A compendium of over 100 of the world's most beloved masterpieces by the great composers. Contains preludes by Bach, waltzes by Chopin and Strauss, minuets by Mozart and Handel, and themes from symphonies and piano concertos of Schubert, Beethoven, Tchaikovsky, and many more. Spiral bound.

Pianoworks Duets 1 is the perfect resource for beginner pianists to explore duet-playing. They'll develop balance, playing in time, and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres, from Offenbach's lively 'Can-Can' and Joplin's 'The Entertainer' to traditional folk tunes from Japan and the West Indies. In addition, the collection contains several new and original gems by Alan Bullard, the co-author of this celebrated series.

All the sonatas, fantasies, rondi, as well as the most important variation sets and assorted pieces are included. Michael Davidson guides us through each composition addressing specific aspects and problems, offering practical advice and interesting alternatives as well as historical background and formal analysis when relevant to interpretation.

Jazz on a Summer's Day is a unique collection of stylish jazz arrangements and original compositions for solo piano. It conveys the many sides of summer through swing, blues, samba, calypso, and folk, and draws inspiration from jazz artists including Oscar Peterson, Bill Evans, Grover Washington Jr, and Sonny Rollins. The author's credentials, as a celebrated jazz pianist and composer, guarantee a perfect introduction to jazz and to sounding like the best.

For the first time, a piano sheet music collection that encompasses the entire Star Wars saga all in one compelling volume! Set amid stunning imagery from the films, the piano arrangements bring the magic of Star Wars to life as they masterfully invoke the grand romanticism of John Williams epic, award-winning scores. The most definitive and memorable pieces from each of the six Star Wars episodes are included. Contents: * 20th Century Fox Fanfare * Star Wars Main Title * Duel of the Fates * Anakin's Theme * Across the Stars (Love Theme) * Battle of the Heroes * The Imperial March * Jawa Sandcrawler * Binary Sunset * Cantina Band * Princess Leia's Theme * Ben's Death / TIE Fighter Attack * Yoda's Theme * Luke and Leia * Forest Battle * May the Force Be with You * The Throne Room.

(Faber Piano Adventures ). Outstanding popular repertoire skillfully arranged and correlated with the concepts in Accelerated Lesson Book 1. Contents include: In Dreams * Video * Star Wars * Hedwig's Theme * Fiddler on the Roof * What a Wonderful World * Soak up the Sun * Over the Rainbow * The Lion Sleeps Tonight.

This selection of twelve pieces draws on a variety of jazz styles associated with famous artists including Duke Ellington, Billie Holiday, and Ella Fitzgerald. The pieces are simple yet delightful, and this volume presents a refreshing approach to exploring jazz while improving your piano technique. This volume is perfect for intermediate standard players (approximately Grades 4-5) of any age, and includes a CD with performances by the composer.

(Piano Solo Composer Collection). New solo arrangements with chord symbols for 20 Jobim favorites, including: Agua De Beber (Water to Drink) * Aguas De Marco (Waters of March) * Bim-Bom * The Girl from Ipanema (Garota De Ipanema) * How Insensitive (Insensatez) * Meditation (Meditacao) * One Note Samba (Samba De Uma Nota So) * Quiet Nights of Quiet Stars (Corcovado) * Slightly Out of Tune (Desafinado) * Wave * and more.

(Faber Piano Adventures ). Consists of carefully selected repertoire from the Baroque, Classical, Romantic, and Modern periods. Contents include: Sonatina in C Major, Op. 36, No. 1, by Clementi * Rondo for Four Hands, by Diabelli * Ballade, by Burgmuller * Spinning Song, by Ellmenreich * Avalanche, by Heller * Wild Rider, by Schumann * and many other selections.

(Faber Piano Adventures ). An ideal introduction to the easiest keyboard sonatinas. Contents include: Sonatina in C 1st mvt (Gurlitt) * Sonatina in C (Duncombe) * Sonatina Op. 57 No. 1 (Biehl) * Sonatina in D (Saliutrinskaya) * Sonatina in C (Biehl) * Sonatina Op. 792, No. 8 (Czerny) * Sonatina in G (Attwood).

