More than sixty million people have been victims of genocide in the twentieth century alone, including recent casualties in Bosnia and Rwanda. Herbert Hirsch studies repetitions of large-scale human violence in order to ascertain why people in every historical epoch seem so willing to kill each other. He argues that the primal passions unleashed in the cause of genocide are tied to the manipulation of memory for political purposes.

According to Hirsch, leaders often invoke or create memories of real or fictitious past injustices to motivate their followers to kill for political gain or other reasons. Generations pass on their particular versions of events, which then become history. If we understand how cultural memory is created, Hirsch says, we may then begin to understand how and why episodes of mass murder occur and will be able to act to prevent them. In order to revise the politics of memory, Hirsch proposes essential reforms in both the modern political state and in systems of education.

The firebombing of Dresden marks the terrible apex of the European bombing war. In just over two days in February 1945, over 1,300 heavy bombers from the RAF and the USAAF dropped nearly 4,000 tonnes of explosives on Dresden's civilian centre. Since the end of World War II, both the death toll and the motivation for the attack have become fierce historical battlegrounds, as German feelings of victimhood complete with those of guilt and loss. The Dresden bombing was used by East Germany as a propaganda tool, and has been re-appropriated by the neo-Nazi far right. Meanwhile the rebuilding of the Frauenkirche- the city's sumptuous eighteenth-century church destroyed in the raid-became central to German identity, while in London, a statue of the Commander-in-Chief of RAF Bomber Command, Sir Arthur Harris, has attracted protests. In this book, Tony Joel focuses on the historical battle to re-appropriate Dresden, and on how World War II continues to shape British and German identity today.

During World War II, the British formed a secret division, the 'SOE' or Special Operations Executive, in order to support resistance organisations in occupied Europe. It also engaged in 'targeted killing' - the assassination of enemy political and military leaders. The unit is famous for equipping its agents with tools for use behind enemy lines, such as folding motorbikes, miniature submarines and suicide pills disguised as coat buttons. But its activities are now also gaining attention as a forerunner to today's 'extra-legal' killings of wartime enemies in foreign territory, for example through the use of unmanned drones. Adam Leong's work evaluates the effectiveness of political assassination in wartime using four examples: Heydrich's assassination in Prague (Operation Anthropoid); the daring kidnap of Major General Kreipe in Crete by Patrick Leigh Fermor; the failed attempt to assassinate Rommel, known as Operation Flipper; and the American assassination of General Yamamoto.

In the network of Nazi camps across wartime Europe, prisoner of war institutions were often located next to the slave camps for Jews and Slavs; so that British PoWs across occupied Europe, over 200,000 men, were witnesses to the holocaust. The majority of those incarcerated were aware of the camps, but their testimony has never been fully published. Here, using eye-witness accounts held by the Imperial War Museum, Russell Wallis rewrites the history of British prisoners and the Holocaust during the Second World War. He uncovers the histories of men such as Cyril Rofe, an Anglo-Jewish PoW who escaped from a work camp in Upper Silesia and fled eastwards towards the Russian lines, recounting his shattering experiences of the so-called 'bloodlands' of eastern Poland. Wallis also shows how and why the knowledge of those in the armed forces was never fully publicised, and how some PoW accounts were later exaggerated or fictionalised. British PoWs and the Holocaust will be an essential new oral history of the holocaust and an extraordinary insight into what was known and when about the greatest crime of the 20th century.

The organization 'Genocide Watch' estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts in the form of documentary footage has aided international efforts to document genocide and prosecute those responsible, but this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide, focusing on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies and the history of film.

In the 1910s historian Harry Harootunian's parents Ohannes and Vehanush escaped the mass slaughter of the Armenian genocide, making their way to France, where they first met, before settling in suburban Detroit. Although his parents rarely spoke of their families and the horrors they survived, the genocide and their parents' silence about it was a permanent backdrop to the Harootunian children's upbringing. In The Unspoken as Heritage Harootunian-for the first time in his distinguished career-turns to his personal life and family heritage to explore the genocide's multigenerational afterlives that remain at the heart of the Armenian diaspora. Drawing on novels, anecdotes, and reports, Harootunian presents a composite sketch of the everyday life of his parents, from their childhood in East Anatolia to the difficulty of making new lives in the United States. A meditation on loss, inheritance, and survival-in which Harootunian attempts to come to terms with a history that is just beyond his reach-The Unspoken as Heritage demonstrates how the genocidal past never leaves the present, even in its silence.

