Originally published in 1923, this edition of The Travels of Fa-hsien was translated into English by H. A. Giles (1845-1935), a scholar of Chinese language and culture who helped popularize the Wade-Giles system for the Romanization of the Chinese languages. The Travels relates the story of Fa-hsien's journey from Central China across the Gobi Desert, over the Hindu Kush, and through India down to the mouth of the Hoogly, where he took a ship and returned to China by sea, bringing with him the books of the Buddhist Canon and images of Buddhist deities. This is a fascinating text that will be of value to anyone with an interest in Buddhism and Chinese literature.

The British explorer Sir Richard F. Burton (1821 90) was a colourful and often controversial character. A talented linguist and keen ethnologist, he worked in India during the 1840s as an interpreter and intelligence officer for General Sir Charles Napier, and published several books about his experiences in 1851 2. He first gained celebrity, however, for his adventurous 1853 trip to Mecca, under the disguise of a pilgrim, which is described in this lively three-volume publication (1855 6). Few Europeans had ever visited the Muslim holy places; one of them was John Lewis Burckhardt, whose 1829 account is also reissued in this series. Volume 1 of Burton's book describes his arrival in Egypt, the weeks he spent in Alexandria and Cairo polishing his linguistic and cultural skills, and how, at the end of Ramadan, he travelled to Suez by camel, and from there by boat to Yanbu al-Bahr.

The British explorer Sir Richard F. Burton (1821-90) was a colourful and often controversial character. A talented linguist and keen ethnologist, he worked in India during the 1840s as an interpreter and intelligence officer for General Sir Charles Napier, and published several books about his experiences in 1851-2. He first gained celebrity, however, for his adventurous 1853 trip to Mecca, under the disguise of a pilgrim, which is described in this lively three-volume publication (1855-6). Few Europeans had ever visited the Muslim holy places; one of them was John Lewis Burckhardt, whose 1829 account is also reissued in this series. Volume 3 of Burton's book vividly describes the pilgrims' journey from Medina to Mecca, with catering including coffee, rice and 'occasionally ... tough mutton and indigestible goat', crowded camp-sites and all-night prayers and singing. Finally he arrives at the Kaabah and witnesses the culminating ceremonies of the hajj.

Eliphas Levi, born Alphonse Louis Constant, (1810-75) was instrumental in the revival of Western occultism in the nineteenth century, and published several influential books on magic that are also reissued in this series. This posthumous publication (1896) is a translation by William Wynn Westcott, co-founder of the 'Hermetic Order of the Golden Dawn', of an unpublished French manuscript by Levi, then owned by the spiritualist Edward Maitland. It includes eight of the author's drawings. Each short chapter outlines the meaning of one of the twenty-two tarot trumps and is followed by a brief editor's note describing the card's iconography and summarising interpretations (sometimes deliberately misleading) given in Levi's earlier publications. The book ends with Kabbalistic prayers and rituals, praise of Jesus Christ as the great initiate, and a surprising assertion that Christianity has superseded ancient magic, revealing the life-long tension between Catholicism and magic in Levi's personality and thought.

"The Essentials of Buddhist Meditation" is a classic Buddhist meditation instruction manual deeply rooted in the Indian Buddhist "calming-and-insight" meditation tradition. Within its tradition, it is the universally-acknowledged standard beginning-to-intermediate meditation manual, one which offers perhaps the most reliable, comprehensive, and practically-useful Buddhist meditation instruction currently available in English. The author of "The Essentials" is the sixth-century monk and meditation master, Shramana Zhiyi (Chih-i), one of the most illustrious figures in the history of Chinese Buddhism. Master Zhiyi is famous for his role in the founding of the Tiantai teachings lineage and for his authorship of a quartet of meditation manuals of which this is one. The translator of this volume is the American monk, Bhikshu Dharmamitra, a translator of numerous classic works from the Indian and Chinese Buddhist traditions.

