This text summarizes and contextualizes the ideas that have formed visual arts practices in the 20th century. Art, design and architecture are located in their social and political contexts, and the ideas of modernism are traced from the development of industrialized Europe at the turn of the century to the post-industrial, post-colonial present. The complex relationship between modernism and postmodernism in the visual arts is examined and the book concludes with a review of the global impact of the new technologies on art and design production.

"The Bible in the Latin West" is the first volume in a series that addresses the codicology of texts. In considering how and why the appearance of a manuscript changes over the centuries, Margaret T. Gibson introduces students to the study of manuscripts and to the wider range of information and expertise that can be brought to bear on the study of manuscripts as historical objects as well as texts. Here Gibson surveys the changes in the most important book in the western world, the Latin Bible. She begins the survey in late antiquity, discussing the volumes of the great senatorial houses of the 4th century and how they influenced the early great Bibles of northern Europe. The discussion then moves through the Carolingian period, with its increased interest in commentary to early vernacular versions, and goes on to reveal how in the 11th and 12th centuries the growing numbers of monastic and university readers made new demands on the texts which led to the inclusion of glosses and other scholarly apparatus. Later, the combined influences of increased literacy and growing wealth among the population called for vernacular translations and devotional aids such as Books of Hours. Gibson completes the survey with a look at early printed Bibles. A useful volume for anyone being introduced to the firsthand study of texts and their transmission, as well as for graduate students in history, English, modern languages, classics, and religious studies. "The Bible in the Latin West" contains an introductory survey.

The last in Tony Fry's celebrated trilogy of books continues his radical rethinking of design. Becoming Human by Design's provocative argument presents a revised reading of human 'evolution' centred on ontological design. Examining the relation of design to the nature of the human species - where the species came from, how it was created, what it became and its likely future - Fry asserts that current biological and social models of evolution are an insufficient explanation of how 'we humans' became what we are. Making a case for ontological design as an evolutionary agency, the book posits the relation between the formation of the world of human fabrication and the making of mankind itself as indivisible. It also functions as a provocation to rethink the fate of Homo sapiens, recognising that all species are finite and that the fate of humankind turns on a fundamental Darwinian principle - adapt or die. Fry considers the nature of adaptation, arguing that it will depend on an ability to think and design in new ways.

Between 1887 and 1920, the humble hatpin went from an unremarkable item in every woman's wardrobe, to a fashion necessity, to a dangerous weapon that caused men to tremble in fear (it was said). Big hair and big hats of the era meant big hatpins, and their weaponized use sparked controversy. There were ""good"" uses of hatpins, such as fending off an attacker in the street. There were also ""bad"" uses, such as when a woman being arrested tried to stab a police officer. But seriously: All those protruding pins seemed to threaten men everywhere in the public sphere. Suddenly women were armed and dangerous on the streets. It did not sit well with the patriarchy, who responded with hysterical crusades and often ludicrous legislation aimed at curbing the hatpin and disarming American women.

The highly competitive world of retail branding and brand packaging is evident in the increasing demand for creating unique, eye-catching and recognisable clothing packaging designs. Designers continue to focus their talent by leveraging striking visual devices into an internal and external messaging system via the product's packaging design, which acts as a portable and extendable marketing tool. This superbly designed book showcases innovative, custom-packaging designs across a range of products, including footwear, clothing and apparel, fashion products, and more. Fashion Packaging Now presents in highly illustrated, full-colour detail how the brand connects with the item and with the packaging itself, and offers unique insight on individual project design production strategies. The case studies are modern, contemporary examples, which also feature many well-known brands, such as Adidas, Nike, and Puma. This book will be a source of inspiration for design aficionados, advertising and merchandise managers, students, brand and retail managers, and educators in the product design and graphic design fields.

'When times are hard, fantasy and escapism are crucial' Alexander McQueen Having grown up in London's East End, Alexander McQueen left school at 15 to become a tailor's apprentice on Mayfair's Savile Row. At 22, he joined the prestigious MA course at Central Saint Martins and, after presenting his 1992 graduate collection (bought on the spot by influential fashion stylist Isabella Blow), went on to change the course of fashion. McQueen was defiant in his opinions on creativity ('Give me time and I'll give you a revolution'), women ('I design clothes because I don't want women to look all innocent and naive ... I want people to be afraid of the women I dress') and craft ('You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition'). He drew much of his inspiration from the natural world ('I have always loved the mechanics of nature and to a greater or lesser extent my work is always informed by that') and consistently challenged perceptions of beauty ('People find my things sometimes aggressive. But I don't see it as aggressive. I see it as romantic, dealing with a dark side of personality'). This attractive book in an accessible format is the perfect gift for fans of fashion and Alexander McQueen, capturing the wit and spirit of a true visionary.

Superheroes are enjoying a cultural resurgence, dominating the box office and breaking out of specialty comics stores onto the shelves of mainstream retailers. A leading figure behind the superhero Renaissance is Grant Morrison, long-time architect of the DC Comics' universe and author of many of the most successful comic books in recent years. Known for his anarchic original creations - Zenith, The Invisibles, The Filth, We3 - as well as for his acclaimed serialized comics - JLA, Superman, Batman, New X-Men - Morrison has radically redefined the superhero archetype. Known for his eccentric lifestyle and as a practitioner of ""pop magic,"" Morrison sees the superhero as not merely fantasy but a medium for imagining a better humanity. Drawing on a variety of analytical approaches, this first-ever collection of critical essays on his work explores his rejuvenation of the figure of the superhero as a means to address the challenges of modern life.