Since the Genocide against the Tutsi, when up to one million Rwandan people were brutally killed, Rwanda has undergone a remarkable period of reconstruction. Driven by a governmental programme of unity and reconciliation, the last 25 years have seen significant changes at national, community, and individual levels. This book gathers previously unpublished testimonies from individuals who lived through the genocide. These are the voices of those who experienced one of the most horrific events of the 20th Century. Yet, their stories do not simply paint a picture of lives left destroyed and damaged; they also demonstrate healing relationships, personal growth, forgiveness and reconciliation. Through the lens of positive psychology, the book presents a range of perspectives on what happened in Rwanda in 1994, and shows how people have been changed by their experience of genocide.

Following times of great conflict and tragedy, many countries implement programs and policies of transitional justice, none more extensive than in post-genocide Rwanda. Placing Rwanda's transitional justice initiatives in their historical and political context, this book examines the project undertaken by the post-genocide government to shape the collective memory of the Rwandan population, both through political and judicial reforms but also in public commemorations and memorials. Drawing on over two decades of field research in Rwanda, Longman uses surveys and comparative local case studies to explore Rwanda's response both at a governmental and local level. He argues that despite good intentions and important innovations, Rwanda's authoritarian political context has hindered the ability of transnational justice to bring the radical social and political transformations that its advocates hoped. Moreover, it continues to heighten the political and economic inequalities that underline ethnic divisions and are an important ongoing barrier to reconciliation.

In 1915, the Turkish government systematically organised the wholesale slaughter of a complete race, the Armenians. Under the cover of World War I, through the secret organisation of unofficial gangs of Kurds, released prisoners, German officers and Turks who had lost their lands in the war against the Balkans, over 1 million Armenians were murdered, starved, raped and left to die. Following the War, as the Nationalist movement began to rise up from the ashes of the Ottoman Empire, the allies tried to persecute the perpetrators of the genocide, in a series of trials where the term 'crimes against humanity' was first used, Turkey was allowed to hide its recent history. It has remained hidden ever since. As the nation attempts to enter the European Union, the question of 1915 has become ever more important with the arrest of writers such as Orhan Pamuk, and the introduction of Turkey into the EU.

A WASHINGTON POST NOTABLE WORK OF NON-FICTION A SPECTATOR BOOK OF THE YEAR 'Meticulous, clinical and sobering, a shockingly important and incisive book' David Olusoga Vast and revelatory, Dan Gretton's I You We Them is an unprecedented study of the perpetrators of crimes against humanity: the 'desk killers' who ordered and directed some of the worst atrocities of the modern era. From Albert Speer's complicity in Nazi barbarism to cases of ecocide and the deaths of activists, Gretton shines a light on the figures 'who, by giving orders, use paper or a phone or a computer to kill, instead of a gun.' Over the past twenty years, Gretton has interviewed survivors and perpetrators, and pored over archives and thousands of pages of testimony. His remarkable insight into the psychology of the desk killers is deepened by the intimate journey he travels with his readers.

Of all the horrors human beings perpetrate, genocide stands near the top of the list. Its toll is staggering: well over 100 million dead worldwide. "Why Did They Kill? "is one of the first anthropological attempts to analyze the origins of genocide. In it, Alexander Hinton focuses on the devastation that took place in Cambodia from April 1975 to January 1979 under the Khmer Rouge in order to explore why mass murder happens and what motivates perpetrators to kill. Basing his analysis on years of investigative work in Cambodia, Hinton finds parallels between the Khmer Rouge and the Nazi regimes. Policies in Cambodia resulted in the deaths of over 1.7 million of that country's 8 million inhabitantsOCoalmost a quarter of the population--who perished from starvation, overwork, illness, malnutrition, and execution. Hinton considers this violence in light of a number of dynamics, including the ways in which difference is manufactured, how identity and meaning are constructed, and how emotionally resonant forms of cultural knowledge are incorporated into genocidal ideologies."