The purpose of this book, published in 1813 by Thomas Duer Broughton (1778 1835), is to provide an English audience with an accurate description of 'the character, manners, domestic habits and religious ceremonies of the Mahrattas'. Broughton, an army officer in the East India Company, first arrived in India while serving as a cadet in the Bengal establishment in 1795, and eventually rose to the positions of captain in 1805, major in 1816 and colonel in 1829. The book consists of a series of thirty-two letters addressed to his brother, and most of the letters describe the events and the environment of the Rajputana region, beginning with an account of a journey from Agra to Kerowli. The letters which follow all contain fascinating descriptions of festivals and other events, and cultural encounters of all kinds, painting a vivid portrait of life for the British in early nineteenth-century India.

The Oxford Handbook of Sikh Studies innovatively combines the ways in which scholars from fields as diverse as philosophy, psychology, religious studies, literary studies, history, sociology, anthropology, political science, and economics have integrated the study of Sikhism within a wide range of critical and postcolonial perspectives on the nature of religion, violence, gender, ethno-nationalism, and revisionist historiography. A number of essays within this collection also provide a more practical dimension, written by artists and practitioners of the tradition. The handbook is divided into eight thematic sections that explore different 'expressions' of Sikhism. Historical, literary, ideological, institutional, and artistic expressions are considered in turn, followed by discussion of Sikhs in the Diaspora, and of caste and gender in the Panth. Each section begins with an essay by a prominent scholar in the field, providing an overview of the topic. Further essays provide detail and further treat the fluid, multivocal nature of both the Sikh past and the present. The handbook concludes with a section considering future directions in Sikh Studies.

The Festival of Pirs is an ethnographic study of the religious life of the village of Gugudu in Andhra Pradesh. It focuses on the public event of Muharram, which is practiced by urban Shi'i communities across South Asia, but takes on a strikingly different color in Gugudu because of the central place of a local pir, or saint, called Kullayappa. The story of Kullayappa is pivotal in Gugudu's religious culture, effectively displacing the better-known story of Imam Hussain from Shi'a Islam, and each year 300,000 pilgrims from across South India visit this remote village to express their devotion to Kullayappa. As with many villages in South India, Gugudu is mostly populated by non-Muslims, yet Muslim rituals and practices play a crucial role in its devotion. In the words of one devotee, "There is no Hindu or Muslim. They all have one religion, which is called 'Kullayappa devotion (bhakti).'" Afsar Mohammad explores how the diverse religious life in the village of Gugudu expands our notions of devotion to the martyrs of Karbala, not only in this particular village but also in the wider world.

In Making Things Better, A. David Napier demonstrates how anthropological description of non-Western exchange practices and beliefs can be a tonic for contemporary economic systems in which our impersonal relationship to ''things'' transforms the animate elements of social life into inanimate sets of commodities. Such a fundamental transformation, Napier suggests, makes us automatons in globally integrated social circuits that generate a cast of a winners and losers engaged in hostile competition for wealth and power. Our impersonal relations to ''things''-and to people as well-are so ingrained in our being, we take them for granted as we sleepwalk through routine life. Like the surrealist artists of the 1920s who, through their art, poetry, films, and photography, fought a valiant battle against mind-numbing conformity, Napier provides exercises and practica designed to shock the reader from their wakeful sleep. These demonstrate powerfully the positively integrative social effects of more socially entangled, non-Western orientations to ''things'' and to ''people.'' His arguments also have implications for the rights and legal status of indigenous peoples, which are drawn out in the course of the book.

Feeding the Dead outlines the early history of ancestor worship in South Asia, from the earliest sources available, the Vedas, up to the descriptions found in the Dharmshastra tradition. Most prior works on ancestor worship have done little to address the question of how shraddha, the paradigmatic ritual of ancestor worship up to the present day, came to be. Matthew R. Sayers argues that the development of shraddha is central to understanding the shift from Vedic to Classical Hindu modes of religious behavior. Central to this transition is the discursive construction of the role of the religious expert in mediating between the divine and the human actor. Both Hindu and Buddhist traditions draw upon popular religious practices to construct a new tradition. Sayers argues that the definition of a religious expert that informs religiosity in the Common Era is grounded in the redefinition of ancestral rites in the Grhyasutras. Beyond making more clear the much misunderstood history of ancestor worship in India, this book addressing the serious question about how and why religion in India changed so radically in the last half of the first millennium BCE. The redefinition of the role of religious expert is hugely significant for understanding that change. This book ties together the oldest ritual texts with the customs of ancestor worship that underlie and inform medieval and contemporary practice.

