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Books > Music > Techniques of music > General
Twelve of today's most distinguished scholar-performers offer essays in this volume on new and intriguing aspects of baroque keyboard music. Topics include fresh evidence on music of the seventeenth century (Frescobaldi, Froberger and Purcell), the place of the keyboard in concerted music and on comparative teaching methods (Couperin, Marpurg and Roeser), studies of the repertoire of J. S. Bach and his sons (including ornamentation in C. P. E. Bach and the Polonaises of Wilhelm Friedemann), and writing on the later eighteenth century (including Mozart) and on matters of repertoire and performance practice (continuo playing, improvisation). The volume gives a balanced picture of the latest theories and discoveries in keyboard music, of interest to both academic and performing musicians, and includes a new arrangement for keyboard of Bach's D minor Violin Partita, published here for the first time.
This volume presents a series of important essays by American and European scholars on some of the problems involved in attempting to perform music of the late Middle ages. The essays are based on papers read at a conference held at the New York University Center for Early Music in 1981 and they concern a varied selection of aspects of the subject; behind many lies an interest in the reopened question of how far instruments had a role in performing secular or sacred music. Among the questions tackled are: the types of harps found in fourteenth-century Italy, and their probable uses; the numbers of singers needed (with their ranges) for fourteenth-century English music; evidence for the use of instruments in the thirteenth century and for wind articulation in the late fourteenth; specific performing ensembles of the fifteenth century, and what they may have sung in a polyphonic Mass.
This book brings together in one place selected exam pieces, scales and sight-reading to support ABRSM's Initial Grade Violin syllabus for 2020-2023. The pieces, three from each of Lists A, B and C, have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Inspiring recordings of the nine pieces featured in the book, plus piano accompaniment tracks for use when practising, are available from www.abrsm.org/initialgrade/audio (access code included in the book).
This book contains nine pieces from ABRSM's Grade 5 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Inspiring recordings of the nine pieces featured in this book, plus piano accompaniment tracks, are available. These can be purchased as part of the Cello Exam Pieces with CD package or as audio downloads (see https://shop.abrsm.org/audiodownloadsfor more details).
"Deep Listening: A Composer's Sound Practice" offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be effected by profound attention to the sonic environment . "Deep Listening(R)" is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking "Deep Listening" classes at Rensselaer Polytechnic Institute and Mills College. "Deep Listening" practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the "Deep Listening" classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.
Lang Lang Piano Academy: mastering the piano level 1 (approximately equivalent to Grade 1/Early Intermediate) looks at techniques such as playing legato and staccato and the left hand. Units in Level 1: Exploring the keyboard Feeling the beat Legato playing Staccato playing Developing dexterity Playing chords The left hand Playing with dynamics Mastering the piano is the first series of books to be launched in the Lang Lang Piano Academy. Comprising five progressive books, mastering the piano captures Lang Lang's passion, drive and extraordinary mastery of the piano. Each book gives students the chance to learn from this exceptional talent, with: 8 units that develop key aspects of piano technique; specially devised exercises & studies; a diverse selection of repertoire including Lang Lang's favourite works; and inspirational commentary & guidance from Lang Lang himself. Level 1 is also available as an iPad App! Listen to Lang Lang playing Mo li hua (Jasmine Flower) Download Scales & Arpeggios chart for Level 1
Lyrics and guitar chords for nearly 1,200 songs are arranged in a
compact, easy-to-use format in this comprehensive collection. Folk
revival favorites; Broadway show tunes; Beatles' songs; hymns,
spirituals, and gospel standards; songs about peace, freedom,
labor, and the environment are among the types of songs included.
This revised and retypeset large-print version of the enormously
popular songbook makes this essential resource easy to read and
useful in leading large and small groups.
A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
Contains all the piano accompaniments for Cello Time Sprinters (the cello duets are unaccompanied and so printed in the cello book only). Characterful and easy to play, these piano parts provide the perfect stylish accompaniment to the cellist's first tunes, and help capture the spirit and mood of the pieces. Essential for teachers and musical parents, these books will help motivate all young cellists as they learn to play.
