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Books > Music > Musical instruments & instrumental ensembles > Keyboard instruments
This wonderful anthology presents a fascinating survey of music by
African composers, both those living in Africa and those now
resident elsewhere in the world. The music, much of which is
published here for the first time, includes a kaleidoscope of
different styles, moods, genres, and colours. You will find works
influenced by the blues, jazz, and ragtime and works built on
exotic scales, African folk-tunes, and drumming rhythms. The
volumes are graded, ranging from beginner (Vol. 1) to advanced
(Vol. 5). They provide exciting material for pianists just
beginning their studies and for those who are looking for new and
exciting recital repertoire.
(Schirmer Performance Editions). Schirmer Performance Editions are
designed for piano students and their teachers as well as for
professional pianists. Pedagogical in nature, these editions offer
insightful interpretive suggestions, pertinent fingering, and
historical and stylistic commentary. Prepared by renowned
artists/teachers, these publications provide an accurate,
well-informed score resource for pianists. Beethoven composed 24
bagatelles by definition short trifles in a light vein during his
lifetime. This collection contains 14 pieces, including the famous
"Fur Elise," which are appropriate for intermediate to early
advanced pianists.
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Lull-A-Bear
(Book)
Robert Xavier Rodriguez
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R270
R245
Discovery Miles 2 450
Save R25 (9%)
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A short movement depicting the hibernation of a baby bear cub. 2
minutes.
This ferociously energetic work for two pianos/four hands was
inspired by the jungle-dwelling warrior devil of Amazonian Peru
known as the saqsampillo. 6 minutes.
Written especially for the older beginner, Pianoworks 1 explains
all you need to know to get you started on the piano. It focuses on
the traditional concept of learning to play from music but also
includes hints on improvisation and playing by ear. At every stage
there is an appealing and accessible range of pieces to play, from
classical to modern in style, including a number of new pieces by
the authors. New ideas are introduced at a steady pace, and
examples and exercises reinforce learning and build confidence.
There are useful notes on how to approach each piece, and a CD
contains performances of all the pieces, accompaniments to play
along with, demonstrations, and additional exercises. Pianoworks 1
can be used with a teacher or as a stand-alone resource.
This wonderful anthology presents a fascinating survey of music by
African composers, both those living in Africa and those now
resident elsewhere in the world. The music, much of which is
published here for the first time, includes a kaleidoscope of
different styles, moods, genres, and colours. You will find works
influenced by the blues, jazz, and ragtime and works built on
exotic scales, African folk-tunes, and drumming rhythms. The
volumes are graded, ranging from beginner (Vol. 1) to advanced
(Vol. 5). They provide exciting material for pianists just
beginning their studies and for those who are looking for new and
exciting recital repertoire.
A piece a week Piano Grade 2 is ideal to be used alongside the
Improve your sight-reading! series, graded piano books to support
and improve the reading skills so fundamental to successful
sight-reading. These fun, short pieces are specifically written to
be learnt one per week. By continually reading accessible new
repertoire, the crucial processing of information and hand-eye
coordination are established and improved, developing confident
sight-reading. The ability to sight-read fluently is a vital skill,
enabling students to learn new pieces more quickly and play with
other musicians. The best-selling Improve your sight-reading!
series, by renowned educationalist Paul Harris, is designed to
develop sight-reading skills, especially in the context of graded
exams.
(Willis). A comprehensive step-by-step course specifically designed
to suit the needs of all children beginning the piano. Includes:
characters and illustrations * writing exercises * sight reading
drills * review work * accompaniments * and more.
This is the first comprehensive study of the life and work of
Bartolomeo Cristofori, the Paduan-born harpsichord maker and
contemporary of Antonio Stradivari, who is credited with having
invented the pianoforte around the year 1700 while working in the
Medici court in Florence. Through thorough analysis of documents
preserved in the State Archive of Florence, Pollens has
reconstructed, in unprecedented technical detail, Cristofori's
working life between his arrival in Florence in 1688 and his death
in 1732. This book will be of interest to pianists, historians of
the piano, musicologists, museum curators and conservators, as well
as keyboard instrument makers, restorers, and tuners.
(Piano Play-Along). Your favorite sheet music will come to life
with the innovative Piano Play-Along series With these book/CD
collections, piano and keyboard players will be able to practice
and perform with professional-sounding accompaniments. Containing
eight cream-of-the-crop songs each, the books feature new
engravings, with a separate vocal staff, plus guitar frames, so
players and their friends can sing or strum along. The CDs feature
two tracks for each tune: a full performance for listening, and a
separate backing track that lets players take the lead on keyboard.
The high-quality, sound-alike accompaniments exactly match the
printed music. Volume 12 includes: Blue Christmas * The Christmas
Song (Chestnuts Roasting on an Open Fire) * Do You Hear What I Hear
* Here Comes Santa Claus (Right Down Santa Claus Lane) * I Saw
Mommy Kissing Santa Claus * Let It Snow Let It Snow Let It Snow *
Merry Christmas, Darling * Silver Bells.
(Piano Solo Songbook). Method book with repertory for the beginning
pianist by renowned teacher, arranger and musicologist, Denes Agay.
CD tracks demonstrate how the pieces should sound and, in some
cases, provide a piano part with which the student can play along.
Learn to play the electronic keyboard and open up a brand new world
of musical knowledge with this exciting method from Alfred.
Beginners of all ages can start their journey to a lifetime of
musical enjoyment. Beginning with the fundamentals, you will learn
about MIDI, position at the keyboard, preparing your instrument for
use, and proper hand position. You will then move right along to
learning about the different keys on the keyboard and basics of
standard musical notation. You will immediately dive into playing
notes and transforming them into well-known songs, all while
continuing to increase your ever-growing knowledge of reading and
understanding standard musical notation and keyboard functions.
Throughout the book, you will be introduced to a variety of styles,
including pop, rock, country, blues, classics, folk favorites,
hymns, spirituals and ragtime and upon completion you will know how
to use chord symbols to play from pop sheet music, fake books and
lead sheets. This book is for keyboards with automatic rhythms and
"single-finger" chords.
The book features the following helpful resources for reference
during and after your lessons:
* Explanation of the Circle of 5ths
* Improvising techniques
* Exciting arrangements of "The Entertainer," "Amazing Grace," and
many more.
Be your own teacher, and let Alfred be your resource every step of
the way.
Piano Time Pieces 1 presents a sparkling selection of pieces in all
styles. Here are classical and jazzy pieces, folksongs and
specially written tunes, and songs and character pieces of all
kinds. Practising the range of techniques and keys introduced in
Piano Time 1, these pieces provide a wealth of enjoyable practice
and repertoire material for all young pianists.
Piano Time Pieces 2 presents a sparkling selection of pieces in all
styles. Here are classical and jazzy pieces, folksongs and
specially written tunes, and songs and character pieces of all
kinds. Practising the range of techniques and keys introduced in
Piano Time 2, these pieces provide a wealth of enjoyable practice
and repertoire material for all young pianists.
French Language Edition. This easy step-by-step method emphasizes
correct playing habits and note reading through interval
recognition. Lesson Book Level 1A begins by teaching basic keyboard
topography and fluent recognition of white key names in relation to
black keys. It focuses on simple rhythms and prepares students for
intervallic reading with entertaining songs that focus on "same,"
"stepping up" and "stepping down." It then introduces lines and
space notes in treble and bass clefs, melodic and harmonic
intervals of 2nds, 3rds, 4ths and 5ths, and graduates to reading on
the grand staff. It also introduces the flat and sharp signs. This
course is most effective when used under the direction of a piano
teacher or experienced musician.
Jazz, Rags & Blues, Books 1 through 5 contain original solos
for late elementary to early advanced-level pianists that reflect
the various styles of the jazz idiom. An excellent way to introduce
your students to this distinctive American contribution to 20th
century music. Available separately (item #18115), the CD includes
dynamic recordings of each song in Books 1-3 of this series.
