This concise, easy-to-use pastoral resource provides spiritual nourishment for extraordinary ministers of Holy Communion. Rooted in the Sunday gospels, this indispensable aid invites reverent and prayerful preparation for liturgical ministry. Living LiturgyTm for Extraordinary Ministers of Holy Communion highlights the connections between the Word, Eucharist, and living in service of others. Ministers will find this resource to be formative for their own personal reflection, and a tool for facilitating prayer with people who are sick and homebound. Living LiturgyTM for Extraordinary Ministers of Holy Communion begins with the First Sunday of Advent 2020 and includes the following: Gospel readings for each Sunday and other significant liturgical celebrations Prompts for personal reflections and prayer A separate insert card with the Rite for Administration of Communion to the Sick by an Extraordinary Minister Inscription page for the minister's name, ideal for commissioning ministers of the Eucharist

Another great collection of seasonal resources from Ruth Burgess. Winter is a liturgical resource book that covers the months of November, December and January. It includes prayers, stories, responses, songs, poems, reflections, liturgies and meditations for the major Christian festivals of All Saints', Advent, Christmas and Epiphany, as well as for Remembrance, Blue Christmas, Christingle, New Year, Christian Unity and other occasions. The material is written by Iona Community members, associates, friends and others.

To suppose that God has a providential plan based on a special covenant with Israel and realised in the atonement presents us with a moral problem. In Ruin and Restoration David Martin sketches a radical naturalistic account of the atonement based on the innocent paying for the sins of the guilty through ordinary social processes. An exercise in socio-theology, the book reflects on the contrast between 'the world' governed by the dynamic of violence as analysed by the social sciences, including international relations, and the emergence in Christianity (and Buddhism) of a non-violent alternative. A 'governing essay' fuses frameworks drawn from Reinhold Niebuhr, Karl Jaspers, Ernst Troeltsch and Max Weber and explores the relation between the cultural sciences, especially sociology, and theology treated as another but very distinctive cultural science. Six commentaries then deal with the atonement in detail; with the nature of Christian language and grammar, and with its characteristic mutations due to necessary compromises with 'the world'; with sex and violence; and with the liturgy as a concentrated mode of reconciliation.

To suppose that God has a providential plan based on a special covenant with Israel and realised in the atonement presents us with a moral problem. In Ruin and Restoration David Martin sketches a radical naturalistic account of the atonement based on the innocent paying for the sins of the guilty through ordinary social processes. An exercise in socio-theology, the book reflects on the contrast between 'the world' governed by the dynamic of violence as analysed by the social sciences, including international relations, and the emergence in Christianity (and Buddhism) of a non-violent alternative. A 'governing essay' fuses frameworks drawn from Reinhold Niebuhr, Karl Jaspers, Ernst Troeltsch and Max Weber and explores the relation between the cultural sciences, especially sociology, and theology treated as another but very distinctive cultural science. Six commentaries then deal with the atonement in detail; with the nature of Christian language and grammar, and with its characteristic mutations due to necessary compromises with 'the world'; with sex and violence; and with the liturgy as a concentrated mode of reconciliation.

Study of surviving Anglo-Saxon kalendars and pontificals contributes to our understanding of 10th-century England. `His work demonstrates the importance of these neglected sources for our understanding of the late Old English church.' HISTORY An important book of immense erudition. It brings into the open some major issues of Late Anglo-Saxon history, and gives a thorough overview of the detailed source material. When such outstanding learning is being used, through intuitive perception, to bear on the wider issues such as popular devotion and the reception of the monastic reform in England, and bold conclusions are bing drawn from such minutely detailed studies, there is no doubt that David Dumville's contribution in this area of study becomes invaluable. The sources for the liturgy of late Anglo-Saxon England have a distinctive shape. Very substantial survival has given us the possibility of understanding change and perceiving significant continuity, as well as identifying local preferences and peculiarities. One major category of evidence is provided by a corpus of more than twenty kalendars: some of these (and particularly those which have been associated with Glastonbury Abbey) are subjected to close examination here, the process contributing both negatively and positively to the history of ecclesiastical renewal in the 10th century. Another significant body of manuscripts comprises books for episcopal use, especially pontificals: these are examined here as a group, and their associations with specific prelates and churches considered. All these investigations tend to suggest the centrality of the church of Canterbury in the surviving testimony and presumptively therefore in the history of late Anglo-Saxon christianity. Historians' study of English liturgy in this period has heretofore concentrated on the development of coronation-rites: by pursuing palaeographical and textual enquiries, the author hassought to make other divisions of the subject respond to historical questioning. Dr DAVID N. DUMVILLE is Reader in the Early Mediaeval History and Culture of the British Isles at the University of Cambridge and a Fellow of Girton College.

William Byrd's Gradualia is one of the most unusual and elaborate musical works of the English Renaissance. This large collection of liturgical music, 109 pieces in all, was written for clandestine use by English Catholics at a time when they were forbidden to practice their religion in public. When Byrd began to compose the Gradualia, he turned from the penitential and polemical extravagances of his earlier Latin motets to the narrow, carefully ordered world of the Counter-Reformation liturgy. It was in this new context, cut off from his familiar practice of choosing colorful texts and setting them at length, that he first wrote about the "hidden and mysterious power" of sacred words to evoke a creative response. Liturgy and Contemplation in Byrd's Gradualia responds to Byrd's own testimony by exploring how he read the texts of the Mass and the events of the church calendar. Kerry McCarthy examines early modern English Catholic attitudes toward liturgical practice, meditation, and what the composer himself called "thinking over divine things." She draws on a wide range of contemporary sources - devotional treatises, commentaries on the Mass, poetry, memoirs, letters, and Byrd's dedicatory prefaces - and revisits the Gradualia in light of this evidence. The book offers a case study of how one artist reimagined the creative process in the final decades of his life.

This book critically explores ways in which our understanding of late medieval liturgy can be enhanced through present-day enactment. It is a direct outcome of a practice-led research project, led by Professor John Harper and undertaken at Bangor University between 2010 and 2013 in partnership with Salisbury Cathedral and St Fagans National History Museum, near Cardiff. The book seeks to address the complex of ritual, devotional, musical, physical and architectural elements that constitute medieval Latin liturgy, whose interaction can be so difficult to recover other than through practice. In contrast with previous studies of reconstructed liturgies, enactment was not the exclusive end-goal of the project; rather it has created a new set of data for interpretation and further enquiry. Though based on a foundation of historical, musicological, textual, architectural and archaeological research, new methods of investigation and interpretation are explored, tested and validated throughout. There is emphasis on practice-led investigation and making; the need for imagination and creativity; and the fact that enactment participants can only be of the present day. Discussion of the processes of preparation, analysis and interpretation of the enactments is complemented by contextual studies, with particular emphasis on the provision of music. A distinctive feature of the work is that it seeks to understand the experiences of different groups within the medieval church - the clergy, their assistants, the singers, and the laity - as they participated in different kinds of rituals in both a large cathedral and a small parish church. Some of the conclusions challenge interpretations of these experiences, which have been current since the Reformation. In addition, some consideration is given to the implications of understanding past liturgy for present-day worship.

If the future is creative, is it any wonder that sometimes the church seems stuck in the past? Now is the time for the church to reclaim its role as a center of creativity. Among your members are artists, musicians and other creatives whose gifts can enhance your worship, inform your theology and impact your community. Christian arts advocate J. Scott McElroy gives a comprehensive vision and manual for unleashing creativity in your congregation so you can connect with the more visual, aural, participatory and expressive generation that is rising up within the church today. In this handbook you'll find clear direction for: Mobilizing and managing artists and other creatives in your congregation Establishing structures and parameters for arts ministry Leading and supporting staff and church members in creative changes Enhancing the worship service Adding creative elements to your sermons Engaging the broader community Activate your church in every avenue of worship with this practical guide for arts ministry.

