This wonderful anthology presents a fascinating survey of music by African composers, both those living in Africa and those now resident elsewhere in the world. The music, much of which is published here for the first time, includes a kaleidoscope of different styles, moods, genres, and colours. You will find works influenced by the blues, jazz, and ragtime and works built on exotic scales, African folk-tunes, and drumming rhythms. The volumes are graded, ranging from beginner (Vol. 1) to advanced (Vol. 5). They provide exciting material for pianists just beginning their studies and for those who are looking for new and exciting recital repertoire.

Me and My Piano is the best-selling series by the distinguished authors Fanny Waterman and Marion Harewood, that has sold over 2 million copies worldwide. Designed especially for the needs of the younger beginner and delightfully illustrated throughout, the series makes learning the piano an enjoyable experience for both pupil and teacher. This Complete Edition combines Parts 1 and 2 in one book. Part 1 takes the young pianist step by step through the earliest stages of piano technique, leading to very easy pieces for hands together using a constant five-finger hand position in C major. Part 2 builds on these foundations by extending the compass of notes, introducing new rhythms, note values, chords and changes of hand position. Games and puzzles throughout give elementary theory a new lease of life, and children will love the rhymes, songs and Monkey Puzzles pages.

Alfred's Basic Prep Course, Levels A through F, was written to answer a demand for a course of piano study designed especially for students who are five years old and up. This course offers a careful introduction of fundamentals, music that fits comfortably under the young student's normal hand span, plus constant reinforcement--all leading to results beyond those generated by other piano methods. After Lesson Book D, the student may progress to Prep Course, Lesson Book E or choose to go directly into the faster paced Level 2 of Alfred's Basic Piano Library. The complete Prep Course consists of six books (Levels A through F).

Join the superhero world of Lang Lang and come on a piano adventure with The Lang Lang Piano Method Level 2. Level 2 builds on the first book by introducing: eighth notes (quavers) simple hands together and thumb-under technique. The five progressive books in The Lang Lang Piano Method provide a unique and imaginative way for complete beginners to learn the piano with the world's most successful concert pianist, Lang Lang. There's plenty to play all around the keyboard right from the start. Fun, imaginative pieces develop the left and right hands equally and supporting audio features exclusive performances by Lang Lang of the concert pieces. Musicianship is developed through theory pages and listening to exclusive performances by Lang Lang of piano classics for children. "I've written The Lang Lang Piano Method to inspire today's kids with my passion for the piano." Lang Lang

One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Long considered a minor master overshadowed by such figures as his teacher Jan Pieterszoon Sweelinck or his fellow student Samuel Scheidt, a number of major source discoveries made in the second half of the twentieth century - the most important one being the discovery of the Zellerfield tablatures - have gradually raised his stature towards what it should now be, namely that of the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half. Pieter Dirksen, one of the leading scholars on early German keyboard music, shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Jacob and Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist. The sources for Scheidemann are for the most part contemporary and stem from all periods of his career, and beyond that until one or two decades after his death.His keyboard music was never published in his lifetime but circulated widely within professional circles. Dirksen considers the transmission of Scheidemann's music as a whole in Part One, where each source is analyzed individually, and the repertoire itself is examined in Part Two. A number of specialized studies, including a detailed investigation into the background of one of the sources as well as adressing questions of organology (an account of the famous Catharinen organ as it was during Scheidemann's era) and performance practice (a study of the fingering indications and observations on registration practice) form Part Three. A wealth of appendices also detail a relative chronology of the music; a geographic overview of the transmission and two hitherto unpublished, fragmentarily transmitted Scheidemann pieces. The book will therefore appeal to organologists, harpsichordists, musicologists and historians of seventeenth-century German music as well as historians of keyboard music.

for solo piano This short piano suite was written in response to the Covid-19 lockdown and features Chilcott's celebrated jazz style in three movements: 'Bobbing along', 'Becky's Song' and 'Walking with Ollie'. With a swing and a hop in the outer movements and rich harmonies in between, A Little Jazz Piano is wonderfully suited for younger pianists looking for something different.

