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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Keyboard instruments
(Piano). Includes: Piano Concerto No. 1 * Piano Concerto No. 2 * and Piano Concerto No. 3.
Jazz on a Winter's Night is a Christmas piano album of stylish, swinging arrangements. Favourite Christmas carols and songs receive the complete jazz treatment, with rhythm, harmony, grooves, and solos all carefully notated. The expertise of the arranger, a celebrated jazz pianist and composer, guarantees an authentic jazz sound, and a range of styles from Nat King Cole to John Coltrane. While paying homage to American Christmas jazz, the collection also reflects a European tradition, in such time-honoured classics as 'In the bleak mid-winter'.
Pianoworks Book 2 is the second tutor book in the successful Pianoworks series, written especially for the older beginner. Like its predecessor, the book focuses on the traditional concept of learning to play from music but also includes hints on improvisation and playing by ear. New techniques are introduced at a steady pace, and there are useful examples and exercises at every stage. You'll find attractive and accessible pieces in a huge range of styles, including well-known Classical works, traditional melodies, carols, jazz, and new pieces by the authors, and there are tips on performance and interpretation along the way. The CD includes performances of all the pieces, accompaniments to play along with, demonstrations, and additional aural and improvisation exercises.
This wonderful anthology presents a fascinating survey of music by African composers, both those living in Africa and those now resident elsewhere in the world. The music, much of which is published here for the first time, includes a kaleidoscope of different styles, moods, genres, and colours. You will find works influenced by the blues, jazz, and ragtime and works built on exotic scales, African folk-tunes, and drumming rhythms. The volumes are graded, ranging from beginner (Vol. 1) to advanced (Vol. 5). They provide exciting material for pianists just beginning their studies and for those who are looking for new and exciting recital repertoire.
Now available in paperback, the critically acclaimed, lyrical, analytical, yet deeply affecting (The Washington Post) memoir about one woman's obsessive search for the perfect piano-- and about finding and pursu- ing passion at any age. The daughter of a pro- fessional musician, Perri Knize was raised in a home saturated in classical music, but it wasn't until adult- hood that she returned to the one instrument that mesmer- ized her most: the piano. When, in her forties, Perri decides to buy a piano of her own, she begins by searching for a modestly priced upright, but falls madly, illogically, in love with a rare German grand she discovers in a New York showroom. After a long dalliance, Knize refinances her house to purchase her piano and has the instru- ment shipped to Montana. But when it arrives, the magical sound that enthralled her is gone, and the tone is dead and dull. One piano tuner after another arrives to fix it, but no one can. Knize sets out on an epic journey to restore the instru- ment to its rightful sound and to understand its elusive power. This quest leads her into an international subculture of piano aficionados, all intrigu- ing and eccentric characters-- concert artists, dealers, tech- nicians, composers, designers, and builders--whose lives have been transformed by the spell of a piano. She even hikes into the Austrian Alps to learn how the special trees used to build her piano are grown and harvested. Beautifully composed, passionately told, Grand Obsession is itself a musical masterpiece-- and will resonate with anyone who has ever expe- rienced deeply passionate desire.
Written especially for the older beginner, Pianoworks 1 explains all you need to know to get you started on the piano. It focuses on the traditional concept of learning to play from music but also includes hints on improvisation and playing by ear. At every stage there is an appealing and accessible range of pieces to play, from classical to modern in style, including a number of new pieces by the authors. New ideas are introduced at a steady pace, and examples and exercises reinforce learning and build confidence. There are useful notes on how to approach each piece, and a CD contains performances of all the pieces, accompaniments to play along with, demonstrations, and additional exercises. Pianoworks 1 can be used with a teacher or as a stand-alone resource.
This wonderful anthology presents a fascinating survey of music by African composers, both those living in Africa and those now resident elsewhere in the world. The music, much of which is published here for the first time, includes a kaleidoscope of different styles, moods, genres, and colours. You will find works influenced by the blues, jazz, and ragtime and works built on exotic scales, African folk-tunes, and drumming rhythms. The volumes are graded, ranging from beginner (Vol. 1) to advanced (Vol. 5). They provide exciting material for pianists just beginning their studies and for those who are looking for new and exciting recital repertoire.
Beautifully presented and intelligently paced, the Lesson Books combine unusually attractive music and lyrics. The books feature note reading, rhythm reading, sight-reading and technical workouts. Each piece on the CD was recorded at a performance tempo and a slower practice tempo.
(Piano Collection). 12 well-known pieces, including the most often played Sonatas, Rondo in D Major K. 485, Sonatina in C Major, and Twelve Variations on "Ah, vous dirai-je, Maman."
Radio and television broadcasts are an essential component in the career of jazz musician Thomas "Fats" Waller. The medium suited his character well, allowing his friendly, energetic personality to shine through. This book meticulously documents Waller's on-air appearances: from his first known broadcast in 1923 at age 19 to the final airing before his premature death in 1943. Fats Waller On The Air: The Radio Broadcasts and Discography adds another dimension to the life of this dynamic performer. Author Stephen Taylor combines established material with fresh research, resulting in a wealth of new information. The broadcasts, including tributes to Waller after his death, are covered in detail, featuring dates, times, songs played, and other artists who appeared on the program. Through descriptions from contemporary newspapers and magazines, accounts from individuals who were in attendance, and remarks by radio announcers from original transcripts, the book provides historical perspective and a clear sense of the character and feel of the broadcasts. The book also offers a timechart of early sound recording and radio transcriptions, allowing easy comparison of Waller's presence in the field. Never before published photos and a thorough, accurate discography-including 78 and 45 rpm records, transcriptions, LPs, CDs, and DVDs-make this an important reference tool for fans of Fats Waller, jazz music, stride piano, black social history, and broadcast history.
Edited, revised and fingered by Rafael Joseffy with historical and analytical comments by James Huneker.
Beginning pianists of all ages will cherish this excellent
compilation of classics. Each piece was carefully selected and
simplified to help students develop their skills. Many of the
greatest composers -- J. S. Bach, Beethoven, Brahms, Mendelssohn,
Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others --
are represented by several pieces each, some newly adapted for the
piano. Composers and works not usually featured in beginner's books
include pieces by Borodin, Gluck, Rameau, and Tallis.
The Faber Music Christmas Piano Anthology is an essential collection of the greatest Christmas songs and carols, specially arranged for solo piano, for the intermediate pianist. The perfect gift for Christmas, this beautiful anthology includes favourites such as O Holy Night, Sleigh Ride and It's Beginning To Look A Lot Like Christmas alongside arrangements of Winter (from the Four Seasons), Troika (from Lieutenant Kije), and more.
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard ""methods""--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard ""methods"" as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Piano Time Pieces 2 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces, folksongs and specially written tunes, and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 2, these pieces provide a wealth of enjoyable practice and repertoire material for all young pianists. |
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