(Music Sales America). A collection of music arranged for solo piano, including "Metamorphoses One to Five" collected together for the first time. Suitable for intermediate to advanced pianists.

This major new collection on the piano teacher's art opens with an assessment of the role of the piano teacher, and goes on to explore various types of students and the challenge each presents: the moderately talented, but ambitious, student; the late beginner; the unusually gifted. Drawing on thirty years of teaching and performing, Gordon then brings fresh ideas to bear on the often-discussed areas of inner-hearing, pulse regulation, improvisation, sight-reading, and collaborative music making.

Chopin's four ballades are widely regarded as being among the most significant extended works for solo piano of the nineteenth century. In an illuminating discussion, Jim Samson combines history and analysis to provide a comprehensive picture of these popular piano works, investigating the social and musical background to Chopin's music, evaluating the many printed editions of the ballads before considering their critical reception and the differing interpretations of well-known nineteenth- and twentieth-century pianists.

A piece a week Piano Grade 1 is ideal to be used alongside the Improve your sight-reading! graded piano books to support and improve the reading skills so fundamental to successful sight-reading. These fun, short pieces are specifically written to be learnt one per week. By continually reading accessible new repertoire, the crucial processing of information and hand-eye coordination are established and improved, developing confident sight-reading. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills, especially in the context of graded exams.

(Evans Piano Education). Features 11 jazzy Christmas tunes arranged at the intermediate level in Lee Evans' inimitable style. Includes: Caroling, Caroling * The Christmas Song * The Christmas Waltz * Feliz Navidad * Frosty the Snow Man * (There's No Place Like) Home for the Holidays * I'll Be Home for Christmas * Let It Snow Let It Snow Let It Snow * A Marshmallow World * My Favorite Things * Silver Bells.

The Soviet composer Gliere was very much influenced by the 19th-century Russian romantic tradition. As the short pieces in this album demonstrate, he was particularly skilful at expressing a melody in simple and direct terms while at the same time creating a colourful and romantic picture.

Piano Star is an exciting series for young pianists, offering a rich selection of new repertoire to help players build confidence and musical skills. Piano Star 3 moves from Prep Test level towards Grade 1 and includes compositions by Alan Bullard, David Blackwell, Peter Gritton, Mike Cornick, Mark Tanner, John Madden, Karen Marshall, Andrew Eales, Edmund Jolliffe, Nikki Illes, and Nancy Litten. Key features of the series: - Solo pieces, plus a number of duets - A rich mix of musical styles, with techniques introduced progressively - Fun extension activities - Beautifully illustrated

32 of his most famous works arranged for advanced piano solo, including: Elegie in E Flat Minor Opus 3, No. 1 * Humoresque Opus 10, No. 5 * Piano Concerto No. 2 * Valse in A Major Opus 10, No. 2 * and more. Includes several photos and pictures of Rachmaninoff.

This is the first book-length study of the Orgelbüchlein, the masterly collection of organ chorales by J. S. Bach. This 'Little Organ Book' is regarded by Bach scholars as one of the composer's most important achievements and by organ scholars as a milestone in the development of the chorale. Russell Stinson, himself an organist, examines the collection from a range of historical and analytical perspectives in a way that will resonate with not only organists and scholars but the average concert-goer or CD-buyer.

This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history. Between 1820 and 1870 a number of influences combined to bring about a radical transformation in the design and use of English organs. Thistlethwaite considers most of the major church, cathedral and concert organs built during this period and the work of individual builders is discussed, especially that of William Hill, whose career forms a linking thread to the narrative. The book contains valuable sections dealing with business organisation and workshops, the provision of organs in churches and chapels, and questions of performance practice. It is richly illustrated with photographs and specially drawn diagrams and includes an invaluable appendix of organ specifications. This documentary source book and history is indispensable for all those, professionals or amateurs, who have an interest in the organ.

Six terrific songs from the 1965 Disney animated classic: The Bare Necessities * Colonel Hathi's March (The Elephant Song) * I Wan'na Be Like You (The Monkey Song) * My Own Home (Jungle Book Theme) * That's What Friends Are For (The Vulture Song) * Trust in Me (The Python's Song).