Join the superhero world of Lang Lang and come on a piano adventure with The Lang Lang Piano Method Level 3. Level 3 continues the progression by: extending the note range to an octave exploring different keys including more hands-together in pieces. The five progressive books in The Lang Lang Piano Method provide a unique and imaginative way for complete beginners to learn the piano with the world's most successful concert pianist, Lang Lang. There's plenty to play all around the keyboard right from the start. Fun, imaginative pieces develop the left and right hands equally and supporting audio features exclusive performances by Lang Lang of the concert pieces. Musicianship is developed through theory pages and listening to exclusive performances by Lang Lang of piano classics for children. "I've written The Lang Lang Piano Method to inspire today's kids with my passion for the piano." Lang Lang

for solo piano Featuring sparse textures, quirky endings, and intuitive phrasing, these 24 Preludes and Fugues, in all the keys, bear the hallmarks of Skempton's Minimalist style. This set is well-suited for performance but also for pianists wishing to practise polyphonic textures and single-hand exercises.

The John Rutter Christmas Piano Album brings together eight of the composer's best-loved seasonal choral pieces as piano transcriptions, made by John Rutter himself, for performance use or enjoyment at home. Designed for pianists at early intermediate level, the collection provides skilful and approachable arrangements of festive favourites such as 'Angels' Carol' and 'What sweeter music' and of the more recent 'Colours of Christmas' and 'Christ our Emmanuel'. The gentle 'Mary's Lullaby', meanwhile, features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Clearly presented and laid out, the transcriptions also include the texts (lyrics) within the piano score, for reference or potential sing-alongs. From the composer who has become synonymous with Christmas, this versatile collection is a joyous celebration of the season. The pieces in this collection have been recorded by Wayne Marshall on Decca Records.

With a host of accessible, quality new settings, and with pieces based on all the major hymn tunes, these volumes are a must for every church organist's library.

A graded, lesson-by-lesson learning method for the younger student, using easy arrangements of over 20 favorite childrens' songs. Extends the range of notes to cover nine notes with the right hand using the white keys only. Beautifully illustrated throughout with full color.

This book contains valuable material to help players strengthen their sight-reading skills in preparation for the ABRSM Grade 3 exam. Featuring preparatory exercises that gradually introduce key new elements encountered at Grade 3, along with a comprehensive selection of sample sight-reading pieces, More Piano Sight-Reading supports students with the transition between grades, and encourages them to integrate sight-reading into their daily practice. More Piano Sight-Reading is available for ABRSM Grades 1 to 8, offering additional support for the sight-reading requirements of the current syllabus.

A welcome collection of piano transcriptions made by the composer himself, featuring eight of his best-loved choral pieces spanning the last 40 years. Designed for pianists at early intermediate level, the collection provides skilful and approachable arrangements of classics such as 'The Lord bless you and keep you', 'All things bright and beautiful', and 'For the beauty of the earth', as well as recent gems like 'A flower remembered', all for performance use or enjoyment at home. Clearly presented and laid out, the transcriptions also include the texts (lyrics) within the piano score, for reference or potential sing-alongs. This is a versatile collection for the many admirers of one of today's greatest choral composers. The pieces in this collection have been recorded by Wayne Marshall on Decca Records.

A single piece of repertoire is the primary focus for each chapter, with preparatory exercises providing the necessary technical work building towards the piece. Each lesson covers four main topics, which are systematically developed: practice methods, registration, fingering and pedalling, and historically-informed interpretation. The method is for keyboard players of any age who are establishing first steps at the organ with or without a teacher. It will also serve more experienced organists who want to improve their technique.

Keyboard artists in the time of J.S. Bach were simultaneously performers, composers, and improvisers. By the twentieth century, however, the art of improvisation was all but lost. Today, vanishingly few classically-trained musicians can improvise with fluent, stylistic integrity. Many now question the system of training that leaves players dependent upon the printed page, and would welcome a new approach to musicianship that would enable modern performers to recapture the remarkable creative freedom of a bygone era. The Pianist's Guide to Historic Improvisation opens a pathway of musical discovery as the reader learns to improvise with confidence and joy. Useful as either a college-level textbook or a guide for independent study, the book is eminently practical. Author John Mortensen explains even the most complex ideas in a lucid, conversational tone, accompanied by hundreds of musical examples. Mortensen pairs every concept with hands-on exercises for step-by-step practice of each skill. Professional-level virtuosity is not required; players of moderate skill can manage the material. Suitable for professionals, conservatory students, and avid amateurs, The Pianist's Guide leads to mastery of improvisational techniques at the Baroque keyboard.