***Winner of an English PEN Award 2021*** During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to 'disaster' or 'catastrophe' - lays bare the violence of the ongoing Palestinian plight. Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it. The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.

Studies of genocide and mass atrocity most often focus on their causes and consequences, their aims and effects, and the number of people killed. But the question remains, if the main goal is death, then why is torture necessary? This book argues that genocide and mass atrocity are committed not as an end in themselves but as a means to pursue sustained and systemic torture - the spectacle of violence - against its victims. Extermination is not the only, or even the primary, goal of genocidal campaigns. In The Macabresque, Edward Weisband looks at different episodes of mass violence (Chinese Cultural Revolution, the Holocaust, post-Ottoman Turkey, Cambodia, Rwanda, and Bosnia, among other instances) to consider why different methods of violence were used in each and how they related to the particular cultural milieu in which they were perpetrated. He asserts that it is not accidental that certain images capture our memory as emblematic of specific genocides or mass atrocities (the death marches of the Armenian genocide, mass starvation in the Ukraine, the killing apparatus and laboratories of the Holocaust, the killing fields of Cambodia) because such violence assumes a kind of style each time and place it arises. Weisband looks at these variations in terms of their aesthetic or dramaturgical style, or what he calls the macabresque. The macabresque is ever present in genocide and mass atrocity across time, place and episode. Beyond the horrors of lethality, it is the defining feature of concentration and/or death camps, detention centers, prisons, ghettos, killing fields, and the houses, schools and hospitals converted into hubs for torture. Macabresque dramaturgy also assumes many aesthetic forms, all designed to inflict hideous pain and humiliating punishments, sometimes in controlled environments, but also during frenzied moments of staged public horror. These kinds of performative violations permit perpetrators to revel in their absolute power but simultaneously to project hatred, revenge and revulsion onto victims, who embody the shame, humiliation and loss felt by their torturers. By understanding how and why mass violence occurs and the reasons for its variations, The Macabresque aims to explain why so many seemingly normal or "ordinary" people participate in mass atrocity across cultures and why such egregious violence occurs repeatedly through history.

Set in the South and Southeast Region, this book attempts to analyse the implications of both genocides perpetrated on the unarmed Rohingya minority community in Myanmar, and the geopolitics of the powers of the region that deter the resolution of this festering problem. The book highlights the helplessness of the UN system to take any punitive actions against the perpetrators (ie: the security forces of Myanmar) given that China, India and Russia, who are taking the side of Myanmar for geopolitical reasons. They have exercised their vetoes at the UNSC to such an action. The book describes the key players in this region, their interests, compulsions and imperatives, and covers different strategies launched by the United States, China, India, Japan, Bangladesh, and Myanmar that tend to stall the resolution of the process or even refusing to take back the Rohingya refugees -- 1.1 million of them including children and women -- now languishing in the cramped camps inside Bangladesh. Most of these refugees were forced to flee their ancestral homes after a ghastly genocide meted out to them in October 2017. Such massacres have been taking place in a series of violence starting from 1977-8. This issue has huge regional security implications. The ugly heads of insurgency are also looming large. This has turned out to be a huge burden on the economy and environment of Bangladesh. However, different donor agencies including UNHCR are providing relief and rehabilitation. The author provides ramifications and reflections in the form of scenario development and suggesting certain options -- uniqueness of this book -- on this festering humanitarian issue.

"[Alice Walker] has transcended expectations in her response to September 11. Sent by Earth . . . is simple, practical, and beyond argument."--The New Yorker, on Sent by Earth

"There is only one daughter, one father, one mother, one son, one aunt or uncle, one dog . . . or goat in the Universe, after all: the one right in front of you."--From Overcoming Speechlessness

In 2006 Alice Walker, working with Women for Women International, visited Rwanda and the eastern Congo to witness the aftermath of the genocide in Kigali. Invited by Code Pink, an antiwar group working to end the Iraq War, Walker traveled to Palestine/Israel three years later to view the devastation on the Gaza Strip. Here is her testimony.

Bearing witness to the depravity and cruelty, she presents the stories of the individuals who crossed her path and shared their tales of suffering and courage. Part of what has happened to human beings over the last century, she believes, is that we have been rendered speechless by unusually barbaric behavior that devalues human life. We have no words to describe what we witness. Self-imposed silence has slowed our response to the plight of those who most need us, often women and children, but also men of conscience who resist evil but are outnumbered by those around them who have fallen victim to a belief in weapons, male or ethnic dominance, and greed.

