The Zen Way is an invaluable introduction to Zen practice. It is divided into three parts: in the first, Ven. Myokyo-ni provides an overview of Buddhist belief in general, from the perspective of Zen. In her second part, she describes the daily rituals in a Rinzai Zen training monastery; while in the third, Ven. Myokyo-ni assesses Zen practice from a modern and European perspective.

This book looks at the way in which women's making of ritual has emerged from the rapidly developing field of women's spirituality and theology. The author uses ethnographic material drawn from her personal experience in working with individuals and groups to show how the construction of ritual is a practice which uses storymaking and embodied action to empower women. She argues that ritual, far from being a timeless and universal practice, is a contextual and gendered performance in which women subvert conventional distinctions of private and public. She includes stories of women who have created or participated in their own rituals to mark significant changes and transition in their lives, and reflects on these in the light of ritual theory. The book interweaves narrative and interview material drawn from case studies with insights drawn from feminist theology and theory, social anthropology and gender studies to show that the making of ritual for women is a transformative process which empowers them in constructing identity and agency. The writer shows how women are drawing from both Christian feminist theology and broader understandings of spirituality to construct their own understanding of God/Goddess through the rituals they enact.

The twentieth century has been called a "century of horror". Proof of that, designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources - from the Hebrew Bible to Commonwealth war graves, from Greek tragedy to post-Holocaust theology - Alana M. Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.

This book explores the ramifications of being infertile in the medieval Arab-Islamic world by examining legal texts, medical treatises, and works of religious preaching. Sara Verskin illuminates how attitudes toward mixed-gender interactions; legal theories pertaining to marriage, divorce, and inheritance; and scientific theories of reproduction contoured the intellectual and social landscape infertile women had to navigate.

The author applies the fields of gender studies, psychoanalysis, and literature to Talmudic texts. In opposition to the perception of Judaism as a legal system, he argues that the Talmud demands inner spiritual effort, to which the trait of humility and the refinement of the ego are central. This leads to the question of the attitude to the Other, in general, and especially to women. The author shows that the Talmud places the woman (who represents humility and good-heartedness in the Talmudic narratives) above the character of the male depicted in these narratives as a scholar with an inflated sense of self-importance. In the last chapter (that in terms of its scope and content could be a freestanding monograph) the author employs the insights that emerged from the preceding chapters to present a new reading of the Creation narrative in the Bible and the Rabbinic commentaries. The divine act of creation is presented as a primal sexual act, a sort of dialogic model of the consummate sanctity that takes its place in man's spiritual life when the option of opening one's heart to the other in a male-female dialogue is realized.

"Harmonizing Similarities" is a study of the legal distinctions (al-furuq al-fiqhiyya) literature and its role in the development of the Islamic legal heritage. This book reconsiders how the public performance of Islamic law helped shape legal literature. It identifies the origins of this tradition in contemporaneous lexicographic and medical literature, both of which demonstrated the productive potential of drawing distinctions. Elias G. Saba demonstrates the implications of the legal furuq and how changes to this genre reflect shifts in the social consumption of Islamic legal knowledge. The interest in legal distinctions grew out of the performance of knowledge in formalized legal disputations. From here, legal distinctions incorporated elements of play through its interactions with the genre of legal riddles. As play, books of legal distinctions were supplements to performance in literary salons, study circles, and court performances; these books also served as mimetic objects, allowing the reader to participate in a session virtually. Saba underscores how social and intellectual practices helped shape the literary development of Islamic law and that literary elaboration became a main driver of dynamism in Islamic law. This monograph has been awarded the annual BRAIS - De Gruyter Prize in the Study of Islam and the Muslim World.