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Oxford Service Music for Organ: Manuals and Pedals, Book 1 was winner of the Music Industries Association's Best Classical Publication 2011.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

In this collection you'll find fun and accessible piano accompaniments for the 32 well-known Christmas carols and pieces featured in the Cello Time Christmas melody book. Perfect for busking, school concerts or family get-togethers, the Cello Time Christmas piano book offers stylish and festive accompaniments, capturing the spirit and mood of the pieces. Essential for teachers and musical parents, this book will help motivate all young cellists as they learn to play.

In this collection you'll find fun and accessible piano accompaniments for the 32 well-known Christmas carols and pieces featured in the Fiddle Time and Viola Time Christmas melody books. Accompaniments are labelled with the relevant instruments and the differences between violin and viola melodies are indicated throughout. Essential for teachers and musical parents, this book will help motivate all young violin and viola players as they learn to play.

Pianoworks: A Night at the Theatre is a fantastic collection of easy-to-play arrangements for the older beginner to intermediate pianist. You'll find classic tunes from favourite operas, ballets, and musicals, including 'Toreador's Song' from Bizet's Carmen, 'The Flight of the Swans' from Tchaikovsky's Swan Lake, and 'On the street where you live' from My Fair Lady. The pieces are ideal both for concert performance and to reinforce the techniques introduced in Pianoworks Book 1 and Book 2.

The Advanced Pianist Book 1 from the PianoTrainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, 'quick study' sight-reading, repertoire and 'concert pianist' hints and tips. The series not only develops students' technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focusing both on historical context and key composers for the piano. Book 1 is suitable for students at grade 6 plus.

for solo piano
Zhou Long has written a set of theme and variations on a slow Mongolian folk-tune for solo piano. After the theme is stated, there are nine variations that traverse different styles, keys, speeds, figurations, and durations. The entire work is 8 minutes long and is perfect for concerts or as a teaching tool for teachers with intermediate students.

Why does a piano sound like a piano? A similar question can be asked of virtually all musical instruments. A particular note - such as middle C - can be produced by a piano, a violin, a clarinet, and many other instruments, yet it is easy for even a musically untrained listener to distinguish between these different instruments. A central quest in the study of musical instruments is to understand why the sound of the "same" note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of Physics of the Piano is to investigate these questions for the piano. The explanations in this book use a minimum of mathematics, and are intended for anyone who is interested in music and musical instruments. At the same time, there are many insights relating physics and the piano that will likely be interesting and perhaps surprising for many physicists.

As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies and counterpoint that distinguish them. While exploring Bach's compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?

Teaching Piano in Groups provides a one-stop compendium of information related to all aspects of group piano teaching. Motivated by an ever-growing interest in this instructional method and its widespread mandatory inclusion in piano pedagogy curricula, Christopher Fisher highlights the proven viability and success of group piano teaching, and arms front-line group piano instructors with the necessary tools for practical implementation of a system of instruction in their own teaching.
Contained within are: a comprehensive history of group piano teaching; accessible overviews of the most important theories and philosophies of group psychology and instruction; suggested group piano curricular competencies; practical implementation strategies; and thorough recommendations for curricular materials, instructional technologies, and equipment. Teaching Piano in Groups also addresses specific considerations for pre-college teaching scenarios, the public school group piano classroom, and college-level group piano programs for both music major and non-music majors.
Teaching Piano in Groups is accompanied by an extensive companion website, featuring a multi-format listing of resources as well as interviews with several group piano pedagogues.

With a total of 8 million records sold, piano sensation Jim Brickman continues with a volume of songs of faith and inspiration. This collection contains 22 selections, featuring songs from the album Faith (in print for the first time) plus 9 other inspirational tunes.