A discography and bibliography of music written for the modern harpsichord, this volume features more than 800 mass-marketed recordings of some 600 compositions written after the revival of the harpsichord (ca. 1889). Also included is information pertaining to performances of compositions arranged for harpsichord. Although the modern harpsichord is a much greater part of 20th-century music than one might imagine, it is about to become a relic because of its historical incorrectness. This will leave sound recordings as the prime medium of information for contemporary compositions, most of which cannot be adequately performed on any other instrument. The modern harpsichord consists of two manuals with at least four stops—one 4-foot, two 8-foot, and one 16-foot—operated by pedals. This type of harpsichord (except for the 16-foot stop) has been in existence since 1889. The new design, popular for many years, has fallen on hard times due to its lack of resonance and its historically inaccurate disposition of stops. Because it may well become an instrument of the past, this volume, which documents music composed specifically for the modern harpsichord, is especially valuable.

(Beginning Piano Solo Songbook). 20 beloved hymns beautifully arranged by Phillip Keveren, including: All Hail the Power of Jesus' Name * Be Still My Soul * Be Thou My Vision * The Church's One Foundation * Faith of Our Fathers * How Firm a Foundation * I Surrender All * Nearer, My God, to Thee * Softly and Tenderly * 'Tis So Sweet to Trust in Jesus * and more.

Easy piano arrangements with song lyrics and chord symbols complete with song background notes and playing hits and tips. Suitable for grades 1 - 3.

New synths with unique features and layers of complexity are released frequently, with hundreds of different synths currently available in the marketplace. How do you know which ones to use and how do you get the most out of the ones you already own? The Musical Art of Synthesis presents synthesizer programming with a specific focus on synthesis as a musical tool. Through its innovative design, this title offers an applied approach by providing a breakdown of synthesis methods by type, the inclusion of step-by-step patch recipes, and extensive web-based media content including tutorials, demonstrations, and additional background information. Sam McGuire and Nathan van der Rest guide you to master synthesis and transcend the technical aspects as a musician and artist. Synths are presented using a multi-tiered system beginning with basic instructions for all common synth techniques. Historical information is included for each type of synth, which is designed to help you understand how each instrument relates to the bigger picture. Advanced level instruction focuses on modern implementations and on mobile devices, with special focus on performing and practical usage. The goal The Musical Art of Synthesis is to bring all of the different types of together in the same discussion and encourage you to see the similarities and differences that force you to gain a better overall understanding of the synthesis process. Key features of this title: * This book will teach you how to put synthesizers to use with easy-to-use synth patch recipes * Using a unique, multi-tiered approach applicable to the level of equipment in use, this publication introduces concepts that apply to a wide range of hardware/software synthesizers. * A robust companion website, featuring video demonstrations by synthesizer experts, further supports the book: www.focalpress.com/cw/mcguire

Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Ninth Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire-which includes classical pieces and folk, jazz, dance, and blues tunes-providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments.

(Music Sales America). Arranged here for violin with piano accompaniment, Rieding's Concerto in B Minor, Op. 35 is a spirited and relatively simple work, covering the first position on the violin. The solo violin part is also included on a separate insert.

Learn everything you need to know about keyboard chords and open up a brand new world of musical knowledge with this exciting method from Alfred. Keyboard players of all ages can continue their journey to a lifetime of playing either acoustic or electronic keyboard. Beginning with a review of the fundamentals, you will find a helpful section on how to use this book as a self-teaching guide and chord dictionary, and a recap of basic music theory. You will then move right along to learning about basic, intermediate, and advanced chords, lesson by lesson, all while continuing to increase your knowledge of music theory.
The book features the following helpful resources for reference during and after your lessons:
* Quick-find index
* Abbreviations
* Major scales chart
* Master chart of all chords presented in the book
Be your own teacher, and let Alfred be your resource every step of the way.

for SATB and organ This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer respite, as one is safe in the omnipresence of God. Tranquil yet powerful, this work captures a sense of the total stillness after a storm. The sustained chords in the organ swell and fall, binding and supporting the choir's phrases while adding to the magical atmosphere of the anthem.

The Universal Edition is designed for all English-speaking countries outside of the United States, including Canada, the U. K. and Australia. This edition uses the British system of terminology for rhythmic values such as "crotchet" for quarter note.

This book may be used by students in Level 1A or the Complete Level 1 of Alfred's Basic Piano Library or in the first or second book of any method. Titles: The Christmas Song * Frosty the Snowman * Happy Holiday * (There's No Place Like) Home for the Holidays * I'll Be Home for Christmas * Let It Snow! Let It Snow! Let It Snow! * Rudolph, the Red-Nosed Reindeer * We Need a Little Christmas.

