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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Keyboard instruments
This book contains all the scales and arpeggios required for
ABRSM's Grade 5 Piano exam. It covers all the new requirements from
2021.
This book contains all the scales and arpeggios required for
ABRSM's Grade 2 Piano exam. It covers all the new requirements from
2021.
Known as a "pianist's composer," Chopin's love, passion and
devotion to piano music resulted in over 200 compositions. This
collection contains the more accessible pieces which still have
vivd melodies and lush harmonies.
Sound Innovations for Concert Band, Book 2 continues your student's
musical journey by teaching with segmented presentation of new
concepts and introducing ensemble playing. Isolating concepts and
teaching them individually helps facilitate understanding of the
more advanced material. Following the unique Sound Innovations
organization, the book contains four levels, each of which are
divided into several sections that introduce concepts separately
and provide plenty of practice and performance opportunities to
reinforce each lesson. Visit www.alfred.com/soundinnovations for
more information.
"Sound Innovations by Alfred Publishing is a dream-come-true method
for beginning concert band and string orchestra. Its infusion of
technology provides an open-ended architecture of the first order.
This unique blend of time-tested strategies and technology offer a
great foundation for a successful learning experience."
?John Kuzmich, Jr., BandDirector.com
Students needing to review and improve their note-naming and
interval-naming skills will benefit greatly from these
well-prepared Notespeller Books. Each book provides a variety of
written activities that reinforce note reading concepts presented
in the Lesson Books. Correlates page-by-page with the Lesson Books,
but may also serve as an effective supplement to other piano
methods.
The New International Edition of Suzuki Piano School, Volume 2
includes French, German and Spanish translations, new Romantic and
20th-century pieces, as well as a newly recorded CD performed by
internationally renowned recording artist Seizo Azuma. Now the book
and CD can be purchased together or separately. The contents have
changed slightly with minimal reordering of the music. The Mozart
Minuet and Bach Musette from the earlier edition were eliminated
and replaced with two new 20th-century pieces by BartA3k (noted
below), and the Bach "Minuet in G Minor" (from J. S. Bachas
Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other
improvements include a cleaner appearance with less editing and
spacious new engravings, as well as more detailed titles that
include the keys, sources, composer dates, and catalog numbers.
Titles: Acossaise (J. N. Hummel) * A Short Story (H. Lichner) * The
Happy Farmer, from Album for the Young, Op. 68, No. 10 (R.
Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G
Major, from J. S. Bach's Notebook for Anna Magdalena Bach
(Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle
Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) *
Hungarian Folk Song, from For Children, Sz. 42 (BA(c)la BartA3k) *
Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) *
Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena
Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance)
(L. van Beethoven) * Children at Play, from For Children, Sz. 42
(BA(c)la BartA3k).
Alfred's Basic Adult All-in-One Course is designed for use with an
instructor for the beginning student looking for a truly complete
piano course. It is a greatly expanded version of Alfred's Basic
Adult Piano Course that will include lesson, theory, technic and
additional repertoire in a convenient, "all-in-one" format. This
comprehensive course features written assignments that reinforce
each lesson's concepts, a smooth, logical progression between each
lesson, a thorough explanation of chord theory and playing styles,
and outstanding extra songs, including folk, classical, and
contemporary selections. At the completion of this course, the
student will have learned to play some of the most popular music
ever written and will have gained a good understanding of basic
musical concepts and styles. The CD has accompaniments to support
the student's playing of the exercises and songs found in the Level
2 book. Titles: Alexander's Ragtime Band * Arkansas Traveler *
Ballin' the Jack * The Battle Hymn of the Republic * Black Forest
Polka * Black is the Color of My True Love's Hair * Bourlesq *
Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival
* Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy *
Dark Eyes * Deep River * Divertimento in D * Down in the Valley *
Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination *
Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie
* Guantanamera * Hava Nagila * He's Got the Whole World in His
Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian
Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E
Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road *
Love's Greeting * The Magic Piper * The Marriage of Figaro *
Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night
Song * Nobody Knows the Trouble I've Seen * Olympic Procession *
Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances *
Pomp and Circumstance No. 1 * The Riddle * Rock-a My
102 cards are included in this set, and are coordinated
page-by-page with Alfred's Basic Piano Course Lesson Book levels 2
& 3. However, students can use these versatile learning tools
with any music method. The set includes cards for the study of note
recognition, note and rest values, intervals, scales, keys and key
signatures, chords, extended positions, tempo marks, dynamics, time
signatures, pedal, and musical terms.
Keyboard trios (three pianists at one keyboard) are not only an
enjoyable form of ensemble music, but are also indispensable tools
in developing rhythm, dynamics, tempo consistency, and group
musicianship skills in any pianist. The original works of W. F.
