The present monograph is the first, since 1848, to be entirely devoted to the study of the cereal offerings. Its purpose is to attract attention to a form of sacrifice which was largely neglected and solely considered as an appendix to the animal sacrifice.
The study of their substance, ritual and the circumstances in which the cereal offerings are brought to God demonstrates their great complexity as well as their specific function.
His vegetarian utopia has led P to give the cereal offerings a prominent place among the sacrifices. A similar appreciation of the cereal offerings is also found among the Essenes, and, finally, in the Christian Last Supper.

The Shabbat Evening Siddur is the first siddur designed specifically for synagogues, minyanim and families striving for authenticity, sincerity and creativity in their traditional Friday night davening. Color photographs, a precise translation and inspiring commentary by Rabbi Jonathan Sacks and Rabbi Yehuda Sarna, a special study section, and an innovative graphic layout bring out the beauty, convey the power, and enrich the experience of welcoming Shabbat.

With this Passover Haggadah, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder -- the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come.

Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.

This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a "genius of metaphor through line." Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

Das Buch versucht, zwei bislang unterschatzte Psalmen im Psalter, die dort weit auseinanderstehen, als 'Entwicklungszusammenhang' aufzufassen und so eine neue Art der Gruppierung - jenseits von Gunkel - zu initiieren. Zugleich wird ein besseres, adaquateres Verstandnis beider Gedichte vorgestellt, eruiert teils in wechselseitiger Betrachtung, teils durch die Beleuchtung im Lichte der Traditionen. Im einzelnen stellt sich heraus, da der Sinn der gruppierten Psalmen sich erst dann so recht zu erschlieen beginnt, wenn - hier wie dort ziemlich gleicherweise - priesterliche und prophetische Uberlieferungen als Verstehensschlussel eingefuhrt werden. Was die beiden Texte im Psalter trotz genetischen Zusammenhangs voneinander unterscheidet, ist der Wechsel von einem historischen Ort zum andern: Das "eine" Gedicht ist gerade noch "vor" dem Umschwung zum Fruhjudentum zustande gekommen, das "andere" setzt diesen Neuanfang schon voraus. Das Buch lenkt so die Aufmerksamkeit auf zwei markante Zeugnisse, die auch glaubensgeschichtlich wichtig sind.

In this book, Richard J. A. McGregor offers a history of Islamic practice through the aesthetic reception of medieval religious objects. Elaborate parades in Cairo and Damascus included decorated objects of great value, destined for Mecca and Medina. Among these were the precious dress sewn yearly for the Ka'ba, and large colorful sedans mounted on camels, which mysteriously completed the Hajj without carrying a single passenger. Along with the brisk trade in Islamic relics, these objects and the variety of contested meanings attached to them, constituted material practices of religion that persisted into the colonial era, but were suppressed in the twentieth century. McGregor here recovers the biographies of religious objects, including relics, banners, public texts, and coverings for the Ka'ba. Reconstructing the premodern visual culture of Islamic Egypt and Syria, he follows the shifting meanings attached to objects of devotion, as well as the contingent nature of religious practice and experience.

Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.

This popular guide explains how families and churches can celebrate seven Hebrew festivals to enhance their understanding of the message of the Bible.,"This unique book brings deeper meaning to seven Jewish feasts by offering a ""guided tour"" through each celebration from a new testament perspective. The author carefully explains the signi?cance of each feast, the materials necessary to observe them, and full directions for the events. Families and church groups will gain a memorable understanding of the symbolic representations of the Christ as found in the holy celebrations of the Old Testament."

In a time of social distancing and isolation, a meditation on the beauty of solitude from renowned Buddhist writer Stephen Batchelor A Los Angeles Review of Books "Best of the Year" selection "Whatever a soul is, the author goes a long way toward soothing it. A very welcome instance of philosophy that can help readers live a good life."-Kirkus Reviews "Elegant and formally ingenious."-Geoff Wisner, Wall Street Journal When world renowned Buddhist writer Stephen Batchelor turned sixty, he took a sabbatical from his teaching and turned his attention to solitude, a practice integral to the meditative traditions he has long studied and taught. He aimed to venture more deeply into solitude, discovering its full extent and depth. This beautiful literary collage documents his multifaceted explorations. Spending time in remote places, appreciating and making art, practicing meditation and participating in retreats, drinking peyote and ayahuasca, and training himself to keep an open, questioning mind have all contributed to Batchelor's ability to be simultaneously alone and at ease. Mixed in with his personal narrative are inspiring stories from solitude's devoted practitioners, from the Buddha to Montaigne, from Vermeer to Agnes Martin. In a hyperconnected world that is at the same time plagued by social isolation, this book shows how to enjoy the inescapable solitude that is at the heart of human life.