(Percussion). Focusing on straight rock, shuffle rock, fill-ins and rudiments, this exceptional book/CD pack covers the basic elements of hand-foot coordination necessary to know to play the modern five-piece drum set. Acclaimed drummer, clinician, author and founder of the Drumsense Teaching Project Colin Woolway provides helpful hints for developing solid technique and playing in various styles. The CD features recorded examples of the exercises in the book.
In The Singing of the New World Gary Tomlinson offers histories of ancient music long since silent: the songs of the Indians that Europeans met in the sixteenth century. Merging recent cultural history, early European accounts, archaeological findings, and rare indigenous documents for the Mexica (or Aztecs), the Incas, and the Tupinamba of lowland Brazil, Tomlinson explores the place of singing in these societies. He details the expressive and ritual ends it was expected to fulfil before and after the coming of the conquistadors. Musical practices and the cultural ends they served come alive across a spectrum that reaches from the cosmogonic geometry of Inca ritual song through the imminent sacred materiality of Mexican cantares to the intricate interconnections of singing, speaking and eating in Tupinamba cannibalism. A final chapter considers the fears mutually and repeatedly inspired by the expressive powers of American and European song.
(Musicians Institute Press). Master the art of blending melody and harmony on the guitar with this book/CD pack. It includes in-depth studies of chords and chord melodies as well as a CD containing 90 demonstration tracks. Lessons include: the five patterns; chord shells; inversions; voice leading; cadences; diminished chords; and more.
Teach violin with the popular Suzuki Violin School. Revised edition
features:
The beginning-level book of this comprehensive method teaches a wide range of guitar and music fundamentals, including: scales, melodic studies, chord and arpeggio studies, how to read music, accompaniment techniques, special exercises for developing technique in both hands, a unique approach to voice leading using moveable chord forms, and more.
Educator and performer Carlos Arana captures Brazil's rich musical heritage with impeccable stylistic, historic, and technical analyses. The first section of this book covers the fundamental rhythmic and harmonic characteristics of samba, bossa nova, and choro styles followed by practical applications on the guitar. The practical applications break each of the styles down to their historic and regional roots combined with examples that capture the essence of each style. The next section takes you to the northeast of Brazil with the rhythm figures of baiAo, toada, xote, afoxA(c), frevo, Marcha, and Marcha Rancho. Over 60 examples, written in standard notation and tablature, are demonstrated on the included CD.
This book contains valuable practice material for candidates preparing for ABRSM's Singing for Musical Theatre exams at Grades 1-3. It features sample tests for the sight-singing requirements from 2019, written in attractive and accessible styles relevant to Musical Theatre singers.
Berklee GuideThe definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. Topics covered include: selecting appropriate harmonic tensions, understanding jazz harmony, overcoming harmonic ambiguity, experimenting with unusual combinations and non-traditional alignments, and many more. The accompanying CD includes performance examples of several different arranging techniques.A no-nonsense, meat and potatoes source of basic and not-so-basic information about everything relating to jazz writing covers several courses worth of information. Kenny WernerPianist, Composer and Author of Effortless Mastery
Over 600 chords and voicings for all 12 keys
Creative Health for Pianists: Concepts, Exercises & Compositions is a practical method book for musicians of all abilities. It provides a new way of thinking about the piano, emphasizing the pianist-reader's innate capacity to respond creatively to a musical and technical stimulus. Author and veteran educator Pedro de Alcantara suggests that every pianist, from a complete beginner to a concert artist, may approach the instrument with the frame of mind of an improviser and composer, in which curiosity, inventiveness, and technical skills are inseparable. Throughout the book, original music snippets that encapsulate one or more aspects of piano playing are presented and explained, then developed through tweaks, variations, and compositions of increasing complexity. Every chapter contains variations suited to a complete beginner, as well as musical challenges that will capture the imagination of advanced players. Most chapters contain improvisational prompts and games with step-by-step rules, leading to the development of new creative skills combining musical depth and technical intelligence. Creative Health for Pianists is supported by a dedicated companion website with 48 pedagogical video clips.
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