This former Deputy Warden of Iona Abbey presents a selection of the liturgies she wrote for worship there which aim to stimulate a rediscovery of God in everyday life. As well as exploring aspects of creativity in worship design, she also provides numerous poetic reflections, stories and duologue's designed for people of different ages and backgrounds. This work is ideal for churches wanting to discover fresh insights into the Gospels as well as for individual reflection, prayer and meditation.

This book examines the historical development of the blessing of waters and its theology in the East, with an emphasis on the Byzantine tradition. Exploring how Eastern Christians have sought these waters as a source of healing, purification, and communion with God, Denysenko unpacks their euchology and ritual context. The history and theology of the blessing of waters on Epiphany is informative for contemporary theologians, historians, pastors and students. Offering important insights into how Christians renew Baptism in receiving the blessed waters, this book also proposes new perspectives for theologizing Christian stewardship of ecology in the modern era based on a patristic liturgical synthesis. Denysenko presents an alternative framework for understanding the activity of the Trinity, enabling readers to encounter a vision of how participants encounter God in and after ritual.

What is the point of the Lectionary? What are the problems and opportunities that it presents to those who use it? What are its strengths and weaknesses as an aid to worship? How can it be used and communicated most effectively today? These are among the key questions that Thomas O'Loughlin explores in this stimulating and much-needed guide.

This 2009 book provides a comprehensive historical treatment of the Latin liturgy in medieval England. Richard Pfaff constructs a history of the worship carried out in churches - cathedral, monastic, or parish - primarily through the surviving manuscripts of service books, and sets this within the context of the wider political, ecclesiastical, and cultural history of the period. The main focus is on the mass and daily office, treated both chronologically and by type, the liturgies of each religious order and each secular 'use' being studied individually. Furthermore, hagiographical and historiographical themes - respectively, which saints are prominent in a given witness and how the labors of scholars over the last century and a half have both furthered and, in some cases, impeded our understandings - are explored throughout. The book thus provides both a narrative account and a reference tool of permanent value.

'I offer Thee Every cloud that ever swept O'er the skies and broke and wept In rain, and with the flowerlets slept. My King. Each communicant praying Every angel staying Before Thy throne to sing. Adoramus Te! This extract from the ancient Irish prayer, Glorificamus Te, beautifully captures both the Celtic peoples' devotion to the Psalter, and their desire to express their love for God in every situation. There is much to gain from their approach to worship. David Adam's wonderful compilation celebrates the enduring Celtic dreams of Creation, Protection, Glory, Guidance and Praising God, through songs and poems that have enriched his own private devotions and public ministry.

The Roman Catholic Church has always been concerned with the quality of the music used in the liturgy, and the essays in this volume trace the church's efforts, during the nineteenth century and the first half of the twentieth, to cultivate a more appropriate liturgical music for its Latin Rite. The task of restoration - expressed, for example, in the chant revival associated with the monks of Solesmes, the efforts of the Cecilian movement, and Pius X's determination to reform sacred music in the universal church - is a recurring theme in the book. Meanwhile resistance, particularly to the reforms decreed by the pope's 1903 motu proprio, also finds a voice in the volume. The essays collected here describe selected scenes and episodes from the unending story of imperfect human beings trying to express in their music the perfection of God.

Discover How to Flourish as an Artist in the Church. Over 150,000 Copies Sold. God is interested in your art and your heart. The Heart of the Artist, now in an updated second edition, deals head-on with issues every person in an arts ministry faces, including: Servanthood versus stardom Excellence versus perfectionism Handling criticism Jealousy and envy Managing your emotions The spiritual disciplines of the artist And much more Each chapter includes provocative questions for group discussion and personal action steps for individual application. Somewhere between pride and self-abasement lies true humility--just one aspect of the balanced character God wants to instill in you as a musician, a technical media artist, or other creative person involved in ministry. The Heart of the Artist will give you a better understanding of yourself and your unique place in the body of Christ. You'll find wisdom and encouragement that can help you survive the challenges and reap the rich joys of a ministry in the creative arts.

This helpful book is the first of two volumes that encourage parishes and other communities to explore the way they mark the festivals and seasons, and that offer practical advice on how to celebrate the Christian story through the Christian year. Celebrating Christ's Appearing covers the year from All Saints to Candlemas and comments on seasonal aspects of the celebration of daily prayer and Christian initiation. The second volume, Celebrating Christ's Victory, will cover the period from Ash Wednesday to Pentecost and include a number of agricultural celebrations.

