The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival's leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.

This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument's capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch's lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar's Sonata of 1895.

Improve your sight-reading! Piano Grade 6 (Late Intermediate) is part of the best-selling series by Paul Harris, guaranteed to improve your sight-reading! This workbook helps the player overcome problems by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally by `going solo' with a series of meticulously graded sight-reading pieces. This edition now includes supporting audio available online for students to check their performances against. The Improve your sight-reading! series will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.

The first edition of The English Chamber Organ was published in 1968. This new, revised edition takes into account the considerable research into chamber organs that has taken place over the last thirty years. Much of the book has been completely rewritten and expanded, and it includes a number of organs not detailed in the first edition. As its revised title suggests, this new edition covers foreign-make imports as well as British-made organs that were sent overseas. Part one comprises a series of chapters that cover the history of the chamber organ, its origins and development. Part two provides a general introduction to the construction of organs, while part three gives detailed descriptions of 196 British chamber organs, with information on their location, specifications, design, and suggestions for further reading. As a domestic instrument the chamber organ was often perceived to be as much a piece of furniture as an item of musical equipment. The Chamber Organ in Britain offers an assessment of the organ as both a musical instrument and as a decorative icon.

(Piano Solo Personality). The All Music Guide says that pianist & composer George Winston is "among the earliest and most successful proponents of contemporary instrumental music." Here is the first songbook ever notating his beloved piano pieces. Winston himself chose the songs & cover art, wrote the preface, and approved every note. Features 20 of his most-requested favorites: The Black Stallion * Joy * Longing * Prelude/Carol of the Bells * Thanksgiving * Variations on the Kanon by Pachelbel * and more. Includes a biography, discography, and discussion of chords. First Fully Authorized Songbook Featuring Winston's Esteemed Compositions & Arrangements

(Piano Solo Songbook). Thirteen tunes from the beloved musical expertly arranged for solo piano by Phillip Keveren: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * I Have Confidence * The Lonely Goatherd * Maria * My Favorite Things * An Ordinary Couple * Sixteen Going on Seventeen * So Long, Farewell * Something Good * The Sound of Music * Wedding Processional.

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

First Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for Two Persons at Keyboard.

These two volumes each contain six captivating duets in a variety of styles including blues, jazz, ragtime and more! Both the primo and secondo parts are written at the same level of difficulty.

(Educational Piano Library). 120 color-coded cards to learn basic musical symbols, all notes from low ledger C to high ledger C, and rhythm patterns in 4/4 and 3/4. Also includes cards that focus on recognition of steps and skips on the staff.

A technical volume on the construction of organs. Comprises an alphabetically arranged detailing of the various components of organs, their characteristics and uses. Also includes a study of organ building.

Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.

The Universal Edition is designed for all English-speaking countries outside of the United States, including Canada, the U. K. and Australia. This edition uses the British system of terminology for rhythmic values such as "crotchet" for quarter note.

The powerful and bestselling memoir of a young Jewish pianist who survived the war in Warsaw against all odds. Made into a Bafta and Oscar-winning film. 'You can learn more about human nature from this brief account of the survival of one man throughout the war years in the devastated city of Warsaw than from several volumes of the average encyclopaedia' Independent on Sunday 'We are drawn in to share his surprise and then disbelief at the horrifying progress of events, all conveyed with an understated intimacy and dailiness that render them painfully close - riveting' Observer 'A book so fresh and vivid, so heartbreaking, and so simply and beautifully written, that it manages to tell us the story of horrendous events as if for the first time' Daily Telegraph

Paul Harris's brilliant series of workbooks contains not only the complete scales and arpeggios for the current ABRSM, Trinity and LCM Initial-level exams but also uses finger fitness exercises, scale, and arpeggio studies, key pieces and simple improvisations to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Piano Initial Grade covers all the keys and ranges required for each syllabus, helping you pick up valuable extra marks in exams.

The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival's leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.

Fiddle Time Joggers is a landmark book in the popular Fiddle Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. This book contains piano accompaniments for Fiddle Time Joggers. Characterful and easy to play, these piano parts provide stylish accompaniments to all of the pieces in the pupil book. Essential for teachers and musical parents, this book will help motivate all young violinists as they learn to play.

The Keyboard Play-Along Series will help you play your favorite songs as played by your favorite artists quickly and easily. Just follow the music in the book, listen to the CD to hear how the keyboard should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! This volume contains 8 songs: Break on Through to the Other Side * Hello, I Love You (Won't You Tell Me Your Name?) * L.A. Woman * Light My Fire * Love Me Two Times * People Are Strange * Riders on the Storm * Roadhouse Blues.

(Piano). These anthologies contain original compositions by nineteenth-century composers. Several of the pieces are available for the first time as part of a graded collection. The repertoire includes works by major composers, such as Chopin and Schumann, as well as lesser-known pieces by, amongst others, Bortkiewicz and Rimsky-Korsakov. These collections are ideal for piano teachers looking for additional repertoire for their teaching practice. The CD includes full performance demonstrations.

(Vocal Piano). Songs in the Broadway Singer's Edition include the vocal line and lyrics paired with faithful reductions of the orchestral accompaniments. The songs are presented in their original keys with piano accompaniments carefully crafted for playability. The CD includes performances of these piano accompaniments. The disc works in any CD player and is also enhanced for computer use, allowing adjustment of both tempo and pitch. Includes these hits from Wicked: Dancing Through Life * Defying Gravity * For Good * I Couldn't Be Happier * I'm Not That Girl * No Good Deed * Popular * What Is This Feeling? * The Wizard and I * Wonderful.

100 compositions, progressively graded for grades 1 through 4, ranging from the works of the great masters to the folk tunes and dances from many countries.