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Books > Social sciences > Warfare & defence > Other warfare & defence issues > War crimes > Genocide
This comprehensive introduction to the study of war and genocide
presents a disturbing case that the potential for slaughter is
deeply rooted in the political, economic, social and ideological
relations of the modern world.
Most accounts of war and genocide treat them as separate
phenomena. This book thoroughly examines the links between these
two most inhuman of human activities. It shows that the generally
legitimate business of war and the monstrous crime of genocide are
closely related. This is not just because genocide usually occurs
in the midst of war, but because genocide is a form of war directed
against civilian populations. The book shows how fine the line has
been, in modern history, between 'degenerate war' involving the
mass destruction of civilian populations, and 'genocide', the
deliberate destruction of civilian groups as such.
Written by one of the foremost sociological writers on war, "War
and Genocide" has four main features: - an original argument about the meaning and causes of mass
killing in the modern world; - a guide to the main intellectual resources - military,
political and social theories - necessary to understand war and
genocide; - summaries of the main historical episodes of slaughter, from
the trenches of the First World War to the Nazi Holocaust and the
killing fields of Cambodia, Bosnia and Rwanda; - practical guides to further reading, courses and
websites. This book examines war and genocide together with their opposites, peace and justice. It looks at them from the standpoint of victims as well as perpetrators. It is an important book for anyone wanting to understand - and overcome - thecontinuing salience of destructive forces in modern society.
The current refugee crisis is unparalleled in history in its size and severity. According to the United Nations High Commissioner for Refugees (UNHCR), there are roughly 67 million refugees worldwide, the vast majority of whom are refugees as the result of wars and other military actions. This social and political crisis-1 in every 122 humans is a refugee-cries out for normative explanation and analysis. Morally and politically, how should we understand this crisis? How should we respond to it, and why? Jennifer Kling argues that war refugees have suffered, and continue to suffer, a series of harms, wrongs, and oppressions, and so are owed recompense, restitution, and aid-as a matter of justice-by socio-political institutions around the world. She makes the case that war refugees should be viewed and treated differently than migrants, due to their particular circumstances, but that their circumstances do not wholly alleviate their own moral responsibilities. We must stop treating refugees as objects to be moved around on the global stage, Kling contends, and instead see them as people, with their own subjective experiences of the world, who might surprise us with their words and works.
Using interviews as primary sources this book shines a light on the infamous Portuguese massacre of Wiriyamu in colonial Mozambique in 1972. Twenty-four carefully curated testimonies are presented, covering Portugal's last colonial war in Mozambique, and the nationalist response that led to the massacre. Survivors share with you their escape from Wiriyamu, while data collectors, priests and journalists tell of their struggle to collect evidence and defend the truth about the killings in the international press. The Wiriyamu Massacre contextualizes the unique importance of the oral evidence it contains and reveals the in-depth interview methods used to gather the oral testimonies, and subsequently curate the transcript into readable texts. This is the horrific story of Wiriyamu, and what it can tell you about European colonialism, genocide and the darkness in humanity, spoken by the people who were there and who tried to tell the world.
The question of 'humanitarian intervention' has been a staple of international law for around 200 years, with a renewed interest in the history of the subject emerging in the last twenty years. This book provides a chronological account of the evolution of the discussion and uncovers the fictional narrative provided by international lawyers to support their conclusions on the subject, from justifications and arguments for 'humanitarian intervention', the misrepresentation of great power involvement in the Greek War of Independence in 1827, to the 'humanitarian intervention that never was', India's war with Pakistan in 1971. Relying on a variety of sources, some of them made available in English for the first time, the book provides an undogmatic, alternative history of the fight for the protection of human rights in international law.
