How can the studio teacher teach a lesson so as to instill refined artistic sensibilities, ones often thought to elude language? How can the applied lesson be a form of aesthetic education? How can teaching performance be an artistic endeavor in its own right? These are some of the questions Teaching Performance attempts to answer, drawing on the author's several decades of experience as a studio teacher and music scholar. The architects of absolute music (Hanslick, Schopenhauer, and others) held that it is precisely because instrumental music lacks language and thus any overt connection to the non-musical world that it is able to expose essential elements of that world. More particularly, for these philosophers, it is the density of musical structure—the intricate interplay among purely musical elements—that allows music to capture the essences behind appearances. By analogy, the author contends that the more structurally intricate and aesthetically nuanced a pedagogical system is, the greater its ability to illuminate music and facilitate musical skills. The author terms this phenomenon relational autonomy. Eight chapters unfold a piano-pedagogical system pivoting on the principle of relational autonomy. In grounding piano pedagogy in the aesthetics of absolute music, each domain works on the other. On the one hand, Romantic aesthetics affords pedagogy a source of artistic value in its own right. On the other hand, pedagogy concretizes Romantic aesthetics, deflating its transcendental pretentions and showing the dichotomy of absolute/utilitarian to be specious.

The Organ and Its Music in German-Jewish Culture examines the powerful but often overlooked presence of the organ in synagogue music and the musical life of German-speaking Jewish communities. Tina Fruhauf expertly chronicles the history of the organ in Jewish culture from the earliest references in the Talmud through the 19th century, when it had established a firm and lasting presence in Jewish sacred and secular spaces in central Europe. Fruhauf demonstrates how the introduction of the organ into German synagogues was part of the significant changes which took place in Judaism after the Enlightenment, and posits the organ as a symbol of the division of the Jewish community into Orthodox and Reform congregations. Newly composed organ music for Jewish liturgy after this division became part of a cross-cultural music tradition in 19th and 20th century Germany, when a specific style of organ music developed which combined elements of Western and Jewish cultures. Concluding with a discussion of the organ in Jewish communities in Israel and the USA, the book presents in-depth case studies which illustrate how the organ has been utilized in the musical life of specific Jewish communities in the 20th century.
Based on extensive research in the archives of organ builders and Jewish musicians, The Organ and Its Music in German-Jewish Culture offers comprehensive and detailed descriptions of specific organs as well as fascinating portraits of Jewish organists and composers. With an extensive companion website featuring full color illustrations and over 200 organ dispositions, this book will be eagerly read by performers, students, and scholars of the organ, as well as students and scholarsin historical musicology and Jewish music.

Ernst Hanfstaengl was court jester, pianist, and foreign press chief for Hitler, he even claimed to have devised the chant of Sieg Heil, but when the two men fell out he fled to Britain, where he was interned and transferred to America. There he worked as the star of Roosevelt's 'S-Project,' informing on 400 leading Nazis and creating a detailed psychological portrait of Hitler. Through newly declassified documents, interviews with surviving family members and original writing by Hanfstaengl himself, Peter Conradi recounts a remarkable life.

Features easy piano arrangements of 24 hits from Elton John complete with background notes and playing hints and tips.

Complete Level 1 is a faster-paced version of Levels 1A and 1B that gets to staff reading more quickly. Perfect for a student who is 8 or older, or for a younger beginner with great musical aptitude. This course is most effective when used under the direction of a piano teacher or experienced musician.

(Piano Solo Personality). Stellar solo arrangements of a dozen smash hits from Coldplay: Clocks * Fix You * In My Place * Lost * Paradise * The Scientist * Speed of Sound * Trouble * Up in Flames * Viva La Vida * What If * Yellow.

Graded Keyboard Musicianship provides graded and integrated exercises for developing five core skills at the keyboard: figured bass, score-reading, transposition, harmonization, and improvisation. Organized into two books, it develops these skills from an elementary level, providing support for practical and theoretical music exams, and for teaching harmony. Book 1 assumes keyboard ability of Grade 1 ABRSM standard and covers up to Grade 5, while Book 2 covers Grades 6 to 8. The bite-size approach, catering for pianists and organists, uses practical worksheets of exercises alongside supplementary text.

Cool syncopation, funky riffs and smooth, stylish tunes---from dynamic to nostalgic, Pam Wedgwood's series has it all. Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles, tailor-made for the intermediate player. This new edition features a fantastic accompanying CD, complete with performances, backing tracks and slowed-down backings for practice. So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz.

