Makers of the Modern World is the third volume of William Gurstelle's unique, hands-on journey through history. Each chapter examines a remarkable character from the past, one of the people whose insights and inventions helped create our modern world. What sets this series apart from other history books - including other histories of technology - is that each chapter also includes step-by-step instructions for making your own version of the historical invention. History comes to life in a way you have never experienced before when you follow the inventors' steps and recreate the groundbreaking devices of the past with your own hands. This volume brings you to the early modern era and the invention of the electric light, the movie projector, and the automobile. Inside, you will discover: Alessandro Volta and Electroplating Humphrey Davy and the First Electric light George Cayley and the Aeronautical Glider The Lumiere Brothers and the Movie Projector Rudolf Diesel and the Automobile Engine Hans Goldschmidt and the Thermite Reaction August Mobius and the Mobius Strip Louis Poinsot's Loads, Moments, and Torques Be sure to also check out ReMaking History, Volume 1: Early Makers and ReMaking History Volume 2 :Industrial Revolutionaries.

According to the stereotype, late-nineteenth and early-twentieth-century inventors, quintessential loners and supposed geniuses, worked in splendid isolation and then unveiled their discoveries to a marveling world. Most successful inventors of this era, however, developed their ideas within the framework of industrial organizations that supported them and their experiments. For African American inventors, negotiating these racially stratified professional environments meant not only working on innovative designs but also breaking barriers. In this pathbreaking study, Rayvon Fouche examines the life and work of three African Americans: Granville Woods (1856-1910), an independent inventor; Lewis Latimer (1848-1928), a corporate engineer with General Electric; and Shelby Davidson (1868-1930), who worked in the U.S. Treasury Department. Detailing the difficulties and human frailties that make their achievements all the more impressive, Fouche explains how each man used invention for financial gain, as a claim on entering adversarial environments, and as a means to technical stature in a Jim Crow institutional setting. Describing how Woods, Latimer, and Davidson struggled to balance their complicated racial identities-as both black and white communities perceived them-with their hopes of being judged solely on the content of their inventive work, Fouche provides a nuanced view of African American contributions to-and relationships with-technology during a period of rapid industrialization and mounting national attention to the inequities of a separate-but-equal social order.