'Mowed them down wholesale!' With these words, a judge summed up the last great punitive massacre of Aboriginal people in Australia. Coniston, Central Australia, 1928: the murder of an itinerant prospector at this isolated station by local Warlpiri triggered a series of police-led expeditions that ranged over vast areas for two months, as the hunting parties shot down victims by the dozen. The official death toll, declared by the whitewash federal inquiry as being all in self-defence, was 31. The real number was certainly multiples of that. Coniston has never before been fully researched and recorded; with this book that absence in Australia's history is now filled. As the last great mass killing in our country's genocidal past but an event largely unremembered, it reminds us that, without truth, there can be no reconciliation.

Between 1929 and 1942, Hungary's motion picture industry experienced meteoric growth. It leapt into Europe's top echelon, trailing only Nazi Germany and Italy in feature output. Yet by 1944, Hungary's cinema was in shambles, internal and external forces having destroyed its unification experiments and productive capacity. This original cultural and political history examines the birth, unexpected ascendance, and wartime collapse of Hungary's early sound cinema by placing it within a complex international nexus. Detailing the interplay of Hungarian cultural and political elites, Jewish film professionals and financiers, Nazi officials, and global film moguls, David Frey demonstrates how the transnational process of forging an industry designed to define a national culture proved particularly contentious and surprisingly contradictory in the heyday of racial nationalism and antisemitism.

"[Alice Walker] has transcended expectations in her response to September 11. Sent by Earth . . . is simple, practical, and beyond argument."--The New Yorker, on Sent by Earth

"There is only one daughter, one father, one mother, one son, one aunt or uncle, one dog . . . or goat in the Universe, after all: the one right in front of you."--From Overcoming Speechlessness

In 2006 Alice Walker, working with Women for Women International, visited Rwanda and the eastern Congo to witness the aftermath of the genocide in Kigali. Invited by Code Pink, an antiwar group working to end the Iraq War, Walker traveled to Palestine/Israel three years later to view the devastation on the Gaza Strip. Here is her testimony.

Bearing witness to the depravity and cruelty, she presents the stories of the individuals who crossed her path and shared their tales of suffering and courage. Part of what has happened to human beings over the last century, she believes, is that we have been rendered speechless by unusually barbaric behavior that devalues human life. We have no words to describe what we witness. Self-imposed silence has slowed our response to the plight of those who most need us, often women and children, but also men of conscience who resist evil but are outnumbered by those around them who have fallen victim to a belief in weapons, male or ethnic dominance, and greed.

Winner of the Pulitzer Prize and the National Book Award, Alice Walker is the author of more than thirty books including The Color Purple and Sent by Earth. Her writings have been translated into more than two dozen languages. From her essays concerning the civil rights movement to cries for intervention on the Gaza Strip, Walker continually and eloquently calls attention to ignored injustices around the world.

Reassessing the Cambodian genocide through the lens of global capitalist development. James Tyner reinterprets the place of agriculture under the Khmer Rouge, positioning it in new ways relative to Marxism, capitalism, and genocide. The Cambodian revolutionaries' agricultural management is widely viewed by critics as irrational and dangerous, and it is invoked as part of wider efforts to discredit leftist movements. Researching the specific functioning of Cambodia's transition from farms to agriculture within the context of the global economy, Tyner comes to a different conclusion. He finds that analysis of "actually existing political economy"-as opposed to the Marxist identification the Khmer Rouge claimed-points to overlap between Cambodian practice and agrarian capitalism.Tyner argues that dissolution of the traditional Khmer family farm under the aegis of state capitalism is central to any understanding of the mass violence unleashed by the Khmer Rouge. Seen less as a radical outlier than as part of a global shift in farming and food politics, the Cambodian tragedy imparts new lessons to our understanding of the political economy of genocide.

In the aftermath of the 1992-1995 Bosnian war, the discovery of unmarked mass graves revealed Europe's worst atrocity since World War II: the genocide in the UN "safe area" of Srebrenica. "To Know Where He Lies" provides a powerful account of the innovative genetic technology developed to identify the eight thousand Bosnian Muslim (Bosniak) men and boys found in those graves and elsewhere, demonstrating how memory, imagination, and science come together to recover identities lost to genocide. Sarah E. Wagner explores technology's import across several areas of postwar Bosnian society - for families of the missing, the Srebrenica community, the Bosnian political leadership (including Serb and Muslim), and international aims of social repair - probing the meaning of absence itself.