When an independent Poland reappeared on the map of Europe after World War I, it was widely regarded as the most Catholic country on the continent, as \u201cRome\u2019s Most Faithful Daughter.\u201d All the same, the relations of the Second Polish Republic with the Church-both its representatives inside the country and the Holy See itself-proved far more difficult than expected. Based on original research in the libraries and depositories of four countries, including recently opened collections in the Vatican Secret Archives, Rome\u2019s Most Faithful Daughter: The Catholic Church and Independent Poland, 1914-1939 presents the first scholarly history of the close but complex political relationship of Poland with the Catholic Church during the interwar period. Neal Pease addresses, for example, the centrality of Poland in the Vatican\u2019s plans to convert the Soviet Union to Catholicism and the curious reluctance of each successive Polish government to play the role assigned to it. He also reveals the complicated story of the relations of Polish Catholicism with Jews, Freemasons, and other minorities within the country and what the response of Pope Pius XII to the Nazi German invasion of Poland in 1939 can tell us about his controversial policies during World War II. Both authoritative and lively, Rome\u2019s Most Faithful Daughter shows that the tensions generated by the interplay of church and state in Polish public life exerted great influence not only on the history of Poland but also on the wider Catholic world in the era between the wars.

Newman himself called the Oxford University Sermons, first published in 1843, the best, not the most perfect, book I have done'. He added, I mean there is more to develop in it'. Indeed, the book is a precursor of all his major later works, including especially the Essay on the Development of Christian Doctrine and the Grammar of Assent. Dealing with the relationship of faith and reason, the fifteen sermons represent Newman's resolution of the conflict between heart and head that so troubled believers, non-believers, and agnostics of the nineteenth century, Their controversial nature also makes them one of the primary documents of the Oxford Movement. This new edition provides an introduction to the sermons, a definitive text with textual variants, extensive annotation, and appendices containing previously unpublished material.

The Dictionary contains 135 biographical-critical essays on contemporary Catholic American poets, dramatists, and fiction writers. Not since Hoehn's "Catholic Authors: Contemporary Biographical Sketches, 1930-1947" has such an inventory of Catholic American writers appeared. The Works By bibliographies contain all of each author's productions be they fiction, poetry, drama or non-fiction. The Works About bibliographies to each essay cite five critical studies or, where none exists, book reviews, plus references to other biographical sources. The Introduction explores the diversity of belief in contemporary Catholic expression. An essay by Professor Genaro Padilla examines the place of Catholicism in the work of Hispanic writers in the United States today. A partial list of the authors contained here reads like a Who's Who of American literary luminaries and includes such writers as John Gregory Dunne, Mary Gordon, Flannery O'Connor, Walker Percy, Don Delillo, Robert Stone, and Maureen Howard.

As a resource for further research on the authors contained, for continued reflection on the various forms of contemporary Catholic American writing, and for renewed scholarly interest in many excellent and often-neglected literary texts, the "Biographical Dictionary of Contemporary Catholic American Writing" deserves a place in most academic and public libraries. Generalists and English teachers and majors will find its perusal fascinating and rewarding.

John Fisher, 1469-1535 was a figure of European stature during the Tudor age. His many roles included those of bishop, humanist, theologian, cardinal, and ultimately martyr. This study places him in the context of sixteenth-century Christendom, focusing not just on his resistance to Henry VIII, but also on his active engagement with the renaissance and reformation.

This Chapel Clothbound Edition of the Roman Missal, Third Edition will be published For Use in the Dioceses of the United States of America and has been Approved by the United States Conference of Catholic Bishops and Confirmed by the Apostolic See.

This volume (approx. 1500 pages) includes the enhanced features that celebrants have come to know and trust ...

During World War I, the Catholic church blocked the distribution of government-sponsored V.D. prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts-how they evolved, what effect they had on the movie industry, and why they were eventually abandoned. Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak in the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age. Walsh provides fascinating details about the church's efforts to guard against anything it felt might corrupt moviegoers' morals: forcing Gypsy Rose Lee to change her screen name; investigating Frank Sinatra's fitness to play a priest in Miracle of the Bells; altering a dance sequence in Oklahoma; eliminating marital infidelity from Two-Faced Woman; compelling Howard Hughes to make 147 cuts in The Outlaw; blocking the distribution of Birth of a Baby; and attacking Asphalt Jungle for serving the "crooked purposes of the Soviet Union." However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.

'These prayers help me to pray... All prayer is talking to God as to a friend, and it is God's closest friends who can teach me how to do that best.' Timothy Radcliffe OPThis treasury of prayers for the Third Christian Millennium offers practical spiritual guidance for an increasingly busy world.The late Cardinal Basil Hume, in his Introduction, writes that the need for us to be people of prayer has never been more urgent. We know that unless we are deeply rooted in a sense of God's presence and able to refer all things to God, then our pilgrimage into the future will be marked more by uncertainty than by the peace which is God's gift.The book's extensive range includes favourite Catholic prayers such as the Rosary and the Stations of the Cross, along with others that may be less familiar, organized under many different themes and topics. Helpful introductions and a pattern of daily prayers make this book nothing less than a course in Christian spirituality.The book is for people approaching Christian prayer for the first time, and also for those who want to begin afresh. It will be especially helpful to young people, and the parents and teachers who want to help them learn to pray in the living tradition of the Church.