Around 1900 the small Ethiopian community in Jerusalem found itself in a desperate struggle with the Copts over the Dayr al-Sultan monastery located on the roof of the Holy Sepulchre. Based on a profoundly researched, impassioned and multifaceted exploration of a forgotten manuscript, this book abandons the standard majority discourse and approaches the history of Jerusalem through the lens of a community typically considered marginal. It illuminates the political, religious and diplomatic affairs that exercised the city, and guides the reader on a fascinating journey from the Ethiopian highlands to the Holy Sepulchre, passing through the Ottoman palaces in Istanbul. Have a look inside the book

As inheritors of Platonic traditions, many Jews and Christians today do not believe that God has a body. God is instead invisible and incorporeal, and even though Christians believe that God can be seen in Jesus, God otherwise remains veiled from human sight. In this ground-breaking work, Brittany E. Wilson challenges this prevalent view by arguing that early Jews and Christians often envisioned God as having a visible form. Within the New Testament, Luke-Acts in particular emerges as an important example of a text that portrays God in visually tangible ways. According to Luke, God is a perceptible, concrete being who can take on a variety of different forms, as well as a being who is intimately intertwined with human fleshliness in the form of Jesus. In this way, the God of Israel does not adhere to the incorporeal deity of Platonic philosophy, especially as read through post-Enlightenment eyes. Given the corporeal connections between God and Jesus, Luke's depiction of Jesus's body also points ahead to future controversies concerning his divinity and humanity in the early church. Indeed, questions concerning God's body are inextricably linked with Christology and shed light on how we are to understand Jesus's own visible embodiment in relation to God. In The Embodied God, Wilson reframes approaches to early Christology within New Testament scholarship and calls for a new way of thinking about divine-and human-bodies and embodied experience.

Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a "Jewish perspective", creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.

This book offers a new and inclusive approach to Western exegesis up to 1100. For too long, modern scholars have examined Jewish and Christian exegesis apart from each other. This is not surprising, given how religious, social, and linguistic borders separated Jews and Christians. But they worked to a great extent on the same texts. Christians were keenly aware that they relied on translation. The contributions to this volume reveal how both sides worked on parallel tracks, posing similar questions and employing more or less the same techniques, and in some rare instances, interdependently.

According to Raul Gonzalez Salinero, the plurality of religious expressions within Judaism prior to the predominance of the rabbinical current disproves the assumption according to which some Jewish customs and precepts (especially the Sabbath) prevented Jews from joining the Roman army without renouncing their ancestral culture. The military exemption occasionally granted to the Jews by the Roman authorities was compatible with their voluntary enlistment (as it was in the Hellenistic armies) in order to obtain Roman citizenship. As the sources attest, Judaism did not pose any insurmountable obstacle to integration of the Jews into the Roman world. They achieved a noteworthy presence in the Roman army by the fourth century CE, at which time the Church's influence over imperial power led to their exclusion from the militia armata.

In this engaging book of commentary on the Talmud, the author upends the long-held theory of the immutability of halakhah, Jewish law. In her detailed analysis of over 80 short halakhic anecdotes in the Babylonian Talmud, the author shows that the Talmud itself promotes halakhic change. She leads the reader through one sugya (discussion unit) after another, accumulating evidence for her rather radical thesis. Along the way, she teases out details of what life was like 1500 years ago for women in their relationships with men and for students in their relationships with mentors. An eye-opening read by one of today's leading Talmud scholars.

In The Hebrew Bible: A Millennium, scholars from different fields and dealing with different material sources are trying to consider the Hebrew Bible as a whole. The development of new databases and other technological tools have an increasing impact on research practices. By inviting doctoral students, young researchers, and established scholars to contribute, this interdisciplinary book showcases methods and perspectives which can support future scientific collaborations in the field of the Hebrew Bible. This edited volume gathers relevant research from Dead Sea Scrolls Studies, Cairo Genizah Studies, European Genizah Studies, and from Late Medieval Biblical Manuscript Studies.