Winner of the Pulitzer Prize and the National Book Award, Alice Walker is the author of more than thirty books including The Color Purple and Sent by Earth. Her writings have been translated into more than two dozen languages. From her essays concerning the civil rights movement to cries for intervention on the Gaza Strip, Walker continually and eloquently calls attention to ignored injustices around the world.

Genocide is a phenomenon that continues to confound scholars, practitioners, and general readers. Notwithstanding the carnage of the twentieth century, our understanding of genocide remains partial. Disciplinary boundaries have inhibited integrative studies and popular, moralizing accounts have hindered comprehension by advancing simple truths in an area where none are to be had. Genocide: A Reader lays the foundations for an improved understanding of genocide. With the help of 150 essential contributions, Jens Meierhenrich provides a unique introduction to the myriad dimensions of genocide and to the breadth and range of critical thinking that exists concerning it. This innovative anthology offers genre-defining as well as genre-bending selections from diverse disciplines in law, the social sciences, and the humanities as well as from other fields. A wide-ranging introductory chapter on the study and history of genocide accompanies the carefully curated and annotated collection. By revisiting the past of genocide studies and imagining its future, Genocide: A Reader is an indispensable resource for novices and specialists alike.

The invasion of Czechoslovakia by Nazi Germany in March 1939 helped to precipitate Europe's descent into World War II six months later. The move, supposedly to protect the Sudeten Germans, shocked many in Europe, who saw it as a clear statement of intent by Hitler. Using new Slovakian and Czech primary source material, Patrick Crowhurst argues that occupation of the Sudetenland and the Czech lands was crucial to the Nazi war machine. The armaments, factories and raw materials that Hitler seized accelerated Germany's capabilities; Czech tanks would prove crucial in the Ardennes and, as the Wehrmacht fought at Stalingrad, Armaments Minister Albert Speer was corralling Czech industrial machinery to produce engines, aircraft and equipment in support. Crowhurst alos reveals a new in-depth account of the German reaction to the assassination of Reinhardt Heydrich on the streets of Prague in June 1942. The recriminations were brutal, and dovetailed with Hitler's plans for the genocide of Czech Jewry. This is a new side of the History of Nazi Europe, and argues for the centrality of the Czech occupation in the overall narrative of World War II.

During World War II, Croatia became a fascist state under the control of the Ustasha Movement - allied with Nazi Germany and Fascist Italy. Here, Goran Miljan examines and analyzes for the first time the ideology, practices, and international connections of the Ustasha Youth organization. The Ustasha Youth was an all-embracing fascist youth organization, established in July 1941 by the `Independent State of Croatia' with the goal of reeducating young people in the model of an ideal `new' Croat. This youth organization attempted to set in motion an all-embracing, totalitarian national revolution which in reality consisted of specific interconnected, mutually dependent practices: prosecution, oppression, mass murder, and the Holocaust - all of which were officially legalized within a month of the regime's accession to power. To this end education, sport, manual work and camping took place in specially established Ustasha Youth Schools. In order to justify their radical policies of youth reeducation, the Ustasha Youth, besides emphasizing national character and the importance of cultural and national purity, also engaged in transnational activities and exchanges, especially with the Hlinkova mladez [Hlinka Youth] of the Slovak Republic. Both youth organizations were closely modelled after the youth organizations in Nazi Germany and Fascist Italy. This is a little studied part of the history of World War II and of Fascism, and will be essential reading for scholars of Central Europe and the Holocaust.

This book explores the subject of genocide through key debates and case studies. It analyses the dynamics of genocide - the processes and mechanisms of acts committed with the intention of destroying, in whole or in part, a national, ethnic, religious or racial group - in order to shed light upon its origins, characteristics and consequences. Debating Genocide begins with an introduction to the concept of genocide. It then examines the colonial genocides at the end of the 19th- and start of the 20th-centuries; the Armenian Genocide of 1915-16; the Nazi 'Final Solution'; the Nazi genocide of the Gypsies; mass murder in Cambodia under the Khmer Rouge; the genocides in the 1990s in the former Yugoslavia and Rwanda; and the genocide in Sudan in the early 21st century. It also includes a thematic chapter which covers gender and genocide, as well as issues of memory and memorialisation. Finally, the book considers how genocides end, as well as the questions of resolution and denial, with Lisa Pine examining the debates around prediction and prevention and the R2P (Responsibility to Protect) initiative. This book is crucial for any students wanting to understand why genocides have occurred, why they still occur and what the key historical discussions around this subject entail.