Charlotte Perriand was one of great designers of the twentieth century. A pioneer of modernism, her work was often overshadowed by her more famous male collaborators, who included Le Corbusier, Pierre Jeanneret and Jean Prouve. However, in recent years her reputation as a furniture designer and architect has matched the stature of her peers - her furniture in particular has become highly prized by collectors. From the 1920s onwards, Perriand was instrumental in bringing the modernist aesthetic to interiors. But she also believed in the synthesis of the arts, and was friends with visual artists such as Pablo Picasso and Fernand Leger. This book will explore Perriand's journey from the machine aesthetic to her adoption of natural forms, and from modular furniture systems to major architectural projects such as Les Arcs ski resort. Featuring some of her most famous interiors, as well as her original furniture, her photography and her personal notebooks, this book sheds new light on Perriand's creative process and her place in design history. It will accompany the forthcoming Design Museum exhibition of the same title, which will coincide with the twenty-fifth anniversary of Perriand's last significant presentation in London, held at the Design Museum in 1996.

The people who make the World's Most Popular Manga share their tricks, advice, and secrets! From Dragon Ball to Demon Slayer, from One Piece to My Hero Academia and beyond, Weekly Shonen Jump has published some of the finest manga to grace the earth. Now, the creators and editors behind several of the most popular manga in Shonen Jump sit down to discuss how to craft exciting stories, how to use your tools to the best of your abilities, and more. Whether you're getting started on your artistic path or a veteran looking for new tips, The Shonen Jump Guide to Making Manga is the perfect book to sharpen your skills. Featuring commentary and advice from Eiichiro Oda (One Piece), Tite Kubo (Bleach), Shun Saeki (Food Wars), Kaiu Shirai & Posuka Demizu (The Promised Neverland), Yusei Matsui (Assassination Classroom), Kohei Horikoshi (My Hero Academia), and more!

In this thesis, the author makes several contributions to the study of design of graphical materials. The thesis begins with a review of the relationship between design and aesthetics, and the use of mathematical models to capture this relationship. Then, a novel method for linking linguistic concepts to colors using the Latent Dirichlet Allocation Dual Topic Model is proposed. Next, the thesis studies the relationship between aesthetics and spatial layout by formalizing the notion of visual balance. Applying principles of salience and Gaussian mixture models over a body of about 120,000 aesthetically rated professional photographs, the author provides confirmation of Arnhem's theory about spatial layout. The thesis concludes with a description of tools to support automatically generating personalized design.

This book shares new research findings and practical lessons learned that will foster advances in digital design, communication design, web, multimedia and motion design, graphic design and branding, and other related areas. It gathers the best papers presented at the 3rd International Conference on Digital Design and Communication, DIGICOM 2019, held on November 15-16, 2019, in Barcelos, Portugal. The respective contributions highlight new theoretical perspectives and practical research directions in design and communication, aimed at promoting their use in a global, digital world. The book offers a timely guide and a source of inspiration for designers of all kinds (Graphic, Digital, Web, UI & UX Design and Social Media), for researchers, advertisers, artists, entrepreneurs, and brand or corporate communication managers, and for teachers and advanced students.

Metric Pattern Cutting for Women's Wear provides a straightforward introduction to the principles of form pattern cutting for garments to fit the body shape, and flat pattern cutting for casual garments and jersey wear. This sixth edition remains true to the original concept: it offers a range of good basic blocks, an introduction to the basic principles of pattern cutting and examples of their application into garments. Fully revised and updated to include a brand new and improved layout, up-to-date skirt and trouser blocks that reflect the changes in body sizing, along with updates to the computer-aided design section and certain blocks, illustrations and diagrams. This best-selling textbook still remains the essential purchase for students and beginners looking to understand pattern cutting and building confidence to develop their own pattern cutting style.

Fashion Writing and Criticism provides students with the tools to critique fashion with skill and style. Explaining the history and theory of criticism, this innovative text demonstrates how the tradition of criticism has developed and how this knowledge can be applied to fashion, enabling students to acquire the methods and proper vocabulary to be active critics themselves. Integrating history and theory, this innovative book explains the development of fashion writing, the theoretical basis on which it sits, and how it might be improved and applied. Through concise snapshot case studies, top international scholars McNeil and Miller analyse fashion excerpts in relation to philosophical ideas and situate them within historical contexts. Case studies include classic examples of fashion writing, such as Diana Vreeland at Harper's Bazaar and Richard Martin on Karl Lagerfeld, as well as contemporary examples such as Suzy Menkes and the blogger Tavi. Accessibly written, Fashion Writing and Criticism enables readers to understand, assess and make value judgments about the fascinating and changeable field of fashion. It is an invaluable text for students and researchers alike, studying fashion, journalism, history and media studies.

100 iconic images to celebrate 50 years of the Mr Men and Little Miss! The Mr Men and Little Miss have been delighting children for 50 years with their charming and funny antics. This unique collection contains 100 postcards, each one featuring a different image from the Mr Men and Little Miss books created from 1971 onwards. From Mr Tickle's extraordinarily long arms to Little Miss Naughty's cheeky grin, there are lots of fun postcards to send, share and enjoy.