The material symbol has become central to understanding religion in late modernity. Overtly theological approaches use words to express the values and faith of a religion, but leave out the 'incarnation' of religion in the behavioural, performative, or audio-visual form. This book explores the lived expression of religion through its material expression, demonstrating how religion and spirituality are given form, and are thus far from being detached or ethereal. Cutting across cultures, senses, disciplines and faiths, the contributors register the variety in which religions and religious groups express the sacred and numinous. Including chapters on music, architecture, festivals, ritual, artefacts, dance, dress and magic, this book offers an invaluable resource to students of sociology and anthropology of religion, art, culture, history, liturgy, theories of late modern culture, and religious studies.

This volume is concerned with the origins, development and character of ritual in Islam. The focus is upon the rituals associated with the five 'pillars of Islam': the credal formula, prayer, alms, fasting and pilgrimage. Since the 19th century academic scholarship has sought to investigate Muslim rituals from the point of view of history, the study of religion, and the social sciences, and a set of the most important and influential contributions to this debate, some of them translated into English for the first time, is brought together here. Participation in the ritual life of Islam is for most Muslims the predominant expression of their adherence to the faith and of their religious identity. The Development of Islamic Ritual shows some of the ways in which this important aspect of Islam developed to maturity in the first centuries of Islamic history.

The events surrounding the holidays molded the foundation of the Jews as a nation and are related to their continuity and survival as Jews throughout history. In The Jewish Holidays: A Journey through History, author Larry Domnitch contends that there is a cyclical nature to the events of Jewish history. He writes, "The events that make up the themes of the Jewish holidays did not occur in a vacuum but have recurred throughout history. The actual Israelite exodus from Egypt, or the receiving of the Torah at Mount Sinai as celebrated on Shavuot, may have occurred once, but in a sense the themes conveyed by those momentous events have been repeated over the centuries. This book attempts to give the reader an appreciation of the cyclical nature of Jewish history and a greater appreciation of the holidays and their relevance throughout Jewish history."

In this book, Claudia Moser offers a new understanding of Roman religion in the Republican era through an exploration of sacrifice, its principal ritual. Examining the long-term imprint of sacrificial practices on the material world, she focuses on monumental altars as the site for the act of sacrifice. Piecing together the fragments of the complex kaleidoscope of Roman religious practices, she shows how they fit together in ways that shed new light on the characteristic diversity of Roman religion. This study reorients the study of sacrificial practice in three principal ways: first, by establishing the primacy of sacred architecture, rather than individual action, in determining religious authority; second, by viewing religious activities as haptic, structured experiences in the material world rather than as expressions of doctrinal, belief-based mentalities; and third, by considering Roman sacrifice as a local, site-specific ritual rather than as a single, monolithic practice.

Sacrifice dominated the religious landscape of the ancient Mediterranean world for millennia, but its role and meaning changed dramatically in the fourth and fifth centuries with the rise of Christianity. Daniel Ullucci offers a new explanation of this remarkable transformation, in the process demonstrating the complexity of the concept of sacrifice in Roman, Greek, and Jewish religion.
The Christian Rejection of Animal Sacrifice challenges the predominant scholarly model, which posits a connection between so-called critiques of sacrifice in non-Christian Greek, Latin, and Hebrew texts and the Christian rejection of animal sacrifice. According to this model, pre-Christian authors attacked the propriety of animal sacrifice as a religious practice, and Christians responded by replacing animal sacrifice with a pure, ''spiritual'' 'worship. This historical construction influences prevailing views of animal sacrifice even today, casting it as barbaric, backward, and primitive despite the fact that it is still practiced in such contemporary religions as Islam and Santeria.
Rather than interpret the entire history of animal sacrifice through the lens of the Christian master narrative, Ullucci shows that the ancient texts must be seen not simply as critiques but as part of an ongoing competition between elite cultural producers to define the meaning and purpose of sacrifice. He reveals that Christian authors were not merely purveyors of pure spiritual religion, but a cultural elite vying for legitimacy and influence in societies that long predated them. The Christian Rejection of Animal Sacrifice is a crucial reinterpretation of the history of one of humanity's oldest and most fascinating rituals.