This book includes four hitherto unpublished papers together with a substantial introductory historiographical and bibliographical overview. Many of the studies concern the liturgical views of figures like Lanfranc, St Hugh of Lincoln, and William of Malmesbury (an edition of William's Abbreviatio Amalarii is included) and the ways Thomas Becket and the Venerable Bede were viewed liturgically. Others reveal the achievement of an 11th-century Canterbury scribe, lay out a hagiographical puzzle as to the saints venerated on the 19th January, ask why calendars come to be attached to psalters, demonstrate that monks at Canterbury Cathedral were still reading Old English homilies in the 1180s, and present a fascinating, previously misunderstood, psalter owned by bishop Ralph Baldock, c.1300. Two final papers deal with 'Sarum' services in late medieval parish churches and with the devotional practice called St Gregory's Trental.

The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.

This revised edition of the classic Manual for Lay Eucharistic Ministers offers practical guidance on everything a eucharistic minister or eucharistic visitor does. (Eucharistic ministers help to administer the elements at the Eucharist, while eucharistic visitors bring those elements to members of the congregation who can't be present). This guide, updated to include the new canons and procedures, also offers suggestions on how to prepare oneself spiritually to present the sacrament, what to do when visiting the sick or shut-in parishioner with the Eucharist, and how to prepare a sacred space in someone's home or hospital room. Appendices include rites, suggested prayers and guidelines, services for commissioning and sending forth Lay Eucharistic Ministers, and a bibliography. Beth Ely also traces the changing customs and canons of lay administration of communion from the early churches to the present, and discusses the riches and mystery of the Holy Eucharist through the centuries.

First published in 2005. Originally, the Ethiopian Church received fourteen Anaphora's from the Church of Egypt, yet at the time of publication, only three of them could be accounted for- that of St. Cyril, St. Gregory and St. Basil. Marcos Daoud has therefore devoted this work to the English translation of the remaining three.

Jane William's widely read and much enjoyed Church Times columns brought together in one volume for the first time. In Lectionary Reflections, Jane Williams aims to help us engage with the Sunday readings in the Revised Common Lectionary for Years A, B & C. Each section gives the lectionary references and provides a thought-provoking starting point for exploring the readings, drawing out points of connection between them. Intelligently written and inspiring, Lectionary Reflections will prove invaluable in preparation for Sunday worship or for regular Bible study throughout the year. It will be of use to both groups and individuals for opening up the Bible and applying its rich teaching and stories.

The Holy Spirit has become an object of greater attention in Trinitarian theology, and indeed in the broader life of the Church, since the rise of Pentecostalism at the beginning of the twentieth century. Different understandings of the Holy Spirit have had different impacts on worship; here, Elizabeth Welch examines four surprising overlaps in the thought of two radically different traditions of the church about the relationship between the Holy Spirit and worship. These traditions are represented by John Owen, from seventeenth-century England, and John Zizioulas, from contemporary Greece. Welch explores in turn the common themes of the personal and relational nature of the triune God, the immediacy of the encounter with God through the Holy Spirit in worship, the role of the Holy Spirit in leading people into truth, and the transformative nature of worship that draws people into sharing God's purpose for the world. In each, the insights of Owen and Zizioulas shed new light on the ongoing debate in the Church today.

The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, thus reinforcing the connections and distinctions between the entirety of the sacred edifice and the profane world beyond its boundaries. With this exquisitely illustrated monograph, Mailan S. Doquang argues that, contrary to widespread belief, monumental flora was not just an extravagant embellishment or secondary byproduct, but a semantically-charged, critical design component that inflected the stratified spaces of churches in myriad ways. By situating the proliferation of foliate friezes within the context of the Crusades, The Lithic Garden provides insights into the networks of exchange between France, Byzantium, and the Levant, contributing to the "global turn" in art and architectural History.

A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites. Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured textswith hidden spiritual meaning. Ciaran Arthur is a Research Fellow at Queen's University Belfast.

