Reintroduces the practice of eucharistic adoration for today, offering a simple guide for those new to it. Murphy explores the deep scriptural and human meaning of each of the seven sayings of Jesus. Each chapter also contains dialogue questions for conversation with Christ.

Christianity Today's Book of the Year Award of Merit What happens when a diverse church glorifies the global God? We live in a time of unprecedented intercultural exchange, where our communities welcome people from around the world. Music and media from every culture are easily accessible, and our worship is infused with a rich variety of musical and liturgical influences. But leading worship in multicultural contexts can be a crosscultural experience for everybody. How do we help our congregations navigate the journey? Innovative worship leader Sandra Maria Van Opstal is known for crafting worship that embodies the global, multiethnic body of Christ. Likening diverse worship to a sumptuous banquet, she shows how worship leaders can set the table and welcome worshipers from every tribe and tongue. Van Opstal provides biblical foundations for multiethnic worship, with practical tools and resources for planning services that reflect God's invitation for all peoples to praise him. When multiethnic worship is done well, the church models reconciliation and prophetic justice, heralding God's good news for the world. Enter into the praise of our king, and let the nations rejoice!

This 2009 book provides a comprehensive historical treatment of the Latin liturgy in medieval England. Richard Pfaff constructs a history of the worship carried out in churches - cathedral, monastic, or parish - primarily through the surviving manuscripts of service books, and sets this within the context of the wider political, ecclesiastical, and cultural history of the period. The main focus is on the mass and daily office, treated both chronologically and by type, the liturgies of each religious order and each secular 'use' being studied individually. Furthermore, hagiographical and historiographical themes - respectively, which saints are prominent in a given witness and how the labors of scholars over the last century and a half have both furthered and, in some cases, impeded our understandings - are explored throughout. The book thus provides both a narrative account and a reference tool of permanent value.

A source of outstanding importance for the study of the early Irish church. This edition presents all martyrologies not previously printed, all descendants in some way of the 'Martyrology of Oengus'. Among the positive effects of the English Conquest of Ireland in the late twelfth century was the stimulus it gave to the writing of the records of the Irish saints. All four martyrologies edited in this volume arguably date to the period immediately after the Conquest, when the Irish Church, faced with accusations of backwardness and irregularity, was at pains to demonstrate its modernity and orthodoxy. This was achieved by drawing on such external sources as the Martyrology of Ado, 'wedding' it to such native sources as the Martyrology of aengus. Judging by the text of the Martyrology of Drummond, Armagh played a pivotal role in the liturgical 'revival' reflected by all four texts. Use of the annotated version of the Martyrology of aengus prepared at Armagh about 1170-74 can be detected in three of the four texts.

Journey into the Heart of God explores the meanings and relationships of the seasons of the Church Year as they have developed and are now received and lived. This study, holding always in view the breadth and richness of the liturgical tradition of the whole Church, is illuminated by insightful liturgical texts of the Eucharist and also of the less familiar Daily Office; it also gives attention to the people's theology expressed in hymns from a broad spectrum of traditions, ancient and modern. Careful attention to the liturgy and its setting in the turning of the seasons reveals a profound concern for ecology and for the whole cosmos. The liturgical year as it has developed through the centuries is a work of art, the collaborative achievement of many hands and minds, resulting in an extraordinarily rich fabric with layers of insight and suggestion. The work of Christ celebrated and set forth in the Church's year is experienced not as mere recollection of past events in salvation history, but rather as a living reality, the appropriation of the mighty acts of God alive in his people, the experience today of the life that those great historical deeds have accomplished. The Church year, sifted and tested through centuries, even millennia, of use, dramatizes and makes real a way of living, recognizing, accepting, and making use of the complexity and even the strangeness of human experience. In this way it encourages honesty, humility, growth, and maturity in those who live it.

It is the not-too-distant future, and the rapture has occurred. Every born-again Christian on the planet has, without prior warning, been snatched from the earth to meet Christ in the heavens, while all those without the requisite faith have been left behind to suffer the wrath of the Antichrist as the earth enters into its final days.

