A NYT Bestseller, Seeking Allah, Finding Jesus by former Muslim Nabeel Qureshi provides an intimate window into American Muslim life, describing how a passionate pursuit of Islam led him to Christ through friendship, apologetics, dreams and visions.

Providing an intimate view into a loving Muslim home, Qureshi shares how he developed a passion for Islam before discovering, almost against his will, evidence that Jesus rose from the dead and claimed to be God. Unable to deny the arguments but not wanting to deny his family, Qureshi struggled with an inner turmoil that will challenge Christians, Muslims, and all those who are interested in two of the world's greatest religions and the quest for truth.

Qureshi - with great courage and intimacy - wrote this book with three major purposes in mind:

• To tear down walls between two of the world's major religions by giving non-Muslim readers an insider's perspective into a Muslim's heart and mind.
• To equip the reader with facts and knowledge, showing the strength of the case for the gospel contrasted with the case for Islam.
• To portray the immense inner struggle of Muslims grappling with the gospel, including all the sacrifices and doubts that rise up along the way.

Seeking Allah, Finding Jesus is more than the memoir of a man's pursuit of answers to the most important issues of life and faith. Ultimately, it's the story about the transformative grace and mercy of the one true God.

This edition has been expanded to include:

• A revised foreword and introduction

Exploring the distinctive nature and role of local pilgrimage traditions among Muslims and Catholics, Muslim and Catholic Pilgrimage Practices draws particularly on south central Java, Indonesia. In this area, the hybrid local Muslim pilgrimage culture is shaped by traditional Islam, the Javano-Islamic sultanates, and the Javanese culture with its strong Hindu-Buddhist heritage. This region is also home to a vibrant Catholic community whose identity formation has occurred in a way that involves complex engagements with Islam as well as Javanese culture. In this respect, local pilgrimage tradition presents itself as a rich milieu in which these complex engagements have been taking place between Islam, Catholicism, and Javanese culture. Employing a comparative theological and phenomenological analysis, this book reveals the deeper religio-cultural and theological import of pilgrimage practice in the identity formation and interaction among Muslims and Catholics in south central Java. In a wider context, it also sheds light on the larger dynamics of the complex encounter between Islam, Christianity and local cultures.

This book highlights the history of Islamic popular devotional art and visual culture in 20th-century India, weaving the personal narrative of the author's journey through his understanding of the faith. It begins with an introductory exploration of how the basic and universal image of Mecca and Medina may have been imported into Indian popular print culture and what variants it resulted in here. Besides providing a historical context of the pre-print culture of popular Muslim visuality, the book also explores the impact the 1947 Partition of India may have made on the calendar art in South Asia. A significant portion of the book focuses on the contemporary prints of different localised images found in India and what role these play in the users' lives, especially in the augmentation of their popular faith and cultural practices. The volume also compares the images published in India with some of those available in Pakistan to reflect different socio-political trajectories. Finally, it discusses why such a vibrant visual culture continues to thrive among South Asian Muslims despite the questions raised by the orthodoxy on its legitimacy in Islam, and why images and popular visual cultures are inevitable for popular piety despite the orthodox Muslims' increasing dissociation from them. This work is one of the first books on Indian Muslim poster art, with rare images and simple narratives, anecdotes about rituals, ceremonies and cultural traditions running parallel to research findings. This second edition contains a new Afterword that discusses challenges to religious plurality arising on account of changing political landscapes, economic liberalisation, technology and new media, and socio-religious developments. It will appeal to the lay reader as well as the specialist and will be especially useful to researchers and scholars in popular culture, media and cultural studies, visual art and performance studies, and sociology and social anthropology.

Dr. Jeffery Feinberg has done it again. Following his highly successful Walk Genesis! he has continued his "Walk" series with this excellent devotional commentary. Using the weekly synagogue readings, Dr. Feinberg has put together some very valuable material. Each section includes a short Hebrew lesson (for the non-Hebrew speaker), key concepts, an excellent overview of the portion, and some very practical applications. Can be used as a daily devotional as well as a Bible study tool for digging deeper in the Word. If you enjoyed Walk Genesis, you'll love Walk Exodus! 224 pages.

Every year hundreds of thousands of pilgrims from all over the world converge on Mecca and its precincts to perform the rituals associated with the Hajj and have been doing so since the seventh century. In this volume, scholars from a range of fields - including history, religion, anthropology, and literature - together tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. By outlining the parameters of the Hajj from its beginnings to the present day, the contributors have produced a global study that takes in the vast geographies of belief in the world of Islam. This volume pays attention to the diverse aspects of the Hajj, as lived every year by hundreds of millions of Muslims, touching on its rituals, its regional forms, the role of gender, its representation in art, and its organization on a global scale.

Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.

Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.

National Parks America s Best Idea were from the first seen as sacred sites embodying the God-given specialness of American people and American land, and from the first they were also marked as tourist attractions. The inherent tensions between these two realities ensured the parks would be stages where the country s conflicting values would be performed and contested. As pilgrimage sites embody the values and beliefs of those who are drawn to them, so Americans could travel to these sacred places to honor, experience, and be restored by the powers that had created the American land and the American enterprise.

This book explores the importance of the discourse of nature in American culture, arguing that the attributes and symbolic power that had first been associated with the new world and then the frontier were embodied in the National Parks. Author Ross-Bryant focuses on National Parks as pilgrimage sites around which a discourse of nature developed and argues the centrality of religion in understanding the dynamics of both the language and the ritual manifestations related to National Parks. Beyond the specific contribution to a richer analysis of the National Parks and their role in understanding nature and religion in the U.S., this volume contributes to the emerging field of religion and the environment, larger issues in the study of religion (e.g. cultural events and the spatial element in meaning-making), and the study of non-institutional religion.

Traditions of asceticism, yoga, and devotion (bhakti), including dance and music, developed in Hinduism over long periods of time. Some of these practices, notably those denoted by the term yoga, are orientated towards salvation from the cycle of reincarnation and go back several thousand years. These practices, borne witness to in ancient texts called Upanisads, as well as in other traditions, notably early Buddhism and Jainism, are the subject of this volume in the Oxford History of Hinduism. Practices of meditation are also linked to asceticism (tapas) and its institutional articulation in renunciation (samnyasa). There is a range of practices or disciplines from ascetic fasting to taking a vow (vrata) for a deity in return for a favour. There are also devotional practices that might involve ritual, making an offering to a deity and receiving a blessing, dancing, or visualization of the master (guru). The overall theme-the history of religious practices-might even be seen as being within a broader intellectual trajectory of cultural history. In the substantial introduction by the editor this broad history is sketched, paying particular attention to what we might call the medieval period (post-Gupta) through to modernity when traditions had significantly developed in relation to each other. The chapters in the book chart the history of Hindu practice, paying particular attention to indigenous terms and recognizing indigenous distinctions such as between the ritual life of the householder and the renouncer seeking liberation, between 'inner' practices of and 'external' practices of ritual, and between those desirous of liberation (mumuksu) and those desirous of pleasure and worldly success (bubhuksu). This whole range of meditative and devotional practices that have developed in the history of Hinduism are represented in this book.

The Oxford Handbook of the Archaeology of Ritual and Religion provides a comprehensive overview by period and region of the relevant archaeological material in relation to theory, methodology, definition, and practice. Although, as the title indicates, the focus is upon archaeological investigations of ritual and religion, by necessity ideas and evidence from other disciplines are also included, among them anthropology, ethnography, religious studies, and history. The Handbook covers a global span-Africa, Asia, Australasia, Europe, and the Americas-and reaches from the earliest prehistory (the Lower and Middle Palaeolithic) to modern times. In addition, chapters focus upon relevant themes, ranging from landscape to death, from taboo to water, from gender to rites of passage, from ritual to fasting and feasting. Written by over sixty specialists, renowned in their respective fields, the Handbook presents the very best in current scholarship, and will serve both as a comprehensive introduction to its subject and as a stimulus to further research.

We have been led to believe that rituals are well-behaved and predictable, but they sometimes behave in unpredictable ways, especially when they emerge in unexpected places. However much rites may seem to be at home in churches, temples, mosques, and synagogues, they are not captives of sacred spaces. Rituals appear on television, stare back at the lens in family photographs, slip into university classrooms, haunt the wilds, and attend movies. Rite Out of Place makes provocative discoveries by scouting out some of the unexpected places where ritualizing takes root. Most ritual studies scholarship still focuses on central religious rites. For this reason, Grimes argues, dominant theories, like the data they consider, remain stubbornly conservative. This book issues a challenge to these theories and to popular conceptions of ritual. Grimes writes in an accessible, engaging style, using a broad, interdisciplinary approach. This collection of seminal essays by one of the founders of the discipline appeals to anyone interested in the intersection of ritual and public life.