Worship has always been affected by its surrounding culture. This book examines the changing perspectives in and discussions on worship styles and practices from the Restoration to the death of Wesley, in England and Scotland. Moving beyond the text, Spinks grounds the discussion within the changing cultural and intellectual framework of the period referred to as the Enlightenment. The focus is the end of the early modern period, when already the upheaval of the English Civil War, the methods of the Cambridge Platonists, and the thinking of Descartes and Spinoza were making the period one of transition, and Newtonian thought and the thought of John Locke impacted theological thought and worship forms. It is against this framework that the worship in England and Scotland will be described and assessed. As well as published and unpublished liturgical documents, this book draws on contemporary accounts and descriptions of worship, catechisms, sermons and theological works, and contemporary diaries. Musical and architectural changes are also noted, particularly the late seventeenth century hymns of Richard Davies of Rothwell, Joseph Stennett and Benjamin Keach. This book places worship in the society which it served, and from which changes sprang. It explores the interaction of cultural thought and worship, drawing parallels between the Enlightenment period and problems of late modernity and the worship wars of the late twentieth century.

Contemporary culture is rediscovering the importance of beauty for both social transformation and personal happiness. Theologians have sought, in their varied ways, to demonstrate how God's beauty is associated with notions of truth and goodness. This book breaks new ground by suggesting that liturgy is the means par excellence by which an experience of beauty is communicated. Drawing from both secular and religious understandings, in particular the mystical and apophatic tradition, the book demonstrates how liturgy has the potential to achieve the one ultimately reliable form of beauty because its embodied components are able to reflect the disturbing beauty of the One to whom worship is always offered. Such components rely on understanding the aesthetic dynamics upon which liturgy relies. This book draws from a broad range of disciplines concerned with understanding beauty and self-transformation and concludes that while secular utopian forms have much to contribute to ethical transformation, they ultimately fail since they lack the Christological and eschatological framework needed, which liturgy alone provides.

Communion and otherness: how can these be reconciled? In this wide-ranging study, the distinguished Orthodox theologian, Metropolitan John (Zizioulas) of Pergamon, seeks to answer that question. In his celebrated book, Being as Communion (1985), he emphasised the importance of communion for life and for unity. In this important companion volume he now explores the complementary fact that communion is the basis for true otherness and identity. With a constant awareness of the deepest existential questions of today, Metropolitan John probes the Christian tradition and highlights the existential concerns that already underlay the writings of the Greek fathers and the definitions of the early ecumenical councils. In a vigorous and challenging way, he defends the freedom to be other as an intrinsic characteristic of personhood, fulfilled only in communion. After a major opening chapter on the ontology of otherness, written specially for this volume, the theme is systematically developed with reference to the Trinity, Christology, anthropology and ecclesiology. Another new chapter defends the idea that the Father is cause of the Trinity, as taught by the Cappadocian fathers, and replies to criticisms of this view. The final chapter responds to the customary separation of ecclesiology from mysticism and strongly favours a mystical understanding of the body of Christ as a whole. Other papers, previously published but some not easily obtainable, are all revised for their inclusion here. This is a further contribution to dialogue on some of the most vital issues for theology and the Church from one of the leading figures in modern ecumenism.

In this book Allan Doig explores the interrelationship of liturgy and architecture from the Early Church to the close of the Middle Ages, taking into account social, economic, technical, theological and artistic factors. These are crucial to a proper understanding of ecclesiastical architecture of all periods, and together their study illuminates the study of liturgy. Buildings and their archaeology are standing indices of human activity, and the whole matrix of meaning they present is highly revealing of the larger meaning of ritual performance within, and movement through, their space. The excavation of the mid-third-century church at Dura Europos in the Syrian desert, the grandeur of Constantine's Imperial basilicas, the influence of the great pilgrimage sites, and the marvels of soaring Gothic cathedrals, all come alive in a new way when the space is animated by the liturgy for which they were built. Reviewing the most recent research in the area, and moving the debate forward, this study will be useful to liturgists, clergy, theologians, art and architectural historians, and those interested in the conservation of ecclesiastical structures built for the liturgy.