Praeludium, 5 Toccatas, 3 Fugues, Ricercari, Ciacona. The comb binding creates a lay-flat book that is perfect for study and performance.

The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.

Jazz, Rags & Blues, Books 1 through 4, contain original solos for late elementary to late intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The CD includes dynamic recordings of each song.

(Faber Piano Adventures ). A collection of effective pieces in a variety of styles. Contents include: Allegro * Alouette * Backpacking * Boogie in 3rds * Carousel Melody * Clock Tower Bells * For He's a Jolly Good Fellow * Greensleeves * The Handbell Choir * Horse and Sleigh * La Cinquantaine * March of the English Guard * A Merry March * more.

(Music Sales America). Noel 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Renaissance to the present: from Bach and Sweelinck, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton and works by today's composers include Richard Rodney Bennett, Eric Whitacre, John Tavener, Tarik O'Regan and Richard Allain. Among the 43 anthems, mixed voice choirs of all levels will find new arrangements of favorite carols, hymns with new descants, as well as stimulating original works for the Christmas season. Songs include; Angelus Ad Virginem * Coventry Carol * E'en So, Lord Jesus, Quickly Come (Manz) * Gloria, Dei Sir Gesungen (Bach) * Hark! The Herald Angels Sing (Mendelssohn) * Lullay My Liking (Holst) * Once in Royal David's City * Of a Rose (McDowall) * Resonet in Laudibus (Praetorius) * Rocking (Tavener) * Threshold of Night (O'Regan) * Torches (Joubert) * What Sweeter Music (Allain) * and more.

The second Oxford Book of Ceremonial Music for Organ is a practical collection of repertoire covering a wide range of uses, from formal public events to more private occasions. The music is stylistically varied, encompassing both flamboyant extravagance and restrained solemnity. Selected with players of intermediate to advanced ability in mind, the collection includes established favourites and attractive new arrangements of well-known works, alongside newly commissioned pieces.

Here's a great three-movement work that can be performed as a suite or with the movements played independently. The Fanfare is brief, yet creates a brilliant opening with bright, fanfare-type rhythms ending with full chords. The Chaconne is a melodic movement primarily in 6/4 with a flowing melody accompanied by a moving left hand and a simple pedal part. The group ends with a full Sortie involving full chords and a rhythmic right hand. Triplet patterns lead to the full chords and full organ at the climatic conclusion.

(Willis). The Modern Course series provides a clear and complete foundation in the study of the piano that enables the student to think and feel musically. It may be preceded by the Teaching Little Fingers to Play series. Proceeds in all directions from the point of advancement reached at the end of the Third Grade book with particular emphasis given to style.

A piece a week Piano Grade 5 is ideal to be used alongside the Improve your sight-reading! graded piano books to support and improve the reading skills so fundamental to successful sight-reading. These fun, short pieces are specifically written to be learnt one per week. By continually reading accessible new repertoire, the crucial processing of information and hand-eye coordination are established and improved, developing confident sight-reading. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills, especially in the context of graded exams.

Keyboard Skills for Music Educators: Score Reading is the first textbook that provides the depth of material and insight of seasoned music educators necessary to equip future educators with the ability to play from an open score at the keyboard. Score reading can be a daunting prospect for even the most accomplished pianist, but it is a skill required of all choral and instrumental music instructors. Although most music education curricula include requirements to achieve a certain level of proficiency in open score reading, standard textbooks contain very little material devoted to developing this skill.

This textbook provides a gradual and graded approach, progressing from two-part reading to four or more parts in a variety of clefs. Each chapter focuses on one grouping of voices and provides many musical examples from a broad sampling of choral and instrumental repertoire ranging from Renaissance to contemporary works.

The New International Edition of Suzuki Piano School, Volume 5, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately.
The contents have changed to include Romantic pieces: Schumann's "About Foreign Lands and People" and Chopin's "Waltz in A Minor." Daquin's "The Cuckoo" has been moved here from Book 6. Schumann's "First Loss" and "Siciliana" as well as J. S. Bach's "Prelude in C" have been permanently removed.
Titles: F?r Elise, WoO 59 (Beethoven) * Old French Song, from the Album for the Young, Op. 39, No. 16 (Tchaikovsky) * Invention No. 1 in C Major, BWV 772, from 15 Two-Part Inventions (J. S. Bach) * Sonatina in F Major, Anh. 5, No. 2 (Beethoven) * About Foreign Lands and People, from Scenes from Childhood (Schumann) * Sonata in C Major (Allegro con brio; Adagio; Allegro), Hob. XVI/35 (Haydn) * Waltz in A Minor, Op. posthumous (Chopin) * The Cuckoo (Daquin).