The ABRSM's popular and well-established Manual of Scales, Arpeggios and Broken Chords is now published in a new modern edition. Still containing all the standard scale and arpeggio patterns, it has been enlarged to include whole-tone scales, augmented arpeggios and additional broken chord patterns. Ruth Gerald, formerly Head of Keyboard Studies at the Royal College of Music and a senior ABRSM consultant and examiner, has written an informative introduction, which includes some technical guidance and practice suggestions. This new edition with its clear page layout and accessible structure is an excellent resource for all pianists.

A comprehensive and immersive survey of thirty-five Beethoven piano sonatas "Beethoven piano sonatas accompany every pianist, amateur or professional for his or her entire life and constitute one of the most miraculous constants of the human civilization. To help us around the exciting journey through those masterpieces Jan Marisse Huizing combines his expertise, knowledge, and above all his unconditional love for this music."- Alexander Melnikov, pianist Beethoven's piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven's pianism as well as his characteristics of notation, form and content, "types of touch," articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.

for organ A setting of the traditional Christmas carol for organ. Dicie presents three variations of the carol's melody, which are separated by a ritornello. This piece would be useful as a prelude or interlude for services during Advent and Christmas seasons.

This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.

Contents: Ballade, Op. 47, No. 3 * Ballade, Op. 23, No. 1 * Berceuse (Lullaby) * Fantaisie-Impromptu * Funeral March (Sonata Op. 35) * Impromptu, Op. 29 * Mazurka, Op. 33, No. 1 * Mazurka, Op. 33, No. 3 * Mazurka, Op. 33, No. 4 * Mazurka, Op. 7, No. 1 * Mazurka, Op. 7, No. 2 * Nocturne, Op. 9, No. 2 * Nocturne, Op. 15, No. 2 * Nocturne, Op. 15, No. 3 * Nocturne, Op. 27, No. 2 * Nocturne, Op. 32, No. 1 * Nocturne, Op. 37, No. 1 * Nocturne, Op. 37, No. 2 * Polonaise, Op. 26, No. 1 * Polonaise, Op. 40, No. 1 * Polonaise, Op. 53 * Prelude in D-flat Major, Op. 28, No. 15 ("Raindrop") * Scherzo B Flat Minor, Op. 31 * Study, Op. 25, No. 9 * Study, Op. 25, No. 1 * Study, Op. 25, No. 7 * Waltz, Op. 18 * Waltz, Op. 34, No. 1 * Waltz, Op. 34, No. 2 * Waltz, Op. 42 * Waltz, Op. 64, No. 2 * Waltz in D-flat Major ("Minute Waltz"), Op. 64, No. 1.

Complete Level 1 is a faster-paced version of Levels 1A and 1B that gets to staff reading more quickly. Perfect for a student who is 8 or older, or for a younger beginner with great musical aptitude. This course is most effective when used under the direction of a piano teacher or experienced musician.

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

Paul Harris's brilliant Improve Your Scales! Piano Grade 2 workbook contains the complete scales, arpeggios and broken chords for the current ABRSM, Trinity, LCM and MTB Grade 2. It also uses finger fitness exercises, key pieces, sight-reading and simple improvisations to help you play scales, arpeggios and broken chords with real confidence. An invaluable resource for students, the Improve Your Scales! Piano series covers all the keys and ranges required for each syllabus, helping you pick up valuable extra marks in exams. New edition, revised to support all major exam syllabuses from 2020.

Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.

Eighteenth-century pianos shaped and influenced the music that was written for them. However, although organological studies probe the instrument in ever more detail, and musical criticism focuses increasingly on the musical repertoire, the relationship between the two has not been properly examined. This book concentrates on the keyboard writing of the last third of the eighteenth century, as inspired by the fundamentally different constructions of the German/Viennese and the English pianoforte. The highly articulated languages of Mozart and his Viennese contemporaries, and the more robust, pre-romantic style of Duzzek and his London colleagues reflect the very characteristics of these respective instruments. Beyond the scrutiny of the music, attention is given also to the players. The differentiation between professionals and amateurs is addressed, and contemporary sources help provide a description of late eighteenth-century performing styles; such a survey offers new insight into the living art of the pianoforte during a most important period in its history.

Join the superhero world of Lang Lang and come on a piano adventure with The Lang Lang Piano Method Level 4. Level 4 progresses with the following: extending technique, rhythms and keys through progressive repertoire featuring fun original pieces, classic themes and evocative world tunes. The five progressive books in The Lang Lang Piano Method provide a unique and imaginative way for complete beginners to learn the piano with the world's most successful concert pianist, Lang Lang. There's plenty to play all around the keyboard right from the start. Fun, imaginative pieces develop the left and right hands equally and supporting audio features exclusive performances by Lang Lang of the concert pieces. Musicianship is developed through theory pages and listening to exclusive performances by Lang Lang of piano classics for children. "I've written The Lang Lang Piano Method to inspire today's kids with my passion for the piano." Lang Lang

(Faber Piano Adventures ). This highly effective sightreading course is developed specifically for the needs of the older beginner. There are five variations of each piece from the Accelerated Lesson Book 1, one for each day between lessons. Learning activities scattered throughout the book build pattern recognition skills. Concepts include: fundamental rhythms (including eighth notes), all the notes of the grand staff, intervals, and five-finger scale melodies in C and G.