This is the premise that animates the enormously popular cultural phenomenon that is the Left Behind series of prophecy novels, co-written by Tim LaHaye and Jerry Jenkins and published between 1995 and 2007. But these books are more than fiction: it is the sincere belief of many evangelicals that these events actually will occur--soon. "Plotting Apocalypse" delves into the world of rapture, prophecy, and tribulation in order to account for the extraordinary cultural salience of these books and the impact of the world they project. Through penetrating readings of the novels, Chapman shows how the series offers a new model of evangelical agency for its readership. The novels teach that although believers are incapable of changing the course of a future that has been preordained by God, they "can" become empowered by learning to read the prophetic books of the Bible--and the signs of the times--correctly. Reading and interpretation become key indices of agency in the world that Left Behind limns.

"Plotting Apocalypse" reveals the significant cultural work that Left Behind performs in developing a counter-narrative to the passivity and fatalism that can characterize evangelical prophecy belief. Chapman's arguments may bear profound implications for the future of American evangelicalism and its interactions with culture, society, and politics.

The quality of the contributors

This 2009 book provides a comprehensive historical treatment of the Latin liturgy in medieval England. Richard Pfaff constructs a history of the worship carried out in churches - cathedral, monastic, or parish - primarily through the surviving manuscripts of service books, and sets this within the context of the wider political, ecclesiastical, and cultural history of the period. The main focus is on the mass and daily office, treated both chronologically and by type, the liturgies of each religious order and each secular 'use' being studied individually. Furthermore, hagiographical and historiographical themes - respectively, which saints are prominent in a given witness and how the labors of scholars over the last century and a half have both furthered and, in some cases, impeded our understandings - are explored throughout. The book thus provides both a narrative account and a reference tool of permanent value.

This book is concerned with the central act of Christian worship, call it Eucharist, Holy Communion, Liturgy, Last Supper or Mass. First it investigates in some detail the New Testament accounts of its institution at the Last Supper, dealing with the problems of scholarship involved. Professor Kilpatrick argues that Mark XIV and I Corinthians XI are basic, Mark being more archaic. Secondly, the book examines three themes of the Eucharist which are foreign to Western thinking of today: sacrifice, the sacred meal and the pattern of charter story and ritual. This pattern is common ground to anthropologists and biblical scholars. It is argued that the observance is not a Passover but a sacrifice in Biblical terms and certain features which we find in Biblical sacrifice have parallels in the religion of ancient Rome and Greece. The bearing of these conclusions on present-day liturgical revision is then discussed.

Kirstie Blair explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. She argues that poetry made significant contributions to these debates, not least through its formal structures. By assessing the discourses of church architecture and liturgy in the first half of the book, Form and Faith in Victorian Poetry and Religion demonstrates that Victorian poets both reflected on and affected ecclesiastical practices. The second half of the book focuses on particular poets and poems, including Browning's Christmas-Eve and Tennyson's In Memoriam, to show how High Anglican debates over formal worship were dealt with by Dissenting, Broad Church and Roman Catholic poets and other writers. This book features major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - from different Christian denominations, but also argues that their work was influenced by a host of minor and less studied writers, particularly the Tractarian or Oxford Movement poets whose writings are studied in detail here. Form and Faith presents a new take on Victorian poetry by showing how important now-forgotten religious controversies were to the content and form of some of the best-known poems of the period. In methodology and content, it also relates strongly to current critical interest in poetic form and formalism, while recovering a historical context in which 'form' carried a particular weight of significance.

A novena is a term used to describe a continuous praying of a formula nine consecutive times, usually nine consecutive days or once a week for nine weeks. The number nine derives from the time Mary and the Apostles waited for the coming of the Holy Spirit between Ascension and Pentecost. (from the Catholic Encyclopedia) This purse-sized prayer guide contains many of the Church's treasured petitions to Jesus, the Holy Spirit, the Blessed Virgin Mary and Saints, including Saint Anthony, Saint Peregrine and Saint Therese of Lisieux. A section devoted to American Saints includes a prayer to the North American Jesuit Martyrs. A new ?quick novena? from Blessed Teresa of Calcutta appears here for the first time in print. Illustrated throughout with art and religious images, each prayer in The Church's Most Powerful Novenas includes the history of that particular novena. A listing of shrines connected with novenas in the book is included. Although the practice of praying novenas has only been around since the 1600s, believers have embraced this commitment of devotion as a unique aspect of our Catholic identity.

