SIX the musical by Toby Marlow and Lucy Moss has been hailed as, 'the most uplifting piece of new British musical theatre' (The Evening Standard) and is the phenomenon everyone is losing their head over! Critically acclaimed across the UK with a soundtrack storming up the UK pop charts, the sell-out intoxicating musical tells the story of the six wives of Henry VIII. This official Easy Piano songbook remixes five hundred years of historical heartbreak into a celebration of 21st century girl power, with easy arrangements of all nine songs from the show specially arranged by the SIX Musical Supervisor, Joe Beighton. Special content includes an introduction about the songs and costume illustrations.

This book may be used by students in Level 1A or the Complete Level 1 of Alfred's Basic Piano Library or in the first or second book of any method. Titles: The Christmas Song * Frosty the Snowman * Happy Holiday * (There's No Place Like) Home for the Holidays * I'll Be Home for Christmas * Let It Snow! Let It Snow! Let It Snow! * Rudolph, the Red-Nosed Reindeer * We Need a Little Christmas.

This book contains nine pieces from ABRSM's Grade 2 Piano syllabus for 2023 & 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.Audio recordings of all 39 pieces on the Grade 2 syllabus, performed by expert musicians, are included (via the download code in the book). A version of this book without audio download is also available.

This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.

Responding to popular demand, Dan Coates has compiled a complete collection of 77 great songs for all occasions, to be played by the advanced piano player. Titles include love and wedding favorites, Broadway standards, pop and country ballads, movie and TV hits, and many more. Two selections "Colors of the Wind" and "Star Wars" are included on the Royal Conservatory of Music Popular Selection List (2009 Ed.) (These arrangements were originally published in item #AF9842.)

After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to the Super Mario Bros.(tm) video game series. The 34 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic "Super Mario Bros.(tm) Ground Background Music" to the New Super Mario Bros.(tm) Wii(tm) themes, the dozens of pieces in this book represent two and a half decades of Nintendo(R) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.
Titles: Super Mario Bros.(tm) Ground Background Music * Super Mario Bros.(tm) Underground Background Music * Super Mario Bros.(tm) Underwater Background Music * Super Mario Bros.(tm) Castle Background Music * Super Mario Bros.(tm) Invincible Background Music * Super Mario Bros.(tm): The Lost Levels Ending * Super Mario Bros.(tm) 3 Map 1 * Super Mario Bros.(tm) 3 Ground Background Music * Super Mario Bros.(tm) 3 Boss of the Fortress * Super Mario Bros.(tm) 3 Skyship Background Music * Super Mario World(tm) Title * Super Mario World(tm) Castle Background Music * Dr. Mario(tm) Chill * Dr. Mario(tm) Title Background Music * Super Mario Kart(tm) Mario Circuit * Super Mario World(tm) 2 Yoshi's Island(tm) Athletic * Super Mario World(tm) 2 Yoshi's Island(tm) Ground Background Music * Super Mario 64(tm) Main Theme * Super Mario 64(tm) Water Land * Mario Kart(tm) 64 Circuit * Super Mario Sunshine(tm) Dolpic Town * New Super Mario Bros.(tm) Title * New Super Mario Bros.(tm) Giant Background Music * New Super Mario Bros.(tm) Battle Background Music 2 * New Super Mario Bros.(tm) Battle Background Music 1 * Super Mario Galaxy(tm) Ending Staff Credit Roll * Mario Kart(tm) Wii(tm) Rainbow Road * New Super Mario Bro

Using a replica of Beethoven's Erard piano, scholar and performer Tom Beghin launches a striking reinterpretation of a key period of Beethoven's work. In 1803 Beethoven acquired a French piano from the Erard Freres workshop in Paris. The composer was "so enchanted with it," one visitor reported, "that he regards all the pianos made here as rubbish by comparison." While Beethoven loved its sound, the touch of the French keyboard was much heavier than that of the Viennese pianos he had been used to. Hoping to overcome this drawback, he commissioned a local technician to undertake a series of revisions, with ultimately disappointing results. Beethoven set aside the Erard piano for good in 1810. Beethoven's French Piano returns the reader to this period of Beethoven's enthusiasm for all things French. What traces of the Erard's presence can be found in piano sonatas like his "Waldstein" and "Appassionata"? To answer this question, Tom Beghin worked with a team of historians and musicians to commission the making of an accurate replica of the Erard piano. As both a scholar and a recording artist, Beghin is uniquely positioned to guide us through this key period of Beethoven's work. Whether buried in archives, investigating the output of the French pianists who so fascinated Beethoven, or seated at the keyboard of his Erard, Beghin thinks and feels his way into the mind of the composer, bringing startling new insights into some of the best-known piano compositions of all time.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

(Willis). Part 1 of a comprehensive step-by-step course specifically designed to suit the needs of all students beginning the piano. Includes: characters and illustrations * writing exercises * sight reading drills * review work * accompaniments * accompaniments for teacher or parent. Beloved worldwide since 1955 and now with audio tracks accessible online!

Now available in paperback, the critically acclaimed, lyrical, analytical, yet deeply affecting (The Washington Post) memoir about one woman's obsessive search for the perfect piano-- and about finding and pursu- ing passion at any age. The daughter of a pro- fessional musician, Perri Knize was raised in a home saturated in classical music, but it wasn't until adult- hood that she returned to the one instrument that mesmer- ized her most: the piano. When, in her forties, Perri decides to buy a piano of her own, she begins by searching for a modestly priced upright, but falls madly, illogically, in love with a rare German grand she discovers in a New York showroom. After a long dalliance, Knize refinances her house to purchase her piano and has the instru- ment shipped to Montana. But when it arrives, the magical sound that enthralled her is gone, and the tone is dead and dull. One piano tuner after another arrives to fix it, but no one can. Knize sets out on an epic journey to restore the instru- ment to its rightful sound and to understand its elusive power. This quest leads her into an international subculture of piano aficionados, all intrigu- ing and eccentric characters-- concert artists, dealers, tech- nicians, composers, designers, and builders--whose lives have been transformed by the spell of a piano. She even hikes into the Austrian Alps to learn how the special trees used to build her piano are grown and harvested. Beautifully composed, passionately told, Grand Obsession is itself a musical masterpiece-- and will resonate with anyone who has ever expe- rienced deeply passionate desire.

While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin's works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin's works, this book explores the extent to which Chopin's oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlinska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gerard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.

Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d'ephemeride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.

Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Ninth Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire-which includes classical pieces and folk, jazz, dance, and blues tunes-providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments.