Muslims beyond the Arab World explores the tradition of writing African languages using the Arabic script 'Ajami and the rise of the Muridiyya order of Islamic Sufi in Senegal, founded by Shaykh Ahmadu Bamba Mbakke (1853-1927). The book demonstrates how the development of the 'Ajami literary tradition and the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations are entwined. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that shaped the identity and practices of his followers. In analyzing these Murid 'Ajami texts, Fallou Ngom evaluates prevailing representations of the movement and offers alternative perspectives. He demonstrates how, without the knowledge of the French colonial administration, the Murids were able to use their written, recited, and chanted 'Ajami materials as an effective means of mass communication to convey the personal journey of Shaykh Ahamadu Bamba, his doctrine, the virtues he stood for and cultivated among his followers: self-reliance, strong faith, the pursuit of excellence, nonviolence, and optimism in the face of adversity. This, according to Muslims beyond the Arab World, is the source of the surprising resilience, appeal, and expansion of Muridiyya.

Farhaan Wali offers a timely contribution to the issues and problems involved in the de-radicalisation process. Trying to generate ethnographic insight into Islamism has always presented a problem for researchers seeking to comprehend Islamism. Islamist groups operate secretly, making it difficult to penetrate their inner workings. Leaving Islamism is like no other academic analysis of Islamism and de-radicalisation. The author was given access to ex-Islamist actors, giving the book a significant advantage over other books. Therefore, in Leaving Islamism, the author has put together a comprehensive examination of the causes-political, social, cultural, and interpersonal-of why some young Muslims leave Islamism in Britain. To go beyond abstract theory, Farhaan Wali has conducted in-depth interviews with ex-members of Islamist organisations. His access to ex-members put him in the unique position of being able to gather the biographical information required to study the causes of "dropping out" of Islamism. Therefore, Leaving Islamism will be vital reading for anyone seeking to understand why some young Muslims leave Islamism. (Dr Alhagi Manta Drammeh, Associate Professor in Islamic Studies and visiting scholar at the University of The Gambia in politics, international relations and diplomacy MSC programme) Islamism continues to inspire countless young people in Britain to turn away from the bedrock principles of this country, infusing them with religious fanaticism. Events such as the Manchester bombing or the beheading of Lee Rigby seem to trigger a flood of predictable academic attention. However, these responses are still largely transfixed on the causality of Islamism. The debate needs to move forward and take stock of additional dimensions of Islamism. Although scores of young Muslims are flowing towards the spectre of Islamism, there are equal numbers flooding out from it. What is the narrative behind this exodus? Leaving Islamism explores how and why some British Muslims leave Islamism, providing a compelling new perspective from which to understand the de-radicalisation process. The author draws on first-hand accounts of ex-Islamists. By framing ex-Islamist experiences Farhaan Wali is able to identify and evaluate the reasons, methods and pathways used by ex-Islamists to leave Islamist groups and ideology through the collection of ex-Islamist narratives.

While on Umrah, which is a visit to the holy land of Makkah and Madina, I was inspired to write a poem about my experience and this ended up being a stepping stone to a series of daily poems as every day in Makkah seemed to open new doors of understanding. This is exactly what I had prayed for and I felt truly blessed and inspired in those moments.

I shared these musings on the Hajj chat group and was encouraged by my wife Faheema and other Hujjaaj to collate and publish the series of poems. I pray that these will help the reader understand the Hajj journey even better that I felt I did.

The Hajj journey is truly unique to each person. Start by praying for understanding and end by praying for it's acceptance as the mandatory ibadah for those who are by the means. Many Muslims will not have the opportunity to go on Hajj unfortunately, so I encourage the writer and storyteller in everyone to use their God-given talents to share their experiences with others.