The Art of Ballet Accompaniment: A Comprehensive Guide addresses
every imaginable topic and challenge that a ballet
accompanist—whether a novice or a more experienced
practitioner—might encounter. More than just a facile anthology
of accessible music, this inclusive guide details all aspects of
playing for ballet, including a complete manual for editing piano
literature to accompany ballet technique classes. Author Gerald R.
Lishka encourages ballet accompanists to be imaginative, creative,
independent artists who can also communicate effectively with dance
instructors. In addition, he clarifies the necessary balance
between the use of existing musical scores and the art of
improvisation. Featuring a new foreword by Kyra Nichols, an
expanded section on Lishka's personal philosophy, an updated
section on barre from Alison Hennessey, and over 100 music
examples, The Art of Ballet Accompaniment offers invaluable advice
for all levels of pianists and accompanists.
Shura Cherkassky's life story, like his piano playing, is
provocative and captivating. At his death in 1995, Cherkassky was
considered one of history's greatest pianists, as well as the last
direct link to the Romantic piano tradition of Chopin, Liszt, and
Anton Rubinstein. Cherkassky's story merits telling not only for
his musical achievements but also for the inspiration he provided
by demonstrating tenacity, integrity, common sense, and uncommon
courage. Cherkassky began his concert playing life in Ukrainian
Odessa at a time of lethal civil strife. Escaping with his parents
to America, the child prodigy came under the tutelage of famed
pianist Josef Hofmann, whose unfailing personal and professional
assistance continued for more than twenty years. Cherkassky
overcame poverty, prejudice against his Jewish origins, and
unhappiness from his ambivalence over his homosexuality to forge an
impressive touring and recording career, an enormous musical
repertoire, and an intriguing personality both on stage and off.
From his sensational 1923 American debut tour to sold-out concerts
on six continents, Cherkassky retained his brilliance throughout a
seventy-five year professional career. As a close friend for his
last twenty years, author Elizabeth Carr traveled with Cherkassky
on tour, attending recording and rehearsal sessions and watching
him practice, plan programs, and cope with pianos, acoustics,
conductors, and orchestras. Her role as confidante results in a
keen understanding of Cherkassky both as a human being and a
performer. Through observations, anecdotes, sixteen pages of
photos, and personal correspondence reprinted in the book, this
biography offers extensive research never before published, and an
intimate look at the man and his music.
Chopin's oeuvre holds a secure place in the repertoire, beloved by
audiences, performers, and aesthetes. In Harmony in Chopin, David
Damschroder offers a new way to examine and understand Chopin's
compositional style, integrating Schenkerian structural analyses
with an innovative perspective on harmony and further developing
ideas and methods put forward in his earlier books Thinking about
Harmony (Cambridge, 2008), Harmony in Schubert (Cambridge, 2010),
and Harmony in Haydn and Mozart (Cambridge, 2012). Reinvigorating
and enhancing some of the central components of analytical
practice, this study explores notions such as assertion, chordal
evolution (surge), collision, dominant emulation, unfurling, and
wobble through analyses of all forty-three Mazurkas Chopin
published during his lifetime. Damschroder also integrates analyses
of eight major works by Chopin with detailed commentary on the
contrasting perspectives of other prominent Chopin analysts. This
provocative and richly detailed book will help transform readers'
own analytical approaches.
Rock & Pop Studies: Piano, written by rock & pop music
experts, comprise 88 studies that develop all aspects of pop piano
playing through focused technical work. Styles covered include
Motown, metal, the blues, soul, funk, ska, reggae, disco, country,
indie, dance, classic rock, synth pop and many more. Each study
features accompanying teaching tips and further listening ideas,
with a focus on syncopation, different basslines, gospel chord
progressions, classic rock arpeggios, twelve bar blues - and how to
rock out like Jerry Lee Lewis! Suitable for the established
beginner to intermediate level piano and keyboard players, this
progressive collection helps players learn and understand the many
different challenges of popular piano playing.
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