This book explores the character of the Eucharist as communion in and through sacrifice. It will stimulate discussion because of its controversial critique of the dominant paradigm for Eucharistic theology, its reclamation of St Thomas Aquinas's theology of the Eucharist, and its response to Pope John Paul II's "Ecclesia de Eucharistia."
Argues that the Eucharist cannot be separated from sacrifice, and rediscovers the biblical connections between sacrifice and communion.
Timed to coincide with the Year of the Eucharist, proclaimed by Pope John Paul II.
Reclaims the riches of St Thomas Aquinas's theology of the Eucharist, which had recently been reduced to a metaphysical defence of transubstantiation.

Popes Francis, Benedict XVI, and John Paul II have called the present a time of New Evangelization for the Church and have stressed the importance of catechesis for this mission. John Paul II claimed that this renewal of the Church's mission is grounded in the teachings of the Second Vatican Council. Nevertheless, approaches to catechesis in the conciliar and postconciliar era have varied greatly, as evidenced by the shifts in catechetical practice effected by the modern catechetical movement. Just as the dominant forms of theology changed from neo-scholastic to anthropological approaches so, too, did catechesis move from catechism-based approaches to more anthropological models based upon human experience. In light of this context, Catechesis for the New Evangelization examines the theological foundations of catechesis in the Church's understanding of divine revelation and its reception by the human person, especially as found in the conciliar constitutions, Dei Verbum and Gaudium et Spes. After drawing norms on divine revelation from these documents, it traces the history of the modern catechetical movement in order to compare this history with the conciliar norms, highlighting the renewal's strengths and weaknesses. These steps prepare the way for the main part of the book: an examination of the anthropology of Karol Wojty?a/Pope John Paul II. Ultimately, his anthropology provides an understanding of the person that can unite divine revelation and human experience in a way that takes what is best from the modern catechetical movement, while developing the ministry in a way that can be fruitful for the New Evangelization. Pedraza's book is not only an incisive look at modern catechetical history and theory. It also touches upon some of the most important theological topics of the past century, including the neo-scholastic crisis, the proper interpretation of the Council, the relationship of nature and grace, and the modern understanding of the imago dei, with the research and competency appropriate for scholarly interest and the accessibility needed for educated practitioners in catechesis.

Towards Liturgies that Reconcile reflects upon Christian worship as it is shaped, and mis-shaped, by human prejudice, specifically by racism. African Americans and European Americans have lived together for 400 years on the continent of North America, but they have done so as slave and master, outsider and insider, oppressed and oppressor. Scott Haldeman traces the development of Protestant worship among whites and blacks, showing that the following exist in tension: African American and European American Protestant liturgical traditions are both interdependent and distinct; and that multicultural communities must both understand and celebrate the uniqueness of various member groups while also accepting the risk and possibility of praying themselves into an integrated body, one new culture.

One of the most carefully prepared liturgies of any Roman Catholic parish's year is the celebration of 'First Communion'. This is the ritual by which seven- or eight -year-old children are admitted to the Eucharist for the first time. It attracts the largest congregations of any parish liturgy, and yet is frequently marked by tension and dissent within the parish community. The same ritual holds very different meanings for the various parties involved - clergy, parish schools, regularly communicating parishioners, and the first communicants and their families. The tensions arise from dissonance between the parties on such key issues as expected patterns of Church attendance, Catholic identity, dress and expenditure, and family formation. The relationships and discontinuities between popular and 'official' religion is at the heart of these tensions. They touch upon deep-seated anxieties concerning the future viability of the very structures and patterns of parish life during the current period of falling Church attendance and parish closures. For those within the Church who are concerned to understand and address the issues in its structural decline, this book will make sometimes uncomfortable but always stimulating reading. Peter McGrail examines the relationship between Church structures and popular religious identity, viewed through the lens of the first communion event. Drawing out hitherto unrecognised connections and significances for the future of the Catholic Church at local level, the insights into the decline of the parish as an institution present challenges to all with an interest in and concern for the future of the Church in the English-speaking world. Bringing to the fore the relationship and tensions between liturgy and Church structures, both historically and at the present time, this book offers academics and students alike extensive material for reflection and future development..

