Catechesis for Infant Baptism will help parishes design a catechetical process for the formation of a ministry team to share "our common treasure" of faith with parents preparing for their infant's baptism. This book is for pastors, pastoral staff, liturgists, DREs, and all those who prepare catechists to engage in this ministry. Ellen Marie Collins employs primary symbols, the Lectionary and prayer texts for infant baptism to offer a process for deepening the catechists' understanding of the Rite of Infant Baptism and to help them as they share their faith as a baptismal ministry team.

"...a milestone in American religious publishing." New Catholic World Ephrem the Syrian: Hymns translated and introduced by Kathleen E. McVey preface by John Meyendorff "Blessed be the Child who today delights Bethlehem. Blessed be the Newborn Who today made the humanity young again. Blessed be the Fruit Who Bowed Himself down for our hunger. Blessed be the Gracious One Who suddenly enriched all of our poverty and filled our need." Ephrem the Syrian (c.306-373) Ephrem was born in the Mesopotamian city of Nisibis toward the end of the third century. An outpost of the Roman Empire, Nisibis and its Christian citizens were to be formed by the reign of Constantine and by the doctrines of the Council of Nicea. There, in the context of a large and sophisticated Jewish population and numerous Gnostic sects, Ephrem sought to defend orthodox Nicene Christianity. His teaching and writing made him an influential voice in the life of Syriac Christianity through the peaceful years of Constantine's patronage, the years of persecution after 361 under Emperor Julian, and the conflict between Persians and Romans which ultimately forced Ephrem to move to Edessa where he stayed until his death in 373. It was as a poet that Ephrem made his greatest impact. Writing in isosyllabic verses called madrashe, he attained a literary brilliance that won him a place of prominence not only in his own tradition, but also in the Coptic, Ethiopian, Armenian, and Arabic traditions as well. His hymns, praised in the West by Jerome, had a formative influence on the development of medieval religious drama in Europe. Blending Greek forms with his native style, he wove a highly crafted poetry of rich symbolism, attempting to fit the events of his day into a cosmic framework of God's redemptive act in Christ. Ephrem's combination of elements of Stoicism and Middle Platonism with Christian belief in a form reminiscent of the great second century apologists produced a corpus that speaks of his own literary genius and even more eloquently of the majesty and beauty of the divine source of all true poetry. Here, in a fresh and lively translation, are the Hymns on the Nativity, Hymns Against Julian, and the Hymns on Virginity and the Symbols of the Lord in which that voice may be heard closely and appreciated, wondered at, and enjoyed.

Dominican priest Leo Thomas applies the wisdom of pastoral care to the ministry of religious healing. He does so with practical, concrete, step-by-step explanations of how to offer healing to those who are hurting. The book's goal is to show Christians-lay and ordained, Catholic and Protestant-how to minister together in a powerful way so that hurting people can experience the healing love of God who meets them in their need. The end of each chapter contains reflection questions to help readers bring healing into their own lives while deepening their spirituality. Also included are chapter summaries and a list of recommended resources that expand upon the subjects covered.

Worship has always been affected by its surrounding culture. This book examines the changing perspectives in and discussions on worship styles and practices from the Restoration to the death of Wesley, in England and Scotland. Moving beyond the text, Spinks grounds the discussion within the changing cultural and intellectual framework of the period referred to as the Enlightenment. The focus is the end of the early modern period, when already the upheaval of the English Civil War, the methods of the Cambridge Platonists, and the thinking of Descartes and Spinoza were making the period one of transition, and Newtonian thought and the thought of John Locke impacted theological thought and worship forms. It is against this framework that the worship in England and Scotland will be described and assessed. As well as published and unpublished liturgical documents, this book draws on contemporary accounts and descriptions of worship, catechisms, sermons and theological works, and contemporary diaries. Musical and architectural changes are also noted, particularly the late seventeenth century hymns of Richard Davies of Rothwell, Joseph Stennett and Benjamin Keach. This book places worship in the society which it served, and from which changes sprang. It explores the interaction of cultural thought and worship, drawing parallels between the Enlightenment period and problems of late modernity and the worship wars of the late twentieth century.

Inclusive language is a concern that resonates deeply with the sense of conversion and welcome to a community that is inclusive. This treatment is sensitive, respectful and is sure to raise consciousness.