Donald Davie is the foremost literary critics of his generation and one of its leading poets. His career has been marked by a series of challenging critical interventions. The eighteenth century is the great age of the English hymn though these powerful and popular texts have been marginalized in the formation of the conventional literary canon. These are poems which have been put to the text of experience by a wider public than that generally envisaged by literary criticism, and have been kept alive by congregations in every generation. Davie's study of the eighteenth-century hymn and metrical psalm brings to light a body of literature forgotten as poetry: work by Charles Wesley and Christopher Smart, Isaac Watts and William Cowper, together with several poets unjustly neglected, such as the mysterious John Byron.

With this new lectionary commentary series, Westminster John Knox offers the most extensive resource for preaching on the market today. When complete, the twelve volumes of the series will cover all the Sundays in the three-year lectionary cycle, along with movable occasions, such as Christmas Day, Epiphany, Holy Week, and All Saints' Day. For each lectionary text, preachers will find four brief essays--one each on the theological, pastoral, exegetical, and homiletical challenges of the text. This gives preachers sixteen different approaches to the proclaimation of the Word on any given occasion. The editors and contributors to this series are world-class scholars, pastors, and writers representing a variety of denominations and traditions. And while the twelve volumes of the series will follow the pattern of the Revised Common Lectionary, each volume will contain an index of biblical passages so that nonlectionary preachers, as well as teachers and students, may make use of its contents.

The bestselling Intercessions Handbook has been written to meet the challenges of the vital task of leading prayers in public worship. Easy to adapt to most situations, this volume contains a wealth of creative suggestions for enlivening prayers. Jane Williams takes each of the lectionary readings for the Sundays in Year B and gives us a way into the themes and concerns at their heart. Concentrating our attention in this way, we gradually deepen our understanding of what God means by faith, love, prayer and good living. 'Through the Son you will see the Father, through the Spirit you will see the Son, through the Father you will see what you are meant to be made in the image of the Son, to share in God's love and delight. God has made it as clear as he can, coming to live with us, sharing our life, so that we can share the life of the Father's only Son.' Intelligently written in an engaging and inspiring style, Lectionary Reflections will prove invaluable in preparation for Sunday worship or for regular Bible study throughout the year. It will be of use to both groups and individuals for opening up the Bible and applying its rich teaching and stories. Lectionary Reflections, Year A and Lectionary Reflections, Year C are both currently available, with Lectionary Reflections Year B completing the cycle.

In this book the 2000 year history of Christian worship is viewed from a sociological perspective. Martin Stringer develops the idea of discourse as a way of understanding the place of Christian worship within its many and diverse social contexts. Beginning with the Biblical material the author provides a broad survey of changes over 2000 years of the Christian church, together with a series of case studies that highlight particular elements of the worship, or specific theoretical applications. Stringer does not simply examine the mainstream traditions of Christian worship in Europe and Byzantium, but also gives space to lesser-known traditions in Armenia, India, Ethiopia and elsewhere. Offering a contribution to the ongoing debate that breaks away from a purely textual or theological study of Christian worship, this book provides a greater understanding of the place of worship in its social and cultural context.

The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, thus reinforcing the connections and distinctions between the entirety of the sacred edifice and the profane world beyond its boundaries. With this exquisitely illustrated monograph, Mailan S. Doquang argues that, contrary to widespread belief, monumental flora was not just an extravagant embellishment or secondary byproduct, but a semantically-charged, critical design component that inflected the stratified spaces of churches in myriad ways. By situating the proliferation of foliate friezes within the context of the Crusades, The Lithic Garden provides insights into the networks of exchange between France, Byzantium, and the Levant, contributing to the "global turn" in art and architectural History.

