By turns charming, tender, and ironic, these songs make an excellent concert suite and wonderful encores. They are scored for voice and violin.

I Beheld Her, Beautiful as a Dove is suitable as a motet for SATB unaccompanied voices.

This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.

COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business - the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.

for SA and piano four-hands or orchestra This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. This piece is a great complement to Wilberg's How far is it to Bethlehem and hat shall we give? Orchestral material is available on rental.

for SATB and french horn Larsen takes three nursery rhymes, familiar to every adult from their childhood, and uses the vocal lines and horn to personify the characters in each rhyme. In the first nursery rhyme, 'There was a little girl, ' the horrid little girl cavorts through the piece spouting blatant parallel fifths and brassy nonsense syllables and the setting of the last rhyme 'Try, try again' embodies success amidst many failed attempts

The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 306 pages.

It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it.

This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities.

The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.

New, insightful essays from musicologists, historians, art historians, and literary scholars reconsider the relationship of Debussy, Gauguin, Zola, and other great French creative artists to cultural and political trends during the Third Republic. This collection of new essays examines the relationships between discourses of French national and regional identity, political alignment, and creative practice during one of France's most fascinating eras: the Third Republic. The authors, from a variety of disciplinary backgrounds, explore the ways in which the architects of the Third Republic [re]constructed France culturally and artistically, in part through artful use of the press and [at the 1889Paris World's Fair] new technologies. The chapters also investigate changing attitudes toward Debussy's opera Pelleas et Melisande, attempts by composers and critics to define a musical canon, and the impact of religious education, spirituality, and exoticism for Gauguin and Jolivet. Tensions between the center and region are seen in celebrations for the national musical figurehead, Rameau, and in the cultural regionalism that flourished in the annexed territories of Alsace and Lorraine. Contributors: Edward Berenson, Katharine Ellis, Annegret Fauser, Didier Francfort, Brian Hart, Steven Huebner, Barbara L. Kelly, Detmar Klein, Deborah Mawer, James Ross, Marion Schmid, and Debora Silverman. Barbara L. Kelly is Professor of Musicology at Keele University.

Set for SATB with divisions, unaccompanied Chilcott's, this setting aims to capture the mood of painful introspection that infuses the spiritual.

An anthem for SATB and organ that is suitable for Pentecost. The strong hymn-like tune builds through the addition of a descant to a powerful climax.

for unaccompanied SATB choir with divisions A medieval carol-text set as a stomping dance of rejoicing in a faux-medieval vein.

for B flat clarinet and viola Composed in 1941, this is the first publication of this work.

This excellent addition to the tuba repertoire allows this oft-neglected instrument to demonstrate its more versatile side. Concert Piece explores a 3-octave range, allowing the tuba to combine fast-paced passages (even including fierce glissandi) with lyrical contemplative melodies before returning to the exuberant tone of the opening.

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incanting, with the intention of magnetizing and mesmerizing the listener through the usage of what Larsen describes as "musical masterpieces of rhythm, tempo and extraordinary tension and release." A version for alto saxophone and concert band is available on hire.

Including the finale from The Wind in the Willows, this arrangement is for separate performance for SATB choir and piano or orchestra.

Guitar World magazine and Warner Bros. Publications have teamed up to bring you yet another exciting educational series! Watch as John Petrucci details the patterns and techniques that have helped make Dream Theater what it is today. A member of one of the most amazing guitar bands of our generation, John Petrucci educates teachers and students alike with this fantastic new book! Includes over 130 music examples, transcribed solos, and techniques to help expand your vocabulary, creativity, and chord knowledge.

Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists-singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats-provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include "authentic" performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.

for SATB and piano or orchestra Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choirs 1. Instrumental material is available on hire.

The only book to consider Oi! as a distinct genre within punk rock, What Have We Got? is the story of a musical movement that became a national concern in the eighties and still divides opinion today. Drawing on new interviews with Sham 69, Angelic Upstarts, Cockney Rejects, Crown Court, Lion’s Law, The Templars and many more, Simon Spence considers the genre’s inception and noble intentions, how it fell into infamy, and where it lies now. With a growing and formidable audience in the US, Europe, Asia, South America and the UK, Oi! is as alive as it has ever been, and without the far-right associations that plagued its past.

In this unique text, ten cases of music therapy with autistic children (tamariki takiwatanga) are critiqued through the eyes of family members and other autism experts. Rickson uses her wealth of experience to contextualise their rich observations in a thorough review of research and practice literature, to illustrate the ways music therapists engage autistic children in the music therapy process, highlight the various ways music therapy can support their health and well-being, and demonstrate how music therapy processes align with good practice as outlined in the New Zealand Autism Spectrum Disorder Guideline.

The hugely popular Gareth Malone recounts the heart-warming stories and transformations behind the award-winning BBC2 series The Choir, including the new series Sing While You Work. For the first time, Gareth reveals everything he has learned from working with so many groups of memorable people, including the record-breaking Military Wives and latest series of The Choir being shown this Autumn. Gareth was an unknown Choirmaster when he arrived on British TV screens five years ago. Boyish, irrepressible and determined, Gareth took on a collection of kids from the most unlikely comprehensive and turned them into a talented performing choir. This was the beginning of a national love affair with a bow-tied and undeniably charming young man, and it was also the start of a national rediscovery of the joy to be found in choirs. Since then, each series of The Choir has gone on to even more demanding challenges, taking young offenders to Glyndebourne, regenerating disparate and far from affluent communities, and finally in an extraordinarily emotional journey, Gareth took a group of women whose partners were serving in Afghanistan to a Christmas Number One. This Autumn, in a new four-part series, Gareth will be challenging four new Choirs to compete against each other. This is his memoir of a period in which he transformed the lives of thousands but also gained a lifetime’s worth of experience in human frailty and strength. Written with real joy, emotion and amusement, the twenty chapters each deal with an individual moment – both break-throughs and disasters – or an individual character that has contributed to this extraordinary adventure. Whether he is explaining the importance of biscuits or the role of the elderly in a community undertaking, remembering the scrappy kid who never quite delivered or the mother who had most to prove this is an incredibly moving journey. It is his adventure… and ours.