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Books > Religion & Spirituality > Non-Christian religions > Islam
This volume assembles multidisciplinary research on the
Judaeo-Islamic tradition in medieval and modern contexts. The
introduction discusses the nature of this tradition and proposes
the more fluid and inclusive designation of "Jewish-Muslim
Relations." Contributions highlight diverse aspects of
Jewish-Muslim relations in medieval and modern contexts, including
the academic study of Jewish history, the Qur'anic notion of the
"upright community" referring to the "People of the Book," Jews in
medieval fatwas, use of Arabic and Hebrew script, Jewish prayer in
Christian Europe and the Islamic world, the permissibility of
Arabic music in modern Jewish thought, Jewish and Muslim feminist
exegesis, modern Sephardic and Morisco identity, popular Tunisian
song, Jewish-Muslim relations in cinema and A.S. Yehuda's study of
an 11th-century Jewish mystic.
In Rule-Formulation and Binding Precedent in the Madhhab-Law
Tradition, Talal Al-Azem argues for the existence of a madhhab-law
tradition' of jurisprudence underpinning the four post-classical
Sunni schools of law. This tradition celebrated polyvalence by
preserving the multiplicity of conflicting opinions within each
school, while simultaneously providing a process of rule
formulation (tarjih) by which one opinion is chosen as the binding
precedent (taqlid). The predominant forum of both activities, he
shows, was the legal commentary. Through a careful reading of Ibn
Qutlubugha's (d. 879/1474) al-Tashih wa-al-tarjih, Al-Azem presents
a new periodisation of the Hanafi madhhab, analyses the theory of
rule formulation, and demonstrates how this madhhab-law tradition
facilitated both continuity and legal change while serving as the
basis of a pluralistic Mamluk judicial system.
In The Medieval Islamic Republic of Letters: Arabic Knowledge
Construction, Muhsin J. al-Musawi offers a groundbreaking study of
literary heritage in the medieval and premodern Islamic period.
Al-Musawi challenges the paradigm that considers the period from
the fall of Baghdad in 1258 to the collapse of the Ottoman Empire
in 1919 as an "Age of Decay" followed by an "Awakening"
(al-nahdah). His sweeping synthesis debunks this view by carefully
documenting a "republic of letters" in the Islamic Near East and
South Asia that was vibrant and dynamic, one varying considerably
from the generally accepted image of a centuries-long period of
intellectual and literary stagnation. Al-Musawi argues that the
massive cultural production of the period was not a random
enterprise: instead, it arose due to an emerging and growing body
of readers across Islamic lands who needed compendiums, lexicons,
and commentaries to engage with scholars and writers. Scholars,
too, developed their own networks to respond to each other and to
their readers. Rather than addressing only the elite, this culture
industry supported a common readership that enlarged the creative
space and audience for prose and poetry in standard and colloquial
Arabic. Works by craftsmen, artisans, and women appeared side by
side with those by distinguished scholars and poets. Through
careful exploration of these networks, The Medieval Islamic
Republic of Letters makes use of relevant theoretical frameworks to
situate this culture in the ongoing discussion of non-Islamic and
European efforts. Thorough, theoretically rigorous, and nuanced,
al-Musawi's book is an original contribution to a range of fields
in Arabic and Islamic cultural history of the twelfth to eighteenth
centuries.
Nazar, literally 'vision', is a unique Arabic-Islamic term/concept
that offers an analytical framework for exploring the ways in which
Islamic visual culture and aesthetic sensibility have been shaped
by common conceptual tools and moral parameters. It intertwines the
act of 'seeing' with the act of 'reflecting', thereby bringing the
visual and cognitive functions into a complex relationship. Within
the folds of this multifaceted relationship lies an entangled web
of religious ideas, moral values, aesthetic preferences, scientific
precepts, and socio-cultural understandings that underlie the
intricacy of one's personal belief. Peering through the lens of
nazar, the studies presented in this volume unravel aspects of
these entanglements to provide new understandings of how vision,
belief, and perception shape the rich Islamic visual culture.
Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen
Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen
Philpott-Teo, Wendy M.K. Shaw.