* All the most exciting readings - in all three years - come from the Gospel of John

The nineteenth century was a period of intense religious conflict across Europe, as people confronted the major changes brought by modernity. In Zurich, one phase of this religious conflict was played out in a struggle over revisions to the ritual of baptism. In its analysis of the Zurich conflict, Liturgy Wars offers a strategy for understanding the links between theology, ritual, and socio-politics. Theodore M. Vial offers a new perspective on contemporary ritual studies - and critiques the cognivist approaches of Lawson and McCauley, as well as Catherine Bell's analysis of power and the body - by reintergrating the imporatance of speech acts into considerations of ritual.

The English Civil War and its aftermath was a time of human devastation, political uncertainty and religious instability. Amid the turmoil of those times, however, the Church of England also saw intense liturgical inventiveness. The Directory for Public Worship, Jeremy Taylor's Communion Office, and Richard Baxter's Reformed Liturgy, are all examples of resourceful liturgies born out of the ashes of the English Civil War. The Church of England had not witnessed such liturgical innovation since Thomas Cranmer, and would not see such creativity again until the end of the twentieth century - at least in terms of liturgical texts. In Richard Baxter's Reformation of the Liturgy, Glen J. Segger examines the theology and ecclesiology of Baxter's liturgical opus. While never approved for public use, the Reformed Liturgy remains an important and creative liturgy representative of those who fought for their Puritan convictions, but lost.

The liturgy, the public worship of the Catholic Church, was a crucial factor in forging the society of early medieval Rome. As the Roman Empire dissolved, a new world emerged as Christian bishops stepped into the power vacuum left by the dismantling of the Empire. Among these potentates, none was more important than the bishop of Rome, the pope. The documents, archaeology, and architecture that issued forth from papal Rome in the seventh and eighth centuries preserve a precious glimpse into novel societal patterns. The underexploited liturgical sources in particular enrich and complicate our historical understanding of this period. They show how liturgy was the 'social glue' that held together the Christian society of early medieval Rome - and excluded those who did not belong to it. This study places the liturgy center stage, filling a gap in research on early medieval Rome and demonstrating the utility of investigating how the liturgy functioned in medieval Europe. It includes a detailed analysis of the papal Mass, the central act of liturgy and the most obvious example of the close interaction of liturgy, social relations and power. The first extant Mass liturgy, the First Roman Ordo, is also given a new presentation in Latin here with an English translation and commentary. Other grand liturgical events such as penitential processions are also examined, as well as more mundane acts of worship. Far from a pious business with limited influence, the liturgy established an exchange between humans and the divine that oriented Roman society to God and fostered the dominance of the clergy.

A wide-ranging collection of resources for Advent, Christmas, Lent, Easter, Pentecost, Transfiguration, Harvest, Holocaust Memorial Day, Mothering Sunday, and other special days, and on areas of concern, like refugees and peacemaking. Worship rooted in city and country, in work and in schools, in peacemaking and the eradication of poverty, in churches and the Iona Community resident group ... So - as always with the Iona Community - worship which is contextual, prophetic, with a strong justice and peace edge.

In the wake of recent papal legislation, the various liturgies of the Roman Rite may today be celebrated in either their post-Tridentine or post-Vatican II forms. Whilst much discussion of this new situation focuses on purely liturgical issues, this book breaks new ground by arguing that the coexistence of the two forms raises questions of a profoundly ecclesiological character. Peter McGrail explores the relationship between ritual form, ecclesial self- understanding and constructs of the world that are at play as adults become members of the Church. Analysing the rites by which adults were taken into the Church for three and a half centuries, this book goes on to explore attempts to find a new ritual expression for the journey to Christian Initiation, set against the divergent and even conflicting ecclesiologies which were at play before and during the Council.

This former Deputy Warden of Iona Abbey presents a selection of the liturgies she wrote for worship there which aim to stimulate a rediscovery of God in everyday life. As well as exploring aspects of creativity in worship design, she also provides numerous poetic reflections, stories and duologue's designed for people of different ages and backgrounds. This work is ideal for churches wanting to discover fresh insights into the Gospels as well as for individual reflection, prayer and meditation.

