First comprehensive book on comparative religion. Born in Hanover, New Hampshire, James Freeman Clarke attended the Boston Latin School, graduated from Harvard College in 1829, and Harvard Divinity School in 1833. Ordained into the Unitarian church he first became an active minister at Louisville, Kentucky, then a slave state and soon threw himself into the national movement for the abolition of slavery.

Ma?berot Immanuel is a collection of twenty-eight chapters in Hebrew of rhymed prose and poetry written by the poet and amateur philosopher Immanuel of Rome during an era of rapid political change in late medieval Italy. The final chapter, Mah?beret Ha-Tofet Ve-ha-'Eden (A Tale of Heaven and Hell), like Dante's Commedia, depicts Immanuel's visits to hell and heaven. Bridging Worlds focuses on the interrelation of Immanuel's belletristic work and biblical exegesis to advance a comprehensive and original reading of this final chapter. By reading Immanuel's philosophical commentaries and literary works together, Dana Fishkin demonstrates that Immanuel's narrative made complex philosophical ideas about the soul's quest for immortality accessible to an educated populace. Throughout this work, she explains the many ways Mah?beret Ha-Tofet Ve-ha-'Eden serves as a site of cultural negotiation and translation. Bridging Worlds broadens our understanding of the tensions inherent in the world of late medieval Jewish people who were deeply enmeshed in Italian culture and literature, negotiating two cultures whose values may have overlapped but also sometimes clashed. Fishkin puts forth a valuable and refreshing perspective alongside previously unknown sources to breathe new life into this extremely rich and culturally valuable medieval work.

The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hoesle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O'Regan.

Nihilism seems to be per definition linked to violence. Indeed, if the nihilist is a person who acknowledges no moral or religious authority, then what does stop him from committing any kind of crime? Dostoevsky precisely called attention to this danger: if there is no God and no immortality of the soul, then everything is permitted, even anthropophagy. Nietzsche, too, emphasised, although in different terms, the consequences deriving from the death of God and the collapse of Judeo-Christian morality. This context shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. The goal of this interdisciplinary volume is to explore the various modern and contemporary configurations of the link between violence and nihilism as understood by philosophers and artists (in both literature and film).

This first of a two-volume work provides a new understanding of Western subjectivity as theorized in the Augustinian Rule. A theopolitical synthesis of Antiquity, the Rule is a humble, yet extremely influential example of subjectivity production. In these volumes, Jodra argues that the Classical and Late-Ancient communitarian practices along the Mediterranean provide historical proof of a worldview in which the self and the other are not disjunctive components, but mutually inclusive forces. The Augustinian Rule is a culmination of this process and also the beginning of something new: the paradigm of the monastic self as protagonist of the new, medieval worldview. In this volume, Jodra takes one of the most influential and pervasive commons experiments-Augustine's Rule-and gives us its Mediterranean backstory, with an eye to solving at last the riddle of socialism. In volume two, he will present his solution in full, as a kind of Augustinian communitarianism for today. These volumes therefore restore the unity of the Hellenistic and Judaic world as found by the first Christians, proving that the self and the other are two essential pieces in the construction of our world.