Winner of The Alexander Nove Prize 2018 The nomads of Central Asia were already well accustomed to life under the power of a distant capital when the Bolsheviks fomented revolution on the streets of Petrograd. Yet after the fall of the Tsar, the nature, ambition and potency of that power would change dramatically, ultimately resulting in the near eradication of Central Asian nomadism. Based on extensive primary source work in Almaty, Bishkek and Moscow, Nomads and Soviet Rule charts the development of this volatile and brutal relationship and challenges the often repeated view that events followed a linear path of gradually escalating violence. Rather than the sedentarisation campaign being an inevitability born of deep-rooted Marxist hatred of the nomadic lifestyle, Thomas demonstrates the Soviet state's treatment of nomads to be far more complex and pragmatic. He shows how Soviet policy was informed by both an anti-colonial spirit and an imperialist impulse, by nationalism as well as communism, and above all by a lethal self-confidence in the Communist Party's ability to transform the lives of nomads and harness the agricultural potential of their landscape. This is the first book to look closely at the period between the revolution and the collectivisation drive, and offers fresh insight into a little-known aspect of early Soviet history. In doing so, the book offers a path to refining conceptions of the broader history and dynamics of the Soviet project in this key period.

This important collection of essays expands the geographic, demographic, and analytic scope of the term genocide to encompass the effects of colonialism and settler colonialism in North America. Colonists made multiple and interconnected attempts to destroy Indigenous peoples as groups. The contributors examine these efforts through the lens of genocide. Considering some of the most destructive aspects of the colonization and subsequent settlement of North America, several essays address Indigenous boarding school systems imposed by both the Canadian and U.S. governments in attempts to "civilize" or "assimilate" Indigenous children. Contributors examine some of the most egregious assaults on Indigenous peoples and the natural environment, including massacres, land appropriation, the spread of disease, the near-extinction of the buffalo, and forced political restructuring of Indigenous communities. Assessing the record of these appalling events, the contributors maintain that North Americans must reckon with colonial and settler colonial attempts to annihilate Indigenous peoples. Contributors. Jeff Benvenuto, Robbie Ethridge, Theodore Fontaine, Joseph P. Gone, Alexander Laban Hinton, Tasha Hubbard, Margaret D. Jabobs, Kiera L. Ladner, Tricia E. Logan, David B. MacDonald, Benjamin Madley, Jeremy Patzer, Julia Peristerakis, Christopher Powell, Colin Samson, Gray H. Whaley, Andrew Woolford

Hate crimes against Native Americans are a common occurrence, Barbara Perry reveals, although most go unreported. In this eye-opening book, Perry shines a spotlight on these acts, which are often hidden in the shadows of crime reports. She argues that scholarly and public attention to the historical and contemporary victimization of Native Americans as tribes or nations has blinded both scholars and citizens alike to the victimization of individual Native Americans. It is these acts against individuals that capture her attention. Silent Victims is a unique contribution to the literature on hate crime. Because most extant literature treats hate crimesaeven racial violencearather generically, this work breaks new ground with its findings. For this book, Perry interviewed nearly 300 Native Americans and gathered additional data in three geographic areas: the Four Corners region of the U.S. Southwest, the Great Lakes, and the Northern Plains. In all of these locales, she found that bias-related crime oppresses and segregates Native Americans. Perry is well aware of the history of colonization in North America and its attendant racial violence. She argues that the legacy of violence today can be traced directly to the genocidal practices of early settlers, and she adds valuable insights into the ways in which aIndiansa have been constructed as the Other by the prevailing culture. Perryas interviews with Native Americans recount instances of appalling treatment, often at the hands of law enforcement officials. In her conclusion, Perry draws from her research and interviews to suggest ways in which Native Americans can be empowered to defend themselves against all forms of racist victimization.