(Piano/Vocal/Guitar Artist Songbook). 27 songs from this Grammy-winning platinum-selling singer/songwriter superstar, including: All Night Long (All Night) * Ballerina Girl * Dancing on the Ceiling * Do It to Me * Easy * Endless Love * Hello * Lady * My Love * Penny Lover * Running with the Night * Three Times a Lady * Truly * We Are the World * and more.

Piano Meditations is a beautiful collection of 12 original piano compositions that have been inspired by paintings of a meditative nature. By best-selling composer Pam Wedgwood, these piano solo pieces are perfect for practising mindfulness in music. The book is suitable for intermediate-level players and is accompanied by a stunning pull-out poster of art providing the visual inspiration for each piece.

Shura Cherkassky's life story, like his piano playing, is provocative and captivating. At his death in 1995, Cherkassky was considered one of history's greatest pianists, as well as the last direct link to the Romantic piano tradition of Chopin, Liszt, and Anton Rubinstein. Cherkassky's story merits telling not only for his musical achievements but also for the inspiration he provided by demonstrating tenacity, integrity, common sense, and uncommon courage. Cherkassky began his concert playing life in Ukrainian Odessa at a time of lethal civil strife. Escaping with his parents to America, the child prodigy came under the tutelage of famed pianist Josef Hofmann, whose unfailing personal and professional assistance continued for more than twenty years. Cherkassky overcame poverty, prejudice against his Jewish origins, and unhappiness from his ambivalence over his homosexuality to forge an impressive touring and recording career, an enormous musical repertoire, and an intriguing personality both on stage and off. From his sensational 1923 American debut tour to sold-out concerts on six continents, Cherkassky retained his brilliance throughout a seventy-five year professional career. As a close friend for his last twenty years, author Elizabeth Carr traveled with Cherkassky on tour, attending recording and rehearsal sessions and watching him practice, plan programs, and cope with pianos, acoustics, conductors, and orchestras. Her role as confidante results in a keen understanding of Cherkassky both as a human being and a performer. Through observations, anecdotes, sixteen pages of photos, and personal correspondence reprinted in the book, this biography offers extensive research never before published, and an intimate look at the man and his music.

176 Tage verbrachte Wolfgang Amade Mozart in der kurpfalzischen Residenz Mannheim. Von den insgesamt vier Aufenthalten war der zwischen November 1777 und Marz 1778 der langste und fur sein weiteres Leben zugleich entscheidende. Ohne Vater Leopold, der von Salzburg aus die Geschicke seines Sohnes zu lenken versuchte, fand der damals gerade 21jahrige in Begleitung seiner Mutter Maria Anna rasch Anschluss an den Hof des Kurfursten Carl Theodor sowie zu den Musikern der Hofkapelle und deren Familien. Doch die ersehnte Anstellung als Kapellmeister und Compositeur zerschlug sich. Auch die Liebe zu Aloysia Weber, einer 16jahrigen talentierten Sangerin, zerbrach; Mozart heiratete spater in Wien deren Schwester Konstanze. Mannheim - eine Kette von Enttauschungen, von begrabenen Hoffnungen, von Niederlagen? Gewiss! Doch Mozart wuchs an ihnen und durch sie als Mensch, als Kunstler und als Komponist: notwendige Stationen des Reifens und des Erwachsenwerdens fur ein zukunftiges musikalisches Genie. Der Tagungsband versammelt Beitrage zu Kunst und Kultur des Hofes und seines beruhmten Orchesters, zu Analyse, Deutung und Auffuhrungspraxis der in Mannheim entstandenen Werke, zur Korrespondenz als wesentliche musikhistorische Quelle des Aufenthaltes, zur kompositorischen Rezeption sowie zwei Aufsatze zu Mozarts Prager Beziehungen.