The Eucharistic Prayer is the most central and distinctive form of Christian public prayer apart from the Lord's Prayer itself. It gradually evolved into fixed forms during the early Christian centuries, and the Eucharistic Prayer of Addai and Mari is almost certainly the oldest such prayer still in regular use. Dr Gelston's study presents a critical edition of the medieval Syriac text of this ancient Eucharistic Prayer. The text, which is eclectic, is accompanied by a select critical apparatus and a translation, and is followed by textual notes on the variants in the apparatus. The detailed commentary, accessible to those who do not read Syriac, is concerned chiefly with literary-critical and historical questions such as the parallels with the Maronite anaphora Sharar which provide a particular opportunity to detect possible later accretions and modifications. A tentative reconstruction of the Prayer as it may have been at about the beginning of the fifth century is offered in an appendix, and an introduction sets the Prayer in its wider context.

This book presents the complete texts of the gospel readings for every Sunday throughout the three-year cycle of the Sunday lectionary in the Catholic Church during the seasons of Advent, Christmas, Lent and Easter. It may be used for personal study to enhance understanding and appreciation of the Sunday gospel. Each reading is accompanied by a short commentary, two questions for personal reflection and two prayers, to enable the gospels to be read in the contemplative tradition of Lectio Divina. These reflections have been written by the Revd Dr Adrian Graffy, a member of the Pontifical Biblical Commission. The gospels are from the Revised New Jerusalem Bible, a bold new rendition of the scriptures designed for study and proclamation, and acclaimed for the richness, accuracy and inclusivity of its language. A companion to this volume, The Sunday Gospels for Ordinary Time, will be released in January 2021.

This book explores the way in which liturgy can be used effectively in all-age communication. It is also a comprehensive practical resource - containing 12 complete all-age worship outlines for use throughout the year.

A collection of blessings for the people, sadnesses, artefacts, special occasions and journeys of our lives. It also explores the tradition of blessings including biblical and Celtic, and offers ideas and resources to encourage readers to write blessings of their own with suggestions for how to organise a blessings workshop. Ruth Burgess, who is also co-editor with Kathy Galloway of "Praying for the Dawn: A Resource Book", leads liturgical workshops which often include 'blessing-writing'. She aims in this book to pass on her experience and knowledge.

Liturgies for Advent and Christmas, Lent and Easter, Transfiguration, Pentecost, Trinity Sunday, All Saints', St Columba's Day, Father's Day; on hunger, economic witness, peacemaking, the environment, pilgrimage, welcome, hospitality and friendship. Includes a blessing liturgy for a marriage or partnership, a wedding/partnership ceremony and resources for a memorial event. Full communion services and shorts acts of worship; liturgies for small groups and all-age gatherings; worship rooted in church life and the Iona Community's resident group on Iona, in social justice and pastoral work. So - as always with the Iona Community - worship which is contextual, with a strong justice and peace edge. Originally published as single digital downloads by Wild Goose, these are now all brought together for the first time in the second of at least two Big Books of resources and liturgies. Contributors include: John Harvey, Nancy Cocks, Tom Gordon, Jan Sutch Pickard, Joy Mead, Chris Polhill, Ian M Fraser, Thom M Shuman, Alison Swinfen, Annie Heppenstall, Norman Shanks and others. God of the rhinoceros and the midge, God of the Large Hadron Collider and the iPhone, help us to sense your presence in and through all things. God whose grace is sufficient for all our needs, help us to be people of compassion, justice and peace. (Norman Shanks, from `A liturgy for the Feast of the Transfiguration')

If anything in this life should get our undivided attention, it's the powerful words of Jesus of Nazareth.

Jesus in Red is a daily devotional that focuses on the words of Jesus spoken in the New Testament. Each day includes:

Jesus' words highlighted in red,
a short devotion,
a soul-searching question, and
an inspiring prayer.

Experience God's peace and presence as you meditate on the awe-inspiring teachings of Christ.

* All the most exciting readings - in all three years - come from the Gospel of John

New research into the liturgy of Anglo-Saxon history, with important implications for church history in general. The essays in this volume offer the fruits of new research into the liturgical rituals of later Anglo-Saxon England. They include studies of individual rites, the production, adaptation and transmission of texts, vernacular gospeltranslations, liturgical drama and the influence of the liturgy on medical remedies, poetry and architecture; also covered are the tenth-century Benedictine Reforms and the growth of pastoral care. It will be valuable for anyoneinterested in later Anglo-Saxon England as well as medieval liturgy and church history.