This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory.

Specially arranged in a clear, easy-to-read format, The Easy Piano Series: Classical contains 16 really easy arrangements of classical greats for the Grade 1-2 level pianist. With music by Bach, Beethoven, Mozart, Schubert, Holst, Tchaikovsky and more.

Nikki Iles & Friends Book 2 is a collection of 13 original compositions and new arrangements for piano written by Nikki Iles and her friends from the world of jazz. Expertly curated and commissioned by Nikki Iles, this book contains piano pieces at the levels of Grades 6 to 8 written by some of the best-known figures on the jazz scene. Also including a CD with recordings of every piece, this book provides a wealth of new and original jazz piano music for those seeking to explore accessible jazz repertoire, building a recital or a programme for ABRSM Performance Grades, or simply playing for pleasure. Contents: Fly Me to the Moon (arr. Nikki Iles) Tilt that Woolly Hat (Julian Joseph) Abide with Me (arr. Pete Churchill) Shenandoah (arr. Nikki Iles) Lakeshore Drive (Andrea Vicari) Eco Warrior (Tim Garland) Yewfield (based on Clapperclowe) (arr. Nikki Iles) Time Will Tell (Kate Williams) Lower East Side (Nikki Iles) Kickin' Off (Jason Rebello) A Nightingale Sang in Berkeley Square (arr. Nikki Iles) Go with the Flow (Zoe Rahman) On a Mission (Gwilym Simcock)

The Foundation Pianist is a set of two books for students beyond the beginner stage who want to develop a technical and musical foundation to help them progress on to intermediate levels. Exploring piano technique through a variety of elements, the books include daily exercises, sight-reading, repertoire and musical time travel. This series not only develops students' technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, from madrigals to symphonies and operas to concertos.

Graded Keyboard Musicianship provides graded and integrated exercises for developing five core skills at the keyboard: figured bass, score-reading, transposition, harmonization, and improvisation. Organized into two books, it develops these skills from an elementary level, providing support for practical and theoretical music exams, and for teaching harmony. Book 1 assumes keyboard ability of Grade 1 ABRSM standard and covers up to Grade 5, while Book 2 covers Grades 6 to 8. The bite-size approach, catering for pianists and organists, uses practical worksheets of exercises alongside supplementary text.

Beethoven's Moonlight Sonata, Op. 27, No. 2 is among the most popular and most frequently performed compositions by any great composer. Reflecting the depth of Beethoven's musical power, the Moonlight Sonata is one of the best-loved sonatas Beethoven ever composed. In this Belwin Classic Library edition, each page of the music is spaciously laid out, meticulous and uncluttered, with clear, clean engraving. All three movements are included: I. Adagio sostenuto, II. Allegretto, and III. Presto agitato.

Vlado Perlemuter had the privilege, as a young man in 1927, of studying all of Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations supplemented with numerous musical examples. This edition also deals with the two piano concertos. The value of Ravel According to Ravel is obvious, but the comprehensive background notes which are woven into the conversational fabric give it a much wider appeal. Performers and listeners alike will find it a fascinating guide to the magical sound-world of Ravel's piano music.

Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger's contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger's death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger's organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.

This new edition of the award-winning encyclopedia has been thoroughly revised, updated and expanded to include new technological advances, scholarship and bibliographic information. An international team of distinguished specialists has contributed over 440 entries including information on everything from builders, composers, and important events to technical descriptions and research discoveries. Uniformly well-written and authoritative, this user-friendly guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.

Includes entries on:

70 Builders

65 Composers

Over 200 technical terms

History, by country and of the piano's evolution

Important developments, organizations and piano types

The piano trio has been a favorite medium for composers since its inception with Franz Joseph Haydn's compositions for violin, cello, and piano. There have been numerous compositions by many composers since that time, and the piano trio continues to interest composers today. In the United States composers began writing for this combination in the nineteenth century, following European traditions. In the twentieth century, the number of composers and compositions has seen a phenomenal increase. American Piano Trios: A Resource Guide provides information about works for piano trios (violin, cello, and piano) by American composers, including naturalized United States citizens. The information includes a brief biographical sketch of each composer, occasional comments by the composer, and notable information that might lead to a further exploration of his or her work and possible performance. Two appendixes provide contact information about active performers of piano trios and a list of classical music websites.