(Easy Piano Songbook). A terrific collection of 48 classic tunes from 33 Disney movies and shows: Alice in Wonderland * The Aristocats * Be Our Guest * Cinderella * Cruella De Vil * Go the Distance * A Guy Like You * I Won't Say (I'm in Love) * If I Never Knew You * It's a Small World * Mickey Mouse March * Under the Sea * Winnie the Pooh * You've Got a Friend in Me * more

(Music Sales America). These pocket-sized swatch-packs are great for quick reference at home or on the go. All the essential chords are presented on easy to read cards.

A fascinating history of the piano explored through 100 pieces chosen by one of the UK's most renowned concert pianists "Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz."-Richard Fairman, Financial Times, "Best Books of 2021: Classical Music" "[One of] the most beautiful books I got my hands on this year. . . . About the shaping of this maddening, glorious, unconquerable instrument."-Jenny Colgan, Spectator, "Books of the Year" An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre-from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.

This Treatise on Harpsichord Tuning (1643-50) was the first French document to discuss keyboard performance practice in any detail. Jean Denis was both a harpsichord builder of renown and the organist of a prominent Parisian church, and is thus an authority worthy of careful study. The treatise addresses numerous matters of interest to both scholars and performers, including temperament, ornamentation, fugue, and the use of the organ in liturgical practice. Also included in the treatise are a keyboard prelude designed to reveal errors in tuning, and two delightful anecdotes attesting to the power of music. The forthright character of Denis's writing lends a unique and distinctly enjoyable tone to the work."

(Educational Piano Library). This great collection of pop songs correlates with Hal Leonard Student Piano Library Piano Lessons Book 2, and is a perfect supplementary book for all methods. Large staff notation is easy to read. Each student solo also has a teacher accompaniment. 10 songs with teacher accompaniments: Beauty and the Beast * Ding-Dong The Witch Is Dead * Do You Hear the People Sing? * Edelweiss * Lean on Me * The Loco-Motion * Over the Rainbow * The Rainbow Connection * Smile * Supercalifragilisticexpialidocious. Level: basic note values and rests; sharps, flats and naturals; 3/4, 4/4 meter; melodic and harmonic intervals through a 5th; limited use of hands together passages. Reading range: from Bass Clef B (a 6th below Middle C), to Treble Clef B (a 7th above Middle C).

This book examines two notable forms of chamber music involving piano and strings. Smallman surveys the development of these genres from their origins in the mid-eighteenth century to the present day.

Join the superhero world of Lang Lang and come on a piano adventure with The Lang Lang Piano Method Level 4. Level 4 progresses with the following: extending technique, rhythms and keys through progressive repertoire featuring fun original pieces, classic themes and evocative world tunes. The five progressive books in The Lang Lang Piano Method provide a unique and imaginative way for complete beginners to learn the piano with the world's most successful concert pianist, Lang Lang. There's plenty to play all around the keyboard right from the start. Fun, imaginative pieces develop the left and right hands equally and supporting audio features exclusive performances by Lang Lang of the concert pieces. Musicianship is developed through theory pages and listening to exclusive performances by Lang Lang of piano classics for children. "I've written The Lang Lang Piano Method to inspire today's kids with my passion for the piano." Lang Lang

A vivid (and startling) example of the "new musicology", Beethoven's Kiss is an interdisciplinary study of romantic pianism in relation to gender and sexuality, ultimately underscoring the extent to which the piano resonates with intimations of both homosexuality and mortality. The first chapter, on the amateur pianist, scrutinizes the way Andre Gide and Roland Barthes discuss piano playing, their favorite composers - and their homosexuality. Situating these discussions within the histories of sexuality and amateur pianism, the author argues that connections between musical and sexual mastery are shaped by the "performance" of class and gender. The second chapter examines the homoerotic basis of the creation of nineteenth-century piano music and the equally homoerotic basis of the twentieth-century recreation of this music. The title of the third chapter, "Beethoven's Kiss", refers to the apocryphal story that Beethoven kissed Liszt, then eleven, in public. The author recounts other quasi-sexual myths about nineteenth-century child prodigies, examining how and why these stories used to circulate and why they no longer do so. The next chapter examines the different ways nineteenth- and twentieth-century audiences sexualize famous pianists and polarize them along gender and sexual lines. The fifth chapter describes the gender, sexual, and class positioning of the "maiden" piano teacher in a variety of texts - interviews, memoirs, short stories, novels, and films. The book concludes with a far-ranging analysis of Liberace, who (with his silver candelabra) tried to perform upper-class status, who (with his devotion to Chopin) tried to perform highbrow taste, and who (with his closetedlifestyle) tried to perform heterosexuality.