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Books > Music > Techniques of music > General
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Checkers; Volume 2
(Hardcover)
L M (Lyman Marshall) 1858 Stearns, A L 1859- Oliver; Willis Grant Hill
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R826
Discovery Miles 8 260
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Ships in 12 - 17 working days
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Winding it Back: Teaching to Individual Differences in Music
Classroom and Ensemble Settings is a collaborative effort by
practicing music educators, teacher educators, pedagogy experts,
researchers, and inclusion enthusiasts with a combined one hundred
plus years in the field of music education. The framework of this
text is centered on the following principles: 1) Honoring the
individual learning needs of all students; 2) providing multiple
access points and learning levels; and 3) providing adequate
learning conditions for all students within the music classroom.
This framework is based on research and best practice within music
education. Topics include early childhood music, creative movement,
older beginners, rhythm, melodic, and tonal development as well as
secondary choral and instrumental music. All chapters focus on
meeting the needs of all students and all learning levels within
the music classroom. Many of the authors are pairs of music
educators that bring different experiences to each topic. In
addition, all authors contributed to the editing and musical
examples that are provided as part of the collaborative writing
process preserving the synergy between practicing K-12 music
educators, researchers, and music teacher educators. Therefore,
this text can be used as a resource for practicing music educators,
teacher educators, and arts integration specialists and
enthusiasts. Specific musical examples are provided both within the
text and on the extended companion website. These include musical
examples, lesson ideas, videos, assessment tools and sequencing
ideas that work. The aim of this book is to provide one resource
that can be used by music educators for all students in the music
classroom both for classroom music education and music teacher
preparation.
(Willis). A comprehensive step-by-step course specifically designed
to suit the needs of all children beginning the piano. Includes:
characters and illustrations * writing exercises * sight reading
drills * review work * accompaniments * and more.
Alfred's Basic Adult All-in-One Course is designed for use with an
instructor for the beginning student looking for a truly complete
piano course. It is a greatly expanded version of Alfred's Basic
Adult Piano Course that will include lesson, theory, technic and
additional repertoire in a convenient, "all-in-one" format. This
comprehensive course adds such features as isometric hand
exercises, finger strengthening drills, and written assignments
that reinforce each lesson's concepts. There is a smooth, logical
progression between each lesson, a thorough explanation of chord
theory and playing styles, and outstanding extra songs, including
folk, classical, and contemporary selections. At the completion of
this course, the student will have learned to play some of the most
popular music ever written and will have gained a good
understanding of basic musical concepts and styles. The CD has
accompaniments to support the student's playing of the exercises
and songs found in the Level 1 book. Titles: Alouette * Alpine
Melody * Amazing Grace * Au Claire de la Lune * Aunt Rhody * Auld
Lang Syne * Aura Lee * The Bandleader * Beautiful Brown Eyes * Blow
the Man Down * Blues for Wynton Marsalis * Brother John * Caf?
Vienna * The Can-Can * Chasing the Blues Away * Chiapanecas *
Cockles and Mussels * The Cuckoo * Day is Done * Dueling Harmonics
* The Entertainer * A Friend Like You * Go Down, Moses * Good King
Wenceslas * Good Morning to You * Good People * Got Those Blues *
Greensleeves * Happy Birthday to You * Harmonica Rock * Harp Song *
Here's a Happy Song * He's Got the Whole World in His Hands * I'm
Gonna Lay My Burden Down * Jericho * Jingle Bells * Joy to the
World * Kum-ba-yah * Largo (Dvorak) * Lavender's Blue * Lightly Row
* Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz *
Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We
Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore *
Money Can't Buy Everything * My Fifth * Ode
Book 3 includes attractive musical etudes by Carl Czerny, Johann F.
Burgmuller and Stephen Heller and select exercises by Charles-Louis
Hanon. The studies are organized into four units, each focusing on
mastering a particular skill. Performance suggestions for each
study are included, along with composer biographies and suggested
practice alternatives for the Hanon etudes. Includes 16 studies by
Czerny, 5 by Burgmuller (including "The Pearls" and "The Storm"),
and 8 by Heller (including "Through Wind and Rain" and
"Novelette"). 80 pages.
The Ultimate Breathing Workout, from Raise Your Voice author, Jaime
Vendera, is THE program for singers who wish to develop lungs of
steel This compact 80 page book features the most intense breathing
program ever created for vocalists. Based on a nine step breathing
program designed to increase breath capacity, strengthen the lungs,
diaphragm, back, and abdominal muscles will turn you into a
breathing machine, and enable you to hold out notes for over a
minute. As well, The Ultimate Breathing Workout features advance
breathing exercises, including the Breath Builders and Applied
Breathing Isometrics. This book contains one illustration and ten
audio examples accessible through jaimevendera.com via link within
the book.
This book gives you vital instruction in metal basics from top
guitar teachers, and reveals the secrets of the monsters of metal -
often in their own words. Packed with musical examples, charts and
photos, this is your complete course for learning metal guitar.
In-depth lessons with pros like Andy Ellis, Jesse Gress, Joe Gore,
Jude Gold and Dave Whitehill teach you to build your own style
while exploring the classic and modern sounds of the metal masters.
Covers: tips on altered tunings and 7-string guitar, pros' secrets
of tone and recording, discography of the monsters of metal, and
free access to audio lessons at an exclusive web page!