A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites. Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured textswith hidden spiritual meaning. Ciaran Arthur is a Research Fellow at Queen's University Belfast.

This important work engages with a long historical debate: were the earliest Christians under the direction of ordained ministers, or under the influence of inspired laypeople? Who was in charge: bishops, elders and deacons, or apostles, prophets and teachers? Rather than trace Church offices backwards, Burtchaell examines the contemporary Jewish communities and finds evidence that Christians simply continued the offices of the synagogue. Thus, he asserts that from the very first they were presided over by officers. The author then advances the provocative view that in the first century it was not the officers who spoke with the most authority. They presided, but did not lead, and deferred to more charismatic laypeople. Burtchaell sees the evidence in favor of the Catholic/Orthodox/Anglican view that bishops have always presided in the Christian Church. At the same time he argues alongside the Prostestants that in its formative era the Church deferred most to the judgment of those who were inspired, yet never ordained.

This book is one of three volumes that bring together Jane Williams's widely read and much enjoyed Church Times columns. Here, she offers reflections on the Sunday readings in the Revised Common Lectionary for Year C. Each section gives the lectionary references and provides a thought-provoking starting point for exploring the readings, drawing out points of connection between them. Intelligently written in an engaging and inspiring style, Lectionary Reflections will prove invaluable in preparation for Sunday worship or for regular Bible study throughout the year. It will be of use both to individuals and groups for opening up the bible and applying its rich teaching and stories. "'If God really is loving and teasing and forgiving, like he is in the stories Jesus tells, then we all have a chance." Jane Williams

Continuing the tradition of centuries, The Divine Office is the Catholic liturgy for morning prayer, prayer during the day, and evening prayer, for every day of the year.

Volume Two of the Divine Office covers the period from Lent to Pentecost, and includes all the prayers, as well as readings.

This edition comes in an attractive binding with ribbon marker.

The Divine Office is the official text for the UK, Ireland, Australia, New Zealand, as well as various countries across Africa and Asia.

The sanctus (the "thrice holy" of Isaiah 6.3) is found in almost all eucharistic prayer, ancient and modern, and comprises the prayer recited over the bread and wine at the communion service. The origin of the sanctus as a constituent element in the eucharistic prayer is one of the unsolved mysteries of Christian liturgy, and the author of this study makes a careful investigation into its background and the instances of its occurrence in early Christian literature.

At a time when there are often as many adults as young people preparing for confirmation, the concept of notes written in adult language, which the younger candidate can grow into, is particularly appropriate for today's needs. The growing number of adult study groups, working through mutual questioning within group discussions, will find it helpful to have these clear succinct notes about the content of Christian belief and practice. Few books have been more influential in confirmation preparation than Hugh Montefiore's 'Confirmation Notebook', written while he was vicar of the University Church in Cambridge. After five editions, with nineteen printings of the fifth edition alone, the notebook is now in a handy pocket-sized format that includes space at the end of each chapter for notes. Existing chapters have been updated and, in most cases, enlarged, while new chapters have been added on 'Common Worship', Christian festivals and fasts, Christian responsibilities, Christian behaviour, and the Christian view on sex and marriage.

A guide to liturgy and worship in the Church of England within the framework of 'Common Worship', which combines theory, theology and history with a strong sense of the realities of parish life and pastoral practice. It explores the way in which liturgy can reflect the life of the church and the wider world, and the new opportunities for churches at a local level to own and shape the liturgy they use. This book is essential reading for anyone involved in worship in the Church of England, and who wants the worship of their church to be the best they can offer, based on clear liturgical principles. It is also practical and detailed - Michael Perham covers clothing and colours, children's role in worship, the cycle of the Christian year, the timing of services, the use of church space and other elements that go to make up the feel of an individual church. The book has its roots in two of Michael Perham's earlier works, 'Liturgy Pastoral and Parochial' and 'Lively Sacrifice', though much of the material is quite new, and fills its role as key texts for anyone interested in the liturgy of the Church of England.