Lang Lang Piano Academy: mastering the piano level 4 (approximately equivalent to Grade 4/Early Intermediate) includes sections on legato pedalling, phrasing and rubato and new accompaniment styles. Units: Posture, movement and hand shape Legato pedalling New accompaniment styles More on chords More on rhythm Musical context Phrasing and rubato Dexterity Mastering the piano is the first series of books to be launched in the Lang Lang Piano Academy. Comprising five progressive books, mastering the piano captures Lang Lang's passion, drive and extraordinary mastery of the piano. Each book gives students the chance to learn from this exceptional talent, with: 8 units that develop key aspects of piano technique; specially devised exercises & studies; a diverse selection of repertoire including Lang Lang's favourite works; and inspirational commentary & guidance from Lang Lang himself. Mastering the piano is also available as an iPad App! Listen to Lang Lang perform Sweet Dreams from 'Album for the Young' by Tchaikowsky Download FREE Scales & Arpeggios chart for Level 4

Two Pianos, Four Hands. 2 Copies needed to perform.

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

This work features songs from the world's number one show, "Mamma Mia" - the musical based on the music of Abba. Each song is presented in a complete arrangement for Easy Piano. It includes all 22 Songs from the show. It is complete with lyrics and chord symbols. More productions of "Mamma Mia" are playing simultaneously around the world than any other musical. Songs include: "Dancing Queen"; "Mamma Mia!"; "The Name of the Game"; "Take A Chance On Me"; "Voulez-Vous"; "Chiquitita"; "Does Your Mother Know"; "I Do, I Do, I Do, I Do, I Do"; "I Have A Dream"; "Knowing Me, Knowing You"; "Lay All Your Love On Me"; and "Money, Money, Money".

Discover Pam Wedgwood's exciting world of jazz piano! How to Play Jazz Piano is a fun and simple introduction for young players with a basic knowledge of how to play the piano (about Grade 2 standard). It includes an introduction to improvisation, suggested listening ideas and covers swing, syncopated rhythms, basic chords and chord symbols, scales and modes used in jazz. There are also plenty of great pieces in different styles, online audio and Pam's helpful advice and teaching tips every step of the way!

Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is. In pursuit of an historical Brahms, Notley focuses on the later chamber music, drawing on various documents and perspectives, but with particular emphasis on the relevance of Western Marxist critical traditions.

What Else Can I Play? Piano Grade 4 presents 18 carefully graded repertoire piecs for the grade 4 level pianist. With a variety of musical styles ranging from classical and jazz through to showtunes and popular songs, this collection will bring enthusiasm to learning the piano and provide an entertaining alternative for those pupils who are working towards, or have recently completed their grade exams. Each piece offers suggested fingering, dynamics and tempo together with technical tips and performance notes.

The Piano in Black and White is for everyone with an unrequited love for the piano. It will entice beginners to climb a few important rungs up the ladder, coax the fainthearted to play more and welcome back those who previously gave up. Packed with inspiration and advice, this book demystifies the process of learning the piano. There are easy-to-follow lessons with photographs and fingering guides, online audio and unique features such as finger pilates and the 'ten-by-five' practice method. By the end of the book you will be able to play twelve beautiful pieces, making this an unmissable book for all would-be pianists! "If you think your piano skills are non-existent or too rusty to be revived, this is the perfect book for you. It is clear, packed with useful information and constantly encouraging. Before you know it, you'll be playing well-known tunes with confidence!" Katie Derham, TV and radio presenter "This inspiring book is ideal for adult beginners and returners alike: a lucid, creative and good-humoured guide that goes beyond the notes into the heart of music making." Sarah Harding, TV director ('Maigret', 'Vikings', 'Gentleman Jack')

This book explores the emerging area of microtonality through an examination of the tuning theories of Erv Wilson. It is the first publication to offer a broad discussion of this influential theorist whose innovations have far-reaching ramifications for microtonal tuning systems. This study addresses the breadth and complexity of Wilson's work by focusing on his microtonal keyboard designs as a means to investigate his tuning concepts and their practical applications. Narushima examines materials ranging from historical and experimental tunings to instrument design, as well as musical applications of mathematical theories and multidimensional geometry. The volume provides an analysis of some of Wilson's most significant theoretical ideas, including the Scale Tree, Moments of Symmetry, Constant Structures, and Combination-Product Sets. These theories offer ways to conceptualize musical scales as patterns with structural integrity and whose shapes can be altered to produce infinitely varying forms. The book shows how these structural properties can be used to map scales onto a microtonal keyboard by providing step-by-step guidelines and clearly illustrated examples. Most importantly, it brings together theoretical and practical methods of tuning to enable composers, performers, and instrument designers to explore previously uncharted areas of microtonality, making a significant contribution to the fields of music theory, composition and music technology.