Starting in early 1915, the Ottoman Turks began deporting and killing hundreds of thousands of Armenians in the first major genocide of the twentieth century. By the end of the First World War, the number of Armenians in what would become Turkey had been reduced by 90 percent--more than a million people. A century later, the Armenian Genocide remains controversial but relatively unknown, overshadowed by later slaughters and the chasm separating Turkish and Armenian interpretations of events. In this definitive narrative history, Ronald Suny cuts through nationalist myths, propaganda, and denial to provide an unmatched account of when, how, and why the atrocities of 1915-16 were committed. Drawing on archival documents and eyewitness accounts, this is an unforgettable chronicle of a cataclysm that set a tragic pattern for a century of genocide and crimes against humanity.
"In this rich and resonant study, Joanna Newman recounts the little-known story of this Jewish exodus to the British West Indies..."-Times Higher Education In the years leading up to the Second World War, increasingly desperate European Jews looked to far-flung destinations such as Barbados, Trinidad, and Jamaica in search of refuge from the horrors of Hitler's Europe. Nearly the New World tells the extraordinary story of Jewish refugees who overcame persecution and sought safety in the West Indies from the 1930s through the end of the war. At the same time, it gives an unsparing account of the xenophobia and bureaucratic infighting that nearly prevented their rescue-and that helped to seal the fate of countless other European Jews for whom escape was never an option. From the introduction: This book is called Nearly the New World because for most refugees who found sanctuary, it was nearly, but not quite, the New World that they had hoped for. The British West Indies were a way station, a temporary destination that allowed them entry when the United States, much of South and Central America, the United Kingdom and Palestine had all become closed. For a small number, it became their home. This is the first comprehensive study of modern Jewish emigration to the British West Indies. It reveals how the histories of the Caribbean, of refugees, and of the Holocaust connect through the potential and actual involvement of the British West Indies as a refuge during the 1930s and the Second World War.
Syria has been at the center of world news since 2011, following the beginnings of a popular uprising in the country and its subsequent violent and murderous repression by the Assad regime. Eight years on, Joseph Daher analyzes the resilience of the regime and the failings of the uprising, while also taking a closer look at the counter revolutionary processes that have been undermining the uprising from without and within. Joseph Daher is the author of Hezbollah: The Political Economy of the Party of God, and founder of the blog Syria Freedom Forever.
A Group Analytic Approach to Understanding Mass Violence makes an analytic examination of the enactment of genocide by Nazi Germany during World War II to explore how mass and state-sponsored violence can arise within societies and how the false beliefs that are used to justify such actions are propagated within society. Bennett Roth makes use of Bion's concept of 'Hallucinosis' to describe the formation of false group beliefs that lead to murderous violence. Drawing on both group analysis and psychoanalysis, Roth explores in relation to genocide: how people form and identify with groups the role of family groups how conflict can arise and be managed how violence can arise and be justified by false beliefs how we can best understand these dysfunctional group dynamics to avoid such violence. A Group Analytic Approach to Understanding Mass Violence will be of great interest to all psychoanalysts and group analysts seeking to understand the role of false beliefs in their patients and society more generally. It will also be of interest to students and scholars of Holocaust studies programs or anyone seeking to understand the perpetration of genocide in the past and present.
A poet's memoir of his mother that flows backwards through time, through a tumultuous period of European history - a tender and yet unsparing autobiographical journey. **A RADIO 4 BOOK OF THE WEEK** "A truly remarkable book . . . fiercely compelling" EDMUND DE WAAL *WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE* *SHORTLISTED FOR THE JEWISH WINGATE PRIZE* "I've read no memoir that moved me more" MIRANDA SEYMOUR "The writing is always scrupulous . . . [a] compelling memoir" BLAKE MORRISON "Beautifully written and utterly compelling" Sunday Times "An original, probingly thoughtful memoir" EVA HOFFMANN In July 1975, Magda Szirtes died in the ambulance on the way to hospital after she had tried to take her own life. She was fifty-one years old. The Photographer at Sixteen spools into the past, through her exile in England, her flight with her husband and two young boys from Hungary in 1956 and her time in two concentration camps, her girlhood as an ambitious photographer, and the unknowable fate of her vanished family in Transylvania. The woman who emerges - with all her contradictions - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life from the depths of its final days to the comparable safety of its childhood. It is a book born of curiosity, of guilt and of love.