Drummers from beginners to pros will relish this comprehensive
guide to the tools of the trade! The Drum Handbook gives you the
in-depth knowledge you need to choose the whole range of gear,
including drums, cymbals, hardware, heads and sticks - new, used
and vintage. Includes info on setting up, tuning and maintenance,
plus tips from top pros on gear, recording, playing live and
surviving on the road. Fully illustrated and authoritatively
written, this book includes a website directory and an exhaustive
glossary of technical terms.
"They call it stormy Monday, but Tuesday's just as bad/Wednesday's
worse, and Thursday's also sad." There's a lot more to the blues
than three chords played on an old beat-up guitar. Squeeze My Lemon
is a collection of some of the best bluues lines ever recorded.
From birth ("Born under a bad sign/I've been down since I began to
crawl") to death ("Everybody wants to go to heaven/But nobody wants
tto die") and everything in between, this volume quotes classic
blues phrases by ssongwriter/artists B.B. King, Bessie Smith, Muddy
Waters, T-Bone Walker, Robert JJohnson and many, many others.
Compiled by award-winning author/Grammy-nominated record producer
Randy Poe, Squeeze My Lemon: A Collection of Classic Blues Lyriics
features classic photos of many leading blues artists. A great gift
book, itt is highly entertaining not only for blues lovers, but for
anyone who appreciatees great lyrics. Categorized by subject matter
(Love - Or the Lack Thereof, Bluess and Booze, Blues Behind Bars,
Make Mine a Double Entendre, etc.), Squeeze My Lemmon is a book
you'll return to - and quote from - again and again.
Explore the sounds of more than 30 guitar legends, from '50s
rock'n'rollers to today's nu-metal practitioners. You'll discover
the secrets of their classic tones, learn how they played their
most famous rhythms & leads, and find out what gear they used
to forge their unique styles. The CD walks you tone-by-tone through
licks that characterize the signature sounds of: Clapton, Santana,
Dave Matthews, Metallica, Van Halen, Korn, Bill Gibbons, Hendrix,
Dimebag Darrell and others. Also includes essential discographies
for each artist.
(Faber Piano Adventures ). Book B of the Fabers' method for the
young beginner moves the student into staff-reading. Music notation
is explored through stepwise directional reading, pattern
recognition, and changing hand positions, all in the context of
engaging songs, games and creative exploration at the piano.
Maintaining the child-centered philosophy of the series, the
"friends at the piano" from the A Books introduce students to the
music of two new composer friends Wolfgang Amadeus Mozart and
Ludwig van Beethoven. Classic themes share the stage with
contemporary pop and jazz sounds for young ears to absorb and
enjoy. The Book B CD presents a vibrant mix of sounds, from boogie
to Beethoven. It serves as a listening CD which educates and as an
accompaniment CD for play-along.
Singers must equip themselves with enough knowledge to clearly
convey specific sensations and difficulties with their instrument.
Understanding of potential dangers and disorders, familiarity with
a variety of medical procedures, and comprehension in various
facets of diagnosis and treatments empower singers to "own," just
like other musicians, their instrument. The Owner's Manual to the
Voice provides singers with the knowledge necessary to communicate
effectively and in intelligent terms about their instrument,
especially when conversing with medical professionals. Beginning
with an overview of the vocal anatomy, lead author Rachel Gates,
and co-authors L. Arrick Forest, M.D. and Kerri Obert, M.A.,
C.C.C/S.L.P, proceed through detailed discussions of caring for the
voice and common causes of vocal changes and problems before
guiding the reader through the process of choosing, talking to, and
working with an ENT. In so doing, they give insights that any
professional voice user - whether singer, actor, broadcaster,
politician, teacher, preacher, lawyer, salesperson or telemarketer
- will find helpful if not essential.
For Guitar Players Only is one of the most unique books ever
written for guitar. Legendary studio guitarist Tommy Tedesco shares
his personal hints and exercises for improving picking technique
and sight reading abilities, while offering countless other inside
tips that will further your guitar career. The book includes actual
parts that have been recorded for movies, television, albums, and
commercials.
Tedesco, and the story of his legendary studio sessions, has
been featured in screenings around the country in the critically
acclaimed film, The Wrecking Crew. See the film, buy the book, and
learn the lessons from a true legend!
Prosody as a system of suprasegmental linguistic information such
as rhythm and intonation is a prime candidate for looking at the
relation between language and music in a principled way. This claim
is based on several aspects: First, prosody is concerned with
acoustic correlates of language and music that are directly
comparable with each other by their physical properties such as
duration and pitch. Second, prosodic accounts suggest a
hierarchical organization of prosodic units that not only resembles
a syntactic hierarchy, but is viewed as (part of) an interface to
syntax. Third, prosody provides a very promising ground for
evolutionary accounts of language and music. Fourth, bilateral
transfer effects between language and music are best illustrated on
the level of prosody. Highlighting the first two aspects, this book
shows that it is a fruitful endeavor to use prosody for a
principled comparison of language and music. In its broader sense,
prosody as sound structure of communicative systems may be
considered a "meta"-language that formalizes the way of "how music
speaks to language and vice versa". Prosody is firmly established
within linguistic theory, but is also applied in the musical
domain. Therefore, prosody is not just a field of inquiry that
shares elements or features between music and language, but can
additionally provide a common conceptual ground.
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