In a time of social distancing and isolation, a meditation on the beauty of solitude from renowned Buddhist writer Stephen Batchelor A Los Angeles Review of Books "Best of the Year" selection "Whatever a soul is, the author goes a long way toward soothing it. A very welcome instance of philosophy that can help readers live a good life."-Kirkus Reviews "Elegant and formally ingenious."-Geoff Wisner, Wall Street Journal When world renowned Buddhist writer Stephen Batchelor turned sixty, he took a sabbatical from his teaching and turned his attention to solitude, a practice integral to the meditative traditions he has long studied and taught. He aimed to venture more deeply into solitude, discovering its full extent and depth. This beautiful literary collage documents his multifaceted explorations. Spending time in remote places, appreciating and making art, practicing meditation and participating in retreats, drinking peyote and ayahuasca, and training himself to keep an open, questioning mind have all contributed to Batchelor's ability to be simultaneously alone and at ease. Mixed in with his personal narrative are inspiring stories from solitude's devoted practitioners, from the Buddha to Montaigne, from Vermeer to Agnes Martin. In a hyperconnected world that is at the same time plagued by social isolation, this book shows how to enjoy the inescapable solitude that is at the heart of human life.

Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion. At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.

Bringing the body-mind insights of Rinzai Zen from the mountains of Japan to the Western world, Zen master Julian Daizan Skinner and Sarah Bladen present simple meditation techniques to help achieve health, wellbeing and success. Taking the reader through the first 100 days of practice, the book then shows how to adapt the new learned techniques to the rest of your life. Including case studies at the end of each chapter to show how people's lives have been transformed through their meditation journeys, this is an accessible and practical guide to adapting Eastern meditation into busy Western lives.

This is a book about religious conceptions of trees within the cultural world of tree worship at the tree shrines of northern India. Sacred trees have been worshipped for millennia in India and today tree worship continues there among all segments of society. In the past, tree worship was regarded by many Western anthropologists and scholars of religion as a prime example of childish animism or decadent ''popular religion.'' More recently this aspect of world religious cultures is almost completely ignored in the theoretical concerns of the day. David Haberman hopes to demonstrate that by seriously investigating the world of Indian tree worship, we can learn much about not only this prominent feature of the landscape of South Asian religion, but also something about the cultural construction of nature as well as religion overall. The title People Trees relates to the content of this book in at least six ways. First, although other sacred trees are examined, the pipal-arguably the most sacred tree in India-receives the greatest attention in this study. The Hindi word ''pipal'' is pronounced similarly to the English word ''people.''Second, the ''personhood'' of trees is a commonly accepted notion in India. Haberman was often told: ''This tree is a person just like you and me.'' Third, this is not a study of isolated trees in some remote wilderness area, but rather a study of trees in densely populated urban environments. This is a study of trees who live with people and people who live with trees. Fourth, the trees examined in this book have been planted and nurtured by people for many centuries. They seem to have benefited from human cultivation and flourished in environments managed by humans. Fifth, the book involves an examination of the human experience of trees, of the relationship between people and trees. Haberman is interested in people's sense of trees. And finally, the trees located in the neighborhood tree shrines of northern India are not controlled by a professional or elite class of priests. Common people have direct access to them and are free to worship them in their own way. They are part of the people's religion. Haberman hopes that this book will help readers expand their sense of the possible relationships that exist between humans and trees. By broadening our understanding of this relationship, he says, we may begin to think differently of the value of trees and the impact of deforestation and other human threats to trees.