The book is an annotated critical edition of an unpublished collection of hymnographical texts, preserved in the eleventh-century Greek manuscript 11 of the library of Leimonos monastery, Lesbos, Greece. This important codex is a Menaion for June comprising thirty akolouthiai on saints; nineteen of them are hitherto unpublished. The edition of the texts is accompanied by an introduction, a liturgical, palaeographical, and hymnographical commentary, appendices of unpublished hymns preserved in manuscripts other than Lesbiacus Leimonos 11, and indices. The introduction examines codex Lesbiacus Leimonos 11 and its importance from a liturgical, hymnographical, and palaeographical perspective. It is divided into four chapters. The first presents the liturgical environment of the period from the ninth century, when most of the texts edited were composed, to the eleventh, when the production of the codex could be placed, and the liturgical books used in the period, the structure of the akolouthiai and the festal calendar of the Byzantine church. The second chapter deals with the content of the texts edited. Chapter Three presents briefly the life and the hymnographical work of the authors of the texts. The last chapter of the introduction is devoted to the manuscript tradition of the texts.

Who will mourn with me? Who will break bread with me? Who is my neighbor? In the wake of the religious reformations of the sixteenth century, such questions called for a new approach to the communal religious rituals and verses that shaped and commemorated many of the brightest and darkest moments of English life. In England, new forms of religious writing emerged out of a deeply fractured spiritual community. Conflicts of Devotion reshapes our understanding of the role that poetry played in the re-formation of English community, and shows us that understanding both the poetics of liturgy and the liturgical character of poetry is essential to comprehending the deep shifts in English spiritual attitudes and practices that occurred during the sixteenth and seventeenth centuries. The liturgical, communitarian perspective of Conflicts of Devotion sheds new light on neglected texts and deepens our understanding of how major writers such as Edmund Spenser, Robert Southwell, and John Donne struggled to write their way out of the spiritual and social crises of the age of the Reformation. It also sheds new light on the roles that poetry may play in negotiating-and even overcoming-religious conflict. Attention to liturgical poetics allows us to see the broad spectrum of ways in which English poets forged new forms of spiritual community out of the very language of theological division. This book will be of great interest to teachers and students of early modern poetry and of the various fields related to Reformation studies: history, politics, and theology.

This book examines the historical development of the blessing of waters and its theology in the East, with an emphasis on the Byzantine tradition. Exploring how Eastern Christians have sought these waters as a source of healing, purification, and communion with God, Denysenko unpacks their euchology and ritual context. The history and theology of the blessing of waters on Epiphany is informative for contemporary theologians, historians, pastors and students. Offering important insights into how Christians renew Baptism in receiving the blessed waters, this book also proposes new perspectives for theologizing Christian stewardship of ecology in the modern era based on a patristic liturgical synthesis. Denysenko presents an alternative framework for understanding the activity of the Trinity, enabling readers to encounter a vision of how participants encounter God in and after ritual.

What is the point of the Lectionary? What are the problems and opportunities that it presents to those who use it? What are its strengths and weaknesses as an aid to worship? How can it be used and communicated most effectively today? These are among the key questions that Thomas O'Loughlin explores in this stimulating and much-needed guide.

This book presents the complete texts of the gospel readings for every Sunday throughout the three-year cycle of the Sunday lectionary in the Catholic Church during the seasons of Advent, Christmas, Lent and Easter. It may be used for personal study to enhance understanding and appreciation of the Sunday gospel. Each reading is accompanied by a short commentary, two questions for personal reflection and two prayers, to enable the gospels to be read in the contemplative tradition of Lectio Divina. These reflections have been written by the Revd Dr Adrian Graffy, a member of the Pontifical Biblical Commission. The gospels are from the Revised New Jerusalem Bible, a bold new rendition of the scriptures designed for study and proclamation, and acclaimed for the richness, accuracy and inclusivity of its language. A companion to this volume, The Sunday Gospels for Ordinary Time, will be released in January 2021.

