In the decades following the Second Vatican Council, Catholic liturgy became an area of considerable interest and debate, if not controversy, in the West. Mid-late 20th century liturgical scholarship, upon which the liturgical reforms of the Second Vatican Council were predicated and implemented, no longer stands unquestioned. The liturgical and ecclesial springtime the reforms of Paul VI were expected to facilitate has failed to emerge, leaving many questions as to their wisdom and value. Quo vadis Catholic liturgy? This Companion brings together a variety of scholars who consider this question at the beginning of the 21st century in the light of advances in liturgical scholarship, decades of post-Vatican II experience and the critical re-examination in the West of the question of the liturgy promoted by Benedict XVI. The contributors, each eminent in their field, have distinct takes on how to answer this question, but each makes a significant contribution to contemporary debate, making this Companion an essential reference for the study of Western Catholic liturgy in history and in the light of contemporary scholarship and debate.

The lives and experiences of Irish women religious highlight how an expanding nexus of female houses perpetuated European Counter-Reformation devotion in Ireland. This book investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.

This study presents Hans Urs von Balthasar's theology of the Eucharist and shows its significance for contemporary sacramental theology. Anyone who seeks to offer a systematic account of Hans Urs von Balthasar's theology of the Eucharist and the liturgy is confronted with at least two obstacles. First, his reflections on the Eucharist are scattered throughout an immense and complex corpus of writings. Second, the most distinctive feature of his theology of the Eucharist is the inseparability of his sacramental theology from his speculative account of the central mysteries of the Christian faith. In The Eucharistic Form of God, the first book-length study to explore Balthasar's eucharistic theology in English, Jonathan Martin Ciraulo brings together the fields of liturgical studies, sacramental theology, and systematic theology to examine both how the Eucharist functions in Balthasar's theology in general and how it is in fact generative of his most unique and consequential theological positions. He demonstrates that Balthasar is a eucharistic theologian of the highest caliber, and that his contributions to sacramental theology, although little acknowledged today, have enormous potential to reshape many discussions in the field. The chapters cover a range of themes not often included in sacramental theology, including the doctrine of the Trinity, the Incarnation, and soteriology. In addition to treating Balthasar's own sources-Origen, Gregory of Nyssa, Pascal, Catherine of Siena, and Bernanos-Ciraulo brings Balthasar into conversation with contemporary Catholic sacramental theology, including the work of Louis-Marie Chauvet and Jean-Yves Lacoste. The overall result is a demanding but satisfying presentation of Balthasar's contribution to sacramental theology. The audience for this volume is students and scholars who are interested in Balthasar's thought as well as theologians who are working in the area of sacramental and liturgical theology.

Converso and Morisco are the terms applied to those Jews and Muslims who converted to Christianity in large numbers and usually under duress in late Medieval Spain. The Converso and Morisco Studies series examines the implications of these mass conversions for the converts themselves, for their heirs (also referred to as Conversos and Moriscos) and for Medieval and Modern Spanish culture. As the essays in this collection attest, the study of the Converso and Morisco phenomena is not only important for those scholars focusing on Spanish society and culture, but for all academics interested in questions of identity, Otherness, nationalism, religious intolerance and the challenges of modernity. Contributors: Luis F. Bernabe Pons, Michel Boeglin, Stephanie M. Cavanaugh, William P. Childers, Carlos Gilly, Kevin Ingram, Nicola Jennings, Patrick J. O'Banion, Francisco Javier Perea Siller, Mohamed Saadan, and Enrique Soria Mesa.

A Survey of Catholic History in Modern Japan discusses Japanese Catholic history from the Meiji period (1868-1912) to the present. The aim of this highly original book is to consider the relevance of Japanese Catholics to political and cultural circumstances in modern and contemporary Japan.

