution to the process of democratisation in Lithuania. Irena Veisaite made it her life's work to speak up for dialogue and mutual understanding and believes that even in the most difficult circumstances it is possible to preserve one's humanity. Having lived through some of the major atrocities of the twentieth century, her insistence on the need for tolerance has inspired many.

How did print spread through France to become a major force during the eighteenth century? This question has remained unanswered because we know surprisingly little about the infrastructure of the book trade. Between state and market: printing and bookselling in eighteenth-century France explores the networks of printers and booksellers that covered eighteenth-century France, situating these key cultural intermediaries within their political and socio-economic environments. To draw an overview of printing and bookselling, and to chart their evolution across the century, the author analyzes a series of administrative surveys conducted between 1700 and 1777 by the Direction de la librairie. The hundreds of reports the central administration gathered on every printing shop and bookseller in the kingdom reveal not only where book professionals could be found and who they were, but what materials they were printing and what books they were selling. Survey responses also show that book policing was deficient in most of the provinces, allowing pirated and forbidden books to pour into the kingdom from nearby foreign presses. Unable to control the circulation of books, the administration resorted to an austere Colbertist policy to restrict the number of printing shops. State intervention brought a decline in provincial book publishing, but printers could still thrive on job printing, local-interest publications and pirating. By contrast, the central administration let booksellers of all kinds proliferate, particularly in the second half of the century. Better suited than traditional printer-booksellers to supply whatever books readers wanted, retail booksellers cashed in on a booming market demand. Examining the booktrade from each provincial city upwards, the author tracks the intricate web of relations between state, market, local institutions and book professionals that shaped the diffusion of print, and thereby the development of French literature and the experience of everyday readers.

In the face of an outpouring of research on Holocaust history, Holocaust Angst takes an innovative approach. It explores how Germans perceived and reacted to how Americans publicly commemorated the Holocaust. It argues that a network of mostly conservative West German officials and their associates in private organizations and foundations, with Chancellor Kohl located at its center, perceived themselves as the "victims" of the afterlife of the Holocaust in America. They were concerned that public manifestations of Holocaust memory, such as museums, monuments, and movies, could severely damage the Federal Republic's reputation and even cause Americans to question the Federal Republic's status as an ally. From their perspective, American Holocaust memorial culture constituted a stumbling block for (West) German-American relations since the late 1970s. Providing the first comprehensive, archival study of German efforts to cope with the Nazi past vis-a-vis the United States up to the 1990s, this book uncovers the fears of German officials - some of whom were former Nazis or World War II veterans - about the impact of Holocaust memory on the reputation of the Federal Republic and reveals their at times negative perceptions of American Jews. Focusing on a variety of fields of interaction, ranging from the diplomatic to the scholarly and public spheres, the book unearths the complicated and often contradictory process of managing the legacies of genocide on an international stage. West German decision makers realized that American Holocaust memory was not an "anti-German plot" by American Jews and acknowledged that they could not significantly change American Holocaust discourse. In the end, German confrontation with American Holocaust memory contributed to a more open engagement on the part of the West German government with this memory and eventually rendered it a "positive resource" for German self-representation abroad. Holocaust Angst offers new perspectives on postwar Germany's place in the world system as well as the Holocaust culture in the United States and the role of transnational organizations.

Rather than being properties of the individual self, emotions are socially produced and deployed in specific cultural contexts, as this collection documents with unusual richness. All the essays show emotions to be a form of thought and knowledge, and a major component of social life - including in the nineteenth century, which attempted to relegate them to a feminine intimate sphere. The collection ranges across topics such as eighteenth-century sensibility, nineteenth-century concerns with the transmission of emotions, early twentieth-century cinematic affect, and the contemporary mobilization of political emotions including those regarding nonstate national identities. The complexities and effects of emotions are explored in a variety of forms - political rhetoric, literature, personal letters, medical writing, cinema, graphic art, soap opera, journalism, popular music, digital media - with attention paid to broader European and transatlantic implications.