Between the winter of 1936 and the autumn of 1938, approximately three quarters of a million Soviet citizens were subject to summary execution. More than a million others were sentenced to lengthy terms in labour camps. Commonly known as 'Stalin's Great Terror', it is also among the most misunderstood moments in the history of the twentieth century. The Terror gutted the ranks of factory directors and engineers after three years in which all major plan targets were met. It raged through the armed forces on the eve of the Nazi invasion. The wholesale slaughter of party and state officials was in danger of making the Soviet state ungovernable. The majority of these victims of state repression in this period were accused of participating in counter-revolutionary conspiracies. Almost without exception, there was no substance to the claims and no material evidence to support them. By the time the terror was brought to a close, most of its victims were ordinary Soviet citizens for whom 'counter-revolution' was an unfathomable abstraction. In short, the Terror was wholly destructive, not merely in terms of the incalculable human cost, but also in terms of the interests of the Soviet leaders, principally Joseph Stalin, who directed and managed it. The Great Fear presents a new and original explanation of Stalin's Terror based on intelligence materials in Russian archives. It shows how Soviet leaders developed a grossly exaggerated fear of conspiracy and foreign invasion and lashed out at enemies largely of their own making.
Out of My Great Sorrows is the story of Philadelphia artist Mary Zakarian, whose life and work were shaped by the experiences of her mother, a survivor of the 1915 Armenian Genocide. Written by Mary Zakarian's niece and nephew, the narrative examines the complexities of the artist's life as they relate to many issues, including ethnicity, gender, immigration, and assimilation. Above all this is a story of trauma - its effects on the survivor, its transmission through the generations, and its role in the artistic experience. Zakarian painted obsessively throughout her life. As she gained recognition for her artwork, she became increasingly haunted by her mother's untold story and was driven to express the tragedy of the Armenian Genocide in her art. Zakarian's attempt to deal openly with the issues of trauma and guilt caused conflicts in her relationship with her mother. These emotions became a driving force behind her art as well as the basis for her personal difficulties. By examining Mary Zakarian's life and art, the authors bring new insights to the study of the Armenian experience. This moving story will inspire all those who have struggled to express themselves in the face of injustice and oppression.
In the 1994 Rwanda genocide, around 1 million people were brutally murdered in just thirteen weeks. This book offers an in-depth study of posttraumatic growth in the testimonies of the men and women who survived, highlighting the ways in which they were able to build a new, and often enhanced, way of life. In so doing, Caroline Williamson Sinalo advocates a new reading of trauma: one that recognises not just the negative, but also the positive responses to traumatic experiences. Through an analysis of testimonies recorded in Kinyarwanda by the Genocide Archive of Rwanda, the book focuses particularly on the relationship between posttraumatic growth and gender and examines it within the wider frames of colonialism and traditional cultural practices. Offering a striking alternative to dominant paradigms on trauma, the book reveals that, notwithstanding the countless tales of horror, pain, and loss in Rwanda, there are also stories of strength, recovery, and growth.
The first English-language biography of the de facto ruler of the late Ottoman Empire and architect of the Armenian Genocide Talaat Pasha (1874-1921) led the Young Turks' single-party regime in the Ottoman Empire during World War I and is arguably a founding father of modern Turkey. He was also the architect of the Armenian Genocide, which set the stage for a century that would witness political terror and ethnic cleansing on a scale never imagined. Here is the first biography in English of the revolutionary figure who not only prepared the way for Ataturk and the founding of the republic in 1923, but who shaped the modern world as well. In this explosive book, Hans-Lukas Kieser provides a mesmerizing portrait of the shrewd and merciless politician who maintained power through a potent blend of Islamic-Turkish nationalism and a readiness to employ violent "solutions."