The Character of Christian-Muslim Encounter is a Festschrift in
honour of David Thomas, Professor of Christianity and Islam, and
Nadir Dinshaw Professor of Inter Religious Relations, at the
University of Birmingham, UK. The Editors have put together a
collection of over 30 contributions from colleagues of Professor
Thomas that commences with a biographical sketch and representative
tribute provided by a former doctoral student, and comprises a
series of wide-ranging academic papers arranged to broadly reflect
three dimensions of David Thomas' academic and professional work -
studies in and of Islam; Christian-Muslim relations; the Church and
interreligious engagement. These are set in the context of a
focussed theme - the character of Christian-Muslim encounters - and
cast within a broad chronological framework. Contributors,
excluding the editors, are: Clare Amos, John Azumah, Mark Beaumont,
David Cheetham, Rifaat Ebied, Stanislaw Grodz SVD, Alan Guenther,
Damian Howard SJ, Michael Ipgrave, Muammer Iskenderoglu, Risto
Jukko, Alex Mallett, Juan Pedro Monferrer-Sala, Lucinda Mosher,
Gordon Nickel, Jorgen Nielsen, Claire Norton, Emilio Platti, Luis
Bernabe Pons, Peniel Rajkumar, Peter Riddell, Umar Ryad, Andrew
Sharp, Sigvard von Sicard, Richard Sudworth, Mark Swanson, Charles
Tieszen, John Tolan, Davide Tacchini, Herman Teule, Albert Walters.
Presents oral histories and interviews of women who belong to
Nation of Islam With vocal public figures such as Malcolm X, Elijah
Muhammad, and Louis Farrakhan, the Nation of Islam often appears to
be a male-centric religious movement, and over 60 years of
scholarship have perpetuated that notion. Yet, women have been
pivotal in the NOI's development, playing a major role in creating
the public image that made it appealing and captivating. Women of
the Nation draws on oral histories and interviews with
approximately 100 women across several cities to provide an
overview of women's historical contributions and their varied
experiences of the NOI, including both its continuing community
under Farrakhan and its offshoot into Sunni Islam under Imam W.D.
Mohammed. The authors examine how women have interpreted and
navigated the NOI's gender ideologies and practices, illuminating
the experiences of African-American, Latina, and Native American
women within the NOI and their changing roles within this
patriarchal movement. The book argues that the Nation of Islam
experience for women has been characterized by an expression of
Islam sensitive to American cultural messages about race and
gender, but also by gender and race ideals in the Islamic
tradition. It offers the first exhaustive study of women's
experiences in both the NOI and the W.D. Mohammed community.
Followers of Muhammad b. 'Abd al-Wahhab, often considered to be
Islam's Martin Luther, shaped the political and religious identity
of the Saudi state while also enabling the significant worldwide
expansion of Salafist Islam. Studies of the movement he inspired,
however, have often been limited by scholars' insufficient access
to key sources within Saudi Arabia. Nabil Mouline was granted rare
interviews and admittance to important Saudi archives in
preparation for this groundbreaking book, the first in-depth study
of the Wahhabi religious movement from its founding to the modern
day. Gleaning information from both written and oral sources and
employing a multidisciplinary approach that combines history,
sociology, and Islamic studies, Mouline presents a new reading of
this movement that transcends the usual resort to polemics.
Drawing on original fieldwork, Carl Morris examines Muslim cultural
production in Britain, with a focus on the performance-based
entertainment industries: music, comedy, film, television and
theatre. It is a seminal study that charts the growing agency and
involvement of British Muslims in cultural production over the last
two decades. Morris sets this discussion within the context of
wider religious, social and cultural change, with important
insights concerning the sociological profile, religious lives and
public visibility of Muslims in contemporary Britain. Morris draws
on theoretical considerations concerning the mediatization of
religion and cosmopolitanization in a globally-connected world. He
argues that a new generation of media-savvy and internationalist
Muslim cultural producers in Britain are constructing counter
narratives in the public sphere and are reshaping everyday
religious lives within their own communities. This is having a
profound impact upon areas that range from Islamic authority and
religious practice, to political and public debate, and
understandings of Muslim identity and belonging.
