Don't Be Afraid of the Pedals is a guide for the pianist-turned-organist in developing the use of not only the pedals but also the stops, couplers, and swell pedal of the organ. The pieces are arranged progressively beginning with the use of one manual and two pedal notes, continuing with two manuals, then advancing up to six pedal notes. As well as being a tutor for the new organist, the combination of hymns and voluntaries presented in this book provide a practical repertoire for church use. This volume is a combination of three titles previously available separately: "One Foot at a Time; Another Foot at a Time; and "Hymns for Mostly Manuals.

Teaching Notes offers invaluable guidance for teachers on the 81 pieces included in the graded books of Piano Exam Pieces 2021 & 2022, Grades Initial-8. For each piece, you will find teaching ideas relating to three areas of learning - musical context, technical challenges, and performance and interpretation - in a clear and easy-to-use layout. Written by experienced piano teachers and ABRSM examiners, Teaching Notes also includes advice from ABRSM's Chief Examiner on selecting and interpreting pieces. Alongside practical solutions to technical challenges, it's full of creative ideas to support and inspire your teaching.

Scale Explorer for Piano is a creative resource for students learning their scales and arpeggios. This book covers ABRSM's new syllabus requirements (from 2021) at Grade 1, and includes engaging activities that bring scales to life through short pieces, improvisation, composition and exercises. Key features *

This book contains nine pieces from ABRSM's Grade 1 Piano syllabus for 2021 & 2022, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of all 30 pieces on the Grade 1 syllabus, performed by Nikki Iles, Dinara Klinton, Robert Thompson and Anthony Williams.

This book contains nine pieces from ABRSM's Initial Grade Piano syllabus for 2021 & 2022, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of all 30 pieces on the Initial Grade syllabus, performed by Nikki Iles, Dinara Klinton, Robert Thompson and Anthony Williams.

Professor Sir Donald Tovey's celebrated bar-by-bar analysis of Beethoven's 32 Pianoforte Sonatasremains a key text for pianists, students, scholars and music lovers. Intended as a companion to the ABRSM's Complete Pianoforte Sonatas edition - edited by Harold Craxton but with each work prefaced by Tovey's practical and critical notes - the book contains a succinct and illuminating summary of the author's analytical approach before each sonata is dealt with in detail. This new imprint is prefaced with an introduction by Dr Barry Cooper, Lecturer in the Music Department of Manchester University. Tovey's text is reproduced faithfully; however, Dr Cooper has added footnotes to correct errors of fact or to qualify conclusions drawn by Tovey that the passage of time, since the book was first published in 1931, has suggested might be questionable. With the re-issue of this book, Tovey's famed insight, commonsense and wit will continue to enlighten and entertain the author's devotees, as well as a new generation of performers and students.

Learn to play the electronic keyboard and open up a brand new world of musical knowledge with this exciting method from Alfred. Beginners of all ages can start their journey to a lifetime of musical enjoyment. Beginning with the fundamentals, you will learn about MIDI, position at the keyboard, preparing your instrument for use, and proper hand position. You will then move right along to learning about the different keys on the keyboard and basics of standard musical notation. You will immediately dive into playing notes and transforming them into well-known songs, all while continuing to increase your ever-growing knowledge of reading and understanding standard musical notation and keyboard functions. Throughout the book, you will be introduced to a variety of styles, including pop, rock, country, blues, classics, folk favorites, hymns, spirituals and ragtime and upon completion you will know how to use chord symbols to play from pop sheet music, fake books and lead sheets. This book is for keyboards with automatic rhythms and "single-finger" chords.
The book features the following helpful resources for reference during and after your lessons:
* Explanation of the Circle of 5ths
* Improvising techniques
* Exciting arrangements of "The Entertainer," "Amazing Grace," and many more.
Be your own teacher, and let Alfred be your resource every step of the way.

The skill of playing unprepared in a lively, accurate, creative and musical way is at the heart of jazz performance. The quick study, requiring the recreation of a previously unseen or unheard short head followed by an improvised response, helps you to practise this crucial skill. It will give you the confidence to learn repertoire more effectively and prepare for the very real demands of busking through all those unrehearsed situations which are a regular feature of the jazz musician's life. This book contains a set of graded practice tests covering a wide range of jazz styles. An invaluable introduction explains the concept behind the quick study, useful ways to extend and develop activities related to it, and details of the exam.

Easy Jazzin' About Standards Piano presents 15 favourite jazz songs especially arranged by Pam Wedgwood for elementary level pianists. Online audio of performances are available for an enhanced learning experience. The selection includes fun original pieces written by Pam, as well as beloved classics such as The Entertainer, Anything Goes, Nice Work If You Can Get It, and more!

Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony (Cambridge, 2008), Harmony in Schubert (Cambridge, 2010), and Harmony in Haydn and Mozart (Cambridge, 2012). Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches.

Core Classics is a collection of seven books of music from the piano canon, selected and graded by leading educationalists. Each volume contains a rich selection of engaging pieces to form the backbone of any pianist's repertoire. With pieces from Albeniz, Rebello, Schumann, and many more, this book includes an abundance of much-loved music. Each book is authoritatively graded, with pieces gradually increasing in difficulty throughout. The books are equally valuable for learners working towards a grade exam, between grades, or playing for leisure, building technical skills and confidence. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Die Autorin untersucht in ihrem Buch die historische Evolution der Instrumentalmusik, hierbei insbesondere die Rolle des Klaviers. Die Instrumentalmusik entwickelte sich von der Gebrauchsmusik (oder: von der wohl artikulierten Veranschaulichung von Affekten) zum romantischen Paradigma der absoluten Musik und des Verstandnisses der Musik, das dem 20. Jahrhundert eigen war. Zur Sprache kommen der Werdegang der Instrumentalmusik als wichtigstem Feld kompositorischer Expression, das charakteristische Verstandnis der Kammermusik, ihrer AEsthetik und ihrer Ausfuhrungspraxis sowie der Platz des Klaviers in einem Kammerensemble (von der solistischen Dominanz bis zur Partnerschaft).

for SATB and organ This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer respite, as one is safe in the omnipresence of God. Tranquil yet powerful, this work captures a sense of the total stillness after a storm. The sustained chords in the organ swell and fall, binding and supporting the choir's phrases while adding to the magical atmosphere of the anthem.

Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.

This book explores the history of keyboard instruments from their fourteenth-century origins to the development of the modern piano. It reveals the principles of their design and describes structural and mechanical developments through the medieval and renaissance periods and eighteenth- and nineteenth-centuries, as well as the early music revival. Stewart Pollens identifies and describes the types of keyboard instruments played by major composers and virtuosi through the ages and provides the reader with detailed instructions on their regulating, stringing, tuning and voicing drawn from historical sources.

A piece a week Piano Grade 6 is ideal to be used alongside the Improve your sight-reading! graded piano books to support and improve the reading skills so fundamental to successful sight-reading. These fun, short pieces are specifically written to be learnt one per week. By continually reading accessible new repertoire, the crucial processing of information and hand-eye coordination are established and improved, developing confident sight-reading. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills, especially in the context of graded exams.

Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gerard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.