In this penetrating study, Russell Stinson explores how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. The author shows that this quadrumvirate not only borrowed from Bach's organ works in creating their own masterpieces, whether for keyboard, voice, orchestra, or chamber ensemble, but that they also reacted significantly to the music as performers, editors, theorists, and teachers. Furthermore, the book reveals how these four titans influenced one another as "receptors" of this repertory and how their mutual acquaintances-especially Clara Schumann-contributed as well. As the first comprehensive discussion of this topic ever attempted, Stinson's book represents a major step forward in the literature on the so-called Bach revival. He considers biographical as well as musical evidence to arrive at a host of new and sometimes startling conclusions. Filled with fascinating anecdotes, the study also includes detailed observations on how these composers annotated their personal copies of Bach's organ works. Stinson's book is entirely up-to-date and offers much material previously unavailable in English. It is meticulously annotated and indexed, and it features numerous musical examples and facsimile plates as well as an exhaustive bibliography. Included in an appendix is Brahms's hitherto unpublished study score of the Fantasy in G Major, BWV 572. Engagingly written, this study should be read by anyone interested in the music of Bach or the music of the nineteenth century.

Features big-note arrangements of 55 timeless songs enjoyed by generations of kids, and sure to be favorites for years to come. Includes: A-Tisket A-Tasket * Alouette * Eensy Weensy Spider * The Farmer in the Dell * Fur Elise * I've Been Working on the Railroad * If You're Happy and You Know It * Joy to the World * Michael Finnegan * Oh Where, Oh Where Has My Little Dog Gone * Silent Night * Skip to My Lou * This Old Man * and many more, with optional accompaniment for adults.

(Educational Piano Library). Unit 1 of Book 3 begins by introducing eighth notes in 4/4 and 2/4 time. Swing eighths are also presented in the first half of the book. Folk, jazz, classical, and contemporary selections provide students with an interesting variety of repertoire. The second half of Book 3, teaches relative and parallel major/minor five-finger patterns, and students learn to improvise their own songs using these basic patterns. This package includes a Piano Lessons Book and an enhanced CD. The CD works in any CD player but it also contains MIDI files for Windows and Mac computer users.

Notes Become Music: A Guidebook from the Viennese Piano Tradition addresses the many unwritten nuances of dynamics, articulation and agogics as an expression of fundamental principles of a common European musical language. It treats the score as an incomplete musical shorthand that outlines the compositional and interpretive imperatives implicit within it, drawing on historical records from the eighteenth and nineteenth centuries and detailed comparisons of works to underline the author's presentation of Viennese tradition. This book is not primarily concerned with questions of style or interpretation. Rather, it explains the many facets of musical notation that were taken for granted by composers who assumed a knowledge of the piano tradition of their day. Notes Become Music informs not only those students in countries where the central European music tradition is still unfamiliar, but also a younger generation of Europeans who have grown up without a living connection to their musical past.

Perhaps the best collection of elementary duets ever written. Ideally suited for use with The Music Tree, Part B and Part C. The parts are of nearly equal difficulty so that the duets may be experienced by two elementary pianists. Federation Festivals 2011-2013 selection.

(Willis). The Modern Course series provides a clear and complete foundation in the study of the piano that enables the student to think and feel musically. It may be preceded by the Teaching Little Fingers to Play series. Proceeds in all directions from the point of advancement reached at the end of the Third Grade book with particular emphasis given to style.

Piano Star is an exciting series for young pianists, offering a rich selection of new repertoire to help players build confidence and musical skills. Piano Star 1 is suitable for learners who have worked through a first tutor and includes compositions by David Blackwell, Jane Sebba, Nancy Litten, Mike Cornick, Sarah Watts, Edmund Jolliffe, Andrew Eales, Kathy Blackwell, Aisling Greally, Alan Bullard, Alasdair Spratt, and Karen Marshall. Key features of the series: - Solo pieces, plus a number of duets - A rich mix of musical styles, with techniques introduced progressively - Fun extension activities - Beautifully illustrated

While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin's works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin's works, this book explores the extent to which Chopin's oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlinska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.

A new addition to the successful Michael Aaron Piano Course lesson books. These new Technic books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

Complete Level 1 is a faster-paced version of Levels 1A and 1B that gets to staff reading more quickly. Perfect for a student who is 8 or older, or for a younger beginner with great musical aptitude. This course is most effective when used under the direction of a piano teacher or experienced musician.