Discoveries from the Fortepiano meets the demand for a manual on authentic Classical piano performance practice that is at once accessible to the performer and accurate to the scholarship. Uncovering a wide range of eighteenth-century primary sources, noted keyboard pedagogue Donna Gunn examines contemporary philosophical beliefs and principles surrounding Classical Era performance practices. Gunn introduces the reader to the Viennese fortepiano and compares its sonic and technical capabilities to the modern piano. In doing so, she demonstrates how understanding Classical fortepiano performance aesthetics can influence contemporary pianists, paying particular focus to technique, dynamics, articulation, rhythm, ornamentation, and pedaling. The book is complete with over 100 music examples that illustrate concepts, as well as sample model lessons that demonstrate the application of Gunn's historically informed style on the modern piano. Each example is available on the book's companion website and is given three recordings: the first, a modern interpretation of the passage on a modern piano; the second, a fortepiano interpretation; and the third, a historically informed performance on a modern piano. With its in-depth yet succinct explanations and examples of the Viennese five-octave fortepiano and the nuances of Classical interpretation and ornamentation, Discoveries from the Fortepiano is an indispensable educational aid to any pianist who seeks an academically and artistically sound approach to the performance of Classical works.

(BH Piano). 29 pieces, including selections from Anna Magdalena's Note Book, The Little Clavier Book, and other suitable works for the beginning pianist.

This work offers a selection of Philip Glass's most successful and best-loved pieces for solo Piano, brought together in one collection. These pieces include selections from the BAFTA-winning and 2003 Academy Award[registered] nominated film "The Hours". Also included is the "Trilogy Sonata for Piano" and pieces from the "Metamorphosis Suite". The songs include: "An Unwelcome Friend", "Dead Things", "I'm Going To Make A Cake", "Something She Has To Do", "Tearing Herself Away", "The Hours", "The Poet Acts", "Why Does Someone Have To Die?", and, "Metamorphosis". The Trilogy Sonata for piano includes: "Knee Play No.4" (from "Einstein on the Beach"); "Satyagraha" (Conclusion, Act III); "Dance from 'Akhnaten'" (Scene III); "Modern Love Waltz"; and "Opening Piece" from "Glassworks".

Method Book 3. This third volume of The Classical Piano Method is for students who have completed Method Book 2, or for those who already have a firm grounding in playing the piano and are returning to the instrument.Clearly laid out and progressing in small, manageable steps the book features interesting, varied and well-known repertoire from the Baroque, Classical and Romantic erasIncludes a CD recording of all pieces providing model performances to help you learn. Can be supplemented with additional Repertoire, Duet and Finger Fitness books.

A new repertoire book offering learners at or approaching Grade 1 level a wide range of fun and creative compositions and arrangements by leading educational composers. The book includes a number of duets as well as solos (and a party-piece trio!) and all pieces have been tried out - and approved! - by children. Brought to life with eye-catching colour illustrations, this collection of pieces will capture the imagination of young pianists everywhere.

(Music Sales America). Expert blues piano teacher and player Eric Kriss presents clear step-by-step directions to the major styles and techniques essential for mastering the blues. He explains chord structure, bass lines, slides and syncopation, and more.

(Piano Collection). Includes three complete studies in one inexpensive volume for use in lessons.

Vlado Perlemuter had the privilege, as a young man in 1927, of studying all of Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations supplemented with numerous musical examples. This edition also deals with the two piano concertos. The value of Ravel According to Ravel is obvious, but the comprehensive background notes which are woven into the conversational fabric give it a much wider appeal. Performers and listeners alike will find it a fascinating guide to the magical sound-world of Ravel's piano music.

More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice.

The second edition of William Phemister's The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania Leon and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.

The great Wicked songs arranged as piano duets! The book also comes with a CD that features separate tracks for the Primo and Secondo parts - perfect for practice and performance! 8 selections from the hit musical, including: Dancing Through Life * Defying Gravity * For Good * I Couldn't Be Happier * I'm Not That Girl * Popular * What Is This Feeling? * The Wizard and I.

for organ
Part of the progressive series for manuals, this sixth book includes 15 titles for the advanced organist.

Performance is a forum for social action, embodied interaction and shared authority. Recently, as the various acts and agencies surrounding a performance have become the target of scholarly interest, the complex split between theory and practice has been challenged, as has the idea of a singular, disembodied authorial ownership of the socio-material meanings surrounding performance. The Embodiment of Authority approaches performance, issues of authority and negotiated knowledge production through multi-material research data and interdisciplinary methods. The book discusses the relationship between authorial questions and performances via the following topics: shared authorities, ontologies of art work, diverse roles of rehearsals in the performance process, and embodied knowledge.