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Books > Music > Techniques of music > General
Runaways is a collection of songs, dances, and spoken word pieces
performed by children who have run away from their homes. Initially
created from interviews with homeless children and those in
orphanages, Liz Swados' unique piece weaves songs about personal
struggle and the world at large through the eyes of youth in New
York City in the '70s. The show blends different musical styles,
from pop to hip-hop and jazz to reggae, while asking why children
can't remain children. The licensed version of Runaways reflects
the version performed by Encores in 2016.
Music performance anxiety has long frustrated the artistic
community and, while tricks and folk remedies abound, a
comprehensive plan to solve this problem has remained elusive.
Accomplished violinist Casey McGrath combines her experiences with
the research of Karin S. Hendricks and Tawnya D. Smith to provide a
resource guide to the most current solutions and therapies, as well
as educational applications, for both individual and classroom use.
Divided by area of therapeutic interest, Performance Anxiety
Strategies presents relevant and noteworthy research and insight
into some of the most popular and many lesser-known
therapies-including holistic, exposure, cognitive, behavioral, and
medicinal treatments. Each chapter also features self-guided
activities and exercises, words of wisdom from established
performing artists and athletes, and suggestions for music
teachers, as well as first-person narratives about the authors'
personal journeys with music performance anxiety both onstage and
in the classroom. Including a wealth of offerings and approaches,
this book is an invaluable resource for anyone who has ever
experienced performance anxiety, from the aspiring classical
musician to the garage band guitarist.
Guitar Basics is a landmark method for young guitarists. It starts
at absolute beginner level and progresses to Initial/Preparatory
Grade. The method is set out in sixteen stages and contains
original pieces and traditional tunes in an array of styles
including classical, folk and world music as well as well-known
favourite film and TV themes such as James Bond, Batman and The
Flintstones. There is a thorough introduction to standard notation,
with sections on chords and TAB, whilst ensemble pieces are ideal
for group teaching, including 'Wider Opportunities'. Accompaniment
parts and teachers' notes are available in Guitar Basics Teacher's
Book, and the fun backing tracks are available to download online.
The companion book, Guitar Basics Repertoire, provides over 40 fun
solos and ensemble pieces for both individual and group learning.
It is designed to consolidate material learnt in the Guitar Basics
Tutor and present new topics, including accidentals, moving up the
neck, two-part music, arpeggios and plucked chords.
Proficiency as a drummer has always come from great hand dexterity.
However, with the introduction of modern drumming techniques, it
has become increasingly necessary to gain complete independence of
both the hands and feet. With various rhythmic exercises in
easy-to-read notation, 4-Way Coordination is designed to guide the
drummer from simple patterns to advanced polyrhythms. Through the
study of this method book, the student will gain invaluable
listening skills and techniques that will provide insight to
drumming in all styles.
In this concise and accessible volume, a noted keyboard artist and
Bach specialist takes a fresh look at the performance of J. S.
Bach's keyboard music. Addressing the nonspecialist player, Richard
Troeger presents a wide range of historical information and
discusses its musical applications. The author shares accounts of
the musical styles Bach employed and the instruments he knew. In
direct and pragmatic terms, he clarifies the importance of
notational and style details as guides to the composer's
intentions, particularly emphasizing changes in notational norms
between Bach's time and the present. Troeger offers core
information on dynamics, articulation, tempo, rhythm, ornamentation
and accompaniment. He considers controversial issues as well,
establishing the importance of the clavichord in Bach's milieu and
examining the link between baroque music and rhetoric - a dramatic
relationship that can bring great vitality to performance.
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