In this book Allan Doig explores the interrelationship of liturgy and architecture from the Early Church to the close of the Middle Ages, taking into account social, economic, technical, theological and artistic factors. These are crucial to a proper understanding of ecclesiastical architecture of all periods, and together their study illuminates the study of liturgy. Buildings and their archaeology are standing indices of human activity, and the whole matrix of meaning they present is highly revealing of the larger meaning of ritual performance within, and movement through, their space. The excavation of the mid-third-century church at Dura Europos in the Syrian desert, the grandeur of Constantine's Imperial basilicas, the influence of the great pilgrimage sites, and the marvels of soaring Gothic cathedrals, all come alive in a new way when the space is animated by the liturgy for which they were built. Reviewing the most recent research in the area, and moving the debate forward, this study will be useful to liturgists, clergy, theologians, art and architectural historians, and those interested in the conservation of ecclesiastical structures built for the liturgy.

Communion and otherness: how can these be reconciled? In this wide-ranging study, the distinguished Orthodox theologian, Metropolitan John (Zizioulas) of Pergamon, seeks to answer that question. In his celebrated book, Being as Communion (1985), he emphasised the importance of communion for life and for unity. In this important companion volume he now explores the complementary fact that communion is the basis for true otherness and identity. With a constant awareness of the deepest existential questions of today, Metropolitan John probes the Christian tradition and highlights the existential concerns that already underlay the writings of the Greek fathers and the definitions of the early ecumenical councils. In a vigorous and challenging way, he defends the freedom to be other as an intrinsic characteristic of personhood, fulfilled only in communion. After a major opening chapter on the ontology of otherness, written specially for this volume, the theme is systematically developed with reference to the Trinity, Christology, anthropology and ecclesiology. Another new chapter defends the idea that the Father is cause of the Trinity, as taught by the Cappadocian fathers, and replies to criticisms of this view. The final chapter responds to the customary separation of ecclesiology from mysticism and strongly favours a mystical understanding of the body of Christ as a whole. Other papers, previously published but some not easily obtainable, are all revised for their inclusion here. This is a further contribution to dialogue on some of the most vital issues for theology and the Church from one of the leading figures in modern ecumenism.

Living Scripture captures the essence of each week's Scripture readings in an easy-to-read, easy-to-use format.

Contemporary culture is rediscovering the importance of beauty for both social transformation and personal happiness. Theologians have sought, in their varied ways, to demonstrate how God's beauty is associated with notions of truth and goodness. This book breaks new ground by suggesting that liturgy is the means par excellence by which an experience of beauty is communicated. Drawing from both secular and religious understandings, in particular the mystical and apophatic tradition, the book demonstrates how liturgy has the potential to achieve the one ultimately reliable form of beauty because its embodied components are able to reflect the disturbing beauty of the One to whom worship is always offered. Such components rely on understanding the aesthetic dynamics upon which liturgy relies. This book draws from a broad range of disciplines concerned with understanding beauty and self-transformation and concludes that while secular utopian forms have much to contribute to ethical transformation, they ultimately fail since they lack the Christological and eschatological framework needed, which liturgy alone provides.

The definitive guide to the meaning of today s most popular praise and worship songs.
Few things influence Christians understanding of the faith more than the songs they sing in worship. The explosion of praise and worship music in the last fifteen years has profoundly affected our experience of God. So what are those songs telling us about who God is? In what ways have they made us more faithful disciples of Jesus Christ? In what ways have they failed to embody the full message of the gospel?
Working with the lists of the most frequently sung praise and worship songs from recent years, the authors of this book offer an objective but supportive assessment of the meaning and contribution of the Christian music that has been so important in the lives of contemporary believers.

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The Christian mystery, celebrated in the Roman Catholic liturgy, is a sensible mystery, and calls out for artistic expression. Living Beauty explores the Christian mystery and points to the need for a liturgical aesthetic as a means to encounter the divine mystery. A liturgical aesthetic gives an account of Christian worship in terms of a new set of categories that includes divine beauty, a theology of sensibility, and the new notion of a unitive revelatory experience. These categories help to reveal the aesthetic dimensions of the Church's watershed document on the liturgy, Sacrosanctum Concilium. The Church today stands in need of a new conversation on the aesthetic dimension of the liturgy and the role of the arts. Contrary to common opinion, the arts provide more than an environment or mere extrinsic ornamentation for the liturgy; they are intrinsic to the very nature of liturgy. They provide the means of being sanctified in the encounter with divine beauty that is the mystery of Christian worship. Artistic expression enables the worshiping community to receive the divine mystery in beauty.