More than a series of rites of passage through the landmarks of growing up and growing old, Jewish and Christian life-cycle rituals give the members of each religious tradition theological and ritualized definitions of what a life should be. In this volume, the fourth in the acclaimed series "Two Liturgical Traditions", eight scholars explore the models of human life implicit in Judaism and Christianity by unraveling and exploring the evolution and current condition of their life-cycle liturgies. The essays presented here emphasize the wholeness of a life as illustrated by the religious metaphors inherent in life-cycle rites. The contributors examine the history and shape of each life-cycle rite - including the rituals and practices associated with birth, adolescence, marriage, sickness, and death - and analyze the theological message that each rite represents.

This is the first-ever guide to provide detailed information about a variety of meditation methods from many of the world's cultivation schools. These methods are designed to help the meditator attain samadhi, the crux of spiritual development. Most masters teach only one or two cultivation methods, however Bodri and Lee include a healthy list of 25 different techniques, including: the Drinking of Life methods practiced by the first Indian Zen master; the White-Boned Skeleton visualization; the bardo yogas and dream yoga practice of Tibetan Tantra; the classical Hatha Yoga method of Pranayama breath cessation; and the "left hand" sexual yoga practices of Taoism. Each cultivation method is explained thoroughly in terms relative to the overall goals of the cultivation paths, and in reference to the terminology of various schools in order to show the interrelationship between the different paths to enlightenment. Buddhist techniques can be explained through Taoist principles, Christian techniques through Hindu principles, and so on. No single book has ever discussed so many techniques, as well as how they fit into the overall stages of the cultivation path.

The authors give the scientific basis behind the samadhi techniques, as well as their potentional stages of accomplishment and an extensive list of recommended references. This is an excellent book for individuals who want to find an appropriate meditation technique. Teachers can use it to make sense of the seemingly conflicting information that is present regarding the path to spiritual enlightenment.

The study of pilgrimage often centres itself around miracles and spontaneous populist activities. While some of these activities and stories may play an important role in the emergence of potential pilgrimage sites and in helping create wider interest in them, this book demonstrates that the dynamics of the marketplace, including marketing and promotional activities by priests and secular interest groups, create the very consumerist markets through which pilgrimages become established and successful - and through which the 'sacred' as a category can be sustained. By drawing on examples from several contexts, including Japan, India, China, Vietnam, Europe, and the Muslim world, author Ian Reader evaluates how pilgrimages may be invented, shaped, and promoted by various interest groups. In so doing he draws attention to the competitive nature of the pilgrimage market, revealing that there are rivalries, borrowed ideas, and alliances with commercial and civil agencies to promote pilgrimages. The importance of consumerism is demonstrated, both in terms of consumer goods/souvenirs and pilgrimage site selection, rather than the usual depictions of consumerism as tawdry disjunctions on the 'sacred.' As such this book reorients studies of pilgrimage by highlighting not just the pilgrims who so often dominate the literature, but also the various other interest groups and agencies without whom pilgrimage as a phenomenon would not exist.

The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.

How can we order the world while accepting its enduring ambiguities? Rethinking Pluralism suggests a new approach to the problem of ambiguity and social order, which goes beyond the default modern position of 'notation' (resort to rules and categories to disambiguate). The book argues that alternative, more particularistic modes of dealing with ambiguity through ritual and shared experience better attune to contemporary problems of living with difference. It retrieves key aspects of earlier discussions of ambiguity evident in rabbinic commentaries, Chinese texts, and Greek philosophical and dramatic works, and applies those texts to modern problems. The book is a work of recuperation that challenges contemporary constructions of tradition and modernity. In this, it draws on the tradition of pragmatism in American philosophy, especially John Dewey's injunctions to heed the particular, the contingent and experienced as opposed to the abstract, general and disembodied. Only in this way can new forms of empathy emerge congruent with the deeply plural nature of our present experience. While we cannot avoid the ambiguities inherent to the categories through which we construct our world, the book urges us to reconceptualize the ways in which we think about boundaries - not just the solid line of notation, but also the permeable membrane of ritualization and the fractal complexity of shared experience.

With this Passover Haggadah, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder -- the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come.

Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.

This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a "genius of metaphor through line." Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen. The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.