William Byrd's Gradualia is one of the most unusual and elaborate musical works of the English Renaissance. This large collection of liturgical music, 109 pieces in all, was written for clandestine use by English Catholics at a time when they were forbidden to practice their religion in public. When Byrd began to compose the Gradualia, he turned from the penitential and polemical extravagances of his earlier Latin motets to the narrow, carefully ordered world of the Counter-Reformation liturgy. It was in this new context, cut off from his familiar practice of choosing colorful texts and setting them at length, that he first wrote about the "hidden and mysterious power" of sacred words to evoke a creative response. Liturgy and Contemplation in Byrd's Gradualia responds to Byrd's own testimony by exploring how he read the texts of the Mass and the events of the church calendar. Kerry McCarthy examines early modern English Catholic attitudes toward liturgical practice, meditation, and what the composer himself called "thinking over divine things." She draws on a wide range of contemporary sources - devotional treatises, commentaries on the Mass, poetry, memoirs, letters, and Byrd's dedicatory prefaces - and revisits the Gradualia in light of this evidence. The book offers a case study of how one artist reimagined the creative process in the final decades of his life.

New edition of, and commentary on, one of the most important liturgical books to have come down to us from the late Anglo-Saxon church. Oxford, Bodleian Library, Bodley 579, the so-called 'Leofric Missal', is for the most part not really a missal, but a late-ninth or early-tenth-century combined sacramentary, pontifical and ritual with cues for the sung parts of various masses by the original, possibly French or Lotharingian, scribe. Subsequently, over the course of a hundred and thirty or so years, the sacramentary-pontifical-ritual was considerably augmented, first most probably for thesuccessors of Plegmund, archbishop of Canterbury (890-923), the man for whom it was probably originally compiled, then later at Exeter for Bishop Leofric (1050-72).

'This journey, of course, is not without its challenges . . . And yet facing those challenges also lends enchantment to the journey.' Join Professor Roderick Strange as he presents the core doctrine of the Catholic faith in a warm and accessible way. Using the liturgical calendar as a roadmap for the journey, Roderick invites us to follow Jesus of Nazareth from Advent through the Church's festivals to Pentecost. Through meditative reflection and powerful personal anecdotes, Journey into Light is the perfect introduction for those new to the Catholic faith.

The Act of Consecration of Man is the communion service of The Christian Community. In this fascinating book, experienced priest Tom Ravetz weaves together contemplations inspired by Rudolf Steiner with insightful commentary on the meaning and purpose of the ritual itself. The book will be valuable for both new worshipers and people who have been taking part in the communion service for many years.

A handsome, substantial volume, The English Missal contains opening sentences, propers, collects and readings for the celebration of the Eucharist on every Sunday and Holy Day of the Christian year and on a large number of saints' days, taken from the Book of Common Prayer and other traditional sources. This edition is not a reprint of the popular lay edition, but a reduction, to an attractively manageable size, of the Altar version. Out of print for many years, it uses the 1958 edition with its exquisitely beautiful typesetting and design - a work of religious art in itself. A classic of Anglo-Catholic spirituality and devotion, and an essential purchase for 'continuing' churches everywhere, it will also find a ready home in college libraries and private collections. It is useful for daily public worship, for study, private prayer and for general reading for its wealth of collects, prayers and devotional material.

Tracing the origins of daily prayer from the New Testament and Patristic period, through the Reformation and Renaissance to the present, this book examines the development of daily rites across a broad range of traditions including: Pre-Crusader Constantinopolitan, East and West Syrian, Coptic and Ethiopian, non-Roman and Roman Western. Structure, texts and ceremonial are examined, and contemporary scholarship surveyed. Concluding with a critique of the present tenor of liturgical revision, Gregory Woolfenden raises key questions for current liturgical change, suggests to whom these questions should be addressed, and proposes that the daily office might be the springboard for an authentic baptismal spirituality. The author explores how prayer and poetic texts indicate that the thrust of the ancient offices was a movement from night to morning - from death to resurrection.

Tracing the origins of daily prayer from the New Testament and Patristic period, through the Reformation and Renaissance to the present, this book examines the development of daily rites across a broad range of traditions including: Pre-Crusader Constantinopolitan, East and West Syrian, Coptic and Ethiopian, non-Roman and Roman Western. Structure, texts and ceremonial are examined, and contemporary scholarship surveyed. Concluding with a critique of the present tenor of liturgical revision, Gregory Woolfenden raises key questions for current liturgical change, suggests to whom these questions should be addressed, and proposes that the daily office might be the springboard for an authentic baptismal spirituality. The author explores how prayer and poetic texts indicate that the thrust of the ancient offices was a movement from night to morning - from death to resurrection.