Lang Lang Piano Academy: mastering the piano level 5 (approximately equivalent to Grade 5/Intermediate) includes sections on legato pedalling, phrasing and rubato and new accompaniment styles. Units: Developing dexterity Instinctive pedalling Refining the touch Phrasing and rubato Character Ornamentation Interpretation and style Performing Mastering the piano is the first series of books to be launched in the Lang Lang Piano Academy. Comprising five progressive books, mastering the piano captures Lang Lang's passion, drive and extraordinary mastery of the piano. Each book gives students the chance to learn from this exceptional talent, with: 8 units that develop key aspects of piano technique; specially devised exercises & studies; a diverse selection of repertoire including Lang Lang's favourite works; and inspirational commentary & guidance from Lang Lang himself. Mastering the piano is also available as an iPad App! Listen to Lang Lang perform Prelude in C by J. S. Bach Download FREE Scales & Arpeggios Chart for Level 5

This volume contains valuable practice material for candidates preparing for the ABRSM Grade 5 Piano exams. The book is written in attractive and approachable styles and representative of the technical level expected in the exam.

The New International Edition of Suzuki Piano School, Volume 5, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately.
The contents have changed to include Romantic pieces: Schumann's "About Foreign Lands and People" and Chopin's "Waltz in A Minor." Daquin's "The Cuckoo" has been moved here from Book 6. Schumann's "First Loss" and "Siciliana" as well as J. S. Bach's "Prelude in C" have been permanently removed.
Titles: F?r Elise, WoO 59 (Beethoven) * Old French Song, from the Album for the Young, Op. 39, No. 16 (Tchaikovsky) * Invention No. 1 in C Major, BWV 772, from 15 Two-Part Inventions (J. S. Bach) * Sonatina in F Major, Anh. 5, No. 2 (Beethoven) * About Foreign Lands and People, from Scenes from Childhood (Schumann) * Sonata in C Major (Allegro con brio; Adagio; Allegro), Hob. XVI/35 (Haydn) * Waltz in A Minor, Op. posthumous (Chopin) * The Cuckoo (Daquin).

Alfred's Greatest Hits series has overwhelmingly been accepted by students and teachers. This series combines just the right combination of hits from Broadway, Hollywood, television and recordings! As you might expect from Alfred, this series offers a rare combination of great music arranged with care and creativity. Your adult students can savor the excitement of playing pop music and reap the benefits from making practicing more fun and rewarding.

This powerful piece, dating from 2010, shows off the full resources of any organ it is played on. Its driving rhythms and exhilarating, often bitonal, harmonies recall such French organist-composers as Langlais and Messiaen, and while there is often an improvisatory feel, the music is far from formless, and its carefully planned structure contributes crucially to its success.

Schoenberg's Op.23 for solo piano, written between 1920 and 1923, represented a move from his atonal music of the preceding twelve years to 12-note music. In this analysis of the five pieces which make up Op.23, Kathryn Bailey discusses the ways in which Schoenberg clearly explores new ideas in these pieces in the context of his old style. Op.23 marked the development of a new way of organizing pitches and establishing centres of gravity in the absence of tonality; but it was also an extension of what had gone before. While moving on from Op.23 was not a big step for Schoenberg, it represented a climacteric in the history of musical composition. It was a long time before anyone outside of Schoenberg's circle would be able to see past the revolutionary idea of composing from a single pre-determined arrangement of the 12 notes of the chromatic scale to notice that in most ways this New Music answered the same conditions and fulfilled the same expectations that music had for generations.

Sun Dance is a slightly modified version of the fifth movement from the composer's Organ Dances, originally conceived for organ solo, strings, and percussion. The music is for the most part celebratory in character, its spiky rhythms driven along by the pervasive alternation of 3/8 and 4/4 metrical groupings, although the composer also has fun with 7/8 and 5/8 patterns.