The Christian mystery, celebrated in the Roman Catholic liturgy, is a sensible mystery, and calls out for artistic expression. Living Beauty explores the Christian mystery and points to the need for a liturgical aesthetic as a means to encounter the divine mystery. A liturgical aesthetic gives an account of Christian worship in terms of a new set of categories that includes divine beauty, a theology of sensibility, and the new notion of a unitive revelatory experience. These categories help to reveal the aesthetic dimensions of the Church's watershed document on the liturgy, Sacrosanctum Concilium. The Church today stands in need of a new conversation on the aesthetic dimension of the liturgy and the role of the arts. Contrary to common opinion, the arts provide more than an environment or mere extrinsic ornamentation for the liturgy; they are intrinsic to the very nature of liturgy. They provide the means of being sanctified in the encounter with divine beauty that is the mystery of Christian worship. Artistic expression enables the worshiping community to receive the divine mystery in beauty.

The Divine Office--or, the cycle of daily worship services other than the Mass--constitutes the most important body of liturgical texts and music for medieval studies. It is a collection of spiritual works that is central to the culture of the Middle Ages. This volume addresses the Office from a variety of points of view, allowing the reader to grasp the current state of research and to make connections.

Towards Liturgies that Reconcile reflects upon Christian worship as it is shaped, and mis-shaped, by human prejudice, specifically by racism. African Americans and European Americans have lived together for 400 years on the continent of North America, but they have done so as slave and master, outsider and insider, oppressed and oppressor. Scott Haldeman traces the development of Protestant worship among whites and blacks, showing that the following exist in tension: African American and European American Protestant liturgical traditions are both interdependent and distinct; and that multicultural communities must both understand and celebrate the uniqueness of various member groups while also accepting the risk and possibility of praying themselves into an integrated body, one new culture.

One of the most carefully prepared liturgies of any Roman Catholic parish's year is the celebration of 'First Communion'. This is the ritual by which seven- or eight -year-old children are admitted to the Eucharist for the first time. It attracts the largest congregations of any parish liturgy, and yet is frequently marked by tension and dissent within the parish community. The same ritual holds very different meanings for the various parties involved - clergy, parish schools, regularly communicating parishioners, and the first communicants and their families. The tensions arise from dissonance between the parties on such key issues as expected patterns of Church attendance, Catholic identity, dress and expenditure, and family formation. The relationships and discontinuities between popular and 'official' religion is at the heart of these tensions. They touch upon deep-seated anxieties concerning the future viability of the very structures and patterns of parish life during the current period of falling Church attendance and parish closures. For those within the Church who are concerned to understand and address the issues in its structural decline, this book will make sometimes uncomfortable but always stimulating reading. Peter McGrail examines the relationship between Church structures and popular religious identity, viewed through the lens of the first communion event. Drawing out hitherto unrecognised connections and significances for the future of the Catholic Church at local level, the insights into the decline of the parish as an institution present challenges to all with an interest in and concern for the future of the Church in the English-speaking world. Bringing to the fore the relationship and tensions between liturgy and Church structures, both historically and at the present time, this book offers academics and students alike extensive material for reflection and future development..

The Constitution of Sacred Liturgy is widely regarded as the most significant among the sixteen documents produced by the Second Vatican Council. The constitution has radically redefined the methods and meanings of Catholic worship, including a shift from rote enactment of rituals, to the laity as a spiritual community. Transforming Catholicism offers the first social scientific analysis of these liturgical changes in worship and their implementations in local situations. Guided by a consistent theory of policy implementation, Michael J. McCallion and David R. Maines examine the growing emphasis placed on biblical interpretations of sacred meanings, interpretative homilies, and the production of mass in local languages. This book incorporates first-hand empirical data in studying the influence of professional liturgists on parish worship practices and the subsequent symbolic interactionist theories. Transforming Catholicism is a sophisticated and engaging read that will captivate seminary professors and those interested in policy analysis.

The Constitution of Sacred Liturgy is widely regarded as the most significant among the sixteen documents produced by the Second Vatican Council. The constitution has radically redefined the methods and meanings of Catholic worship, including a shift from rote enactment of rituals, to the laity as a spiritual community. Transforming Catholicism offers the first social scientific analysis of these liturgical changes in worship and their implementations in local situations. Guided by a consistent theory of policy implementation, Michael J. McCallion and David R. Maines examine the growing emphasis placed on biblical interpretations of sacred meanings, interpretative homilies, and the production of mass in local languages. This book incorporates first-hand empirical data in studying the influence of professional liturgists on parish worship practices and the subsequent symbolic interactionist theories. Transforming Catholicism is a sophisticated and engaging read that will captivate seminary professors and those interested in policy analysis.