In The Medieval Islamic Republic of Letters: Arabic Knowledge Construction, Muhsin J. al-Musawi offers a groundbreaking study of literary heritage in the medieval and premodern Islamic period. Al-Musawi challenges the paradigm that considers the period from the fall of Baghdad in 1258 to the collapse of the Ottoman Empire in 1919 as an "Age of Decay" followed by an "Awakening" (al-nahdah). His sweeping synthesis debunks this view by carefully documenting a "republic of letters" in the Islamic Near East and South Asia that was vibrant and dynamic, one varying considerably from the generally accepted image of a centuries-long period of intellectual and literary stagnation. Al-Musawi argues that the massive cultural production of the period was not a random enterprise: instead, it arose due to an emerging and growing body of readers across Islamic lands who needed compendiums, lexicons, and commentaries to engage with scholars and writers. Scholars, too, developed their own networks to respond to each other and to their readers. Rather than addressing only the elite, this culture industry supported a common readership that enlarged the creative space and audience for prose and poetry in standard and colloquial Arabic. Works by craftsmen, artisans, and women appeared side by side with those by distinguished scholars and poets. Through careful exploration of these networks, The Medieval Islamic Republic of Letters makes use of relevant theoretical frameworks to situate this culture in the ongoing discussion of non-Islamic and European efforts. Thorough, theoretically rigorous, and nuanced, al-Musawi's book is an original contribution to a range of fields in Arabic and Islamic cultural history of the twelfth to eighteenth centuries.

Presents oral histories and interviews of women who belong to Nation of Islam With vocal public figures such as Malcolm X, Elijah Muhammad, and Louis Farrakhan, the Nation of Islam often appears to be a male-centric religious movement, and over 60 years of scholarship have perpetuated that notion. Yet, women have been pivotal in the NOI's development, playing a major role in creating the public image that made it appealing and captivating. Women of the Nation draws on oral histories and interviews with approximately 100 women across several cities to provide an overview of women's historical contributions and their varied experiences of the NOI, including both its continuing community under Farrakhan and its offshoot into Sunni Islam under Imam W.D. Mohammed. The authors examine how women have interpreted and navigated the NOI's gender ideologies and practices, illuminating the experiences of African-American, Latina, and Native American women within the NOI and their changing roles within this patriarchal movement. The book argues that the Nation of Islam experience for women has been characterized by an expression of Islam sensitive to American cultural messages about race and gender, but also by gender and race ideals in the Islamic tradition. It offers the first exhaustive study of women's experiences in both the NOI and the W.D. Mohammed community.

Followers of Muhammad b. 'Abd al-Wahhab, often considered to be Islam's Martin Luther, shaped the political and religious identity of the Saudi state while also enabling the significant worldwide expansion of Salafist Islam. Studies of the movement he inspired, however, have often been limited by scholars' insufficient access to key sources within Saudi Arabia. Nabil Mouline was granted rare interviews and admittance to important Saudi archives in preparation for this groundbreaking book, the first in-depth study of the Wahhabi religious movement from its founding to the modern day. Gleaning information from both written and oral sources and employing a multidisciplinary approach that combines history, sociology, and Islamic studies, Mouline presents a new reading of this movement that transcends the usual resort to polemics.

Drawing on original fieldwork, Carl Morris examines Muslim cultural production in Britain, with a focus on the performance-based entertainment industries: music, comedy, film, television and theatre. It is a seminal study that charts the growing agency and involvement of British Muslims in cultural production over the last two decades. Morris sets this discussion within the context of wider religious, social and cultural change, with important insights concerning the sociological profile, religious lives and public visibility of Muslims in contemporary Britain. Morris draws on theoretical considerations concerning the mediatization of religion and cosmopolitanization in a globally-connected world. He argues that a new generation of media-savvy and internationalist Muslim cultural producers in Britain are constructing counter narratives in the public sphere and are reshaping everyday religious lives within their own communities. This is having a profound impact upon areas that range from Islamic authority and religious practice, to political and public debate, and understandings of Muslim identity and belonging.