The Exultet rolls of southern Italy are parchment scrolls containing text and music for the blessing of the great Easter candle; they contain magnificent illustrations, often turned upside down with respect to the text. The Exultet in Southern Italy provides a broad perspective on this phenomenon that has long attracted the interest of those interested in medieval art, liturgy, and music. This book considers these documents in the cultural and liturgical context in which they were made, and provides a perspective on all aspects of this particularly southern Italian practice. While previous studies have concentrated on the illustrations in these rolls, Kelly's book also looks at the particular place of the Exultet in changing ceremonial practices, provides background on the texts and music used in southern Italy, and inquires into the manufacture and purpose of the Exultets--why they were made, who owned them, and how they were used.

This book explores the theological and textual connections among ancient and modern epicleses, primarily through analysis of a selection of epicletic texts in contemporary Western eucharistic prayers and the theological principles that shaped them.

A Prayer book designed to be used by individual women, as well as by those who are leading group prayer services. For nearly two millennia, Christian women have learned to pray in the language of other people's souls. From worshiping God as father to envisioning a holy life as a military campaign, they've been taught to approach the Divine with the hearts and minds of men. She Who Prays: A Woman's Interfaith Prayer Book offers women a new way to pray. It draws on feminine images of God, as well as the language and experience of women, to help women tap into their own rich and unique spirituality. With material from new translations of ancient Christian hymns and prayers, as well as original prayers in the Christian and other faith traditions, She Who Prays will help women speak to God in their own voices. Arranged in roughly the same format as the Book of Common Prayer, She Who Prays contains a seven-day cycle of daily prayer services, prayers for special occasions, and a woman-oriented liturgical calendar that honors the lives of women of all faiths. The book also contains four rituals marking such themes as healing, reconciliation, and new beginnings, and a prayer to be used while walking a labyrinth. An appendix provides information on world religions and instructions for group services.

This set of three organ improvisations, each based on a liturgical text, is written in a quintessentially English style: largely diatonic but not unremittingly consonant, flowingly melodic, texturally rich, and steered away from predictability by constantly varying bar- and phrase-lengths. Organists will find this a usefully versatile set of voluntaries, or an unusual and rewarding recital piece.

The twentieth century has been called a "century of horror". Proof of that, designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources - from the Hebrew Bible to Commonwealth war graves, from Greek tragedy to post-Holocaust theology - Alana M. Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.

This book examines the struggle for Protestant consensus and unity through the work of John a Lasco (1499-1560). It is only in recent years that scholars have begun to recognize the importance of Lasco as one of the leading figures of the European Reformation, and a pivotal figure between Lutheran and Reformed theologians. The Polish reformer was among the most dynamic church organizers of the sixteenth century, dedicated to healing the divisions among evangelicals and searching for the key to Protestant unity in the example of the Apostolic Church. It was to this end that he published the Forma ac ratio in 1555, a work that recorded the rites and practices of the London Strangers' Church (of which he had been the first superintendent) and to provide a model for uniting the disparate Protestant communities on the Continent. Although some recent works have focused on aspects of Lasco's early career in Germany and England, this is the first book to provide a comprehensive analysis of the Forma ac ratio, and the reformer's reasons for writing it. This study also puts Lasco's distinct model for Protestant churches into the wider European context and assesses his impact on the struggle for unity through an examination of his correspondence, the reaction to his writings, and his influence on Protestant congregations across Europe.

The Liturgies of Quakerism explores the nature of liturgy within a form of worship based in silence. Tracing the original seventeenth century Quakers' understanding of the 'liturgy of silence', and what for them replaced the outward forms used in other parts of Christianity, this book explains how early Quaker understandings of 'time', 'history', and 'apocalyptic' led to an inward liturgical form. The practices and understanding of twenty-first century Liberal Quakers are explored, showing that these contemporary Quakers maintain the same kind of liturgical form as their ancestors and yet understand it in a very different way. Breaking new ground in the study of Quaker liturgy, this book contrasts the two periods and looks at some of the consequences for the study of liturgy in general, and Quakerism in particular. It also explores evangelical Quaker understandings of liturgy.

A critical analysis of the liturgical rites in the Scottish, English, Welsh and Irish churches, showing how all Reformed Worship rests upon the Christian doctrine of God, centred in the person and work of Jesus Christ.

This book leads children, step-by-step, through the Roman Catholic Mass, helping them to understand all its elements and preparing them to participate with their families.