Volume III examines the most well-known century of genocide, the twentieth century. Opening with a discussion on the definitions of genocide and 'ethnic cleansing' and their relationships to modernity, it continues with a survey of the genocide studies field, racism and antisemitism. The four parts cover the impacts of Racism, Total War, Imperial Collapse, and Revolution; the crises of World War Two; the Cold War; and Globalization. Twenty-eight scholars with expertise in specific regions document thirty genocides from 1918 to 2021, in Europe, the Middle East, Africa, Asia, and Latin America. The cases range from the Armenian Genocide to Maoist China, from the Holocaust to Stalin's Ukraine, from Indonesia to Guatemala, Biafra, Bangladesh, Cambodia, Bosnia and Rwanda, and finally the contemporary fate of the Rohingyas in Myanmar and the ISIS slaughter of Yazidis in Iraq. The volume ends with a chapter on the strategies for genocide prevention moving forward.

Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence.

Crimes in Archival Form explores the many ways in which human rights "facts" are produced rather than found. Using Myanmar as his case study, Ken MacLean examines the fact-finding practices of a human rights group, two cross-border humanitarian agencies, an international law clinic, and a global NGO-led campaign. Foregrounding fact-finding, in critical yet constructive ways, prompts long overdue conversations about the possibilities and limits of human rights documentation as a mode of truth-seeking. Such conversations are particularly urgent in an era when the perpetrators of large-scale human rights violations exploit misinformation, weaponize disinformation, and employ outright falsehoods, including deepfakes, to undermine the credibility of those who document abuses and demand accountability in the court of public opinion and in courts of law. MacLean compels practitioners and scholars alike to be more transparent about how human rights "fact" production works, why it is important, and when its use should prompt concern.

The Western world's responses to genocide have been slow, unwieldly and sometimes unfit for purpose. So argues David Patrick in this essential new contribution to the aid and intervention debate. While the UK and US have historically been committed to the ideals of human rights, freedom and equality, their actual material reactions are more usually dictated by geopolitical 'noise', pre-conceived ideas of worth and the media attention-spans of individual elected leaders. Utilizing a wide-ranging quantitative analysis of media reporting across the globe, Patrick argues that an over-reliance on the Holocaust as the framing device we use to try and come to terms with such horrors can lead to slow responses, misinterpretation and category errors - in both Rwanda and Bosnia, much energy was expended trying to ascertain whether these regions qualified for 'genocide' status. The Reporting of Genocide demonstrates how such tragedies are reduced to stereotypes in the media - framed in terms of innocent victims and brutal oppressors - which can over-simplify the situation on the ground. This in turn can lead to mixed and inadequate responses from governments. Reporting on Genocide also seeks to address how responses to genocides across the globe can be improved, and will be essential reading for policy-makers and for scholars of genocide and the media.

How has human response to genocide evolved over time? What effect has it had on our understanding of the cause and consequences of genocide? Spanning 2,800 years of human history, A Cultural History of Genocide offers the first comprehensive, interdisciplinary overview of genocide from ancient times to the present day. With six highly illustrated volumes all written by leading scholars, this is the definitive reference work on the subject of genocide. Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1. - Ancient World (800 BCE - 800 CE); 2. - Middle Ages (800 - 1400); 3. - Early Modern World (1400 - 1789); 4. - Long Nineteenth Century (1789 - 1914); 5. - Era of Total War (1914 - 1945); 6. - Modern World (1945 - present). Themes (and chapter titles) are: Responses to Genocide; Motivations and Justifications for Genocide; Genocide Perpetrators; Genocide Victims; Genocide and Memory; Consequences of Genocide; Representations of Genocide; Causes of Genocide. The page extent for the pack is approximately 1,720 pp with c. 240 illustrations. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Genocide is part of The Cultural Histories series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com).

The study of genocide and mass atrocity abounds with references to emotions: fear, anger, horror, shame and hatred. Yet we don't understand enough about how 'ordinary' emotions behave in such extreme contexts. Emotions are not merely subjective and interpersonal phenomena; they are also powerful social and political forces, deeply involved in the history of mass violence. Drawing on recent insights from philosophy, psychology, history, and the social sciences, this volume examines the emotions of perpetrators, victims, and bystanders. Editors Thomas Brudholm and Johannes Lang have brought together an interdisciplinary group of prominent scholars to provide an in-depth analysis of the nature, value, and role of emotions as they relate to the causes and dynamics of mass atrocities. The result is a new perspective on the social, political, and moral dimensions of emotions in the history of collective violence and its aftermath.

Following times of great conflict and tragedy, many countries implement programs and policies of transitional justice, none more extensive than in post-genocide Rwanda. Placing Rwanda's transitional justice initiatives in their historical and political context, this book examines the project undertaken by the post-genocide government to shape the collective memory of the Rwandan population, both through political and judicial reforms but also in public commemorations and memorials. Drawing on over two decades of field research in Rwanda, Longman uses surveys and comparative local case studies to explore Rwanda's response both at a governmental and local level. He argues that despite good intentions and important innovations, Rwanda's authoritarian political context has hindered the ability of transnational justice to bring the radical social and political transformations that its advocates hoped. Moreover, it continues to heighten the political and economic inequalities that underline ethnic divisions and are an important ongoing barrier to reconciliation.