William Byrd's Gradualia is one of the most unusual and elaborate musical works of the English Renaissance. This large collection of liturgical music, 109 pieces in all, was written for clandestine use by English Catholics at a time when they were forbidden to practice their religion in public. When Byrd began to compose the Gradualia, he turned from the penitential and polemical extravagances of his earlier Latin motets to the narrow, carefully ordered world of the Counter-Reformation liturgy. It was in this new context, cut off from his familiar practice of choosing colorful texts and setting them at length, that he first wrote about the "hidden and mysterious power" of sacred words to evoke a creative response. Liturgy and Contemplation in Byrd's Gradualia responds to Byrd's own testimony by exploring how he read the texts of the Mass and the events of the church calendar. Kerry McCarthy examines early modern English Catholic attitudes toward liturgical practice, meditation, and what the composer himself called "thinking over divine things." She draws on a wide range of contemporary sources - devotional treatises, commentaries on the Mass, poetry, memoirs, letters, and Byrd's dedicatory prefaces - and revisits the Gradualia in light of this evidence. The book offers a case study of how one artist reimagined the creative process in the final decades of his life.

The Psalms of David are the foundation of Christian worship and integral to its form and content. This edition of the classic Coverdale translation is accompanied by prayers and rubrics from the Liturgical Psalter of the Russian Church, adapted to conform to the Greek Septuagint text, and subdivided into the twenty traditional Orthodox liturgical kathismata. It is presented here for the first time in a slimmed down pocket edition to inspire daily use in prayer at home and when traveling. The text is complimented by a flexible textured binding, gold stamped cover, and three marker ribbons.

Tracing the origins of daily prayer from the New Testament and Patristic period, through the Reformation and Renaissance to the present, this book examines the development of daily rites across a broad range of traditions including: Pre-Crusader Constantinopolitan, East and West Syrian, Coptic and Ethiopian, non-Roman and Roman Western. Structure, texts and ceremonial are examined, and contemporary scholarship surveyed. Concluding with a critique of the present tenor of liturgical revision, Gregory Woolfenden raises key questions for current liturgical change, suggests to whom these questions should be addressed, and proposes that the daily office might be the springboard for an authentic baptismal spirituality. The author explores how prayer and poetic texts indicate that the thrust of the ancient offices was a movement from night to morning - from death to resurrection.

Tracing the origins of daily prayer from the New Testament and Patristic period, through the Reformation and Renaissance to the present, this book examines the development of daily rites across a broad range of traditions including: Pre-Crusader Constantinopolitan, East and West Syrian, Coptic and Ethiopian, non-Roman and Roman Western. Structure, texts and ceremonial are examined, and contemporary scholarship surveyed. Concluding with a critique of the present tenor of liturgical revision, Gregory Woolfenden raises key questions for current liturgical change, suggests to whom these questions should be addressed, and proposes that the daily office might be the springboard for an authentic baptismal spirituality. The author explores how prayer and poetic texts indicate that the thrust of the ancient offices was a movement from night to morning - from death to resurrection.

A critical analysis of the eucharistic, baptismal and confirmation rites in the Scottish, English, Welsh and Irish liturgies, showing how all Reformed worship rests upon the Christian doctrine of God, centred in the person and work of Jesus Christ. In this sense he claims that to be Reformed, or Presbyterian, it is essential to be Christian, Catholic and Calvinist not only in doctrine but in worship.

The nineteenth century was a period of intense religious conflict across Europe, as people confronted the major changes brought out by modernity. In Zurich, one phase of this religious conflict was played out in a struggle over revisions to the ritual of baptism. In its analysis of the Zurich conflict, Liturgy Wars offers a strategy for understanding the links between theology, ritual and socio-politics. Theodore M. Vial offers a new perspective on contemporary ritual studies - and critiques the cognitivist approaches of Lawson and McCauley, as well as Catherine Bell's analysis of power and the body - by reintegrating the importance of speech acts into considerations of ritual.

A thorough examination of the central sacrament of Christianity explained through the light of the Reformed tradition, which sees the act not only as a sign or symbol, but also as a proof of the presence of Christ.