Bach, Fodor, Gurlitt, Handel, Mozart, Rachmaninoff and Streabogg
are included, in score format (with all three parts on the same
page), along with essential performance notes and helpful editorial
fingerings and footnotes. Titles: Das Dreyblatt (Bach, Wilhelm
Friedrich Ernst) * Sonata for Six Hands, Op. 10 (Fodor, Carolus
Antonius) * Capriccietta, Op. 192, No. 3 (Gurlitt, Cornelius) *
Gavotta, Op. 192, No. 2 (Gurlitt, Cornelius) * Impromptu, Op. 192,
No.6 (Gurlitt, Cornelius) * Hallelujah Chorus from Messiah (Handel,
George Frideric, arr. Czerny) Overture from The Marriage of Figaro
(Mozart, Wolfgang Amadeus, arr. Czerny) * Valse (Rachmaninoff,
Sergei) * Romance (Rachmaninoff, Sergei) * Bolero (Streabbog, Jean
Louis).
Alfred's Basic Prep Course, Lesson Book A is specifically designed
for beginners who are five years old and up. Through the use of
appealing music and attractive illustrations, it is no wonder that
Lesson Book A is the most widely used young beginner's piano book
now available. This course takes into consideration the normal
attention span, as well as the small-sized hands of the young
beginner. Shortly after beginning, the young student will be able
to play "Merrily We Roll Along." The complete Prep Course consists
of six books (Levels A through F). This course is most effective
when used under the direction of a piano teacher or experienced
musician.
This book addresses the analysis of musical sounds from the
viewpoint of someone at the intersection between physicists,
engineers, piano technicians, and musicians. The study is
structured into three parts. The reader is introduced to a variety
of waves and a variety of ways of presenting, visualizing, and
analyzing them in the first part. A tutorial on the tools used
throughout the book accompanies this introduction. The mathematics
behind the tools is left to the appendices. Part Two provides a
graphical survey of the classical areas of acoustics that pertain
to musical instruments: vibrating strings, bars, membranes, and
plates. Part Three is devoted almost exclusively to the piano.
Several two- and three-dimensional graphical tools are introduced
to study various characteristics of pianos: individual notes and
interactions among them, the missing fundamental, inharmonicity,
tuning visualization, the different distribution of harmonic power
for the various zones of the piano keyboard, and potential uses for
quality control. These techniques are also briefly applied to other
musical instruments studied in earlier parts of the book. For
physicists and engineers there are appendices to cover the
mathematics lurking beneath the numerous graphs and a brief
introduction to Matlab (R) which was used to generate these graphs.
A website accompanying the book
(https://sites.google.com/site/analysisofsoundsandvibrations/)
contains: - Matlab (R) scripts - mp3 files of sounds - references
to YouTube videos - and up-to-date results of recent studies
This comprehensive method of music instruction enables the beginner
to progress to an advanced stage of technical skill.
The Michael Aaron Piano Course Lesson books have been completely
re-engraved, expanded (adding more definitions of musical terms and
more musical pieces), updated (with modernized artwork), and
re-edited (with less emphasis on fingerings and more on
note-reading).
A valuable assortment of teacher/student duets in their original
form written by teachers and composers during the 18th and 19th
centuries. Arranged in order of difficulty, the student parts are
limited to a single five-finger position and fall primarily within
the grand staff reading range. Each book includes works by such
composers as Diabelli, Gurlitt, Bercucci, Wohlfahrt, Berens and
others.
Steve Beresford's polymathic activities have formed a prism for the
UK improv scene since the 1970s. He is internationally known as a
free improviser on piano, toy piano and electronics, composer for
film and TV, and raconteur and Dadaist visionary. His résumé is
filled with collaborations with hundreds of musicians and other
artists, including such leading improvisers as Derek Bailey, Evan
Parker and John Zorn, and he has given performances of works by
John Cage and Christian Marclay. In this book, Beresford is heard
in his own words through first-hand interviews with the author.
Beresford provides compelling insight into an extensive range of
topics, displaying the broad cultural context in which music is
embedded. The volume combines chronological and thematic chapters,
with topics covering improvisation and composition in jazz and free
music; the connections between art, entertainment and popular
culture; the audience for free improvisation; writing music for
films; recording improvised music in the studio; and teaching
improvisation. It places Beresford in the context of improvised and
related musics – jazz, free jazz, free improvisation – in which
there is growing interest. The linear narrative is broken up by
'interventions' or short pieces by collaborators and commentators.
Teach yourself the essential piano chords plus many more! Organized
as a chord per spread, for the left and right hands, this is a
handy, comprehensive reference for jazz, pop, rock and soul
musicians playing the piano or keyboard at any level. This
no-nonsense, easy to carry, wiro book will fit on a stand and into
a music bag or hand bag with the minimum of fuss. Revised and
updated version, replaces ISBN-13 9781844517152
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