This volume is a collection of essays on transregional aspects of
Malay-Indonesian Islam and Islamic Studies, based on Peter G.
Riddell's broad interest and expertise. Particular attention is
paid to rare manuscripts, unique inscriptions, Qur'an commentaries
and translations, textbooks, and personal and public archives. This
book invites readers to reconstruct the ways in which
Malay-Indonesian Islam and Islamic studies have been structured.
Contributors are Khairudin Aljunied, Majid Daneshgar, R. Michael
Feener, Annabel Teh Gallop, Mulaika Hijjas, Andrew Peacock, Johanna
Pink, Gregorius Dwi Kuswanta, Michael Laffan, Han Hsien Liew,
Julian Millie, Ervan Nurtawab, Masykur Syafruddin, Edwin P.
Wieringa and Farouk Yahya.
This book reflects on one of the most pressing challenges of our
time: the current and historical relationships that exist between
the faith-traditions of Judaism, Christianity and Islam. It begins
with discussion on the state of Jewish-Christian relations,
examining antisemitism and the Holocaust, the impact of Israel and
theological controversies such as covenant and mission. Kessler
also traces different biblical stories and figures, from the Hebrew
Bible and the New Testament, demonstrating Jewish-Christian contact
and controversy. Jews and Christians share a sacred text, but more
surprisingly, a common exegetical tradition. They also need to deal
with some of the more problematic and violent biblical texts. Jews,
Christians and Muslims includes reflection on the encounter with
Islam, including topics associated with a divergent history and
memory as well contemporary relations between the three Abrahamic
faiths. Kessler's writings shed light on common purpose as well as
how to manage difference, both vital in forming a positive identity
and sustaining a flourishing community.
M. Hakan Yavuz offers an insightful and wide-ranging study of the
Gulen Movement, one of the most imaginative developments in
contemporary Islam. Founded in Turkey by the Muslim thinker
Fethullah Gulen, the Gulen Movement aims to disseminate a
''moderate'' interpretation of Islam through faith-based education.
Its activities have fundamentally altered religious and political
discourse in Turkey in recent decades, and its schools and other
institutions have been established throughout Central Asia and the
Balkans, as well as western Europe and North America. Consequently,
its goals and modus operandi have come under increasing scrutiny
around the world.
Yavuz introduces readers to the movement, its leader, its
philosophies, and its practical applications. After recounting
Gulen's personal history, he analyzes Gulen's theological outlook,
the structure of the movement, its educational premise and promise,
its financial structure, and its contributions (particularly to
debates in the Turkish public sphere), its scientific outlook, and
its role in interfaith dialogue. Towards an Islamic Enlightenment
shows the many facets of the movement, arguing that it is marked by
an identity paradox: despite its tremendous contribution to the
introduction of a moderate, peaceful, and modern Islamic outlook-so
different from the Iranian or Saudi forms of radical and political
Islam-the Gulen Movement is at once liberal and communitarian,
provoking both hope and fear in its works and influence.
Sufis and Salafis in the Contemporary Age explores the dynamics at
play between what are usually understood as two very different
forms of Islam, namely Sufism and Salafism. Sufism is commonly
understood as the peaceful and mystical dimension of Islam whereas
Salafism is perceived as strictly pietistic and moralist, and for
some it conjures up images of violent manifestations of Islam. Of
course these generalisations require more nuanced investigation,
and this book provides a number of case studies from around the
Islamic world to unpack the intricate relationship between the two.
The diversity of the case studies that focus on Islamic groups in
India, Iraq, Egypt, Morocco, Turkey and South East Europe reflect
the multiplicity of relationships that exist between the Salafis
and Sufis. The specific case studies are framed by an introduction
that provides essential historical background and definitions of
the terms, and also by general studies of the Sufi-Salafi
relationship which enable the reader to focus on the large picture.
This will be the first book to investigate the relationship between
Sufism and Salafism in such a wide fashion, and includes chapters
on "traditional" Sufis, as well as from those who consider that
Sufism and Salafism are not necessarily contradictory.
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