This is the first book to focus on the two different but very similar campaigns of state-sponsored violence that have engulfed the people of the Nuba Mountains in Sudan. First, between late 1989 and the mid 1990s, the Government of Sudan, under President Omar al Bashir, carried out what some have deemed genocide by attrition against the people of the Nuba Mountains. The second crisis in the Nuba Mountains has been unfolding since July 2011 as the result of continued strife after the civil war in Sudan and the secession of South Sudan. " Perspectives on the Nuba Mountains Crises "examines the two crises in detail and provides a comparative analysis of the conditions and government tactics in both cases. Contributing authors address the issue of impunity, the relation to subsequent genocidal actions in Darfur, and renewed violence in the Nuba Mountains today. Contributors also examine the issues of humanitarian aid, the relatively new mandate of Responsibility to Protect, and the various factors influencing international attention to the current Nuba Mountains crisis. This much-needed volume brings attention to two under-researched conflicts and raises questions of what it means when a government is allowed complete impunity in attacking its own peoples. This book is a significant contribution to our understanding of the prevention and intervention of genocide and ethnic conflict.
Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post-Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator's typical denial or partial confession, this extraordinary form of "duel" documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment. Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors' moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag's analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator.
Rwanda's Gacaca Courts provide an innovative response to the
genocide of 1994. Incorporating elements of both African dispute
resolution and of Western-style criminal courts, Gacaca courts are
in line with recent trends to revive traditional grassroots
mechanisms as a way of addressing a violent past. Having been
devised as a holistic approach to prosecution and punishment as
well as to healing and repairing, they also reflect the increasing
importance of victim participation in international criminal
justice.
The Turkish Republic was formed out of immense bloodshed and
carnage. During the decade leading up to the end of the Ottoman
Empire and the ascendancy of Mustafa Kemal Ataturk, virtually every
town and village throughout Anatolia was wracked by intercommunal
violence. Sorrowful Shores presents a unique, on-the-ground history
of these bloody years of social and political transformation.
The book represents an earthquake in genocide studies, particularly in the field of Armenian Genocide research. A unique feature of the Armenian Genocide has been the long-standing efforts of successive Turkish governments to deny its historicity and to hide the documentary evidencesurrounding it. This book provides a major clarification of the often blurred lines between facts and truth in regard to these events. The authenticity of the killing orders signed by Ottoman Interior Minister Talat Pasha and the memoirs of the Ottoman bureaucrat Naim Efendi have been two of the most contested topics in this regard. The denialist school has long argued that these documents and memoirs were all forgeries, produced by Armenians to further their claims. Taner Akcam provides the evidence to refute the basis of these claims and demonstrates clearly why the documents can be trusted as authentic, revealing the genocidal intent of the Ottoman-Turkish government towards its Armenian population. As such, this work removes a cornerstone from the denialist edifice, and further establishes the historicity of the Armenian Genocide.
The Convention for the Prevention and Punishment of the Crime of
Genocide, adopted by the United Nations General Assembly on 9
December 1948, is one of the most important instruments of
contemporary international law. It was drafted in the aftermath of
the Nuremberg trial to give flesh and blood to the well-known
dictum of the International Military Tribunal, according to which
'Crimes against international law are committed by men, not by
abstract entities, and only by punishing individuals who commit
such crimes can the provisions of international law be enforced'.
At Nuremberg, senior state officials who had committed heinous
crimes on behalf or with the protection of their state were brought
to trial for the first time in history and were held personally
accountable regardless of whether they acted in their official
capacity.