Mock Ritual in the Modern Era explores the complex interrelations between ritual and mockery, the latter of which is not infrequently the unofficial face of claims to rationality. McGinnis and Smyth consider how the mocking and parodying of ritual often associated with modern rationalism may itself become ritualized, and other ways in which supposedly sham ritual may survive its "outing." This volume traces the evolution of "mock ritual" in various forms throughout the modern era, as found in literary, historical, and anthropological texts as well as encyclopedias, newspapers, and films. Mock Ritual in the Modern Era places famous eighteenth- and nineteenth-century authors in dialogue with contemporary popular culture, from Diderot, Sterne, and Flaubert to the TV shows Survivor and Judge Judy, and from Voltaire to the Charlie Hebdo tragedy of 2015. Ritualistic and mock ritualistic aspects of comedy and ridicule are considered along with those, notably, of sexuality, medicine, art, education, and justice.

Over several years, Christian Suhr followed Muslim patients being treated for jinn possession and psychosis in a Danish mosque and in a psychiatric hospital. Through rich filmic and textual case studies, he shows how the bodies and souls of Muslim patients become a battlefield between the moral demands of Islam and the psychiatric institutions of European nation-states. The book reveals how both psychiatric and Islamic healing work to produce relief from pain, and also entail an ethical transformation of the patient and the cultivation of religious and secular values through the experience of pain. Creatively exploring the analytic possibilities provided by the use of a camera, both text and film show how disruptive ritual techniques are used in healing to destabilise individual perceptions and experiences of agency, which allows patients to submit to the invisible powers of psychotropic medicine or God. -- .

Jaina Studies is a relatively new and rapidly expanding field of inquiry for scholars of Indian religion and philosophy. In Jainism, "yoga" carries many meanings, and this book explores the definitions, nuances, and applications of the term in relation to Jainism from early times to the present. Yoga in Jainism begins by discussing how the use of the term yoga in the earliest Jaina texts described the mechanics of mundane action or karma. From the time of the later Upanisads, the word Yoga became associated in all Indian religions with spiritual practices of ethical restraint, prayer, and meditation. In the medieval period, Jaina authors such as Haribhadra, Subhacandra, and Hemacandra used the term Yoga in reference to Jaina spiritual practice. In the modern period, a Jaina form of Yoga emerged, known as Preksa Dhyana. This practice includes the physical postures and breathing exercises well known through the globalization of Yoga. By exploring how Yoga is understood and practiced within Jainism, this book makes an important contribution to the fields of Yoga Studies, Religious Studies, Philosophy, and South Asian Studies.

Although research on contemporary pilgrimage has expanded considerably since the early 1990s, the conversation has largely been dominated by Anglophone researchers in anthropology, ethnology, sociology, and religious studies from the United Kingdom, the United States, France and Northern Europe. This volume challenges the hegemony of Anglophone scholarship by considering what can be learned from different national, linguistic, religious and disciplinary traditions, with the aim of fostering a global exchange of ideas. The chapters outline contributions made to the study of pilgrimage from a variety of international and methodological contexts and discuss what the 'metropolis' can learn from these diverse perspectives. While the Anglophone study of pilgrimage has largely been centred on and located within anthropological contexts, in many other linguistic and academic traditions, areas such as folk studies, ethnology and economics have been highly influential. Contributors show that in many traditions the study of 'folk' beliefs and practices (often marginalized within the Anglophone world) has been regarded as an important and central area which contributes widely to the understanding of religion in general, and pilgrimage, specifically. As several chapters in this book indicate, 'folk' based studies have played an important role in developing different methodological orientations in Poland, Germany, Japan, Hungary, Italy, Ireland and England. With a highly international focus, this interdisciplinary volume aims to introduce new approaches to the study of pilgrimage and to transcend the boundary between center and periphery in this emerging discipline.

This is the first-ever guide to provide detailed information about a variety of meditation methods from many of the world's cultivation schools. These methods are designed to help the meditator attain samadhi, the crux of spiritual development. Most masters teach only one or two cultivation methods, however Bodri and Lee include a healthy list of 25 different techniques, including: the Drinking of Life methods practiced by the first Indian Zen master; the White-Boned Skeleton visualization; the bardo yogas and dream yoga practice of Tibetan Tantra; the classical Hatha Yoga method of Pranayama breath cessation; and the "left hand" sexual yoga practices of Taoism. Each cultivation method is explained thoroughly in terms relative to the overall goals of the cultivation paths, and in reference to the terminology of various schools in order to show the interrelationship between the different paths to enlightenment. Buddhist techniques can be explained through Taoist principles, Christian techniques through Hindu principles, and so on. No single book has ever discussed so many techniques, as well as how they fit into the overall stages of the cultivation path.

The authors give the scientific basis behind the samadhi techniques, as well as their potentional stages of accomplishment and an extensive list of recommended references. This is an excellent book for individuals who want to find an appropriate meditation technique. Teachers can use it to make sense of the seemingly conflicting information that is present regarding the path to spiritual enlightenment.