The Roman Catholic Church has always been concerned with the quality of the music used in the liturgy, and the essays in this volume trace the church's efforts, during the nineteenth century and the first half of the twentieth, to cultivate a more appropriate liturgical music for its Latin Rite. The task of restoration - expressed, for example, in the chant revival associated with the monks of Solesmes, the efforts of the Cecilian movement, and Pius X's determination to reform sacred music in the universal church - is a recurring theme in the book. Meanwhile resistance, particularly to the reforms decreed by the pope's 1903 motu proprio, also finds a voice in the volume. The essays collected here describe selected scenes and episodes from the unending story of imperfect human beings trying to express in their music the perfection of God.

Worship has always been affected by its surrounding culture. This book examines the changing perspectives in and discussions on worship styles and practices from the Restoration to the death of Wesley, in England and Scotland. Moving beyond the text, Spinks grounds the discussion within the changing cultural and intellectual framework of the period referred to as the Enlightenment. The focus is the end of the early modern period, when already the upheaval of the English Civil War, the methods of the Cambridge Platonists, and the thinking of Descartes and Spinoza were making the period one of transition, and Newtonian thought and the thought of John Locke impacted theological thought and worship forms. It is against this framework that the worship in England and Scotland will be described and assessed. As well as published and unpublished liturgical documents, this book draws on contemporary accounts and descriptions of worship, catechisms, sermons and theological works, and contemporary diaries. Musical and architectural changes are also noted, particularly the late seventeenth century hymns of Richard Davies of Rothwell, Joseph Stennett and Benjamin Keach. This book places worship in the society which it served, and from which changes sprang. It explores the interaction of cultural thought and worship, drawing parallels between the Enlightenment period and problems of late modernity and the worship wars of the late twentieth century.

Communion and otherness: how can these be reconciled? In this wide-ranging study, the distinguished Orthodox theologian, Metropolitan John (Zizioulas) of Pergamon, seeks to answer that question. In his celebrated book, Being as Communion (1985), he emphasised the importance of communion for life and for unity. In this important companion volume he now explores the complementary fact that communion is the basis for true otherness and identity. With a constant awareness of the deepest existential questions of today, Metropolitan John probes the Christian tradition and highlights the existential concerns that already underlay the writings of the Greek fathers and the definitions of the early ecumenical councils. In a vigorous and challenging way, he defends the freedom to be other as an intrinsic characteristic of personhood, fulfilled only in communion. After a major opening chapter on the ontology of otherness, written specially for this volume, the theme is systematically developed with reference to the Trinity, Christology, anthropology and ecclesiology. Another new chapter defends the idea that the Father is cause of the Trinity, as taught by the Cappadocian fathers, and replies to criticisms of this view. The final chapter responds to the customary separation of ecclesiology from mysticism and strongly favours a mystical understanding of the body of Christ as a whole. Other papers, previously published but some not easily obtainable, are all revised for their inclusion here. This is a further contribution to dialogue on some of the most vital issues for theology and the Church from one of the leading figures in modern ecumenism.

In this book Allan Doig explores the interrelationship of liturgy and architecture from the Early Church to the close of the Middle Ages, taking into account social, economic, technical, theological and artistic factors. These are crucial to a proper understanding of ecclesiastical architecture of all periods, and together their study illuminates the study of liturgy. Buildings and their archaeology are standing indices of human activity, and the whole matrix of meaning they present is highly revealing of the larger meaning of ritual performance within, and movement through, their space. The excavation of the mid-third-century church at Dura Europos in the Syrian desert, the grandeur of Constantine's Imperial basilicas, the influence of the great pilgrimage sites, and the marvels of soaring Gothic cathedrals, all come alive in a new way when the space is animated by the liturgy for which they were built. Reviewing the most recent research in the area, and moving the debate forward, this study will be useful to liturgists, clergy, theologians, art and architectural historians, and those interested in the conservation of ecclesiastical structures built for the liturgy.