A riveting story of dislocation, survival, and the power of stories to break or save us When Clemantine Wamariya was six years old, her world was torn apart. She didn't know why her parents began talking in whispers, or why her neighbours started disappearing, or why she could hear distant thunder even when the skies were clear. As the Rwandan civil war raged, Clemantine and her sister Claire were forced to flee their home. They ran for hours, then walked for days, not towards anything, just away. they sought refuge where they could find it, and escaped when refuge became imprisonment. Together, they experienced the best and the worst of humanity. After spending six years seeking refuge in eight different countries, Clemantine and Claire were granted refugee status in America and began a new journey. Honest, life-affirming and searingly profound, this is the story of a girl's struggle to remake her life and create new stories - without forgetting the old ones. ____________________________________ 'Extraordinary and heartrending. Wamariya is as fiercely talented as she is courageous' JUNOT DIAZ, author of The Brief Wondrous Life of Oscar Wao 'Brilliant ... has captivated me for a couple of years' SELMA BLAIR
An Academy Award-nominated actor and a renowned human rights activist team up to change the tragic course of history in the Sudan -- with readers' help. While Don Cheadle was filming Hotel Rwanda, a new crisis had already erupted in Darfur, in nearby Sudan. In September 2004, then-Secretary of State Colin Powell termed the atrocities being committed there "genocide" -- and yet two years later things have only gotten worse. 3.5 million Sudanese are going hungry, 2.5 million have been displaced by violence, and 400,000 have died in Darfur to date. Both shocked and energized by this ongoing tragedy, Cheadle teamed up with leading activist John Prendergast to focus the world's attention. Not on Our Watch, their empowering book, offers six strategies readers themselves can implement: Raise Awareness, Raise Funds, Write a Letter, Call for Divestment, Start an Organization, and Lobby the Government. Each of these small actions can make a huge difference in the fate of a nation, and a people--not only in Darfur, but in other crisis zones such as Somalia, Congo, and northern Uganda.
It is twenty-five years since the 1994 genocide of the Tutsi of Rwanda when in the course of three terrible months more than 1 million people were murdered. In the intervening years a pernicious campaign has been waged by the perpetrators to deny this crime, with attempts to falsify history and blame the victims for their fate. Facts are reversed, fake news promulgated, and phoney science given credence. Intent to Deceive tells the story of this campaign of genocide denial from its origins with those who planned the massacres. With unprecedented access to government archives including in Rwanda Linda Melvern explains how, from the moment the killers seized the power of the state, they determined to distort reality of events. Disinformation was an integral part of their genocidal conspiracy. The genocidaires and their supporters continue to peddle falsehoods. These masters of deceit have found new and receptive audiences, have fooled gullible journalists and unwary academics. With their seemingly sound research methods, the Rwandan genocidaires continue to pose a threat, especially to those who might not be aware of the true nature of their crime. The book is a testament to the survivors who still live the horrors of the past. Denial causes them the gravest offence and ensures that the crime continues. This is a call for justice that remains perpetually delayed.
How do otherwise ordinary people become perpetrators of genocide? Why are groups targeted for mass killing? How do groups justify these terrible acts? While there are no easy answers to these questions, social psychologists are especially well positioned to contribute to our understanding of genocide and mass killing. With research targeting key questions -such as how negative impressions of outgroups develop and how social influence can lead people to violate their moral principles and other norms - social psychologists have much to teach us about why groups of people attempt to exterminate other groups, why people participate in such atrocious projects, and how they live with themselves afterwards. By bringing together research previously available only to readers of academic journals, this volume sheds crucial light on human behavior at the extremes and in doing so, helps us take one more step towards preventing future tragedies.
The first-born son of his generation, Peter Balakian grew up in a
close, extended family, sheltered by 1950s and '60s New Jersey
suburbia and immersed in an all-American boyhood defined by rock
'n' roll, adolescent pranks, and a passion for the New York Yankees
that he shared with his beloved grandmother. But beneath this sunny
world lay the dark specter of the trauma his family and ancestors
had experienced--the Turkish government's extermination of more
than a million Armenians in 1915, including many of Balakian's
relatives, in the century's first genocide. |
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