The Dictionary contains 135 biographical-critical essays on contemporary Catholic American poets, dramatists, and fiction writers. Not since Hoehn's "Catholic Authors: Contemporary Biographical Sketches, 1930-1947" has such an inventory of Catholic American writers appeared. The Works By bibliographies contain all of each author's productions be they fiction, poetry, drama or non-fiction. The Works About bibliographies to each essay cite five critical studies or, where none exists, book reviews, plus references to other biographical sources. The Introduction explores the diversity of belief in contemporary Catholic expression. An essay by Professor Genaro Padilla examines the place of Catholicism in the work of Hispanic writers in the United States today. A partial list of the authors contained here reads like a Who's Who of American literary luminaries and includes such writers as John Gregory Dunne, Mary Gordon, Flannery O'Connor, Walker Percy, Don Delillo, Robert Stone, and Maureen Howard.

As a resource for further research on the authors contained, for continued reflection on the various forms of contemporary Catholic American writing, and for renewed scholarly interest in many excellent and often-neglected literary texts, the "Biographical Dictionary of Contemporary Catholic American Writing" deserves a place in most academic and public libraries. Generalists and English teachers and majors will find its perusal fascinating and rewarding.

Catholic Greg Bourke's profoundly moving memoir about growing up gay and overcoming discrimination in the battle for same-sex marriage in the US. In this compelling and deeply affecting memoir, Greg Bourke recounts growing up in Louisville, Kentucky, and living as a gay Catholic. The book describes Bourke's early struggles for acceptance as an out gay man living in the South during the 1980s and '90s, his unplanned transformation into an outspoken gay rights activist after being dismissed as a troop leader from the Boy Scouts of America in 2012, and his historic role as one of the named plaintiffs in the landmark United States Supreme Court decision Obergefell vs. Hodges, which legalized same-sex marriage nationwide in 2015. After being ousted by the Boy Scouts of America (BSA), former Scoutmaster Bourke became a leader in the movement to amend antigay BSA membership policies. The Archdiocese of Louisville, because of its vigorous opposition to marriage equality, blocked Bourke's return to leadership despite his impeccable long-term record as a distinguished boy scout leader. But while making their home in Louisville, Bourke and his husband, Michael De Leon, have been active members at Our Lady of Lourdes Catholic Church for more than three decades, and their family includes two adopted children who attended Lourdes school and were brought up in the faith. Over many years and challenges, this couple has managed to navigate the choppy waters of being openly gay while integrating into the fabric of their parish life community. Bourke is unapologetically Catholic, and his faith provides the framework for this inspiring story of how the Bourke De Leon family struggled to overcome antigay discrimination by both the BSA and the Catholic Church and fought to legalize same-sex marriage across the country. Gay, Catholic, and American is an illuminating account that anyone, no matter their ideological orientation, can read for insight. It will appeal to those interested in civil rights, Catholic social justice, and LGBTQ inclusion.

John Fisher, 1469-1535 was a figure of European stature during the Tudor age. His many roles included those of bishop, humanist, theologian, cardinal, and ultimately martyr. This study places him in the context of sixteenth-century Christendom, focusing not just on his resistance to Henry VIII, but also on his active engagement with the renaissance and reformation.

This New Saint Joseph Catechism is designed to prepare young Catholic children for their first communion.

During World War I, the Catholic church blocked the distribution of government-sponsored V.D. prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts-how they evolved, what effect they had on the movie industry, and why they were eventually abandoned. Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak in the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age. Walsh provides fascinating details about the church's efforts to guard against anything it felt might corrupt moviegoers' morals: forcing Gypsy Rose Lee to change her screen name; investigating Frank Sinatra's fitness to play a priest in Miracle of the Bells; altering a dance sequence in Oklahoma; eliminating marital infidelity from Two-Faced Woman; compelling Howard Hughes to make 147 cuts in The Outlaw; blocking the distribution of Birth of a Baby; and attacking Asphalt Jungle for serving the "crooked purposes of the Soviet Union." However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.